Review: Thrown Down Bones – Two

Italy’s Thrown Down Bones (Dave Gali and Francesco Vanni) fully embrace their love of breakbeat, house, rave, and dance music on their newest album – Two.  Mixing synths with effects pedals, electronic drums, and touches of industrial guitars, TDB gets you moving from the outset and don’t let up until the LP ends.

The thumping beats and chugging bass that open the album and “First Follower” bring to mind some of Depeche Mode‘s darker tracks, and the pulsing, laser gun-like synths take us into sci-fi anime realms.  The stunning “We Are Drugs” is your favorite industrial dance track of the year.  The heavy but sharp bass line alone is worth the album’s purchase price.

The guitars on “Slow Violence” sound like an orchestrated saw mill (in a good way) while the synths bring a well-balanced light to the track.  “NO-FI” is dark wave meets future noir dance music.  It’s so slick that it might cause you to slip if you’re walking while listening to it.

You will love “Golovkin” if you were ever part of the 1990’s rave culture.  It’s like stepping out of a strobe light-emblazoned time machine shaped like a pacifier.  TBD clearly isn’t screwing around by this point and are staking their claim as one of the premiere electro dance track artists of Europe (if not worldwide).  “Is This Us” keeps the amps at eleven by upping the distortion and the impact of the beats.

The backward-sounding bass on “Known Unknown” immediately intrigues you, and then the John Carpenter-like keyboard rhythms get you moving (or running from a Blade Runner, vampire, alien, or ninjas).  By the time we get to the closer, “Zero Day Exploit,” you are deep in the Matrix with images of computer code, flying cars, robot soldiers, and android pole dancers flashing through your head.

Two is one of the most exciting records I’ve heard all year.  It grabs you in the first few moments and holds on like a tandem skydiver until the end.

Keep your mind open.

[Throw down your e-mail address in the subscription box before you go.]

 

Published by

Nik Havert

I've been a music fan since my parents gave me a record player for Christmas when I was still in grade school. The first record I remember owning was "Sesame Street Disco." I've been a professional writer since 2004, but writing long before that. My first published work was in a middle school literary magazine and was a story about a zoo in which the animals could talk.

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