Levitation France 2022 recap – Day Two

When in Angers, you should check out the Apocalypse Tapestry at Chateau d’Angers. It’s one of the most doom metal things ever made.

Day Two (June 04th) of Levitation France was our busiest day of the festival. There was a small worry of rain and thunderstorms hitting the festival all three days, but it stayed away on Friday and had hit the area on Saturday afternoon. The skies looked clear for Saturday evening, and, thankfully, that turned out to be the case. We walked in for about the last third of a set by You Said Strange, who were highly popular judging by the number of their band shirts I saw at the festival that day.

You Said Strange getting strange on the Reverberation Stage.

Up next were Death Valley Girls. I hadn’t seen them live since the Psycho Music Festival last year, and they’d written a couple new songs since then (with a new album due in 2023!). They came out, battling the sun beaming directly into their eyes, and put on a heavy, spooky set to counter the light pouring over them.

Death Valley Girls battling the sun and casting spells.

I finally got to introduce myself to them afterwards, which was a delight. We’d only “known” each other through mutually followed Twitter feeds until that time. They’re currently on a three-week European tour and will have a big U.S. / Canada tour this summer (as well as a return to Psycho Music Festival). Don’t miss them.

Some blogger / radio DJ with Death Valley Girls

We then zipped across the lot to see Gustaf. I’d been itching to see them, as I heard their live shows were as fun and weird as their album, Audio Drag for Ego Slobs, and I had heard right. They were just as quirky and sharp as I’d hoped.

I’m not sure if Gustaf or the crowd were bouncing more during their set.

We took a food break (Thanks, BBQ food truck!) and then returned to the Reverberation Stage to see the legendary Kim Gordon come out and rock a mini-skirt better than most women half her age and rock a guitar and stage better than most anyone in the game. It was great to see someone exude so much sensual, raw power.

Kim Gordon flat-out ruling.

Australian rockers Pond were up next and put on a fun, energetic set. Their musicianship was tested and on full display when one synthesizer broke only a few songs into their set. They had to adapt their set list on the fly and play songs they hadn’t intended, and did it without missing a beat.

Pond, changing like chameleons from song to song.

Japanese psych-rock legends Kikagaku Moyo were next. In case you weren’t aware, they are on their final tour for a long time – possibly forever – so don’t miss them if they’re near your town. They sound great as always and dazzled the crowd for their whole set.

Kikagaku Moyo

The festival closed with Canadian electro-industrial duo Pelada, who, if I heard right, were booked a bit at the last minute. They got the entire crowd dancing, with singer Chris Vargas owning the stage (and crowd) from the first moment she appeared. Tobias Rochman‘s beats were a wild switch from the trippy psych-rock and post-punk of the day. Watching douchebag guys being intimidated by Ms. Vargas was one of the highlights of the day.

Pelada dropping beats and spitting fire.

It was a fun day all-around, and the next day would bring psychedelic Shinto music, a band that plays like their hair is on fire, some psych-rock legends, four men on a mission, and a bus ride that will be talked about at the festival for years to come.

Keep your mind open.

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Sudanese pop star Gordon Koang and Australian producer Ginoli drop one of the funkiest tracks of 2020 so far – “Mal Mi Goa.”

Photo by Duncan Wright

“All my songs [are] talking about love, unity and peace… From today it’s very important to love one another.” – The Guardian
 
Watch the Video for “Mal Mi Goa (Ginoli Remix)”
https://youtu.be/wNz6D9vV1Jk
 

Legendary South Sudanese pop star and 2019’s BIGSOUND Levi’s Prize winner Gordon Koang releases a new track/ video, “Mal Mi Goa (Ginoli Remix).” As remixed by Ginoli (moniker of James Ireland, Perth-based producer and drummer of Pond), is an eclectic mix of Koang’s joyful voice, thom (an East African stringed instrument that Gordon has modified to suit his unique style of playing), and danceable, swelling synth. It marks the first release from Music In Exile REMIXED EP, out June 5th, part of a series of collaborations between producers from Australia’s burgeoning electronic scene and artists from a refugee and migrant background.
 
Gordon Koang was born blind and began playing music from an early age, busking on the streets of Juba and producing his own self-released CD-R’s and cassettes. He became a crowd favourite and began recording a series of singles and music videos celebrating South Sudan’s cultural wealth. His music went viral, spreading throughout the country, and his reputation quickly grew as the poet and homegrown hero of the Nuer people, sometimes called the “Michael Jackson of South Sudan.”
 
In 2013, while Koang was performing to expatriate Nuer communities in Australia, renewed conflict broke out at home. He made a difficult and heartbreaking decision to not return to Sudan, applying to the Australian government for humanitarian protection. After six long years of waiting, living in a foreign country far away from his family, he now proudly calls himself an “Australian,” and eagerly awaits the day he will rejoin his wife and children in safety.
 
With “Mal Mia Goa (Ginoli Remix),” Gordon hopes to reach as many new listeners as he can in his adopted country, and around the world.  He wants everyone, and he means everyone, to hear his message of peace and unity, regardless of religion or cultural differences. After a painfully first-hand experience of what these rifts between people can create, Gordon has devoted his life, and his music, to a simple message of peace, love and unity.

 
Download / Pre-order “Mal Mi Goa (Ginoli Remix)” –
https://orcd.co/ginoli

Keep your mind open.

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[Thanks to Brid at Pitch Perfect PR.]