Live: Shopping, Tyvek, and Ganser – Chicago, IL – March 28, 2018

It’s a bit difficult for me to believe that it took me nearly three months to see some live music this year, but it’s true.  January and February were filled with crazy work schedules that weren’t conducive to making a trip even an hour’s drive away to see any bands or performers.

That all changed with getting to see Shopping, Tyvek,and Ganser at Chicago’s Beat Kitchen two nights ago.  I’d been keen on catching Shopping since hearing their newest album, The Official Body.  I knew nothing about Tyvek and Ganser going in, apart from a few video clips and digital tracks here and there.  Tyvek was loud and brash garage punk.  Ganser was darker and local post-punk.  This was also my first time at the Beat Kitchen.  It’s a nice, small venue, and the food there looked pretty good.

One thing I’ve discovered about Chicago shows is that, for the most part, the set start times are rigid.  Ganser kept up this tradition by starting at promptly 8:00pm.  They played an impressive set to a hometown crowd that included multiple tracks from their upcoming album Odd Talk.  Their stuff was sassy, jagged, and assertive.  Odd Talk should be a fine record based on what I heard at the Beat Kitchen.

Chicago post-punks Ganser.

Up next were Detroit’s / Philadelphia’s Tyvek.  They were as loud and hammering as I’d expected, and throwing saxophone riffs into the mix only made it better.  Lead singer / guitarist Kevin Boyer‘s axe looked like it had been bounced off a few floors and used as a cutting board, and the blaring chords he drew out of it only seemed to confirm my suspicions.

Detroit’s Tyvek.

Shopping had a large crowd by the time they took the stage.  I was glad to see so many people for the U.K. band that had spent most of the last couple months zig-zagging across the U.S.  They had the crowd jumping almost from the first note, and encouraged dancing throughout their entire set.  They sounded great.  Rachel Aggs‘ gets notes of her guitar that jump like water across a hot griddle.  Every song had a bouncing energy to it that was inescapable.  Highlights from the set included “The Hype,” “Wild Child,” and “My Dad’s a Dancer.”

The best way I can sum up their set is by what a woman yelled out from the crowd between songs: “You guys are so fun!”  Bassist Billy Easter said, “Thanks.  It’s fun being up here, too.”

Shopping having a blast.

Shopping set the bar high for live bands to follow this year.  Catch them if you can.  You need to get in on the fun they’re delivering.

Keep your mind open.

Thanks to Andrew Milk, Rachel Abbs, and Billy Easter for singing this gig flyer for me.

[Thanks to Sam McAllister from Pitch Perfect PR for hooking me up with a press pass for the show.]

Flasher are on tour. Check out their new single.

FLASHER SIGN TO DOMINO, SHARE NEW SONG AND VIDEO
SKIM MILK

DEBUT FULL-LENGTH FORTHCOMING SOON

(photo by Jen Dessinger)

Since they appeared with their self-titled, self-released EP back in 2016, Washington, DC trio Flasher has exuded both clarity of intent and radiant self-confidence. Critically applauded from the start, that initial release offered a clear blueprint. By turns razor sharp and woozy, skipping from shoegaze to punk and back again, it offered confirmation of a band whose wiry energy and melodic ease made them instantly arresting.

Today, Flasher announce their signing to Domino Recording Co., which will release their debut full-length later this year. They’ve also shared a new video and song today, the exhilarating “Skim Milk.” The band describes the song and video below:

The themes in “Skim Milk” and its video might be described as being haunted by your own desire for belonging. We’re not bemoaning “no future, no fate”, we’re advocating for it. From getting a mortgage, to going to college, to crafting public policy, folks are always telling you to think of your future, to make choices in the name of some future. But most folks don’t have the privilege to live outside the present. This kind of future tense, aspirational bullshit means being held hostage by a future that’s already abandoned you. We’d rather escape to something new and unknown than hold out for a good life that hates us and expects us to make lemonade out of miserableness. Instead of holding out and hanging on, we’re here to tell you (and ourselves) – “go.” 

WATCH “SKIM MILK”
https://www.youtube.com/watch?v=TYAKqc5inXg

“The thrill is in the call-and-response, heard on past songs, but here weaponized like an ecstatic hall of mirrors in the final minute” – NPR Music

FLASHER TOUR DATES
Thu. Mar. 29 – Winnipeg, MB @ The Good Will Social Club w/ Ought
Fri. Mar. 30 – Minneapolis, MN @ 7th St. Entry w/ Ought
Sat. Mar. 31 – Madison, WI @ High Noon Saloon w/ Ought
Mon. Apr. 2 – Columbus, OH @ Ace of Cups w/ Ought
Tue. Apr. 3 – Milvale, PA @ The Funhouse at Mr. Smalls w/ Ought
Sun. Apr. 15 – Boise, ID @ Knitting Factory w/ The Breeders
Mon. Apr. 16 – Salt Lake City, UT @ The Grand at The Complex w/ The Breeders
Wed. Apr. 18 – Denver, CO @ Ogden Theatre w/ The Breeders
Thu. Apr. 19 – Albuquerque, NM @ Sunshine Theater w/ The Breeders
Wed. Apr. 25 – Birmingham, AL @ Iron City w/ The Breeders
Mon. Apr. 30 – Brooklyn, NY @ Brooklyn Steel w/ The Breeders
Fri. July 20 – Seattle, WA @ Capitol Hill Block Party

Download hi-res images and bio here: http://pitchperfectpr.com/flasher/

Flasher Online:
https://flasherdc.bandcamp.com
https://www.facebook.com/flasherdc/
http://www.dominorecordco.us/artists/flasher/

Keep your mind open.

[Subscribing takes so little time that you’re done in a flash.]

Clutch announces second Earth Rocker festival lineup.

March 26th, 2018 – Clutch has now confirmed their second annual Earth Rocker Festival.  The festival will take place on August 4th at Shiley Acres located in Inwood West Virginia.  Joining Clutch on stage this year will be Black Label SocietyCorrosion Of ConformityEYEHATEGOD, and the Let There Be Rock School band.  Tickets for the festival are $35 in advance and $45 at the gate the day of the show and are on sale now at this location: http://shileyacres.ticketleap.com
All “Earth Rocker Festival 18” ticket and general information is available at: http://earthrockerfest.com
Like last year’s inaugural offering, Shiley Acres and Clutch have worked together to make Earth Rocker Festival18 a fan and band-friendly event.  Earth Rocker Festival is a day time event.  The gates open at noon and music runs all day, ending right before the sun sets.  The festival has a designated camping location and will offer free camping on site the day and night of the show.  Other fan-friendly elements include free parking starting at 9 am the day of the event, free admission for accompanied children under 12, and allows lawn chairs and pop up tents in designated areas.  As Greg Shiley, owner of Shiley Acres puts it “There will be plenty of good food, beer choices and all at reasonable prices, so come spend a summer afternoon enjoying the great bands and open air.  We’ll make that real easy for ya”.
For more information on the directions, camping, on-site food and beverages available, hotel accommodations and all “Things You Should Know,” visit http://www.shileyacres.net
For more  information, check out Earth Rocker Festival:
@earthrockerfest
Official: www.pro-rock.com
Keep your mind open.
[Keep rocking by subscribing.]

Unknown Mortal Orchestra agrees “Everyone Acts Crazy Nowadays” on upcoming album.

UNKNOWN MORTAL ORCHESTRA SHARES
EVERYONE ACTS CRAZY NOWADAYS

SEX & FOOD OUT APRIL 6 ON JAGJAGUWAR

Today, Unknown Mortal Orchestra says through music what we all know to be true. “Everyone Acts Crazy Nowadays” is perhaps the first straight-forward dance song off the forthcoming album, Sex & Food (out 4/6 on Jagjaguwar).  The track was leaked early to fans who pre-ordered Sex & Food via a mysterious package that arrived on Thursday. It contained a pamphlet simply titled “Age of Paranoia.” The pamphlet included comics and lyrics by Ruban, as well as a link to everyoneactscrazynowadays.com. The song appeared there Friday morning.

LISTEN TO “EVERYONE ACTS CRAZY NOWADAYS”
https://www.youtube.com/watch?v=dxQ_E8YbLw0

WATCH “NOT IN LOVE WE’RE JUST HIGH”
http://www.youtube.com/watch?v=uY82vChor2A

WATCH “AMERICAN GUILT” VIDEO
https://www.youtube.com/watch?v=4-JlcmCxIXU

LINKFIRE:
https://unknownmortalorchestra.lnk.to/sexandfood

(“Everyone Acts Crazy Nowadays” single artwork)

UNKNOWN MORTAL ORCHESTRA TOUR DATES:
April 22 – Northampton, MA @ Pearl Street w/ Makeness
April 23 – Portland, ME @ Port City Music Hall w/ Makeness
April 25 – Brooklyn, NY @ Brooklyn Steel w/ Makeness
April 26 – Brooklyn, NY @ Brooklyn Steel w/ Makeness
April 27 – Washington, DC @ 9:30 Club w/ Makeness
April 28 – Philadelphia, PA @ Union Transfer w/ Makeness
April 30 – Boston, MA @ Royale w/ Makeness
May 1 – Montreal, QC @ Corona Theatre w/ Makeness
May 2 – Toronto, ON @ Danforth Music Hall w/ Makeness
May 3 – Chicago, IL @ Vic Theatre w/ Makeness
May 4 – Minneapolis, MN @ First Avenue w/ Makeness
May 7 – Seattle, WA @ The Moore Theatre w/ Makeness
May 8 – Vancouver, BC @ Commodore Ballroom w/ Makeness
May 9 – Portland, OR @ Roseland Theater w/ Makeness
May 10 – Oakland, CA @ Fox Theater w/ Makeness
May 11 – Los Angeles, CA @ The Wiltern w/ Makeness
May 12 – Pioneertown, CA @ Pappy and Harriet’s w/ Makeness
May 18 – Hamburg, Germany @ Uebel & Gefährlich w/ Makeness
May 19 – Berlin, Germany @ Kesselhaus w/ Makeness
May 20 – Heidelberg, Germany @ Karlstorbahnhof w/ Makeness
May 21 – Düsseldorf, Germany @ zakk w/ Makeness
May 22 – Paris, France @ La Gaîté Lyrique w/ Makeness
May 24 – London, United Kingdom @ Roundhouse w/ Makeness
May 25 – Bristol, United Kingdom @ SWX w/ Makeness
May 26 – Manchester, United Kingdom @ Strange Waves
May 27 – Leeds, United Kingdom @ World Island
May 28 – Brussels, Belgium @ Ancienne Belgique w/ Makeness
May 30 – Bordeaux, France @ Rock School Barbey
May 31 – Barcelona, Spain @ Primavera Sound
June 3 – Nantes, France @ Indigènes Festival
June 4 – Dublin, Ireland @ Forbidden Fruit Festival
June 7-9 – Porto, Portugal @ NOS Primavera Sound
June 10 – Hilvarenbeek, Netherlands @ Best Kept Secret Festival
July 6 – Richmond, VA @ The National w/ Shamir
July 7 – Asheville, NC @ The Orange Peel w/ Shamir
July 8 – Atlanta, GA @ Variety Playhouse w/ Shamir
July 9 – Athens, GA @ Georgia Theatre w/ Shamir
July 11 – New Orleans, LA @ Republic w/ Shamir
July 12 – Houston, TX @ White Oak Music Hall w/ Shamir
July 13 – Austin, TX @ Stubbs BBQ w/ Shamir
July 14 – Dallas, TX @ Granada Theater w/ Shamir
July 16 – Englewood, CO @ Gothic Theatre w/ Shamir
July 17 – Ogden, UT @ Ogden Amphitheatre w/ Sylvan Esso, Shamir
July 18 – Las Vegas, NV @ Vinyl at Hard Rock w/ Shamir
July 19 – Phoenix, AZ @ Crescent Ballroom w/ Shamir
July 23 – Missoula, MT @ The Top Hat
July 24 – Billings, MT @ The Pub Station
July 26 – Madison, WI @ Majestic Theatre
Aug 9 – Budapest, Hungary @ Sziget Festival
August 9-11 – Basel, Switzerland @ Open Air Basel
August 10-11 – Copenhagen, Denmark @ Haven
November 21 – London, UK @ Royal Albert Hall

Download hi-res images here: http://jagjaguwar.com/press/umo/

UMO Online:
https://twitter.com/umo
http://unknownmortalorchestra.com/
http://instagram.com/unknownmortalorchestra
http://www.jagjaguwar.com/artist.php?name=umo
https://www.facebook.com/unknownmortalorchestra

MOTSUS – Oumuamua

Belgian stoner metal?  Yes, thank you.

I hadn’t heard of MOTSUS until they offered me a download of their new EP Oumuamua.  I’m glad they reached out to me, because this thing is heavier than that Chinese space station due to crash on Earth any day now.

The royally epic “Kings and Queens” opens the EP.  The whole track rumbles with an angry energy that is hard to describe, but “score for a rocket launch film scene” is fairly close.

The guitars soar on “Warm,” while the bass and drums hammer like dwarves in a deep mine searching for rare gems.  “Freddy” is equally heavy, and “Exploder (Part I)” is doom conjured up from the bottom of that dwarven mine.  The bass in particular stands out on this track, sounding like a growling lion and a jet engine roar at different times.

“Hoochy Woochy” might have a funny title, but the song is isn’t jovial.  It’s as thick as battlefield mud.  The build up to the rolling, crashing drums, furious guitars, and war hammer bass is excellent.  The EP ends with “Tin Men,” a churning, guttural tune perfect for the march of robotic soldiers across a desolate landscape.  It also has the only lyrics of the album – a monologue about a UFO coming to either destroy us, or worse, ignore us all together.

Oumuamua is a Hawaiian word for “scout,” and the album’s title refers to the first interstellar object to pass through the solar system.  It was discovered in October 2017 and is tumbling through space.  It took about 600,000 years to pass by us.  It’s not a comet or an asteroid.  It’s some sort of new object, according to NASA.  It passed us by.  It didn’t stop.

Regarding alien life in the universe, Arthur C. Clarke said, “Two possibilities exist: either we are alone in the universe or we are not.  Both are equally terrifying.”

MOTSUS has created a mixtape for this unknown traveler.  Let’s hope it comes back to hear more.

Keep your mind open.

[Don’t wait 600,000 years to subscribe.]

BlackWater HolyLight releases “Willow” from upcoming self-titled debut.

BlackWater HolyLight premiere new track via Paste Magazine from forthcoming RidingEasy debut
 Rewiring “heavy music” w/ hints of Sonic Youth, Chelsea Wolfe, Raincoats, Stooges, Beefheart, et al.
Hear & share “Willow” (YouTube) (Paste Magazine)
“Flat out it’s one of the best heavy psych debut albums you’ll hear in 2018.” — The Obelisk
“This quartet has been burning up stages all around their hometown, fueled by their abrasive blend of doom metal, psych rock, goth and a tangy soupçon of pop music… They landed a spot on the 2018 Best New Bandpoll in alt-weekly Willamette Week, but could quickly take over the world.” — Paste Magazine
“They mesh elements of doom, Krautrock and atmospheric indie into one bewitching rock whole.” –Classic Rock Magazine
Portland, OR quartet BlackWater HolyLight share a new track from their forthcoming self-titled debut album today via Paste Magazine. Hear and share “Willow” HERE. (Direct YouTube.)
 
The Obelisk recently launched “Wave of Conscience” HERE. (Direct YouTube.) The album’s first single, “Sunrise” launched this winter, is available to hear and share via YouTube HERE.
The notion of “heavy music” is continuing to expand of late, with many intrepid artists finding new ways to incorporate the power of traditional metal into new music, but without all of its trappings. Enter Portland, OR quartet BlackWater HolyLight to further swirl musical elements into a captivating hybrid of emotional intensity. Heavy psych riffs, gothic drama, folk-rock vibes, garage-sludge and soaring melodies all collide into a satisfying whole with as much contrast as the band’s name itself.
“I wanted to experiment with my own version of what felt ‘heavy’ both sonically and emotionally,” says founder and vocalist/bassist Allison (Sunny) Faris. “I also wanted a band in which vulnerability of any form could be celebrated.” BlackWater HolyLight — Faris, guitarist/vocalist Laura Hopkins, drummer Cat Hoch and synth player Sarah Mckenna — formed upon the breakup of Faris’ longtime band and she sought a fresh start. “In my last band I was the only female in a group of 6, so I wanted to see how my song writing and vulnerability could glow taking the drivers seat and working with women.”
The band’s self-titled debut begins with a simple, almost grunge-like riff as a chorus of voices introduce a melodic line in call-and-response until the band kicks in, slowly building into crescendo like a lost outtake from Led Zeppelin‘s Houses of the Holy. Elsewhere, “Sunrise” begins with a chorus-drenched post-punk groove until a sonic boom of heavily distorted guitar skree erupts out of nowhere. Nearly as suddenly, the song returns to its lulling core, subtly building the tension until it ruptures completely in a blast of noise. Likewise, “Carry Her” establishes a dark, sparse melody and distinctly thin sounding drums not far removed from early work of The Cure. However, BlackWater HolyLight’s penchant for surprise attack finds a sudden shift into a doom-like dirge, colored with eerie synth notes and pounding shards of fuzz. Throughout the album, their songs shirk traditional verse-chorus-verse structure in favor of fluid, serpentine compositions that move with commanding grace. The band expertly, yet subconsciously, incorporates hints of Chelsea Wolfe, Celebration, Captain Beefheart, The Raincoats, The Stooges, Pink Floyd, Jane’s Addiction and more to form their unique brand of dark’n’heavy transcendence..
BlackWater HolyLight was recorded by Cameron Spies at Gold Brick Studios and The Greenhouse, and with Eric Crespo at Touch Tourcher Recording in Portland. The album will be available on LP, CD and download April 6th, 2018 via RidingEasy Records. Preorders are available for LP & CD at www.ridingeasyrecs.com and digital at blackwaterholylight.bandcamp.com.
BLACKWATER HOLYLIGHT LIVE:
03/24 Boise, ID @ Treefort Music Festival
04/12 Portland, OR @ Mississippi Studios
Artist: BlackWater HolyLight
Album: BlackWater HolyLight
Label: RidingEasy Records
Release Date: April 6th, 2018
01. Willow
02. Wave of Conscience
03. Babies
04. Paranoia
05. Sunrise
06. Slow Hole
07. Carry Her
08. Jizz Witch

On The Web:

Keep your mind open.
[Don’t forget to subscribe before you split.]

Earthless – Black Heaven

Psychedelic / stoner metal trio Earthless (Mike Eginton – bass, Isaiah Mitchell – guitar and vocals, Mario Rubalcaba – drums) decided to shake things up on their newest album – Black Heaven – by giving the majority of the tracks vocals by Mitchell.  Their three previous records have all been comprised of long instrumental tracks that blend into each other, but Black Heaven opts for shorter cuts (one is even under two minutes) that still shred and astound.

Starting with “Gifted By the Wind,” Rubalcaba lures us in with almost a jazz beat until Eginton and Mitchell hit you like a one-two punch.  Mitchell’s voice automatically brings Cream to mind (certainly a major influence on the band).  “End to End” pans back and forth in your earbuds like a swaying cobra and then comes at you like an angry mongoose.  Eginton’s bass riff in it is quite good, and the whole song is perfect for driving done the centerline on an open stretch of I-80.

“Electric Flame” is the longest song on the record (8:51, which is about half the length of most tracks from Earthless‘ previous three records) and Mitchell uses the “extra time” to deliver a great solo around the five-minute mark that takes the track into a great jam from all three guys.  “Volt Rush” is the track that’s under two minutes, and it shows how Earthless can do in under two minutes what most bands can’t do in three times that – shred with jaw-dropping furor.

Don’t worry if you’re a fan of Earthless’ instrumental work, because the title track is nearly nine minutes of the band hitting harder than the Thing punching the Hulk.  One of the many things I love about Earthless is how all three guys can launch into a solo at the same time, yet it all fits together, and how all three can come back to the same groove in the blink of an eye without missing a step.  All you can do is let it hit you and say, “Holy [insert expletive of choice here].”

“Sudden End” is a great title for an album’s final track.  It almost sounds like a Bad Company song, if Bad Company had opted for louder amps, heavier bass, and guitar that seems to be propelled by solar winds.  Rubalcaba puts down chops that seem simple at first, but you soon realize that he is putting down a deceptively heavy groove that has to fade out because it shows no signs of stopping until the next time all the planets are in alignment.

Black Heaven is another fine record from Earthless and as good to hear as it sounds like was for them to make.

Keep your mind open.

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Lollapalooza Chicago announces its 2018 lineup.

The annual Chicago lineup for Lollapalooza has been announced.  It features some heavyweights and, as usual, a lot of upcoming bands.  Bruno Mars is definitely a big score for the festival, as are Jack Whitethe Arctic Monkeysthe NationalPortugal, the ManFranz Ferdinand, and Chvrches.

Tickets are on sale and will go much faster now that the lineup has been released.  A four-day general admission pass will cost you $335.00 plus taxes and fees, and VIP and Platinum packages will run you thousands of dollars.

Keep your mind open.

[Subscribe before you go to stay updated on music festivals across the U.S. and in other countries, too.]

Perry Ferrell announces immersive, Star Trek holo-deck-like project for Las Vegas that includes Porno for Pyros.

Jane’s Addiction front man and Lollapalooza founder Perry Ferrell has announced that he’s working with a virtual reality technology developer / film studio to create an immersive entertainment experience in Las Vegas called Kind Heaven.  Accord to a Spin article, Ferrell was inspired to create this by a vivid dream of him in some sort of futuristic Southeast Asian city.  The experience will include VR pickpockets, markets, and maybe even a holographic version of himself having sex in his apartment.

He’s already planning to have several bands play there, both in person and through virtual reality.  One of the biggest announcements in that department is that he’s reuniting Porno for Pyros – the band he founded after Jane’s Addiction broke up in the 1990’s.  Ferrell mentions Coldplay in the Spin article, but doesn’t necessarily say they’ll be playing at Kind Heaven in 2019.

Keep your mind open.

[7th Level Music is like porno for music fans, so subscribe.]

 

Thom Yorke announces solo European tour dates.

Radiohead front man Thom Yorke has announced solo tour dates for Europe and the United Kingdom.  These dates are in May and June and land before Radiohead kicks off on a tour of North America.  Tickets go on sale to the general public on March 23rd, so get them while you can.  They were surely sell out.

May 2018
28th Teatro Verdi, Florence, Italy
29th Fabrique Milano, Milan, Italy
30th Halle 622, Zurich, Switzerland

June 2018
1st Tempodrom, Berlin, Germany
3rd Ancienne Belgique, Brussels, Belgium
4th Royal Theatre Carré, Amsterdam, Netherlands
7th Usher Hall, Edinburgh, United Kingdom
8th Roundhouse, London, United Kingdom
10th Palace Theatre, Manchester, United Kingdom
12th L’Olympia, Paris, France
13th Le Transbordeur, Lyon, France
16th Fira de Barcelona – Sonar Festival, Barcelona, Spain

Keep your mind open.

[You can do a great solo act by subscribing.]