Crystales – self-titled

Los Angeles’ Crystales, named after a glass cathedral in Orange County, California, play a skillful style of shoegaze dream rock on their debut self-titled album.  The tight connections of the band mates (brothers Nick and Billy Gil on guitar and vocals, neighbor Jason Hanakeawe on drums, and cousin Tony Infante on bass) only help amplify their skill set.  It’s always good to hear new, good shoegaze, and Crystales fit the bill.

The album opens with a daring song titled “Boring.”  Trust me, the album isn’t.  The song’s about a boring wanna-be lover and how draining it can be to socialize with someone who can’t take the hint.  The sunny guitars on it seem to give the song’s subject a chance at romance, however.  “Séance” is just as bright, and I love the way the fuzz kicks in during the chorus like an unexpected wave knocking you over on a beach.

I also love that there’s a song called “Kate Blanchett” on this album, and that it’s one of the hardest rockers on the record.  Who doesn’t have a crush on her?  “Lie Awake at Night” takes a stroll into a psychedelic park on a sunny day and is about someone missing their lover.  It’s secretly melancholy, but the wall of dream pop sound hides it well.  Countering its love lyrics is the heavier “Shoggoth,” which refers to a Lovecraftian monster that can drive people mad just by looking at it.  Is it any coincidence that Infante’s bass is prominent throughout the track and thuds like a fearful heartbeat?  “When It’s Over” is brash and bold but it still keeps that shoegaze fuzzy edge that runs throughout the album.

“Ariel” is the sound of southern California road trips with the top down and the front passenger trying to make out with you while you’re driving.  That shimmering sound continues on “Donkey” and “I Don’t Care.”  “I Don’t Care” isn’t as apathetic as its title would have you believe, but it is about cutting ties with a lover who holds you back from your potential.  “Agrias” lures you into a bit of a trance, and the closer, “Honora,” brings back some hard-edged crunch to the guitars to send you off feeling like a bad ass.

This is a solid debut.  I’m loving the resurgence of shoegaze in the last few years, and bands like Crystales are giving us fans of the genre a lot to love.

Keep your mind open.

 

Levitation Austin artist spotlight: Oh Sees

Otherwise known as Thee Oh Sees and OCS, Oh Sees are a wild psych-rock band whose lineup goes through changes seemingly with every record but the hard, driving energy of their music never alters.  Both of their Levitation Austin shows at Barracuda on April 28th and 29th are sold-out, but you still might be able to get tickets for their show at Austin’s Hotel Vegas on April 30th (which is a charity benefit show, no less).  These shows are sure to be nuts, so get to one if you can.

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Levitation Austin artist spotlight: Pow!

Synth-punk weirdos POW! are playing Levitation Austin at Barracuda on April 29th at 10:50pm.  It’s a sold-out show at with them opening for Oh Sees.  They pay a quirky, catchy brand of electro-rock that I think will be a treat live.  I hope you can make it.

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Levitation Austin artist spotlight: The Black Angels

Austin’s own Black Angels not only play Levitation Austin again this year, they also help curate the festival every year.  The psych-rock heavyweights will close Stubb’s BBQ on April 29th.  I will see them at any opportunity, and it’s rare I get to see them in front of a hometown crowd.  Their set will be one of my favorite moments of the festival, I’m sure.

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Levitation Austin artist spotlight: The Brian Jonestown Massacre

The psychedelic rock collective known as the Brian Jonestown Massacre hail from San Francisco and have had numerous lineups throughout the years.  Front man Anton Newcombe has always been the steady figurehead of the group, and their fans are legion.  The stories of their rock and roll lifestyle are wild and border on legendary.  Their Levitation Austin set at Stubb’s BBQ on April 29th will be packed to the gills, I’m sure.

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Levitation Austin artist spotlight: Rishi Dhir

Primarily known for being the front man in Elephant Stone, Rishi Dhir is also now with the psych-rock outfit MIEN and has played bass and sitar for the Black Angels in the past.  Dhir will be performing a solo set (probably all sitar) at Stubb’s BBQ on April 29th at 6:00pm at Levitation Austin.  Don’t miss it.  He’s a good joe and a heck of a sitar player.

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Levitation Austin artist spotlight: Dan Deacon

Electronic musician / DJ / avant-garde artist Dan Deacon will be closing one of the Empire garage sets at Levitation Austin (April 28th at midnight) this year.  His shows are apparently wild affairs with audience participation.  His videos are weird enough, so a live set from him should be a good time if it’s as odd as they are.

Keep your mind open.

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Levitation Austin artist spotlight: No Joy

Canadian shoegazers No Joy will be playing the Empire garage during Levitation Austin (April 28th at 11:10pm).  They have a cool, heavy sound that I love.  Their album Wait to Pleasure was one of my favorites of 2013 and their new collaboration with Sonic Bloom is outstanding.

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Levitation Austin artist spotlight: Slowdive

Shoegaze legends Slowdive return to Levitation Austin this year.  Their live shows have been lauded ever since their reunion, and I missed them when they were at the crazy, cancelled festival in 2016.  Their set will be like traveling back in time, both to the 1990’s and to just two years ago.  They close Stubb’s BBQ on April 28th at 10:10pm.

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Levitation Austin artist spotlight: S U R V I V E

Another Austin band that will be melting minds at Levitation Austin this year is SURVIVE.  They play a cool, creepy style of synthwave that pays great homage to John Carpenter and they’re well known for their work on the Stranger Things soundtrack.  They’ll play the second set at Stubb’s BBQ on April 28th starting around 9pm.  This will be the show to see if you’re in the mood for something spooky at the festival.

Keep your mind open.

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