Top 30 Albums of 2018: #’s 10 – 6

Here we are at my top 10 albums of the year.  Read on to see who made the cut.

#10: Khruangbin – Con Todo El Mundo – I was a bit late to the Khruangbin party, but I’m glad I showed up.  This three-piece makes beautiful psychedelic jazz with few vocals.  The tones they produce are so clear they’re almost like Tibetan mediation singing bells.

#9: Janelle Monae – Dirty Computer – Ms. Monae is a genius.  She can blend hip-hop, R&B, electro, jazz, and rock with such ease that it sounds like she’s cloned herself at least five times and each of those clones studied a different genre to mastery.  Knowing her love of androids and science fiction, this wouldn’t surprise me at all if it were true.

#8 – Cookin’ Soul and MF DOOM – DOOM XMAS – I don’t remember how I stumbled upon this album after Christmas Day, but I’m glad I did.  It’s a wicked mix of lyrics by MF DOOM and Christmas-inspired beats by Cookin’ Soul.  Any DOOM is good DOOM, and this collaboration is among his best.

#7: Throw Down Bones – Two – I stumbled upon this excellent electro / industrial / rave album on Bandcamp and it turned out to be the best electronic music record I heard all year.  This will be booming in your favorite club soon if it isn’t already.

#6: Ron Gallo – Stardust Birthday Party – I’ve enjoyed Mr. Gallo’s garage punk music since I saw him open for Screaming Females in a dive bar a couple years ago.  Now he’s put out a Zen-punk record that blew my mind and included my top single of the year – “Always Elsewhere.”

The top five will be revealed tomorrow!

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Top 30 Albums of 2018: #’s 15 – 11

We’re halfway there!

#15: MIEN – (self-tited) – This psychedelic supergroup (featuring members of the Black Angels, Elephant Stone, the Earlies, and the Horrors) had a fine debut indeed with this record that dabbles in some of the darker sides of psychedelia.

#14: Slaves – Acts of Fear and Love – How can two lads make so much punk noise?  Easy, they’re powered by anger, satire, ferocious beats, and shredding guitar.  These cats are probably the Next Big Thing, but I doubt they give a damn about that.

#13: Hprizm – Magnetic Memory – This rap record has more layers than an onion, wicked beats, philosophy, and calls for the disenfranchised of all colors, sexes, and creeds to band together.

#12: D-Tension – The Violence of Zen – Fierce hip-hop.  That’s the best way I can describe this solid record from Boston MC D-Tension.  He’s one of the wittiest rhymers out there and deserves to be heard more across the world.

#11: Caroline Rose – Loner – This pop-punk record is full of witty lyrics, sex, and snark.  Rose is like a ninja – jumping out of the shadows to wallop you and then retreating back into the rock and roll shadows to plan her next attack.

We’re into the top 10 next!

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Top 30 Albums of 2018: #’s 20 – 16

We’ve reached the top 20!

#20: Diagonal – Tomorrow – My wife doesn’t really like shoegaze music. She just doesn’t get it. This record, however, made her say she might grow to like shoegaze. I can’t write a better recap than that.

#19: Blackwater Holylight (self-titled) – This debut from these dark psych rockers has sexy goth touches, doom riffs, and psychedelic flair that made it high on my list this year.

#18: Neko Case – Hell-On – Case’s latest is another beautiful record of masterful songwriting, sometimes heartbreaking lyrics, and plenty of folk, Americana, and outlaw touches.

#17: Shopping – The Official Body – This post-punk fun-fest is poppy, peppy, and punky. It’s fun from beginning to end.

#16: Terminal Mind – Recordings – Speaking of punk, this reissue of rare material from Austin, Texas punk legends Terminal Mind was a great time capsule from the Regan administration and full of anger, chugging riffs, and trashing of authority figures.

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Top 30 Albums of 2018: #’s 25 – 21

#25: Protomartyr – Consolation – This EP from these garage punks is solid and intriguing. Sporting two tracks with the Breeders’ Kim Deal as well, the record hits hard but knows when to be soft.

#24: Steve Hauschildt – Dissolvi – I hadn’t heard of Steve Hauschildt until this album somewhat fell into my lap. It’s intriguing electro that reveals more layers with each listen.

#23: Bev Rage and the Drinks – Cockeyed – Besides having the naughtiest album name on this list, Cockeyed is also one of the best punk records I’ve heard in a long while. Queercore punk is back in business, bitches!

#22: Public Practice – Distance Is a Mirror – This post-punk EP from prior members of WALL was a welcome addition to my collection of post-punk records. It’s full of razor sharp lyrics and equally sharp guitars, bass, and beats.

#21: All Them Witches – ATW – These Nashville psychedelic blues rockers upped the volume and fuzz and became a three-piece to get back to basics and melt faces.

The top 20 is up next!

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Top 30 Albums of 2018: #’s 30 – 26

Here’s the list you’ve all been waiting for. As always, there are so many good albums out every year that it’s impossible to keep track of them all. Here are my top thirty.

#30: The Dunes (self-titled) – A great return for the Dunes, this album of Australian psychedelic rock is full of reverb, fuzz, and even surf touches.

#29: Underworld and Iggy Pop – Teatime Dub Encounters – This EP was made during lunch meetings at a hotel and blends great stories from Pop with Underworld’s masterful beats.

#28: Avis: Sova – Shampoo You – This Chicago’s three-piece’s newest garage rock-psych record gets better with each listen.

#27: Windhand – Eternal Return – This doom metal album became one of my favorites of the year as soon as I heard it. I immediately began recommending them to anyone and even bought it as a birthday gift for a pal.

#26: Makeness – Loud Patterns – This electro album wasn’t on my radar until Makeness’ label sent it to me for review. It turned out to be a solid record with interesting structures to it.

We’re into the top 25 tomorrow. Come back for more!

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Top 30 Concerts of 2018: #’s 5 – 1

We’ve reached the top of the list. Let’s see who made it.

#5: Kelly Lee Owens at Pitchfork Music Festival – I had wanted to see Ms. Owens perform since her self-titled album was my favorite of 2017. She put on a dazzling set of electro that had the early afternoon crowd moving and inspired me to look into creating electro of my own.

#4: The Black Angels at Levitation Austin – The 2018 Levitation Austin festival was the first one since the 2016 festival had been shut down due to bad weather. The 2018 was a make-or-break year for the festival’s organizers, who include the Black Angels. Their set was powerful and almost a rallying cry for the festival goers, their fans, music fans, and the city.

#3: Oh Sees at Levitation Austin – I’ll just say this: Every story you’ve heard about how crazy an Oh Sees show is? They’re all true.

#2: Follakzoid at Levitation Austin – I had no idea what I was in for when I walked in to see Chilean space-psych rockers Follakzoid for the first time. What I got was a mind-altering performance of perhaps three songs that lasted nearly forty minutes. It was stunning. I couldn’t stop thinking about their set for almost the entire next day.

#1: Radiohead at Chicago’s United Center – It had been a few years since I’d seen Radiohead, and they’ve only improved in that time. It was a wonderful show that covered a lot of their material and turned the entire United Center into a disco ball.

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Top 30 Concerts of 2018: #’s 10 – 6

We’ve arrived at the top 10 shows I saw in 2018! Let’s get to it!

#10: All Them Witches at Nashville’s Exit / In – I don’t have a full review of this show up because it happened so late in the year (December 29th – my birthday and the birthday of ATW‘s bassist / singer Michael Parks, Jr.). I also have no photographs from it because my phone was undergoing repairs at the time. I can assure you, however, that it was a loud, powerful show. Parks did a solo set of “sad stuff” to start off the show, and the rest of it was them burning off energy like they needed to sleep well that night.

#9: Public Image Ltd. at Chicago’s Thalia Hall – I had waited (though not by choice) for thirty years to see PiL. It was worth the wait and the short night of sleep before work afterwards. I got chills during “Rise” and was happy to finally see John Lydon live.

#8: My Bloody Valentine at Chicago’s Riviera Theatre – This was, without question, the loudest show I attended all year. It was like a crushing wave that almost never ceased. Friends of mine left early from the intensity of it. My arms were trembling by the end of their set. One guy behind me on the way out told his friend he thought he was going to die during one point of the show. It was a wild experience to say the least.

#7: Slowdive at Levitation Austin – I’d heard nothing but good things about these shoegaze legends and their live shows. They didn’t disappoint. It was a beautiful set with a psychedelic light show under a warm Texas sky. I saw fans in Slowdive shirts leaving early, however, which boggles my mind. It was one of the best sets of the festival.

#6: The Flaming Lips at Fort Wayne’s Clyde Theatre – Shame on you if you live within a couple hours driving time of Fort Wayne, Indiana and you missed this show. There was plenty of room in the theatre for you, but thanks for leaving the room for us and the Flaming Lips. They provided one of the happiest shows my wife and I saw all year in an intimate venue.

The top five are coming up tomorrow. Come back to see who topped the list!

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Top 30 Concerts of 2018: #’s 15 – 11

We’e halfway through the list now. Who made it? Read on and find out, my friend.

#15: Public Practice at Chicago’s Hideout – This was probably the closest I’ll get to seeing WALL live, and it was well worth the trip and risking the snowstorm on the ride home. Public Practice played their entire debut EP, Distance Is a Mirror, and sounded like they’d been playing together for years.

#14: MIEN at Levitation Austin – This was the first live show of the psychedelic supergroup, and bass / sitar player Rishi Dhir told my wife and I earlier in the day that they were nervous about premiering the material from their debut record. He had nothing to worry about, because they nailed it. Their set was one of the highlights of the festival for us.

#13: King Gizzard and the Lizard Wizard at Chicago’s Riviera Theatre – It was packed to the gills, humid outside (to the point of fog obscuring the tops of buildings) and inside, loud, and trippy. In other words, it was everything you’d want from a KGATLW show.

#12: Radar Men from the Moon at Levitation France – This was the last set we saw in Angers, and it was a solid set of psychedelic electro from a band that normally plays guitars and drums. We weren’t sure what to expect from them, and they about floored us.

#11: Flamingods at Levitation France – These guys swapped instruments so many times on stage that we lost track of what normally played what. They unloaded a fierce, funky set of Middle Eastern-twinged psychedelia that was top-notch.

Up next, the top 10!

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Top 30 Concerts of 2018: #’s 20 – 16

We’re into the top 20! So, without further ado…

#20: Gong Gong Gong at Chicago’s Hideout – A lot of people were curious about Gong Gong Gong and how two dudes from Beijing could create such a weird, interesting sound. It turned out to be one of the wildest post-punk sets I saw all year.

#19: Prettiest Eyes at Levitation France – This trio put on one of the wildest sets of the entire festival. Just when you thought they couldn’t get crazier, they did.

#18: Oktober Lieber at Levitation France – This electro duo was louder and heavier than I expected and a great surprise at the festival.

#17: Shopping at Chicago’s Beat Kitchen – The first show I saw in 2018 was one of the best. Three post-punk Brits playing jumpy, skittering rock and having a great time with everyone.

#16: Ron Gallo at Levitation AustinRon Gallo and his mates were the first band we saw at the 2018 Levitation Austin festival, and we couldn’t have asked for a better opener. Rocking, funny, and just not quite giving a damn what you thought, they put on a great set.

The top 15 are coming your way tomorrow!

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Top 20 Singles of 2018: #’s 5 – 1

Here we go!

#5: “Limp Wrist” by Bev Rage and the Drinks – This queercore punk delivers a wallop in under two minutes. This song floored me when I heard it, and I started telling everyone I knew about Ms. Rage and her band.

#4: “How Did This Happen!? by BODEGA – The return of post-punk continues with this great NYC band and this single that trashes hipsters. I couldn’t stop listening to this once I heard it.

#3: “Blinded by the LEDs” by Lindstrom – If you need an amazing EDM track, floor-filler, workout playlist topper, or just something to be stunned by, look no further.

#2: “Make Me Feel” by Janelle Monae Easily the sexiest song of the year. I can’t describe it any better than that.

#1: “Always Elsewhere” by Ron Gallo This Zen-punk jam became my mantra after hearing it. It was a much-needed crack with a Zen master’s stick during months of chaos both local and domestic. Gallo‘s suggestion that we embrace presence instead of the willful scattering of our attention is a battle call.

Thanks for reading. Up next, the top 30 live acts I saw in 2018.

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