Flat Worms push back against “Market Forces” with their new single.

Photo by Owen Schmit

Flat Worms, the Los Angeles-based trio of Will Ivy (guitar), Tim Hellman (bass) and Justin Sullivan (drums), announce their new album, Antarctica, out April 10th on Drag City Imprint, GOD? Records, and share lead single, “Market Forces.” Antarctica is for people invested in the future, despite a world in flames, deserts in permafrost, and everyone in their own corners, looking down into their hands. It considers the chaotic, dysfunctional contemporary landscape and reflects a situation that’s dire, but not hopeless.

Since the release of their 2017 debut LP – even since last year’s “Into the Iris” mini-LP – Flat Worms’ sound has hardened, with the polarities of psych and post-punk smelted into a brutal cobalt alloy. No doubt they’re aided by the Steve Albini-engineered sound rendered at Electrical Audio, where the album was recorded and mixed (in collaboration with Albini and Ty Segall) in six days. The rest of the evolution is down to Flat Worms, whose world view and musical viewpoint pulse with a remorseless drive and a sense of collaborative unity. Ivy’s cortex-scorching guitar leads are in united space with the full-body rhythm of Hellman’s bass and Sullivan’s drums.

Flat Worms’ social comment, bleak, yet earnest, is leavened with bone dry humor (the title track’s isolation conundrums: “My dog is smiling as I drive her to the park / we sit together in the kitchen after dark / I ask her questions / She just barks”) and caustic pronouncements. Lead single “Market Forces” kicks the modern malaise of alienation from our over-commodified social media mirror image. As market forces drives feels to capitalize on later, Flat Worms ask: Are you really helpless in this dynamic? 

Listen to Flat Worms’ “Market Forces”
https://www.youtube.com/watch?v=z73PY-bCUaY

Commitment. Intention. Collaboration. And a sense that we’re meant to enjoy what we’re doing. Even in the desert of Antarctica, Flat Worms are looking for the upside.

Flat Worms will play select shows throughout California and the UK this spring. All dates are listed below. 

Pre-order Antarctica
https://ffm.to/antarctica

Antarctica Tracklist:
1. The Aughts
2. Plaster Casts
3. Market Forces
4. Antarctica
5. Via
6. The Mine
7. Ripper I
8. Condo Colony
9. Signals:
10. Wet Concrete
11. Terms of Visitation

Flat Worms Tour Dates:
Thu. April 30 – Oakland, CA @ Crystal Cavern
Fri. May 1 – Long Beach, CA @ Alex’s Bar
Sun. May 3 – Tucson, AZ @ Hotel Congress
Fri. May 8 – Los Angeles, CA @ Zebulon
Thu. June 4 – Manchester, UK @ Pink Room @ Yes
Fri. June 5 – Leeds, UK @ Brudenell Social Club
Sat. June 6 – Newcastle, UK @ The Cluny
Sun. June 7 – Glasgow, UK @ Broadcast
Tue. June 9 – Birmingham, UK @ Hare & Hounds
Wed. June 10 – Nottingham, UK @ Rescue Rooms
Thu. June 11 – Bristol, UK @ Thekla
Fri. June 12 – London, UK @ The Garage

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Caroline Rose gets freaky on her new single – “Freak Like Me.”

Photo by Cara Robbins

Caroline Rose presents a new single, “Freak Like Me,” from her forthcoming album, Superstar, due March 6th on New West Records. In conjunction, she announces the west coast run of her North American tour. “Freak Like Me” follows lead single/video “Feel The Way I Want,” in which Rose “walks a fine, funny line between embodying and parodying Kanye-size arrogance” (Rolling Stone).

As described by Rose, “‘Freak Like Me’ is a S&M-themed love song about falling in love with your dominatrix. The song’s  melody is very floral and beautiful. I imagine it as some sort of delicate dress dancing around 17th century Versailles. I wanted  to juxtapose this daintiness with grotesque lyricsI’ve always wanted to write a pretty song with the word ‘vomit’ in it. Paradoxes are fun.”

“I had been wanting to sample Aaron Embry’s ‘Raven Song’  in a beat for the longest time. Then I had this kind of ‘ah ha!’ moment while working on the song on tour. I chopped up the sample, pitched it and it just fit perfectly. It really took the song to another level and completed the paradox.

Listen to Caroline Rose’s “Freak Like Me”
https://youtu.be/QfV4-v7l5dA

The follow up to 2018’s acclaimed LONERSuperstar is a bigger, badder, glitter-filled cinematic pop record. It’s a semi-autobiographical story of a shamelessly odd hero, or rather anti-hero, on a quest to become a someone. One part satire, one part self-reflection, Rose’s anti-hero personifies much of what we as casual on-lookers are wont to poke fun at, dismiss or denigrate, yet deep down likely aspire to be. Someone who, whether warranted or not, refuses to let anyone dictate their own life’s narrative.

Rose will embark on a lengthy North American tour this spring in support of Superstar. A full list of dates can be found below. Newly-announced shows go on sale this Friday, February 14th at 10am local time

Watch the Video for “Feel The Way I Want” –
http://newwst.com/crftwiwPR

Pre-order Superstar –
http://newwst.com/superstar

Caroline Rose Tour Dates (new dates in bold):
Fri. March 6 – Albany, NY @ The Hollow
Sat. March 7 – Burlington, VT @ Higher Ground
Wed. March 11 – Pittsburgh, PA @ Club Café
Thu. March 12 – Pittsburgh, PA @ Club Café
Fri. March 13 – Cleveland, OH @ Beachland Tavern
Sat. March 14 – Columbus, OH @ Skully’s
Wed. March 25 – Brooklyn, NY @ Music Hall of Williamsburg
Thu. March 26 – Cambridge, MA @ The Sinclair
Fri. March 27 – Philadelphia, PA @ Underground Arts
Sat. March 28 – Washington, DC @ Black Cat
Wed. April 1 – Iowa City, IA @ Mission Creek Music Festival
Thu. April 2 – Milwaukee, WI @ Turner Hall Ballroom
Fri. April 3 – Chicago, IL @ Lincoln Hall
Sat. April 4 – Minneapolis, MN @ Fine Line Music Hall
Fri. April 24 – Dallas, TX @ Club Dada
Sat. April 25 – Houston, TX @ White Oak Music Hall: Upstairs
Sun. April 26 – Austin, TX @ Antone’s
Tue. April 28 – New Orleans, LA @ Gasa Gasa
Wed. April 29 – Oxford, MS @ Proud Larry’s
Thu. April 30 – Nashville, TN @ The Basement East
Fri. May 1 – Sun. May 3 – Atlanta, GA @ Shaky Knees Festival
Wed. June 17 – Denver, CO @ Bluebird
Thu. June 18 – Salt Lake City, UT @ State Room
Fri. June 19 – Boise, ID @ Neurolux
Sat. June 20 – Portland, OR @ Doug Fir Lounge
Sun. June 21 – Portland, OR @ Doug Fir Lounge
Wed. June 24 – Seattle, WA @ The Crocodile
Fri. June 26 – San Francisco, CA @ The Independent
Sat. June 27 – Los Angeles, CA @ Troubadour

Keep your mind open.

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Iceland Airwaves announces first lineup for their 2020 festival.

Iceland Airwaves, the country’s longest running festival and the world’s Northernmost music showcase, returns to downtown Reykjavík Wednesday, November 4 through Saturday, November 7 and reveals its first wave of performers. This year, Courtney Barnett will play a rare intimate solo set, Metronomymake a triumphant return to Iceland with their latest album Metronomy Forever, and recent Grammy-nominated Texan psychedelic soul duo Black Pumas will make their Airwaves debut. Experimental punk band Squid, British outfit Dry Cleaning, over-the-top pop artist Dorian Electra, and many more will also appear. Icelandic-based billings include Iceland’s most famous 9-strong all female rap collective Daughters of Reykjavik,  the Westman Islands’ freaky folk pop songwriter Júníus Meyvant, revered Seabear member Sin Fang, plus more. The first wave of announced artists is listed below.
 
LISTEN TO ICELAND AIRWAVES FIRST ROUND PERFORMERS PLAYLIST HERE
 
Iceland Airwaves is firmly back to its best and will be inviting thousands of music lovers from over 60 countries for an unmissable global gathering. Attendees can experience shows in spaces as varied as art galleries to churches and concert halls, all in easy walking distance within downtown. With the festival’s forward thinking, collaborative approach and positive local influence, Reykjavík has developed into a thriving and globally recognised music city.
 
Super early-bird tickets have sold out. Iceland Airwaves Music Festival early-bird tickets are on sale nowfor 14.900 ISK (around $136) for a four-day pass. Travel packages from the USA, Canada, UK and Europe,  are available from Icelandair.
 
PURCHASE TICKETS HERE
 
International Acts
Black Pumas (UK)
CHLOBOCOP (UK) 
Courtney Barnett (solo) (AU)
Dorian Electra (US)
Dry Cleaning (UK)
Erika de Casier (DK)
Lynks Afrikka (UK)
Metronomy (UK)
Squid (UK)
Tami T (SE)
The Murder Capital (IE)
 
Icelandic Acts
ADHD
Andavald
Andy Svarthol
Benni Hemm Hemm
BSÍ
Daughters of Reykjavik
dj. flugvél og geimskip
Gugusar
GRÓA
Halldór Eldjárn
Júníus Meyvant
Kiriyama Family
K.óla
Krummi
MSEA
Myrkvi
Omotrack
Oyama
Pale Moon
Sólveig Matthildur
S.hel
Sin Fang
Sinmara

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Matt Karmil unleashes wicked new single, “PB,” ahead of his full album “STS371.”

Photo by Fredrik Skogkvist
Acclaimed UK producer and engineer Matt Karmil is pleased to announce his new album, STS371, out March 27th via Smalltown Supersound, and today presents the album’s lead single, “PB.” STS371 is his most concise album to date, with his signature mix of minimalism and reverb-drenched house still being the backbone of his warm, rich, atmospheric and melancholic sound. 

STS371 was made largely while Karmil was travelling. Anticipating the completion of his music studio in The Cotswolds in England, Karmil favored “on the fly” production methods to finish his album.  “It was not a linear process of recording,” says Karmil, “and in the end the majority of the work was to arrange and choose the right sounds and vibe.”

While his works fit within the tradition of techno’s timeless anonymity,  Karmil’s highly personal music is anything but a xerox on dance music’s previous life.  As Karmil puts it – minimally, simply and functionally: “I made a conscious effort to up the energy, and found a collection of tunes that felt coherent to me”.

Of “PB”, Karmil states: “I made ‘PB’ over an extended period, having made a 120bpm tune with the same texture and then resampled it and upped the tempo one evening in Cologne.  I wanted to make a committed acid track that draws you in and worked hard to get the drums, percussion and main melody working in harmony, but swapping roles a little.”

STS371 follows 2018’s Will. Since the release of Will he has co-produced and mixed Kornél Kovács’ acclaimed Stockholm Marathon. He has also worked with, among many others, Matias Aguayo for Crammed Discs and Talaboman for R&S, as an engineer, mixing and mastering. 

Listen to Matt Karmil’s “PB” –
https://soundcloud.com/smalltownsupersound/mattkarmil-pb

STS371 Tracklist:
1.Smoke
2. Hard
3. Snail Shower
4. PB
5. Still Not French
6. Congo
7. SR/WB
8. Breezy
9. 210

Pre-order STS731 –
smarturl.it/sts371-preorder

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Too Free release an early contender for best singles of 2020 – “Elastic.”

Photo by Emily Geller

Today, Too Free releases a new single, “Elastic,” from their forthcoming debut album, Love In High Demand, out February 21st on Sister Polygon. It follows “No Fun,” “another piece of earworm dance-pop” (Stereogum), and lead single “ATM.” “Elastic” is driven by a bouncing beat and jaunty percussion. “‘Elastic’ is an attempt to define those intangible spaces between seduction and letting go of your inhibitions,” says Awad Bilal. “Unlearning generations of conditioning to explore the different kinds of love that we are capable of feeling without stigma or fear.”
 
In conjunction, the band announces additional North American tour dates. Following their shows in Washington, D.C. and New York, they’ll play Chicago, Montreal, Winooski, and Bloomington. More dates will soon follow.

 
STREAM TOO FREE’S “ELASTIC”
https://youtu.be/OVgWyv3Svn4
 
WATCH “NO FUN” VIDEO
https://youtu.be/2R2DYl8AZhc
 
WATCH “ATM” VIDEO
https://youtu.be/bErEP9TJCQY
 

Too Free is the Washington, D.C.-based trio of Awad Bilal (Big Freedia, Vasillus), Carson Cox (Merchandise), and Don Godwin (Callers, Impractical Cockpit). Their only mission is a desire to connect with others in the space that music creates. Drawing from improvisation and experimentation, they deconstruct their songs to their most necessary elements, leaning into their collective punk ethos and DIY backgrounds. Drawing equally from elements of South Florida freestyle and Jersey electro into DC’s signature polyrhythms, the record is a continuous refinement of the virtue of motion – each composition rooted in propulsive energy that envelops. Aiming to make something with a more utopian outlook that counters the pervasive pessimism, archaic ideologies and dystopian timelines we interact with on a daily basis, they approach this project with an open-endedness that incorporates higher concepts of what pop art can sound like.

 
PRE-ORDER LOVE IN HIGH DEMAND
 https://sisterpolygonrecords.bigcartel.com/product/pre-order-too-free-love-in-high-demand-lp-spr-033
 
TOO FREE TOUR DATES
Sat. Feb. 22 – Washington, DC – U Street Music Hall
Thu. Feb. 27 – Brooklyn, NY @ Trans Pecos
Wed. April 1 – Bloomington, IN @ The Bishop
Thu. April 2 – Chicago, IL @ CoProsperity Sphere
Sun. April 5 – Montreal, QC @ La Sotterenea
Mon. April 6 – Winooski, VT @ The Monkey House
  

Too Free Online:
https://toofree.bandcamp.com/
https://www.instagram.com/toofreedc/
https://www.pitchperfectpr.com/too-free/
https://www.sisterpolygonrecords.com/artists/too-free

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Rage Against the Machine announce first tour in almost a decade.

Rage Against the Machine have announced their first full tour in almost ten years, starting with three shows in the American southwest that will benefit immigrant charities. Most of the tour includes opening support from Run the Jewels, and there’s also a headlining spot for RATM at Coachella this year. Tickets are on sale now, and I’m sure many dates (if not all of them) will sell out. Here’s the list:

03-26 El Paso, TX – Don Haskins Center
03-28 Las Cruces, NM – Pan American Center
03-30 Glendale, AZ – Gila River Arena
04-10 Indio, CA – Coachella Valley Music and Arts Festival
04-17 Indio, CA – Coachella Valley Music and Arts Festival
04-21 Oakland, CA – Oakland Arena
04-25 Portland, OR – Moda Center
04-28 Tacoma, WA – Tacoma Dome
05-01 Vancouver, BC – Pacific Coliseum at the PNE
05-03 Edmonton, Alberta – Rogers Place
05-05 Calgary, Alberta – Scotiabank Saddledome
05-07 Winnipeg, Manitoba – Bell MTS Place
05-09 Sioux Falls, SD – Denny Sanford Premier Center
05-11 Minneapolis, MN – Target Center
05-14 Kansas City, MO – Sprint Center
05-16 St. Louis, MO – Enterprise Center
05-19 Chicago, IL – United Center
05-23 Boston, MA – Boston Calling
06-19 Dover, DE – Firefly
07-10 East Troy, WI – Alpine Valley Music Theatre
07-13 Detroit, MI – Little Caesars Arena
07-17 Ottawa, Ontario – Ottawa Bluesfest
07-18 Québec City, Québec – Festival d’Été de Québec
07-21 Hamilton, Ontario – FirstOntario Centre
07-23 Toronto, Ontario – Scotiabank Arena
07-27 Buffalo, NY – KeyBank Center
07-29 Cleveland, OH – Rocket Mortgage FieldHouse
07-31 Pittsburgh, PA – PPG Paints Arena
08-02 Raleigh, NC – PNC Arena
08-04 Washington, DC – Capital One Arena
08-07 Camden, NJ – BB&T Pavilion
08-10 New York, NY – Madison Square Garden
08-11 New York, NY – Madison Square Garden
08-28 Leeds, England – Leeds Festival
08-30 Reading, England – Reading Festival
09-01 Paris, France – Rock En Seine Festival
09-04 Stradbally Laois, Ireland – Electric Picnic Festival
09-06 Berlin, Germany – Lollapalooza Berlin Festival
09-08 Prague, Czech Republic – O2 Arena
09-10 Krakow, Poland – Tauron Arena

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Girl Talk announces first North American tour in eight years.

Photo by Joey Kennedy

Girl Talk, aka Pittsburgh’s Gregg Gillis, is excited to announce his first North American tour in eight years. Throughout the past two decades, Girl Talk has been known for his wholly energetic, sweat soaked, confetti-covered live shows and festival performances. Once again, he will bring this exuberance across the states, playing Chicago’s Metro, Los Angeles’ Echoplex, the 9:30 Club in Washington, D.C., and more. A full list of dates can be found below and tickets go on sale later this week at girltalkmusic.com.
 
Gillis built his reputation from his meticulous construction of sample-based music and specific style of genre-smashing, breakneck-paced party jams. With each Girl Talk album, from his breakout Night Ripper (2006) to Feed The Animals (2008) and his last, All Day (2010), his work has become increasingly detailed and complex. The last several years have seen Gillis focusing on collaborative work producing hip hop for some of his favorite rap artists. In 2014, he and Philadelphia’s Freeway released the “Broken Ankles” EP, and since then, Gillis has steadily earned an impressive list of production credits and collaborations with his artistic contemporaries, including Wiz KhalifaT-PainTory LanezYoung NudyBasCozzErick The Architect (from Flatbush Zombies), Smoke DZA, and Don Q.

As Noisey so aptly describes him, “The tracks he’s released over the last year show, more than anything, that Gillis is adaptable as a producer. The people he’s worked with are about as different as you can get in the wider rap world, but no matter the circumstance, he’s been able to find palettes that work for each of their voices. . . Given the encyclopedic knowledge of music from across styles and eras, it’s not all that surprising that he’s good at this.

 
Girl Talk Tour Dates:
Wed. April 29 – Cleveland, OH @ House of Blues
Fri. May 1 – Pittsburgh, PA @ Stage AE
Sat. May 2 – Toronto, ON @ Phoenix Concert Theatre
Sun. May 3 – Chicago, IL @ Metro
Tue. May 5 – Minneapolis, MN @ First Avenue
Thu. May 7 – Kansas City, MO @ The Truman
Fri. May 8 – Denver, CO @ Ogden Theatre
Sat. May 9 – Salt Lake City, UT @ The Depot
Mon. May 11 – Portland, OR @ Crystal Ballroom
Tue. May 12 – Seattle, WA @ The Showbox
Wed. May 13 – Vancouver, BC @ Commodore Ballroom
Fri. May 15 – Los Angeles, CA @ Echoplex
Sat. May 16 – San Diego, CA @ House of Blues
Mon. May 18 – Austin, TX @ Emo’s Austin
Tue. May 19 – Dallas, TX @ Granada Theater
Thu. May 21 – Asheville, NC @ The Orange Peel
Fri. May 22 – Washington, DC @ 9:30 Club
Sat. May 23 – Boston, MA @ Royale
Sun. June 7 – New York, NY @ Governors Ball

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Alex Lahey is a “Sucker for Punishment” with her rocking new single.

Photo by James Hornsby

“Lahey may be stuck in the thick of it now, but her ability to see as though she’s already beyond, to address life’s essential contradictions with thoughtfulness and humor, makes her an insightful storyteller.” — Pitchfork
 
“There’s an immediacy to Alex Lahey’s music so urgent that it’ll hook you before you even notice it’s happening.” — GQ
 
“Alex Lahey is quickly becoming the queen of big, catchy pop-rock hooks” — MTV News
 

Today, Melbourne-based songwriter Alex Lahey releases a new track, “Sucker For Punishment.” “Sucker For Punishment” follows her sophomore album, The Best of Luck Club, “a witty and confessional pop-punk gem” (Uproxx), out now on Dead Oceans. The song, about self-delusion, is written from the perspective of the deluded. Throughout, Lahey’s exasperated vocals are backed by buzzing guitar and a jaunty bass line.
 
We’re living in an era we’re the micro has become the macro,” says Lahey. “I don’t think there has ever been a time where our actions and attitudes as individuals have had such an impact on broader humanity and the planet. Whether it’s a ‘think about it later’ attitude towards climate change, the undemocratic consequences of sharing personal data to big business online, a lethargicness in the face of political engagement or the need to be validated as a worthwhile individual through obtaining arbitrary units of engagement on social media –  we need to catch ourselves out before we suffer greater consequences.”

 
Listen to Alex Lahey’s “Sucker For Punishment” –
https://youtu.be/etVj6qrHwCM
 

In conjunction with the new single, Lahey is pleased to announce she’ll return stateside for a for a slew of tour dates along the west coast, kicking off the run in San Diego on Sat. May 30 at Casbah. All new dates go on-sale Fri. Feb. 14 at 10am local time. A full list of tour dates are below.

 
Alex Lahey Tour Dates (new dates in bold):
Fri. March 13 – Nottingham, UK @ Rescue Rooms ^
Mon. March 16 – Glasgow, UK @ The Garage ^
Tue. March 17 – Manchester, UK @ Gorilla ^
Wed. March 18 – Birmingham, UK @ O2 Academy2 Birmingham ^
Thu. March 19 – London, UK @ Electric Ballroom ^
Sat. March 21 – Amsterdam, NE @ Paradiso Noord ^
Sun. March 22 – Antwerp, BE @ Kavka ^
Mon. March 23 – Hamburg, DE @ Molotow ^
Tue. March 24 – Düsseldorf, DE @ Zaak ^
Thu. March 26 – Mainz, DE @ Kulturklub schon schön ^
Fri. March 27 – Paris, FR @ Nouveau Casino ^
Wed. April 15 – Adelaide, AU @ Thebarton Theatre *
Fri. April 17 – Fremantle, AU @ Fremantle Arts Center *
Mon. April 20 – Sydney, AU @ Enmore Theatre *
Wed. April 22 – Brisbane, AU @ The Fortitude Music Hall *
Fri. April 24 – Melbourne, AU @ Forum Theatre *
Sat. April 25 – Melbourne, AU @ Forum Theatre *
Tue. April 28 – Hobart, AU @ Odeon Theatre *
Sat. May 30 – San Diego, CA @ Casbah
Sun. May 31 – Costa Mesa, CA @ The Wayfarer
Mon. June 1 – Los Angeles, CA @ Moroccan Lounge
Tue. June 3 – San Jose, CA @ The Ritz
Fri. June 5 – Oakland, CA @ Starline Social Club Crystal Cavern
Sat. June 6 – Sacramento, CA @ The Starlet Room at Harlow’s
Mon. June 8 – Portland, OR @ Mississippi Studios
Tue. June 9 – Seattle, WA @ Barboza
 
* = w/ City & Colour
^ = w/ The Regrettes
 
Purchase The Best of Luck Club 
https://alexlahey.ffm.to/bestofluckclub
 
Watch/Listen/Share:
“Am I Doing It Right?” stream – https://youtu.be/BAfpMBepOpo
“Don’t Be So Hard On Yourself” video – https://youtu.be/Uu1qtIk5eoY
“Unspoken History” stream – https://youtu.be/dFkRK2FgXhI
“Unspoken History” live acoustic video – https://youtu.be/SDHZoDVUs3o
 

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Girl Afraid stir up some “Dutch Courage” with their new single.

Hull-based indie rockers Girl Afraid released their rocking new track, “Dutch Courage” on February 7th.

First we had Hull-based LIFE, who took the U.K by storm and now we have Girl Afraid who are storming onto the British indie scene. Their sound draws influences from the likes of Queens of the Stone Age to fellow indie newcomers Fontaines D.C. Nevertheless, they have crafted a remarkably inimitable sound of their very own.

As its title indicates, “Dutch Courage” oozes confidence from the very start. It’s a hard hitting track with huge drums which would make even the sternest of listeners tap their foot. Also slick guitar riffs which take a new dimension of early indie as well an awe-inspiring vocal from front man Sam Mellors.

Girl Afraid are taking no hostages with this release. Therefore, if you are seeking the finest catchy indie rock then look no further than “Dutch Courage.”

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Rebsie Fairholm and Marvin B. Naylor release “Ark” from upcoming album.

Rebsie Fairholm and Marvin B. Naylor have released the charismatic new single ‘Ark’ taken from their forthcoming album.

Rebsie is an artist who delves into a dark realm of psych-folk while Marvin comes from a background of early indie and pop. Combined together and they have created a hybrid sound which cannot be sniffed at.

The track kicks off with a guitar hook which grabs you and does not let go. Vocally, the pair complement each other both mirroring their words with confidence. It’s a catchy number, one which does not leave you for some time and for the right reasons. It’s a very British sounding 70s influenced track but yet it stays current to the modern scene providing just about something for everybody.

A song which delivers a story about finding something amazing unexpectedly ‘finding rainbows in the dark’. Well, this collaboration comes as a surprise but yet it works very well.

If you are seeking the finest indie folk then look no further than this release from Rebsie Fairholm & Marvin B Naylor. You can buy the single here https://rebsiefairholm.bandcamp.com/album/ark.

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