Acclaimed UK producer and engineer MattKarmil will release his new album, STS371, on March27th via SmalltownSupersound, and today presents a new single, “210.” Following lead single “PB,” “210” opens with shuffling synthesizer, later quickening with a muted, staccato beat.
“210 is named after a hotel room in Amsterdam,” says Karmil, “although not one I’ve ever stayed in. I like the way the chord hangs in the air and it’s, to me at least, somehow both intimate and urgent.”
STS371 is Karmil’s most concise album to date, with his signature mix of minimalism and reverb-drenched house still being the backbone of his warm, rich, atmospheric and melancholic sound. It was made largely while Karmil was traveling in a nonlinear process of recording. Anticipating the completion of his music studio in The Cotswolds in England, Karmil favored “on the fly” production methods to finish his album.
While his works fit within the tradition of techno’s timeless anonymity, Karmil’s highly personal music is anything but a xerox on dance music’s previous life. As Karmil puts it – minimally, simply and functionally: “I made a conscious effort to up the energy, and found a collection of tunes that felt coherent to me.”
STS371 follows 2018’s Will. Since the release of Will he has co-produced and mixed KornélKovács’ acclaimed StockholmMarathon. He has also worked with, among many others, MatiasAguayo for CrammedDiscs and Talaboman for R&S, as an engineer, mixing and mastering.
Today Protomartyr announce their fifth album, Ultimate SuccessToday, out May 29th on Domino. Following the release of Relatives In Descent, the band’s critically acclaimed headlong dive into the morass of American life in 2017 (featured on myriad “best of” lists, including The New York Times, Esquire, Newsweek, and more), Ultimate Success Today continues to further expand the possibilities of what a Protomartyr album can sound like. Along with today’s album announcement, the band shares the video for their first single “Processed By The Boys,” and announces a summer North American tour. WATCH THE VIDEO FOR “PROCESSED BY THE BOYS” http://smarturl.it/PBTBYT
PRE-ORDER ULTIMATE SUCCESS TODAY Domino Mart | Digital “There is darkness in the poetry of Ultimate Success Today,” says punk legend, founding member of the Raincoats, and friend of the band Ana da Silva. “The theme of things ending, above all human existence, is present and reminiscent of Cormac McCarthy’s The Road. Our world has reached a point that makes us afraid: fires, floods, earthquakes, hunger, war, intolerance…There are cries of despair. Is there hope? Greed is the sickness that puts life in danger.”
“The re-release of our first album had me thinking about the passage of time and its ultimate conclusion,” says singer Joe Casey of Ultimate Success Today. “Listening to No Passion All Technique again, I could hear myself hoping for an introduction and a long future, but also being cognizant that it could be ‘one and done’ for us. So, when it came time to write Ultimate Success Today, I was reminded of that first urgency and how it was an inverse of my current grapple with how terribly ill I’ve been feeling lately. Was that sick feeling coloring how I felt about the state of the world or was it the other way around?”
“This panic was freeing in a way. It allowed me to see our fifth album as a possible valediction of some confusingly loud five-act play. In the same light I see it as an interesting mile marker of our first decade of being a band – a crest of the hill along a long highway. Although just to cover my bases, I made sure to get my last words in while I still had the breath to say them.”
“There are exquisite, subtle gifts from other instruments that always heighten the guitar, instead of fighting with it,” explains da Silva. “They help to create a harmonious wall of sound all of its own. This was intentional. Greg Ahee wanted to use different textures other than pedals, and the drone quality of some of those instruments colours the guitar and the whole sound with a warm, rich in reverb, yet all-consuming landscape for Joe Casey’s voice.”
The video for “Processed By The Boys,” directed by David Allen & Nathan Faustyn and produced by HLPTV & LooseMeat.Biz, is a play on a bizarre Brazilian TV clip the band became infatuated with. A man sings to a studio audience, while a member of the audience becomes enraged by a puppet, leading the whole situation to devolve into total chaos. “As soon as we heard the concept, we knew how to take the band’s ideas and coalesce them into this sort of timeless public access chaos,” says Faustyn. “Because of the nature of HLPTV & LooseMeat.Biz and who we are – professional and hobbyist technicians – we knew we could pull off a really strange, funny and sardonically dark compendium to this song that is equally such.”
Protomartyr is Joe Casey (vocals), Greg Ahee (guitars), Alex Leonard (drums), and Scott Davidson (bass guitar). Ultimate Success Today was recorded at Dreamland Recording Studios, a late 19th century church, in upstate New York and co-produced by the band and David Tolomei (Dirty Projectors, Beach House) with mixing by Tolomei. Featured guest musicians on the album include Nandi Rose (vocals) a.k.a. Half Waif, jazz legend Jemeel Moondoc (alto sax), Izaak Mills (bass clarinet, sax, flute), and Fred Lonberg-Holm (cello).
Ultimate Success Today is available to pre-order now on LP, CD and digital formats. A limited blue-in-red colored edition of the LP is available exclusively on the Domino Mart.
ULTIMATE SUCCESS TODAY TRACKLISTING
1. Day Without End 2. Processed By The Boys 3. I Am You Now 4. The Aphorist 5. June 21 6. Michigan Hammers 7. Tranquilizer 8. Modern Business Hymns 9. Bridge & Crown 10. Worm In Heaven
PROTOMARTYR TOUR DATES (new dates in bold)
Mon. April 27 – London, UK @ Peckham Audio – SOLD OUT Tue. April 28 – London, UK @ The Lexington – SOLD OUT Wed. April 29 – Paris, FR @ La Boule Noire – SOLD OUT Thu. April 30 -Utrecht, NL @ Ekko – SOLD OUT Sat. May 2 -Berlin, DE @ Ubran Spree Sun. May 3 – Berlin, DE @ Urban Spree Mon. May 4 – Groningen, NL @ Vera Tue. May 5 – Brussels, BE @ Nuits Botanique Mon. June 1 – Toronto, ON @ Lee’s Tue. June 2 – Montreal, QC @ Le Ritz Wed. June 3 – Boston, MA @ Sinclair Thu. June 4 – Brooklyn, NY @ Elsewhere Sat. June 6 – Philadelphia, PA @ Underground Arts Sun. June 7 – Washington, DC @ Black Cat Tue. June 9 – Raleigh, NC @ Kings Wed. June 10 – Atlanta, GA @ Earl Thu. June 11 – New Orleans, LA @ Gasa Gasa Fri. June 12 – Dallas, TX @ Club Dada Mon. June 15 – Tucson, AZ @ Hotel Congress Tue. June 16 – Phoenix, AZ @ Rebel Lounge Wed. June 17 – San Diego, CA @ Casbah Thu. June 18 – Los Angeles, CA @ Lodge Room Fri. June 19 – Los Angeles, CA @ Lodge Room Sat. June 20 – Oakland, CA @ Starline Social Club Mon. June 22 – Portland, OR @ Wonder Ballroom Tue. June 23 – Seattle, WA @ Crocodile Fri. June 26 – Minneapolis, MN @ 7th Street Entry Sat. June 27 – Milwaukee, WI @ Cactus Club Sun. June 28 – Chicago, IL @ Thalia Hall Protomartyr Online: https://www.facebook.com/protomartyr https://soundcloud.com/protomartyr http://pitchperfectpr.com/protomartyr https://protomartyr.bandcamp.com http://www.dominorecordco.us/artists/protomartyr
Australian punk band The Chats will release their debut album, High Risk Behaviour, on March 27th via Bargain Bin Records/Cooking Vinyl Australia. Ahead of their North American tour, which kicks off next month, they present a new single, “Dine N Dash,” and its accompanying video. Following lead single “The Clap,” “Dine N Dash” is fierce, funny, and sweaty. The video, directed by Matt Weston, finds The Chats in an unfamiliar environment, eating a succulent steakhouse meal while embracing the piss poor status of their wallets and outright brazenness to get a decent feed.
“We filmed at Walters steakhouse in Brisbane,” says Josh Price. “It was the best steak I’ve had. Definitely gave the bowlsie a run for its money. No mushy gravy though.” Eamon Sandwith adds: “Ya know you’re in a fancy restaurant when the chips and salad aren’t included.”
The Chats – made of Eamon Sandwith, Matt Boggis, and Josh Price – formed in 2016 while still in high school. Since then, they’ve released a self-titled EP in 2016 and 2017’s Get This In YaEP, and have accrued a fanbase that includes Dave Grohl, Queen of the Stone Age’s Josh Homme, and Iggy Pop – the latter two who asked the band to open on their respective Australian tours. And despite being the subject of a record label bidding war, they’re releasing High Risk Behaviour on their own label (Bargain Bin Records). It’s indicative of a band that has embraced DIY culture since day one. Their determination to do things “our way” extends to their music, which is why High Risk Behaviour delivers everything you’ve come to love from The Chats – only more of it – and confirms their status as Queensland’s greatest ever export.
To create High Risk Behaviour, the band worked with engineer Bill Gardner in his studio on the Australian coast. It took nearly 18 months to finish and several, quick-paced sessions. “If we’d just done a week and slogged it out we could have had an album before now but we just kept going in there and making newer and better songs so it’s hard to put a stop on it,” says Sandwith. WATCH VIDEO FOR “THE CLAP” https://youtu.be/POM_98oi0oo
THE CHATS TOUR DATES: Fri. April 10 – Indio, CA @ Coachella Sat. April 11 – Berkeley, CA @ The UC Theatre Sun. April 12 – Sacramento, CA @ Ace of Spades Mon. April 13 – Portland, OR @ Crystal Ballroom Tue. April 14 – Seattle, WA @ El Corazon Fri. April 17 – Indio, CA @ Coachella Sat. April 18 – San Diego, CA @ Observatory North Park Sun. April 19 – Phoenix, AZ @ Crescent Ballroom Mon. April 20 – Santa Fe, NM @ Meow Wolf Wed. April 22 – Dallas, TX @ House of Blues Thu. April 23 – Austin, TX @ Emo’s Fri. April 24 – Houston, TX @ Bronze Peacock at House of Blues Sun. April 26 – Denver, CO @ Marquis Theatre Tue. April 28 – St. Paul, MN @ Amsterdam Bar & Hall Wed. April 29 – Chicago, IL @ House of Blues Thu. April 30 – Nashville, TN @ Exit/In Fri. May 1 – Atlanta, GA @ Buckhead Theatre Sat. May 2 – Charlotte, NC @ Epicenter Festival Sun. May 3 – Washington, DC @ The Fillmore Silver Spring Tue. May 5 – Philadelphia, PA @ Theatre of Living Arts Wed. May 6 – Boston, MA @ Paradise Rock Club Thu. May 7 – Brooklyn, NY @ Warsaw Wed. Oct. 7 – Amsterdam, BL @ Melkweg Max Sat. Oct. 10 – Paris, FR @ Maroquinerie Sun. Oct. 11 – Cologne, DE @ Gloria Mon. Oct. 12 – Hamburg, DE @ Gruenspan Tue. Oct. 13 – Berlin, DE @ Festsaal Kreuzberg Fri. Oct. 16 – Southampton, UK @ 1865 Sat. Oct. 17 – Nottingham, UK @ Rock City Mon. Oct. 19 – Dublin, IE @ Olympia Tue. Oct. 20 – Belfast, UK @ Limelight Thu. Oct. 22 – Glasgow, UK @ Galvanizers Fri. Oct. 23 – Manchester, UK @ O2 Academy Sat. Oct. 24 – Newcastle, UK @ Boiler Shop Sun. Oct. 25 – Leeds, UK @ Stylus Mon. Oct. 26 – Brighton, UK @ Dome Tue. Oct. 27 – Bristol, UK @ O2 Academy Wed. Oct. 28 – London, UK @ Electric Brixton Thu. Oct 29 – London, UK @ Electric Brixton THE CHATS ONLINE: https://www.thechatslovebeer.com/ https://www.facebook.com/thechatsband/ https://thechatslovebeer.bandcamp.com/ https://www.instagram.com/thechatslovebeer/?hl=en
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Wilco photo by Annabel Mehran, Sleater-Kinney photo by Nikko LaMere
Wilco and Sleater-Kinney are pleased to announce their “It’s Time” Summer 2020 co-headlining tour. After their respective North American and European runs in support of last year’s Ode To Joy(out now on dBpm Records), Wilco will return stateside, closing out each night of their co-headlining tour with Sleater-Kinney, who just closed out their The Center Won’t Hold tour. The entirety of the tour is made up of outdoor amphitheatres and venues, including a show in Wilco’s hometown of Chicago at Millennium Park’s Pritzker Pavilion, Nashville’s AscendAmphitheater, Morrison, CO’s Red Rocks Amphitheatre, and more. Tickets for these newly-announced shows are on sale now.
Wilco Tour Dates (new dates in bold): Sat. March 21 – Vancouver, BC @ Orpheum Theatre & Mon. March 23 – Portland, OR @ Arlene Schnitzer Concert Hall & Tue. March 24 – Portland, OR @ Arlene Schnitzer Concert Hall ^ Thu. March 26 – Santa Rosa, CA @ Luther Burbank Centers For The Arts ^ – SOLD OUT Fri. March 27 – Oakland, CA @ Fox Theater ^ – SOLD OUT Sat. March 28 – Oakland, CA @ Fox Theater ^ – SOLD OUT Sun. March 29 – San Jose, CA @ San Jose Civic ^ Tue. March 31 – San Francisco, CA @ The Fillmore – SOLD OUT Wed. April 1 – Los Angeles, CA @ Orpheum Theatre ^ Thu. April 2 – Los Angeles, CA @ Orpheum Theatre % – SOLD OUT Sat. April 4 – Las Vegas, NV @ Brooklyn Bowl % Sun. April 5 – Los Angeles, CA @ Hollywood Palladium % Wed. April 15 – Jackson, MS @ Thalia Mara Hall $ Thu. April 16 – Mobile, AL @ Saenger Theatre $ Sat. April 18 – St. Augustine, FL @ St. Augustine Amphitheatre $ Sun. April 19 – North Charleston, SC @ High Water Festival Fri. May 15 – Chicago, IL @ Vic Theatre (JEFF TWEEDY SOLO SHOW) Sat. May 16 – Chicago, IL @ Vic Theatre (JEFF TWEEDY SOLO SHOW) Fri. June 19 – Kent, UK @ Black Deer Festival Mon. June 22 – Merignac, FR @ Krakatoa Tue. June 23 – Nimes, FR @ La Paloma Thu. June 25 – Murcia, ES @ Plaza de Toros Fri. June 26 – Madrid, ES @ Noches Del Botánico Sat. June 27 – Valencia, ES @ 4ever Festival Sun. June 28 – Barcelona, ES @ Suite Festival Tue. June 30 – San Sebastian, ES @ Auditorio del Centro Kursaal Thu. July 2 – Werchter, BE @ FestivalPark Rock Werchter Wed. July 3 – Beuningen, NL @ Down the Rabbit Hole Festival Thu. Aug. 6 – Spokane, WA @ First Interstate Center for the Arts @ Sat. Aug. 8 – Big Sky, MT @ Peak to Sky @ Tue. Aug. 11 – Morrison, CO @ Red Rocks Amphitheatre @* Thu. Aug. 13 – Kansas City, MO @ Arvest Bank Theatre at The Midland @* Fri. Aug. 14 – Maryland Heights, MO @ Saint Louis Music Park @* Sat. Aug. 15 – Atlanta, GA @ Cadence Bank Amphitheatre @* Sun. Aug. 16 – Nashville, TN @ Ascend Amphitheater @* Tue. Aug. 18 – Asheville, NC @ Salvage Station @* Wed. Aug. 19 – Richmond, VA @ Altria Theatre @* Fri. Aug. 21 – Columbia, MD @ Merriweather Post Pavilion @* Sat. Aug. 22 – Forest Hills, NY @ Forest Hills Stadium @* Sun. Aug. 23 – Philadelphia, PA @ Mann Center for Performing Arts @* Tue. Aug. 25 – Boston, MA @ Rockland Trust Bank Pavilion @* Wed. Aug. 26 – Portland, ME @ Thompson’s Point @* Thu. Aug. 27 – Lewiston, NY @ Artpark Amphitheater @* Sat. Aug. 29 – Chicago, IL @ Millennium Park Pritzker Pavilion @* Thu. Sept. 17 – Des Moines, IA @ Water Works Park # Fri. Sept. 18 – Ashwaubenon, WI @ Capital Credit Union Park # Sat. Sept. 19 – Welch, MN @ Treasure Island Amphitheater #
!=w/ Young Fresh Fellows &=w/ Kacy and Clayton ^= w/ James Elkington %= w/ White Fence $= w/ Ratboys #= w/ Trampled by Turtles @=w/ Sleater-Kinney *= w/ NNAMDÏ
“[Ode to Joy is] sometimes dank…sometimes warm and Westerberg-ian” – The New York Times
“The group’s 11th LP, their best in years, is a beautiful exercise in downhearted uplift.” – Rolling Stone
“[Ode to Joy] is Wilco’s best album in over a decade, and solid proof there’s room for bands to grow even when they’re already ten albums in.” – Vulture
“[Ode To Joy] is direct and spacious, centering on the beauty of quiet revelation.” – Pitchfork
“Ode to Joy, is mostly a slower-paced album that shows appreciation for the small, beautiful moments in life.” – NPR
Keep your mind open.
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Blanck Mass, the solo project of Benjamin John Power, is re-issuing the long out-of-print 2011 debut album Blanck Mass via Sacred Bones Records. The deluxe double LP comes out on Record Store Day (April 18) in the UK on exclusive green-and-blue starburst vinyl, and on April 24 in the rest of the world.
The original press release for the album called it “a collection of tracks loosely themed around cerebral hypoxia and the beautiful complexity of the natural world…An interstellar journey that defies classification, revealing itself further and further with each listen; offering more with each visit.”
Power went on to reflect on the album at the time: “I do like the fact that this album represents a pretty clear image of myself,that which I am aware of and that which might be controlled by some other type of subconscious guidance.”
“How could they see anything but the shadows if they were never allowed to move their heads?” – Plato
“You find yourself in a room with a locked door. You have always been there. It is all you have ever known. You have no reason to believe you could leave, no reason to believe you would ever want to. And then one day you hear the murmurs. Faint at first, you can’t make out the words. But their very existence tells a truth that you have always known. There is something else. And you search and search and just when you are feeling spent and the bright beam of hope has faded to a glimmer, it reveals itself to you, miraculously. The key. And so you cast aside your doubt and grin with victory. But when you slide the key in, behind the door there is another locked door. The search continues.
We wrote this song over the course of about a year. We had long wanted to explore the idea of hiding, of hidden truths. A chance phrase from our friend Alfred set this song in motion. We hope you enjoy our newest offering.” – Partner 2020
Partner, the loveable guitar shredding Canadian stoner goofballs Lucy Niles and Josée Caron are back and ready to rock, with a new single for a new decade. The band spent the end of 2019 in the studio and have some surprises for 2020.
Hala, the project of Detroit-based musician Ian Ruhala, announces his new album, Red Herring, out May 1st on Cinematic Music Group, and a North American tour. Today, he shares the lead single, “Emotional R&B,” and an accompanying video. Ruhala’s music is at once precise and playful, skipping breezily between decades and their musical aesthetics while executing them with care and sincerity. On Red Herring, which is his studio debut, he elevates this formula, applying his genre-agnostic blueprint to a set of songs that comprise a no-concept concept record. It’s a varied album which explores the tragedy and comedy—often, both at once—that color and confound the modern 22-year-old’s existence.
To execute his wide-lens vision, Ruhala worked with producer Ryan Hadlock (The Lumineers, Vance Joy, Ra Ra Riot) at his legendary secluded Bear Creek Studio in Woodinville, Washington. Over a few months in late 2019, Ruhala and Hadlock sifted through a stockpile of prepared demos and assembled the 12 songs that comprise Red Herring. Apart from strings—played respectively by Andrew Joslyn and longtime Brandi Carlile-collaborator Josh Neumann—Ruhala wrote and performed each instrument on the record, including guitar, piano, bass, drums, baritone ukulele, xylophone, vibraphone, and all vocals.
Ruhala’s singular operating style is a credit to Red Herring’s simultaneous idiosyncrasy and unity: each track bears the earmarks of his tendencies for saccharine melodies, clear instrumentation, and a sort of ethereal, out-of-time placelessness—and yet each could also be from a different artist.
Lead single “Emotional R&B” showcases this infatuation with kaleidoscopic tonalities and narrative double-entendres. The track is about the early stage people go through in relationships, when things begin to become more intimate. “Things feel a lot more cinematic, maybe because these moments of a relationship are portrayed and documented in countless Romantic Comedies,” says Ruhala. “It’s the feeling of riding a romantic high, perhaps turning a blind eye to things that would normally set you off in pursuit of what could possibly become a substantial, long lasting relationship.”
Red Herring is a coming-of-age record from an artist recognizing that cohesiveness need not only be expressed in structural sameness. It can and should be found in other experiences, in the complex, poignant, life-and-death fleetingness of a three-and-a-half-minute pop song. Or better yet, 12 of them back-to-back.
Hala will tour across North America in support of Red Herring. A full list of dates is below. Watch “Emotional R&B” Video: https://youtu.be/bHHHbpQnd-4
Red HerringTracklist: 1. Turn Out Right 2. Making Me Nervous 3. Somehow 4. Camera5. Why Do You Want Anything To Do With Me? 6. We Can Start Again 7. Emotional R&B 8. Lies 9. Nobody-Body Knows 10. With You Now (It’s The Only Place I Want To Be) 11. Red Herring 12. True Colors
Hala Tour Dates: Fri. May 8 – Detroit, MI @ Deluxx Fluxx- (Record Release Show) % Sat. May 9 – Columbus, OH @ The Basement % Sun. May 10 – Washington, DC @ Songbyrd % Tue. May 12 – Brooklyn, NY @ Rough Trade % Wed. May 13 – Philadelphia, PA @ Creep Records % Thu. May 14 – Boston, MA @ Once Ballroom % Fri. May 15 – Montreal, QC @ L’Esco % Sat. May 16 – Toronto, ON @ The Drake Hotel % Thu. May 28 – Chicago, IL @ Schubas * Fri. May 29 – Milwaukee, WI @ The BackRoom at Colectivo Coffee * Sat. May 30 – Minneapolis, MN @ 7th St. Entry * Tue. June 2 – Seattle, WA @ Barboza * Wed. June 3 – Portland, OR @ Lola’s Room * Fri. June 5 – San Francisco, CA @ Bottom of the Hill *Sat. June 6 – Los Angeles, CA @ The Echo * Sun. June 7 – San Diego, CA @ Che Cafe * Wed. June 10 – Denver, CO @ Larimer Lounge * Fri. June 12 – Kansas City, MO @ recordBar * Sat. June 13 – St. Louis, MO @ Blueberry Hill Duck Room *
Austin-based band Why Bonnie announces their new EP, Voice Box, out April 10th on Fat Possum. Via The FADER, they have premiered its title track and an accompanying video. “Voice Box” fumes with quiet wisdom, and is “about the societal pressure to silence yourself, and the frustration and self doubt that comes with battling sexism,” says the band. Its video, directed by Shelby Bohannon, features the band and highlights the rift between reality and what is expected of a person.
The Voice Box EP celebrates unhindered expression through beguiling, propulsive guitar pop. Fuzzed-out guitars and crystalline vocals drive a tough-edged struggle in the space between suppression and artistic liberty. Front woman Blair Howerton explains: “It encapsulates a disconnect between my inner and outer world, and not being able to express myself authentically because of that. But, ultimately knowing I will crash and burn if I don’t.”
Why Bonnie is the dazzling, full-band emotional release of Howerton. In a decisive step to start performing her backlogged material, Howerton moved back home to Texas after graduating college in 2015. In Austin, Howerton joined lifelong best friend Kendall Powell, who she met in preschool. Powell’s classical piano chops swapped to synth for the new project. Both active in the Austin scene, guitarist Sam Houdek and bassist Chance Williams later joined to complete the lineup.
In 2018, the band emerged on petite indie outlet Sports Day Records with In Water. The EP eulogized Howerton’s older brother, who passed away years prior. Follow-up Nightgown expanded the effort, pulling lush Mazzy Star and Cranberries influences.
This spring, Why Bonnie will tour in support of Voice Box, including SXSW and dates with Squirrel Flower and Kevin Krauter. A full list of dates can be found below and tickets are on sale now.
Voice Box EP Tracklist 1. Bury Me 2. Voice Box 3. Athlete 4. Jetplane 5. No Caves
Why Bonnie Tour Dates Wed. March 18 – Austin, TX @ Beerland (High Road Touring Showcase) Sat. March 21 – Austin, TX @ Hotel Vegas (Burgermania) Mon. March 23 – Phoenix, AZ @ Rebel Lounge * Wed. March 25 – Los Angeles, CA @ The Echo * Thu. March 26 – San Francisco, CA @ Bottom of the Hill * Sat. March 28 – Seattle, WA @ Barboza * Sun. March 29 – Portland, OR @ Doug Fir Lounge * Tue. March 31 – Salt Lake City, UT @ Kilby Court * Thu. April 2 – Denver, CO @ Larimer Lounge * Fri. April 3 – Omaha, NE @ (drips) Sat. April 4 – Iowa City, IA @ Mission Creek Festival Mon. April 6 – Minneapolis, MN @ 7th Street Entry * Tue. April 7 – Chicago, IL @ Schubas * Wed. April 8 – Cleveland, OH @ Mahall’s * Fri. April 10 – Brooklyn, NY @ Elsewhere Mon. April 13 – Asheville, NC @ The Mothlight Tue. April 14 – Oxford, MS @ Proud Larry’s Thu. April 16 – Houston, TX @ White Oak Music Hall (Upstairs) Fri. April 17 – Austin, TX @ Mohawk Indoors Sat. April 18 – Dallas, TX @ Ruins Tue. April 21 – Bloomington, IN @ The Bishop Bar Wed. April 22 – Cincinnati, OH @ MOTR Pub Thu. April 23 – Detroit, MI @ Sanctuary # Fri. April 24 – Toronto, CA @ Baby G # Sat. April 25 – Montreal, QC @ Brasserie # Mon. April 27 – Allston, ,MA @ O’Brien’s Pub Tue. April 28 – Philadelphia, PA @ Boot & Saddle # Wed. April 29 – Washington, DC @ Pie Shop # Thu. April 30 – Richmond, VA @ Richmond Music Hall # Fri. May 1 – Carrboro, NC @ Cat’s Cradle (Back Room) # Sat. May 2 – Atlanta, GA @ Drunken Unicorn # Sun. May 3 – Nashville, TN @ DKRMTTR #
* = w/ Squirrel Flower # -w/ Kevin Krauter
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The annual Levitation Francemusic festival will fall on the weekend of September 18-19th this year. It will be held in the Le Quai performing arts center in Angers – a great venue across from the Maine River. Tickets aren’t on sale yet, but I highly recommend going to this festival if you can make it. Angers is a lovely town and the lineup is always top notch.
Chicago-based band Melkbelly will release their new album, PITH, on April 3rd via Wax Nine / Carpark Records. Today, they release their second single/video, “Humid Heart.” It follows the album’s lead single, “LCR,” “an intricately put-together tower of noise, filled with bleary moments of relief” (Stereogum). “Humid Heart” is “about how the grief of losing someone suddenly disorients everyday life,” says frontwoman Miranda Winters. The video was directed by Weird Life Films.
“For ‘Humid Heart,’ we wanted to let the mood and tone of the song guide our direction, rather than forcing anything too specific into the video,” says Weird Life. “Loosely based upon the notion of going through everyday life with any sort of heightened emotions can weigh someone down, we followed our hearts and that of the song and fell down a rabbit hole. That being said, we have no regrets.” WATCH MELKBELLY’S VIDEO FOR “HUMID HEART” https://youtu.be/4hMYGDBE7sg
After two years touring internationally, Melkbelly felt comfortable enough to rearrange songs they knew well, their renewed closeness guiding them. Their literally familial relationship was crucial for support, as PITH was summoned from a place of mourning following the loss of a close friend. Miranda Winters drew from diverse scenes—Grimm-like children’s stories too dark for kids; thorny, mossy forests—to create stories that feel distinctly Melkbellian: philosophically strange, strikingly textural, funny and sad and open-hearted.
Recording in two short sessions six months apart, the band worked with longtime collaborator Dave Vettraino, this time at Bloomington, Indiana’s Russian Recording. Alongside an arsenal of rock gear and airy synth layers coaxed from a Moog Prodigy, PITH’s multidimensionality was refined by the studio’s collection of rare Russian tube mics, which were placed in every corner to capture Melkbelly’s unabashed loudness.
Since their 2017 debut Nothing Valley, the members of Melkbelly have an even better understanding of their sonic motivations. On PITH, Melkbelly sought space, and succeeded in crafting it. In support of PITH, the band will tour across North America this spring. A full list of dates can be found below and tickets are on sale now. WATCH THE VIDEO FOR “LCR” https://youtu.be/sw5IEA8ju88
