Squid’s acclaimed debut album Bright Green Field, released via Warp Records, has been called one of the best albums of 2021 by Pitchfork, Stereogum, The Quietus, Consequence, Paste, Exclaim!, and beyond. On the heels of their sold out first-ever US tour, the UK band announces a 2022 North American tour which sees them playing their biggest venues yet. Having built a reputation for their must-see live performances, Squid — Ollie Judge, Louis Borlase, Arthur Leadbetter, Laurie Nankivell, and Anton Pearson — are not to be missed. Tour dates are listed below and tickets are on sale here.
Squid Tour Dates Wed. Jan. 26 – Belfast, UK @ Empire Music Hall Thu. Jan 27 – Galway, IE @ Roisin Dubh Fri. Jan. 28 – Cork, IE @ Cyprus Avenue Sun. Jan. 30 – Dublin, IE @ The Button Factory Mon. Jan. 31 – Dublin, IE @ The Button Factory Mon. March 7 – Portland, OR @ Wonder Ballroom Tue. March 8 – Seattle, WA @ The Crocodile Wed. March 9 – Vancouver, BC @ Rickshaw Theatre Sat. March 12 – San Francisco, CA @ August Hall Sun. March 13 – Los Angeles, CA @ Regent Theater Wed. March 16 – Chicago, IL @ Vic Theatre Thu. March 17 – Detroit, MI @ El Club Fri. March 18 – Toronto, ON @ Horseshoe Tavern Sat. March 19 – Montreal, QC @ Bar Le Ritz Mon. March 21 – Washington, DC @ Black Cat Tue. March 22 – New York, NY @ Bowery Ballroom Wed. March 23 – Brooklyn, NY @ Music Hall of Williamsburg Fri. March 25 – Boston, MA @ Brighton Music Hall Sun. June 5 – Sun. June 12 – Barcelona, ES @ Primavera Sound Fri. Jul. 8 – London, UK @ Somerset House Fri. Aug. 5 – Sun. Aug. 7 – Katowice, PL @ OFF Festival Wed. Aug. 17 – Sat. Aug. 20 – Paredes de Coura, PT @ Paredes de Coura Festival Thu. Aug. 25 – Sun. Aug. 28 – Saint Cloud, FR @ Rock en Seine Mon. Sep. 16 – Sun. Sep. 18 – Los Angeles, CA @ Primavera Sound LA
After a stellar year that saw them release their debut album and join IDLES on a largely sold-out nationwide tour, Brooklyn art punks Gustaf have returned with a fiery remix of their track “Design” by none other than the multi-time Grammy-winner Beck. Their friendship with Beck blossomed after he invited them to play a secret loft party at his New York apartment, and his re-work of their first ever recorded single comes alongside a throughly enjoyable Interview Magazine piece in which they discuss the merits of creating and sharing outside of the box. Today, they’re also announcing a slew of headline dates across the United States and the UK, as well as a Talkhouse conversation with tourmates IDLES.
LISTEN: to Beck’s remix of Gustaf’s “Design” on YouTube
Audio Drag For Ego Slobscame out via Royal Mountain Records on October 1st to rapturous praise from the likes of NPR, NME, BrooklynVegan, DIY, Paste, and the band will continue to prove why they are one of America’s most “reliably fun bands” as they head out on a full US headline tour with stops at SXSW, Treefort, Savannah Music Fest and many more, before jumping across the Atlantic for their first UK shows, a run that will see them appearing at Brighton’s The Great Escape festival.
Beck’s remix of Gustaf’s “Design” is out now on Royal Mountain Records. It is available to stream here.
Tour Dates
2022 3/10 – Washington, DC @ DC9 3/11 – Durham, NC @ Pinhook 3/11-12 – Savannah, GA @ Savannah Stopover Music Fest 3/13 – Atlanta, GA @ The Earl 3/15 – Dallas, TX @ Sundown at Granada 3/16-18 – Austin, TX @ SXSW 3/20 – Tucson, AZ @ Club Congress 3/21 – Los Angeles, CA @ The Echo 3/23 – San Francisco, CA @ Rickshaw Stop 3/23-27 – Boise, ID @ Treefort Music Fest 3/25 – Seattle, WA @ Sunset Tavern 3/26 – Portland, OR @ Bunk Bar 3/31 – Minneapolis, MN @ 7th St Entry 4/1 – Milwaukee, WI @ Colectivo 4/2 – Chicago, IL @ Empty Bottle 4/3 – Columbus, OH @ Ace Of Cups 4/5 – Toronto, ON @ Garrison 4/7 – Burlington, VT – Higher Ground 4/8 – Portland, ME @ Portland House of Music 4/14 – Philadelphia, PA @ Johnny Brenda’s 4/15 – Boston, MA @ Brighton Music Hall 4/16 – New York, NY @ The Broadway 4/29 – Nottingham, United Kingdom @ Bodega 4/30 – Edinburgh, United Kingdom @ Stag & Dagger Edinburgh 5/1 – Glasgow, United Kingdom @ Stag & Dagger Glasgow 5/3 – Dublin, Ireland @ The Workman’s Club 5/4 – Manchester, United Kingdom @ YES / Pink Room 5/6 – Leeds, United Kingdom @ Headrow House 5/7 – Coventry, United Kingdom @ Coventry Central Library 5/8 – Birmingham, United Kingdom @ Hare & Hounds 5/9 – London, United Kingdom @ Moth Club (co-headline w/ Kills Birds) 5/10 – London, United Kingdom @ Moth Club (co-headline w/ Kills Birds) 5/11 – Cambridge, United Kingdom @ The Portland Arms 5/13 – Brighton, United Kingdom @ The Great Escape Festival 5/14 – Bristol, United Kingdom @ Crofters Rights
King Gizzard & The Lizard Wizard announce Butterfly 3001, a remix album of their original out January 21st, 2022 on KGLW. Today, they share two of its singles, “Neu Butterfly” (Peaches Remix) and “Shanghai” (Dub by The Scientist). King Gizzard’s Joey Walker elaborates: “We’ve put off doing a remix album for a long time. Maybe it was conscious, maybe it wasn’t. But it’s happening now. That’s not to say that Butterfly 3000 makes the most sense to remix. It might seem like the obvious one, but it’s not. Yes it’s electronic. But so is a fridge. Have you tried to dance to Butterfly? It’s hard. It ties your shoelaces together. It’s duplicitous in its simplicity. But Butterfly 3001 expands on this. It also deviates and obliterates. We’re honoured to have such esteemed people go to work on these songs. We hope you love this album as much as we do. See you in DA CLUB!!!”
For their “Neu Butterfly” remix, Peaches “wanted to make this remix sound like a lizard. Slippery wet and scaly dry. Something that wiggles through wide open spaces… with slits for eyeballs…. And danceable.”
Legendary producer The Scientist says “I’ve always enjoyed being able to apply my dub mixing techniques to music outside of the typical ‘reggae mold.’ The music of KGLW, and specifically the song ‘Shanghai,’ provided me with the perfect landscape to be able to create something sonically rich and exciting for the listener. KGLW fans and dub-reggae fans, alike, will enjoy this song very much.”
Pre-order Butterfly 3001 Butterfly 3001 Tracklist 1. Black Hot Soup (DJ Shadow “My Own Reality” Re-Write) 2. Shanghai (The Scientist Dub) 3. Shanghai (Deaton Chris Anthony Remix) 4. Dreams (Yu Su Instrumental Mix) 5. Blue Morpho (Donato Dozzy Remix) 6. Blue Morpho (VRIL Remix) 7. Blue Morpho (Ciel’s Fluttering Dub) 8. Blue Morpho (ZANDOLI II remix) 9. Catching Smoke (DāM-FunK Instrumental Re-Freak) 10. Ya Love (Flaming Lips’ Fascinating Haircut Re-Do) 11. Ya Love (Geneva Jacuzzi Remix) 12. Ya Love (Héctor Oaks playing w/ Fire Mix) 13. 2.02 Killer Year (Bullant’s Fuck Mike Love Remix) 14. Yours (Fred P Journey Mix) 15. Butterfly 3000 (Terry Tracksuit Remix) 16. Neu Butterfly 3000 (Peaches Remix) 17. Catching Smoke (4am Wack Rmx By Hieroglyphic Being) * 18. Blue Morpho (Mall Grab Remix) * 19. Dreams (Peaking Lights Trancedellic Macrodosing Mix) * 20. Interior People (Confidence Man Remix) * 21. Catching Smoke (Kaitlyn Aurelia Smith Remix) *
*= available on digital release only
King Gizzard & The Lizard Wizard 2022 Tour Dates Sat. Mar. 19 – Buenos Aires, AR @ Lollapalooza Argentina Sat. Mar. 26 – São Paulo, BR @ Lollapalooza Brazil Sun. Mar. 27 – Bogotá, CO @ Festival Estereo Picnic Sun. April 17 – Las Vegas, NV @ Event Lawn at Virgin Hotels Las Vegas % Sun. April 24 – San Luis Obispo, CA @ Madonna Inn $ Tue. April 26 – Sonoma, CA @ Gundlach Bundschu $ Wed. April 27 – Petaluma, CA @ Phoenix Theater $ Sat. April 30 – Atlanta, GA @ Shaky Knees Festival Fri. May 20 – Cleveland, OH @ Agora Theatre Sat. May 21 – Columbus, OH @ Express Live Sun. May 22 – Millvale, PA @ Mr. Smalls Funhouse Tue. May 24 – Rochester, NY @ Water Street Music Hall Wed. May 25 – South Burlington, VT @ Higher Ground Thu. May 26 – South Burlington, VT @ Higher Ground Tue. May 31 – Athens, Greece @ Gagarin 205 Wed. June 1 – Athens, Greece @ Gagarin 205 Fri. June 3 – Barcelona, ES @ Primavera Sound – SOLD OUT Sun. June 5 – Barcelona, ES @ Primavera in the City Mon. June 6 – Barcelona, ES @ Primavera in the City Tue. June 7 – Barcelona, ES @ Primavera in the City Thu. June 9 – Barcelona, ES @ Primavera Sound – SOLD OUT Sat. June 11 – Mannheim, DE @ Maifeld Derby Festival Tue. June 14 – Berlin, DE @ Tempodrom Sat. June 18 – Miami, FL @ Space Park Sun. July 31 – Waterford, IE @ All Together Now Tue. Aug. 2 – Šibenik, HR @ St. Michael’s Fortress Wed. Aug. 3 – Šibenik, HR @ St. Michael’s Fortress Fri. Aug. 5 – Prague, CZ @ Archa Theatre Sun. Aug. 7 – Vienna, AT @ Arena Wien (Open Air) Tue. Aug. 9 – Leipzig, DE @ Parkbühne Wed. Aug. 10 – Munich, DE @ Tonhalle Fri. Aug. 12 – Sion, CH @ Palp Festival Thu. Aug. 18 – Paredes de Coura, PT @ Paredes de Coura Festival Fri. Aug. 19 – Gueret, FR @ Check-In Party Festival Sat. Aug. 20 – Saint-Malo, FR @ La Route du Rock Festival Tue. Aug. 23 – Cologne, DE @ E-Werk Wed. Aug. 24 – Hamburg, DE @ Markthalle Sat. Aug. 27 – Málaga, ES @ Canela Party Sun. Oct. 2 – Berkeley, CA @ Greek Theatre * Tue. Oct. 4 – Portland, OR @ Roseland Theater* Wed. Oct. 5 – Vancouver, BC @ PNE Forum* Thu. Oct. 6 – Seattle, WA @ Paramount * Mon. Oc. 10 – Morrison, CO @ Red Rocks Amphitheatre* – SOLD OUT Tue. Oct. 11 – Morrison, CO @ Red Rocks Amphitheatre* – SOLD OUT Fri. Oct. 14 – St Paul, MN @ The Palace Theatre* – SOLD OUT Sat. Oct. 15 – Chicago, IL @ RADIUS* Sun. Oct. 16 – Detroit, MI @ Masonic Temple* Tue. Oct. 18 – Toronto, ON @ History* Wed. Oct. 19 – Montreal, QC @ L’Olympia* Fri. Oct. 21 – New York, NY @ Forest Hills Stadium* Sat. Oct. 22 – Philadelphia, PA @ Franklin Music Hall* Sun. Oct. 23 – Washington, DC @ The Anthem at The Wharf* Mon. Oct. 24 – Asheville, NC @ Rabbit Rabbit* Wed. Oct. 26 – Atlanta, GA @ The Eastern* Thu. Oct. 27 – New Orleans, LA @ Orpheum Theater * Mon. Oc. 31 – Oklahoma City, OK @ The Criterion #
% w/ Amyl and the Sniffers, SPELLLING, Dj Crenshaw $ w/ SPELLLING, DJ Crenshaw * w/ Leah Senior # w/ The Murlocs, Leah Senior
Recorded live at London’s Town & Country Club on June 13, 1988, Final Damnation is a time capsule of The Damned‘s reunion concert. All of the original members of the band are here: Dan Vanian on vocals, Rat Scabies on drums, Captain Sensible on bass and guitar, and Brian James on guitar. They also bring in Bryan Merrick on bass and Roman Jugg on keyboards for songs on which those guys played on Damned albums featuring them. The band had just been dropped by their label before cutting this record, and the unhinged chaos of that moment in the band’s timeline can be felt and heard.
Starting with “See Her Tonite,” the band barely has time to say hello before launching into furious punk riffs. “We’re not doin’ it for the money!” Captain Sensible yells to the crowd afterwards. The crowd replies with, “Oh, yes you are!” and soon Sensible is chugging out the always thrilling bass line of “Neat Neat Neat” and the crowd is going bonkers. “Born to Kill” hits like a metal rockabilly.
I’m not sure if Sensible or Scabies is playing hardest on “I Fall,” as they’re both going nuts throughout it (Scabies has the slight edge, I think.). “Fan Club” has a great swagger to it, and a great solo from James, too. “Fish” is a fast fan-favorite. Their cover of The Beatles’ “Help” is almost unrecognizable as it hits like repeated punches to the face. “New Rose,” of course, gets the crowd into a frenzy, and their cover of The Stooges‘ “I Feel Alright” is stunning.
The “second half” of the album / show starts with their classic tune “I Just Can’t Be Happy Today” – a song that’s still resonant decades later. “Wait for the Blackout” has Sensible wailing on his guitar for the back of the room. Jugg’s opening piano chords on “Melody Lee” are like a fake jab before the hard cross of the guitars and drums. “Noise, Noise, Noise” is as raucous as you hope it will be, as is “Love Song” – in which it sounds like Scabies destroys his kit.
The opening chords and beats of “Smash It Up” give you some time to catch your breath before you want to join the band in smashing everything in sight, and they end the show with two snarky covers – “Looking at You” by MC5 and The Rolling Stones‘ “The Last Time.”
Thankfully, this wouldn’t be the last time The Damned played a show or even released an album, but Final Damnation is a great recording of a great show. There’s also a DVD of the entire performance out there (which can also be found on YouTube) to help capture the madness.
Good heavens…This album is so lush, haunting, and beautiful that it will sweep you away from whatever you’re doing when you play it. Anika’s voice immediately drapes over you like a luxurious robe with a knife hidden in a back pocket.
Seriously, why aren’t more people going nuts over Rochelle Jordan? She mixes soul, house, disco, and trip hop better than most, and Play with the Changes is, if you ask me, the sexiest album of 2021.
This lovely mix of trip hop, dream pop, bossa nova, and house music is a delight from start to finish. It was a much-needed tonic during the crappy 365 days of 2021. It’s a perfect spin for any time of year. Got the winter blues? Play this. Need a fun record for that summer beach trip? Play this. Need a boost to start your garden? Play this. Looking forward to sipping hot cider in the fall? Play this.
This solo record from one of the cats in Durand Jones and The Indications is one of the best soul and R&B records of 2021. Frazer puts down his trademark sharp beats and brings his other trademark, high-end vocals, with him to create a groovy, sexy blend that impressed Dan Auerbach of The Black Keys so much that he produced it.
This album got locked into my number one spot not long after it was released. It’s a sharp post-punk record, and I remember being more and more impressed with it after each listen. It covers everything from Brexit and the pandemic to boredom and hope for the future. It’s snarky, witty, and powerful.
There you have it. I hope 2022 is good to all of us.
Keep your mind open.
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The songwriting on Due North is outstanding. That, and Kazar’s piano and guitar work, put him up there with Lindsey Buckingham and Joe Jackson in my opinion. This was one of the brightest spots of a gloomy year.
This double-album is one of the most beautiful records about death that you’ve ever heard. It’s grand, glorious, and resonant after a year when all of us lost someone – either within our own homes, across the street, or on the other side of the globe.
It’s no coincidence that Dry Cleaning’s first proper U.S. tour sold out at nearly every stop. They’re the queen and kings of British post-punk right now, and New Long Leg – their first full-length album – is a great follow-up to their multiple EPs (all of which were also excellent).
The second Levitation Sessions album from Osees was somehow wilder than the first. Livestreaming it in our home at loud volume during lockdown was a blissful escape for the entire time. The set included plenty of deep cuts, including multiple Chrome covers.
Recorded during their set night at The Chapel music venue in San Francisco, and just before the pandemic shut down touring for everyone everywhere, this live album is one of Osees’ best. It captures the chaos of their shows, highlights some of their prog-rock love, and served as a reminder to stay healthy and take care of each other so we could get back to seeing concerts again.
This is a haunting live album from the lead singer of The Black Angels, and a performance of Maas’ first solo album – Luca. His backing band is top-notch and it’s like listening to a dream.
Chock-full of post-punk bangers and piercing lyrics about life during and after the pandemic that hit harder now than all of last year, Parquet Courts’ Sympathy for Life is one of those records that reveals more of itself with each listen.
I’m so glad I heard these guys on BBC 6 Music and tracked down Uppers, because I knew it was going to be one of my favorite records of 2021 within thirty seconds on the opening track. Fun lyrics, ripping riffs, and killer beats make it a go-to record for high energy.
A live recording that sounds good enough to be a studio album, Stöner’s Live in the Mojave Desert session is like having a desert rock concert in your house. Play at maximum volume.
One of the smoothest and grooviest records of 2021 came from these guys who embraced their love of disco and mixed it with their reverence for soul. There isn’t a weak track on the whole album.
These are my top five shows of 2021. I hope to see more than 30 bands in 2022, but the future is now – so let’s get to it.
#5: Ty Segall – Psycho Music Festival – August 20th
Playing on a stage atop a wave pool, Ty Segall and his band put on one of the loudest, fiercest sets of the 2021 Psycho Music Festival. The power coming across the water was stunning.
Clutch are always a top tier live band, and this show kept their reputation intact. They played a few new cuts and a lot of stuff from early in their catalogue they hadn’t played in a long while.
I’m not sure I saw a more delighted crowd at any show in 2021. Everyone stopped caring about the heat and humidity, the overpriced food, and the terrible screamo bands on the lineup and started cheering, dancing, and singing.
This set stunned everyone at the Mandalay House of Blues. It was my first time seeing FATW live, and the first time many in the crowd had heard them. It was their first gig in two years, and they came out gunning. I heard someone in another crowd later raving about them and telling everyone he could to listen to them. I can’t put it better than that.
Holy crap. Osees closed the 2021 Psycho Music Festival’s outdoor stage on the last night of the four-night festival. They went bonkers. Yes, I know every Osees show is bonkers, but you could tell they had a lot of pent-up energy from not being able to play in front of a crowd for two years. People were charging through the wading pool in front of the stage, throwing beer buckets full of water on each other, or stumbling backwards on the beach as the wall of sound hit us like a bulldozer.
Everyone stay healthy in 2022 so we can see more shows.
Released without any singles dropped beforehand, and made via e-mail between the bandmates during lockdown, Butterfly 3000 is one of KGATLW‘s best in a while. It blends electro beats with their masterful microtones and psych riffs, and would it be a “best of” list without at least one KGATLW record?
These ladies can do no wrong. Each album from them is a delight, and Wink adds some really fun electro and dance cuts to their repertoire. “Ping Pong” was one of my favorite singles of the year.
2021 was another good year for post-punk, and these Brits put out a solid record of it that included hints of prog-rock. It has plenty of sharp lyrics and angular guitars, as you’d want from such an album.
A new lineup and a new EP? Yes, APTBS came back from the pandemic with new members and this sharp EP covering topics such as loss, perseverance, and communication. There’s also plenty of their trademark distortion and flattening sound.
This is one of the best post-punk records of the year. Gustaf’s lyrics are funny and biting, and their chords and beats are absolutely intriguing. You’ll love this band within moments of just one song.
Who’s in the top 15 of last year? You’ll learn tomorrow!
This was the third time I’d seen Frankie and the Witch Fingers in as many months (and the last time I’d see them in 2021), and they played a wild set in a small club that included some new, unreleased material.
I’m not sure how I hadn’t seen Danzig in concert until now, but he and his crew put on a good show. They played Lucifuge in its entirety and plenty of other tracks – including a long encore missed by at least half the crowd.
In the middle of the Psycho Music Festival, which is heavy on metal of all sorts, Claude Fontaine came onstage at the Mandalay Bay House of Blues and put on the most beautiful set of the entire festival. Backed by two percussionists and a guy on acoustic guitar, she performed gorgeous bossa nova and dub tracks for her first show ever in the Sin City. Shame on you if you missed it.\
Playing as the sun set and the moon rose, Death Valley Girls were a highlight of the “Psycho Swim” opening night of the 2021 Psycho Music Festival in Las Vegas. Like pretty much everyone there, it was their first gig in nearly two years and their excitement was palpable.
#6: The Flaming Lips – Psycho Music Festival – August 21st
It’s always a joy to see The Flaming Lips, and hearing their uplifting songs and soaking up the energy from the loving crowd was just what we needed as we returned to live music and hope. This show will always have a special place in my heart, as it was the last time my late wife was able to see them. Their shows always boosted her spirit.
Who’s in the top five? You’ll have to wait until tomorrow to learn!
