This is the first of three (so far) live albums released this month from Australian juggernauts King Gizzard and the Lizard Wizard. All proceeds from the purchase of Live in Adelaide ’19 (and the other live records) go toward wildlife rescue efforts during Australia’s horrible brush fires.
The home crowd set is a great one that mixes tracks from Infest the Rats’ Nest, Fishing for Fishies, I’m in Your Mind Fuzz, Flying Microtonal Banana, Polygondwanaland, and Float Along – Fill Your Lungs.
They come out roaring with “Planet B,” “Mars for the Rich,” and “Venusian 1” – any of which can flatten the uninitiated. “Cyboogie” is a switch to synth-blues and the grooves of “Real’s Not Real,” “Hot Water” (with guest flute from Adam Halliwell of Mildlife) and “Open Water.” “Sleep Drifter” is one of those songs that always delights when you hear it live.
“Billabong Valley” is always a crowd favorite because Ambrose Kenny-Smith takes on lead vocals in the song about an Outback outlaw. “The Bird Song” is another great live treat, as the song is so happy and groovy you can’t help but smile when you hear it. Things get weird on “Inner Cell,” a tune that had a menacing buzz throughout it, and “Loyalty,” which has plenty of odd time signatures to amaze you.
The groove on “Plastic Boogie” makes you think the song should’ve been named “Solid Rock Boogie.” The band then heads back into thrash metal with “Organ Farmer” (which is bonkers) and “Self-Immolate” before learning they still have thirty-five minutes of stage time left. What to do? How about playing a nearly half-hour version of “Head On / Pill” which is nothing short of outstanding?
This is a solid live album by one of the best live bands on the planet right now, and you can’t beat the price and you’re contributing to a great cause when you buy it. It’s a win for everyone.
Keep your mind open.
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