King Gizzard and the Lizard Wizard live

King Gizzard and the Lizard Wizard announce remix album and massive world tour.

King Gizzard & The Lizard Wizard announce Butterfly 3001, a remix album of their original out January 21st, 2022 on KGLW. Today, they share two of its singles, “Neu Butterfly” (Peaches Remix) and “Shanghai” (Dub by The Scientist). King Gizzard’s Joey Walker elaborates: “We’ve put off doing a remix album for a long time. Maybe it was conscious, maybe it wasn’t. But it’s happening now. That’s not to say that Butterfly 3000 makes the most sense to remix. It might seem like the obvious one, but it’s not. Yes it’s electronic. But so is a fridge. Have you tried to dance to Butterfly? It’s hard. It ties your shoelaces together. It’s duplicitous in its simplicity. But Butterfly 3001 expands on this. It also deviates and obliterates. We’re honoured to have such esteemed people go to work on these songs. We hope you love this album as much as we do. See you in DA CLUB!!!”

For their “Neu Butterfly” remix, Peaches “wanted to make this remix sound like a lizard. Slippery wet and scaly dry. Something that wiggles through wide open spaces… with slits for eyeballs…. And danceable.”

Listen to “Neu Butterfly” (Peaches Remix)

Legendary producer The Scientist says “I’ve always enjoyed being able to apply my dub mixing techniques to music outside of the typical ‘reggae mold.’ The music of KGLW, and specifically the song ‘Shanghai,’ provided me with the perfect landscape to be able to create something sonically rich and exciting for the listener. KGLW fans and dub-reggae fans, alike, will enjoy this song very much.”

Listen to “Shanghai” (Dub by The Scientist)

Pre-order Butterfly 3001
Butterfly 3001 Tracklist
1. Black Hot Soup (DJ Shadow “My Own Reality” Re-Write)
2. Shanghai (The Scientist Dub)
3. Shanghai (Deaton Chris Anthony Remix)
4. Dreams (Yu Su Instrumental Mix)
5. Blue Morpho (Donato Dozzy Remix)
6. Blue Morpho (VRIL Remix)
7. Blue Morpho (Ciel’s Fluttering Dub)
8. Blue Morpho (ZANDOLI II remix)
9. Catching Smoke (DāM-FunK Instrumental Re-Freak)
10. Ya Love (Flaming Lips’ Fascinating Haircut Re-Do)
11. Ya Love (Geneva Jacuzzi Remix)
12. Ya Love (Héctor Oaks playing w/ Fire Mix)
13. 2.02 Killer Year (Bullant’s Fuck Mike Love Remix)
14. Yours (Fred P Journey Mix)
15. Butterfly 3000 (Terry Tracksuit Remix)
16. Neu Butterfly 3000 (Peaches Remix)
17. Catching Smoke (4am Wack Rmx By Hieroglyphic Being) *
18. Blue Morpho (Mall Grab Remix) *
19. Dreams (Peaking Lights Trancedellic Macrodosing Mix) *
20. Interior People (Confidence Man Remix) *
21. Catching Smoke (Kaitlyn Aurelia Smith Remix) *

*= available on digital release only

King Gizzard & The Lizard Wizard 2022 Tour Dates
Sat. Mar. 19 – Buenos Aires, AR @ Lollapalooza Argentina
Sat. Mar. 26 – São Paulo, BR @ Lollapalooza Brazil
Sun. Mar. 27 – Bogotá, CO @ Festival Estereo Picnic
Sun. April 17 – Las Vegas, NV @ Event Lawn at Virgin Hotels Las Vegas %
Sun. April 24 – San Luis Obispo, CA @ Madonna Inn $
Tue. April 26 – Sonoma, CA @ Gundlach Bundschu $
Wed. April 27 – Petaluma, CA @ Phoenix Theater $
Sat. April 30 – Atlanta, GA @ Shaky Knees Festival
Fri. May 20 – Cleveland, OH @ Agora Theatre
Sat. May 21 – Columbus, OH @ Express Live
Sun. May 22 – Millvale, PA @ Mr. Smalls Funhouse
Tue. May 24 – Rochester, NY @ Water Street Music Hall
Wed. May 25 – South Burlington, VT @ Higher Ground
Thu. May 26 – South Burlington, VT @ Higher Ground
Tue. May 31 – Athens, Greece @ Gagarin 205
Wed. June 1 – Athens, Greece @ Gagarin 205
Fri. June 3 – Barcelona, ES @ Primavera Sound – SOLD OUT
Sun. June 5 – Barcelona, ES @ Primavera in the City
Mon. June 6 – Barcelona, ES @ Primavera in the City
Tue. June 7 – Barcelona, ES @ Primavera in the City
Thu. June 9 – Barcelona, ES @ Primavera Sound – SOLD OUT
Sat. June 11 – Mannheim, DE @ Maifeld Derby Festival
Tue. June 14 – Berlin, DE @ Tempodrom
Sat. June 18 – Miami, FL @ Space Park
Sun. July 31 – Waterford, IE @ All Together Now
Tue. Aug. 2 – Šibenik, HR @ St. Michael’s Fortress
Wed. Aug. 3 – Šibenik, HR @ St. Michael’s Fortress
Fri. Aug. 5 – Prague, CZ @ Archa Theatre
Sun. Aug. 7 – Vienna, AT @ Arena Wien (Open Air)
Tue. Aug. 9 – Leipzig, DE @ Parkbühne
Wed. Aug. 10 – Munich, DE @ Tonhalle
Fri. Aug. 12 – Sion, CH @ Palp Festival
Thu. Aug. 18 – Paredes de Coura, PT @ Paredes de Coura Festival
Fri. Aug. 19 – Gueret, FR @ Check-In Party Festival
Sat. Aug. 20 – Saint-Malo, FR @ La Route du Rock Festival
Tue. Aug. 23 – Cologne, DE @ E-Werk
Wed. Aug. 24 – Hamburg, DE @ Markthalle
Sat. Aug. 27 – Málaga, ES @ Canela Party
Sun. Oct. 2 – Berkeley, CA @ Greek Theatre *
Tue. Oct. 4 – Portland, OR @ Roseland Theater*
Wed. Oct. 5 – Vancouver, BC @ PNE Forum*
Thu. Oct. 6 – Seattle, WA @ Paramount *
Mon. Oc. 10 – Morrison, CO @ Red Rocks Amphitheatre* – SOLD OUT
Tue. Oct. 11 – Morrison, CO @ Red Rocks Amphitheatre* – SOLD OUT
Fri. Oct. 14 – St Paul, MN @ The Palace Theatre* – SOLD OUT
Sat. Oct. 15 – Chicago, IL @ RADIUS*
Sun. Oct. 16 – Detroit, MI @ Masonic Temple*
Tue. Oct. 18 – Toronto, ON @ History*
Wed. Oct. 19 – Montreal, QC @ L’Olympia*
Fri. Oct. 21 – New York, NY @ Forest Hills Stadium*
Sat. Oct. 22 – Philadelphia, PA @ Franklin Music Hall*
Sun. Oct. 23 – Washington, DC @ The Anthem at The Wharf*
Mon. Oct. 24 – Asheville, NC @ Rabbit Rabbit*
Wed. Oct. 26 – Atlanta, GA @ The Eastern*
Thu. Oct. 27 – New Orleans, LA @ Orpheum Theater *
Mon. Oc. 31 – Oklahoma City, OK @ The Criterion #

% w/ Amyl and the Sniffers, SPELLLING, Dj Crenshaw
$ w/ SPELLLING, DJ Crenshaw
* w/ Leah Senior
# w/ The Murlocs, Leah Senior

King Gizzard & The Wizard Lizard Online:
https://kinggizzardandthelizardwizard.com/
https://www.instagram.com/kinggizzard/
https://www.facebook.com/kinggizzardandthelizardwizard/
https://twitter.com/kinggizzard
https://kinggizzard.bandcamp.com/
https://gizzverse.com/

Keep your mind open.

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King Gizzard and the Lizard Wizard move North American tour to 2022.

King Gizzard & The Lizard Wizard announce that their North American tour is now rescheduled for Fall 2022. In October 2022, the band will play shows across the country, including marathon sets at Berkeley’s Greek Theatre and two performances at Red Rocks Amphitheatre, during which the band will play material from their vast discography across three hours. The tour will follow the release of their new album, Butterfly 3000, out now via the band’s own label KGLW.

Butterfly 3000 is King Gizzard’s 18th studio album. The band decided to play this one close to the vest, and refrained from sharing any advance singles, or the album artwork, which will be a cross-eyed autostereogram created by long-time collaborator Jason Galea. Butterfly 3000 might be their most fearless leap into the unknown yet; a suite of ten songs that all began life as arpeggiated loops composed on modular synthesisers, before being fashioned into addictive, optimistic and utterly seductive dream-pop by the six-piece. The album sounds simultaneously like nothing they’ve ever done before, and thoroughly, unmistakeably Gizz, down to its climactic neon psych-a-tronic flourish. This is undoubtedly the most accessible and jubilant album of their career.

King Gizzard & The Lizard Wizard Tour Dates
Sun. Oct. 2 – Berkeley, CA @ Greek Theatre
Tue. Oct. 4 – Portland, OR @ Roseland Theater
Wed. Oct. 5 – Vancouver, BC @ PNE Forum
Thu. Oct. 6 – Seattle, WA @ Moore Theatre
Mon. Oct. 10 – Morrison, CO @ Red Rocks Amphitheatre
Tue. Oct. 11 – Morrison, CO @ Red Rocks Amphitheatre
Fri. Oct. 14 – St Paul, MN @ The Palace Theatre
Sat. Oct. 15 – Chicago, IL @ RADIUS
Sun. Oct. 16 – Detroit, MI @ Masonic Temple
Tue. Oct. 18 – Toronto, ON @ TBA
Wed. Oct. 19 – Montreal, QC @ L’Olympia
Sat. Oct. 22 – Philadelphia, PA @ Franklin Music Hall
Sun. Oct. 23 – Washington, DC @ The Anthem at The Wharf
Mon. Oct. 24 – Asheville, NC @ Rabbit Rabbit
Wed. Oct. 26 – Atlanta, GA @ The Eastern
Mon. Oct 31 – Oklahoma City, OK @ The Criterion

*all dates supported by Leah Senior

Keep your mind open.

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[Thanks to Jacob at Pitch Perfect PR.]

Review: King Gizzard and the Lizard Wizard – Live in San Francisco ’16

Recorded barely a month after King Gizzard and the Lizard Wizard released their breakthrough album, Nonagon Infinity, Live in San Francisco ’16 chronicles the band playing a small club before they would soon be filling large concert halls and curating their own music festival. The power of a KGATLW show is on full display, and it’s great to hear them still with a raw edge and eager to promote Nonagon Infinity to the world.

A good chunk of Nonagon Infinity is here for us, including the opener “Robot Stop,” which is a pleaser to the eager, appreciative crowd. KGATLW come out like a flame thrower unleashed on an audience made up of hungry fire elementals. “Hot Water,” with its happy flute solos, keeps everyone bouncing. There’s barely time to breathe by the time we get to “Big Fig Wasp,” which has great double-teaming of guitars and drums that must’ve blown the audience’s minds as good as it sounds on this.

As wild as that is, “Gamma Knife” is somehow crazier – launching the show, audience, and venue like a cannonball across the California salt flats. There’s a brief pause as they build into “People Vultures” to let the audience cheer and hydrate for a moment before thunder rolls over them.

By the time lead singer Stu MacKenzie asks, “What’s goin’ on?” before “Trapdoor,” I imagine some of the answers he got included, “I can’t feel my face!” and “I feel like I’ve run a marathon!” “Trapdoor” slows things down a bit, but not by much as its groove is made for dancing. The double-shot of “I’m in Your Mind” and “I’m Not in Your Mind” makes for a wild trip. “Cellophane” moves back and forth between psychedelic grooves and flat-out punk rock screams. Everyone agrees that “I’m in Your Mind Fuzz” pretty much sums up how the audience feels by this point – fuzzed-out and tripping. Someone in the audience has lost their glasses by this point, but thankfully the band finds and returns them to the owner.

“Yeah! Fuck yeah!” a woman yells at the beginning of “The River.” I agree with her, as it’s a great live rendition of the happy psychedelic tune that last almost eleven minutes. The song drifts into space now and then, leaving the audience thinking the song is over before coming back to further hypnotize them. They follow it with “Evil Death Roll” to kick out the jams once again and blast the paint off the back walls. They close the show with over twenty-two minutes of “Head On Pill,” which lulls the audience into premature cheering multiple times as it winds across a desert dune like a sidewinder that’s just eaten a psychedelic mushroom.

It’s one of the best of multiple live albums KGATLW have put out in the last couple years, and a great addition to any collection of psych-rock or live music.

Keep your mind open.

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Review: King Gizzard and the Lizard Wizard – Chunky Shrapnel

The cover of King Gizzard and the Lizard Wizard‘s “first” live album (not counting the three live recordings they released earlier this year to benefit Australian wildlife charities), Chunky Shrapnel, features an image of a seven-headed hydra (the same number of guys in the band) surrounded by speakers hooked up to analog equipment to produce weird digital images signifying their already tremendous output of albums and songs, such as Infest the Rats’ Nest (bottom middle), “People Vultures” (bottom right), and even the cyborg Han-Tyumi from Murder of the Universe (second down from the top on the right).

It’s a neat image because it not only tells you what’s in store for you on this great live album, but also a nod to the blending of music and modern technology. The band released a Chunky Shrapnel concert film in a limited stream earlier this year. A full-blown theatrical / wide streaming release is in the works, but this album is a great taste of what to expect from it – and any live KGATLW show (which never disappoint).

The album is sprinkled with studio instrumentals (“Evil Star,” “Quarantine,” “Anamesis”) and the rest is stuffed with live tracks recorded in Luxembourg, Madrid, Manchester, Utrecht, London, Brussels, Milan, Berlin, and Barcelona) over the course of their 2019 world tour. The first live track is a wonderful, jazzy version of “The River.” It’s a neat choice to open your live album with a mellow track (that blooms into an epic jam around the three-minute mark) to get the listener grooving. “Wah Wah” gets the Madrid crowd chanting and jumping. “Road Train” is a nice, crazy follow-up, and the trippy “Murder of the Universe” lets them jam at will as Han-Tyumi’s vocals echo around them from some unseen machine.

The version of “Planet B” unleashed on the London crowd is downright dangerous, somehow sounding twice heavier and faster than the album version (which is already damn heavy and fast). “Parking” is a fuzzy two-minute drum solo that leads into the blazing “Venusian 2” and “Hell” that threaten to incinerate and / or flatten the Milan venue.

The bluesy, swaggering “Let Me Mend the Past” gets the Madrid crowd whooping and hollering. “Inner Cell” brings back a bit of menace. “Loyalty” and “Horology” both flow well together and ease us back down before nineteen minutes of “A Brief History of the Planet Earth” pieced together from four different shows. The song ebbs and flows, being manic one moment and euphoric the next. It’s full of noodling jams and more fuzz than a koala bear. There’s even a moment when they pass a beer through the crowd to their sound man accompanied by frenzied riffs.

It’s another great, stunning album from KGATLW – who by now are obviously unstoppable.

Keep your mind open.

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Review: King Gizzard and the Lizard Wizard – Live in Brussels ’19

One of three live albums released by King Gizzard and the Lizard Wizard for Australian wildlife charities, Live in Brussels ’19 is a wild, heavy set drawing on a lot of material from Murder of the Universe, Nonagon Infinity, Infest the Rats’ Nest (their newest album at the time of this tour – October 2019), and Fishing for Fishies.

Opener “Evil Star” is a fuzzy instrumental appetizer to the meaty, heavy “Venusian 2.” The crowd is in full battle mode when they arrive at the sludgy “Superbug.” Lead singer Stu Mackenzie‘s vocals sound shouted to the moon and I’d be remiss if I didn’t mention Lucas Harwood‘s bass rooting the tune in a solid stoner metal groove. “The Lord of Lightning” begins as a neat psychedelic jam that gets the crowd clapping and grows into the powerful story of a wizard fighting a monster.

“Altered Beast IV” has some of Michael Cavanaugh and Eric Moore‘s best double drumming. The crowd goes wild for “People Vultures” – and rightly so, since it seems to be played at double the normal speed of the album cut. The groove of “This Thing” is undeniable, and Ambrose Kenny-Smith‘s harmonica work on it is always top-notch.

“Sense” slows things down to a happy vibe. “The Wheel” might be the trippiest song on the album. Kenny-Smith’s vocals are warped, and Mackenzie, Cook Craig, and Joey Walker‘s guitars move around each other like cats high on catnip. “The Bird Song” is always a delight – live or otherwise. The band always sounds happy while playing it, and you can’t help but partake in their joy.

“Down the Sink” has a fun new wave vibe to it. “Work This Time” floats the audience about five feet off the hall floor with its hazy, meditative feel. Plus, the guitar solo on it is great. The band then gets the crowd roaring again with “Robot Stop.” The opening chords alone make the audience frantic before it explodes into chill-inducing mania. “Big Fig Wasp” continues the chaos with its microtonal riffs. “Gamma Knife” comes at you like a whole swarm of the aforementioned wasps.

The closer, “Float Along – Fill Your Lungs,” is jaw-dropping. It’s a stunning piece of psychedelia that floats along for over twelve minutes and probably left the Belgian audience euphoric.

It’s another great slice of the King Gizzard and the Lizard Wizard pie and does what any good live album should do – make you want to see them live as soon as possible.

Keep your mind open.

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Review: King Gizzard and the Lizard Wizard – Live in Paris ’19

Recorded at L’Olympia in Paris, France October 14, 2019, King Gizzard and the Lizard Wizard‘s Live in Paris ’19 is one of three live albums they released for animal welfare charities during the massive wildfires sweeping Australia (many of which, by the way, are still burning). All proceeds from these albums go to these charities, and all three were released well before KGATLW‘s “official” live album – Chunky Shrapnel (review coming soon).

You can tell right away that the Parisian crowd is ready to go nuts from the opening notes. The show starts with the instrumental “Evil Star” before breaking into a sprint with “Venusian 2” and “Perihelion” from Infest the Rats’ Nest. “Perihelion” hits the hardest of the two. “Crumbling Castle” is the second longest track on the album (at nearly nine minutes), and the crowd never stops cheering for it the entire time. It tears into “The Fourth Colour” so fast it almost makes your head spin.

“Deserted Dunes Welcome Weary Feet” and “The Castle in the Air” are a great pairing to slow things down just a touch before the rocking “Muddy Water.” “People Vultures” is a crowd favorite (as is anything from Nonagon Infinity, really) and sounds like it’s almost at double the normal speed. The swing of “Mr. Beat” is always fun to hear live. Hearing the crowd sing along to Stu Mackenzie‘s opening flute on “Hot Water” is delightful.

They’re grooving ands swinging on “This Thing.” “Billabong Valley” is always a crowd favorite as Ambrose Kenny-Smith takes over on lead vocals to sing a tale of a gunman. “Nuclear Fusion” is a personal favorite because of the cool Middle Eastern microtonal groove of the whole thing. “Anoxia,” the always rocking “All Is Known,” and the always hip-moving “Boogieman Sam” follow, and the show wraps up with a dive back into thrash metal with another personal favorite – “Mars for the Rich” and then over twelve minutes of the wild, swirling, mind-melting “Am I in Heaven?” – which contains bits of “Altered Beast” and “Cyboogie” as well.

You might think that after this whirlwind of an album is finished – just like any show by these wacky fellas.

Keep your mind open.

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King Gizzard and the Lizard Wizard to release documentary film and double LP, “Chunky Shrapnel,” April 17th.

King Gizzard & The Lizard Wizard have announced Chunky Shrapnel; a feature length music documentary film and accompanying Double LP to be released in April 2020.

The album will be released digitally on April 24th with vinyl pre-orders available on April 10th. The film will premiere online April 17th.

WATCH TRAILER & BUY FILM TICKETS HERE

“Chunky Shrapnel was made for the cinema but as both concerts and films are currently outlawed, it feels poetic to release a concert-film digitally right now. Get the loudest speakers you’ve got, turn ‘em up and watch Chunky on the biggest telly you can find. Get heaps of snacks and convert your lounge room into a cinema.” Stu Mackenzie

A musical road movie dipped in turpentine, Chunky Shrapnel is a point of view/on stage experience from the perspective of King Gizzard & The Lizard Wizard. Once a song begins, just like the band, you’re stuck in the adrenaline fueled quick sand that there is no escape from. The film’s contention is clear from the outset, it’s going to be a “journey” not a “lecture”, an incurved experience rather than a linear one.

The band, nor the film-makers were interested in making a self congratulatory “behind the scenes expose” film. It was a direct decision to keep the inner workings of the band’s personality at arms length, it is the music they were interested in exploring. The approach was taken that the film’s protagonist should be the “on stage” performances, that was the focus. With this, they abandoned multiple cameras and cross cutting during performances, turning the camera into a vehicle for the audience to experience the show through, rather than placing them in a crowd or side of stage. At 96 minutes, Chunky Shrapnel more than earns its length. At times gently holding your hand and at other times smashing a bottle over your head and dumping your body in a heaving crowd. There is an inevitability to the film, a driving, ever accelerating spiral that climaxes in a 15 minute medley that spans four countries.

Chunky Shrapnel is directed by John Angus Stewart and scored by Stu Mackenzie.

Keep your mind open.

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[Thanks to Flightless Records for this press release.]

Review: King Gizzard and the Lizard Wizard – Live in Adelaide ’19

This is the first of three (so far) live albums released this month from Australian juggernauts King Gizzard and the Lizard Wizard. All proceeds from the purchase of Live in Adelaide ’19 (and the other live records) go toward wildlife rescue efforts during Australia’s horrible brush fires.

The home crowd set is a great one that mixes tracks from Infest the Rats’ Nest, Fishing for Fishies, I’m in Your Mind Fuzz, Flying Microtonal Banana, Polygondwanaland, and Float Along – Fill Your Lungs.

They come out roaring with “Planet B,” “Mars for the Rich,” and “Venusian 1” – any of which can flatten the uninitiated. “Cyboogie” is a switch to synth-blues and the grooves of “Real’s Not Real,” “Hot Water” (with guest flute from Adam Halliwell of Mildlife) and “Open Water.” “Sleep Drifter” is one of those songs that always delights when you hear it live.

“Billabong Valley” is always a crowd favorite because Ambrose Kenny-Smith takes on lead vocals in the song about an Outback outlaw. “The Bird Song” is another great live treat, as the song is so happy and groovy you can’t help but smile when you hear it. Things get weird on “Inner Cell,” a tune that had a menacing buzz throughout it, and “Loyalty,” which has plenty of odd time signatures to amaze you.

The groove on “Plastic Boogie” makes you think the song should’ve been named “Solid Rock Boogie.” The band then heads back into thrash metal with “Organ Farmer” (which is bonkers) and “Self-Immolate” before learning they still have thirty-five minutes of stage time left. What to do? How about playing a nearly half-hour version of “Head On / Pill” which is nothing short of outstanding?

This is a solid live album by one of the best live bands on the planet right now, and you can’t beat the price and you’re contributing to a great cause when you buy it. It’s a win for everyone.

Keep your mind open.

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King Gizzard and the Lizard Wizard announce U.S. and Canada tour dates for spring 2020.

Apparently not needing sleep like other human beings, Australian psychedelic juggernauts King Gizzard and the Lizard Wizard have announced spring 2020 tour dates through the U.S. and Canada. Tickets are already on sale. As you can see from the poster, these shows include three three-hour marathon sets – two in Colorado (one of which is already sold out) and one in California. Don’t miss your chance to see them live. KGATLW never disappoint.

Keep your mind open.

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Live: King Gizzard and the Lizard Wizard, ORB, and Stonefield – Aragon Ballroom – Chicago, IL – August 24, 2019

I’d read that the King Gizzard and the Lizard Wizard / ORB / Stonefield show at Chicago’s Aragon Ballroom was on the verge of selling out. I’m pretty sure it did, judging by the line to get into the venue.

The line was so long that the Aragon had to put an employee (guy in white shirt behind car) in a parking lot two blocks away to manage it.

People were laughing in disbelief when they reached this corner and saw the line went on for another block and a half.

The top photo there is from the back of the line, which was over two blocks from the Aragon’s front door. The second photo shows the line along the Red Line El track wall on the west side of the Aragon. I’ve never seen a line this long to get into the Aragon. As one guy put it as he walked past me to get to the end of the line, “Take that all of you who say ‘Who?’ whenever I mention this band!”

The line was so long that, unfortunately, I missed Stonefield’s set. They were so loud, however, that you could hear them outside the venue when a Red Line train wasn’t passing by. I might get to see Stonefield at this year’s Levitation Austin festival, so it could still work out okay for me.

ORB, who have added a guitarist since I last saw them, put on a solid set of stoner-psych that included a lot of fuzz, metal riffs, and avalanche drumming.

I knew King Gizzard and the Lizard Wizard’s set was going to be nuts when people were already chanting, clapping, and cheering during the soundcheck. Plus, KGATLW’s new album, Infest the Rat’s Nest, is a thrash metal record, and I was sure songs from it were going to cause a frenzied mosh pit.

Sure enough, they opened with “Self Immolate” and “Mars for the Rich” off the new record and the crowd immediately compressed by about thirty percent as two pits broke out – one on each side of the stage. I figured they wouldn’t play too much off the new record, as thrash metal is hard to play and they had an entire show to do that would probably cover everything from psychedelic hippie music to blues.

They proved me right by following the metal with the swing of “Plastic Boogie” off the first album they released this year, Fishing for Fishies, which is a blues record. Three cuts off Polygondwanaland followed – “Inner Cell,” “Loyalty,” and “Horology.”

“We’re gonna play an old one,” lead singer Stu Mackenzie said. “How old?” said the guy behind me. “Old for them is like an album from last year.” True, considering KGATLW put out five albums in 2018. The “oldies” turned out to be “I’m in Your Mind” and “I’m Not in Your Mind” from 2014’s I’m in Your Mind Fuzz. “The Balrog” from Murder of the Universe got everyone jumping again, and I was in the pit by the time they got to “Evil Death Roll” from Nonagon Infinity. The whole crowd was jumping during “Rattlesnake,” which lead to other cuts from Flying Microtonal Banana including “Sleep Drifter” and “Billabong Valley.”

Nonagon Infinity opens the door for infinite lizards.

They swung back into a boogie set with more cuts off Fishing for Fishies and even threw in their synth-single “Cyboogie” before ending the night with a wall of death-inducing “Planet B” and “Hell” from Infest the Rat’s Nest. They began the night with metal and ended the night with metal, leaving everyone sweaty and giddy.

“Thanks for coming. Thanks for getting crazy. You guys are fucking crazy. It’s great,” Mackenzie said at one point. It was a crazy crowd, probably the craziest I’ve been in since I saw Thee Oh Sees in Austin last year. The mosh pit was friendly, too. Twice the pit I was in stopped so people could turn on cell phone lights to look for, find, and hold up dropped stuff like someone’s glasses and a wallet. A woman walked by me wearing a shirt that read, “They only walls be build are walls of death.” on the back.

That’s metal, all right, as was this show.

Keep your mind open.

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