Review: King Gizzard and the Lizard Wizard – Infest the Rats’ Nest

I once read a comment on a YouTube video of “Planet B,” a track from King Gizzard and the Lizard Wizard‘s newest album, Infest the Rats’ Nest, that said the following:

“Interviewer: What genre do you play? / King Gizzard: Yes.”

That comment refers to how the Australian psych-rockers went from releasing a blues boogie / synthwave record, Fishing for Fishies, earlier this year to Infest the Rats’ Nest – one of the best thrash metal albums of the year. They’ll play whatever they feel like playing.

The album is a companion piece of sorts to Fishing for Fishies in its environmental message. The first half of Infest the Rats’ Nest is all warnings about how we’re trashing the Earth and the second half is a story of people trying to flee our dying planet but being stonewalled by rich elitists.

“Planet B” gets the album off to a crunchy, angry start with fierce double drumming and dire warning vocals like “Paralyzation, scarification, population exodus…There is no planet B! Open your eyes and see!” “Mars for the Rich” has a cool groove to it (wicked bass licks, Grateful Dead-like drumming), showing that KGATLW didn’t want to completely abandon their psychedelic roots. Lead singer Stuart Mackenzie sings the tale of a child seeing images of Mars on television and wishing he could go there to escape the poisoned Earth, but knowing only the rich will escape environmental doom.

“Organ Farmer” is bonkers. You can barely keep up with the energy of it. It’s all runaway train guitars and drums that sound like they’re about to collapse. “Superbug” switches to stoner metal jams reminiscent of Sleep while Mackenzie sings about a super virus sweeping across the planet.

“Venusian I” has epic shredding behind a tale of trying to flee to Venus because the Earth is doomed. “Space is the place for the new human race,” Mackenzie sings at the beginning of “Perihelion” – a space rock with crushing drums. He and the rest of KGATLW want to escape the Earth, but will their efforts to reach Venus be successful? “Venusian 2” hits you like a spaceship trying to survive re-entry burn as it blazes across the Venusian sky, so it’s difficult to say if the trip is a safe one.

The mosh-inducing “Self-Immolate” is as fiery as its name would imply. The whole band sizzles across it while the lyrics tell a tale of blazing heat on Venus and the agony of leaving one dying planet for another that’s a perpetual inferno. The album ends, fittingly, with “Hell.” Mackenzie, now dead, is terrified as “Satan points me to the rats’ nest.” and everything, like Earth and Venus, is burning all around him.

Heavy stuff, but it’s a bit tongue-in-cheek, so don’t worry. KGATLW made Infest the Rats’ Nest to not only warn us of the effects of climate change, but also to salute their appreciation of thrash metal and have some fun playing stuff that they have admitted is hard to play. As a result, they put out a thrash metal record that can hold its own with heavyweights in the genre.

Keep your mind open.

[You should probably subscribe before you head off to Venus.]

Published by

Nik Havert

I've been a music fan since my parents gave me a record player for Christmas when I was still in grade school. The first record I remember owning was "Sesame Street Disco." I've been a professional writer since 2004, but writing long before that. My first published work was in a middle school literary magazine and was a story about a zoo in which the animals could talk.

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