Diagonal – Tomorrow

Chicago’s Diagonal have released their newest record, Tomorrow, and it’s such a good shoegaze record that my wife said it might make her like shoegaze music (which she just doesn’t understand).

Starting with “Find the Sun” (and Chris Detlaff‘s wicked beats), the album shimmers right away.  Three different guitarists (Alex Brumley, Dan Jarvis, and Silas Mishler) merge together to form some sort of super-robot, and Dale Price‘s bass chugs along with the precision of a bricklayer.  Andy Ryan‘s vocals on the big, spaced out “Wide Eyed” are appropriately drenched in reverb, and the whole band unloads with walls of sound.  It’s one of my favorite tracks of the year so far.  It’s been in my head for days.

“Control” ups the psychedelic touches but keeps the fuzz.  “Jump Back” reminds me of Julian Cope tunes from the late 1980’s with its groovy bass licks and the crisp, yet distorted guitar riffs.  The guitars on “True” are crispier, but the bass picks up the fuzz.  It sounds like a Cosmonauts track.  “Descend” could be a Black Angels tune, especially with that slight hint of Middle Eastern influences and the subtle reverb on the vocals.

“All We Need” breaks open with shining riffs and more sick beats from Detlaff.  Jarvis add some cool keyboard flourishes that give it a space-rock feel.  Price’s love of the Cure comes through on his bass line for “Shattered Glass,” and I like how Ryan’s vocals on it sound like they’re coming at you from the end of a long hallway.  “Stay Awake” has a fun groove to it with more than a subtle hint of surf rock.  The fuzz on “Feels” hits a bit harder after the mellowness of the previous track.  It’s one of the loudest cuts on the record.  The title track closes the record, and it’s a wild trip into the cosmos with dual vocals from Ryan and Misher that are barely discernible, bass so fuzzy it resembles an angry bumble bee, enough guitar distortion to power an eighteen-wheeler, and drums that go for broke and beyond.

Don’t wait until tomorrow to get Tomorrow.  It’s one of the best shoegaze records I’ve heard in 2018.

Keep your mind open.

[Don’t wait until tomorrow to subscribe either.]

Published by

Nik Havert

I've been a music fan since my parents gave me a record player for Christmas when I was still in grade school. The first record I remember owning was "Sesame Street Disco." I've been a professional writer since 2004, but writing long before that. My first published work was in a middle school literary magazine and was a story about a zoo in which the animals could talk.

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