LISTEN TO KELLY LEE OWENS’ DEBUT ALBUM VIA NPR MUSIC’S “FIRST LISTEN”
http://n.pr/2mayKmi
WATCH VIDEO FOR “ANXI” FT. JENNY HVAL, DIRECTED BY KIM HIORTHØY
https://youtu.be/FdDf2Ib4B64
DEBUT ALBUM OUT THIS FRIDAY, MARCH 24TH, ON SMALLTOWN SUPERSOUND
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LISTEN TO KELLY LEE OWENS’ DEBUT ALBUM VIA NPR MUSIC’S “FIRST LISTEN”
http://n.pr/2mayKmi
WATCH VIDEO FOR “ANXI” FT. JENNY HVAL, DIRECTED BY KIM HIORTHØY
https://youtu.be/FdDf2Ib4B64
DEBUT ALBUM OUT THIS FRIDAY, MARCH 24TH, ON SMALLTOWN SUPERSOUND
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It was with sunburned legs and neck that a friend of mine, Scott, and I headed into downtown Phoenix, Arizona for the annual Viva PHX festival. It’s an impressive undertaking by the city. 100 bands play in 18 venues around downtown in one night. The style of acts ranges from jazz funk to thrash punk, so you can see just about anything (even lucha libra wrestling).
After dining on a turkey burger and a chicken quesadilla, Scott and I walked to the Valley Bar. A friend of his had described it as a “dive bar” you had to access through an alley. She was right. We walked down an alley, past a dumpster, and down into a basement bar mostly lit by candlelight. It was a neat place, and the pear cider there was outstanding.
The doors to their mid-size music hall opened a bit late, but I was happy to see some Orange amplifiers on stage and everything else already set up and ready to rock. Jjuujjuu opened with a good set of mostly instrumental psychedelia. Shame on you if you missed it because they were a great way to start the night. Scott, who had never heard of any of the bands playing, enjoyed their set.

Froth were up next and laid down their “California vibe” psych-rock. This was the first time I heard some of their new stuff, and there were some good rockers in there. Scott thought Froth’s lead singer was too much of a perfectionist (due to his frequent requests to get the levels right in his monitor), but didn’t think their set was bad.

I got up close for Deap Vally. I told Scott that they were “going to be loud as fuck” in the small venue, and I was right. They played a set of tracks from their excellent sophomore album Feminism and one (“Walk of Shame”) off Sistrionix. This was the first time I’d seen them in a small venue and with Julie Edwards on drums. I also spoke with Ms. Edwards before and both she and Lindsey Troy after their set and they were delightful. They were the only band that hung out in the merch area the whole night and they were swarmed after their killer set. I always feel bad for any band that has to follow them because they take no prisoners. Scott was impressed.



He was also impressed by Night Beats, even though they played a short, four-song set. I don’t know if they got in late and thus lost some of their set time or if they had to cut out early to make it to another engagement, but four songs live by Night Beats are better than twenty by many other bands. It was nice to see them grinning after having reported a lot of their gear had been stolen in Tijuana a couple nights earlier. They threw down hard and then were gone in the blink of an eye, almost like a firework exploding.

Temples closed the Desert Daze Caravan show. I’d seen them on the main stage at Levitation Austin in 2014 and was surprised by how heavy their set was. I wondered if they’d be just as much in a small venue. They were, but they were also crisp. It was one of the better engineered sets I’d heard from anyone in a while. Scott wasn’t much a fan of their British psych sound, but I thought they had one of the best sets of the night, and the crowd was crazy for them.


Yacht weren’t part of the Desert Daze Caravan tour, but they were the “afterparty” band at the Valley Bar that night. We almost left before their set, mainly because it first appeared they weren’t going to set up for another hour, but they zipped onstage as soon as all of Temples’ gear was gone and dropped a fun electro set that had the crowd bouncing. Scott said, “I wasn’t into it at first, but they grew on me.”

I spoke with the man who made all the psychedelic light effects for the Desert Daze Caravan bands. I thanked him for the nice work. He shook my hand and said, “You saw a good one. The spirit of rock and roll was here tonight.”
We emerged from underneath the city around 1:30am. Were it not for the bits of trash, traffic barriers, and the gear vans still here and there, you wouldn’t know a music festival had just taken place. It was eerily quiet. All you could hear was the spirit of rock and roll.
Keep your mind open.
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Chicago’s third annual Mamby on the Beach festival has released its lineup for 2017. Just some of the powerhouses scheduled are MGMT, Miike Snow, Flying Lotus, and Cut Copy.
Tickets are still available at decent prices, so don’t wait to snag some. I have a lot of bands to research before June 24th.
Keep your mind open.
Hailing from Portland, Oregon, but currently based in L.A., Yacht are an electro duo who were first on my radar with their 2009 album See Mystery Lights. I’ve heard a couple singles from them since that time, but I’ll admit I’ve missed out on their last couple records. I was delighted to see them on the VIVA PHX lineup, and surprised to see them finishing off the Desert Daze portion of the festival. It should make for an interesting post-psychedelic freak-out afterparty.
Keep your mind open.
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Electro legends Depeche Mode have announced a world tour in support of their first album in four years – Spirit (which comes out March 17th).
The tour starts May 5th in Stockholm, Sweden and ends October 27th in Edmonton, Alberta, Canada. It includes many dates in the U.S. that will surely sell out quick, so get your tickets as soon as possible.
Keep your mind open.
I first heard the Middle Eastern / Indian influenced “electro-drone” (for want of a better term) of Jiboia at Levitation Chicago last year when some DJ’s played a song by him between sets. “Who is this?” I thought and instantly put my Shazam app to use (since that’s the thing to do nowadays).
Jiboia’s self-titled EP is a wild mix of trippy synths, frenetic beats, and pro-rock guitars. The first track, “Eingana,” is full of all those things, and Jiboia shreds quite well on it. “Manasha” starts off with 1980’s video game-style beeps and beats, but Jiboia’s soaring guitar work soon takes over the track. “Ayidda-Weddo” is like something you’d hear in a late night cab in Calcutta if the driver were also a computer hacker in his spare time. “Kungpipi” is almost a Kraftwerk track with its heavily processed beats and simple yet effective synths, but the droning bass and wild guitar work take it to a bit of a dark psychedelic place.
The standout is “Uadjit” with guest vocals from Ana Miro. Her chant-like siren song gets into your head, as do the electric near-dubstep beats. I don’t know if Ms. Miro has done other work with Jiboia, but I hope that’s the case. They’re a great duo.
This is a strange bit of psychedelic world music. You have to be in the right mood for it, but it’s perfect for when that mood strikes.
Keep your mind open.
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We’re into the top ten!
If you know me well, then you shouldn’t be surprised that a new record by Deap Vally made it into my top test list of any given year. Femejism, besides having the greatest album title of the year, is solid beginning to end with the sizzling guitar, sexy / snarling vocals, and powerhouse drumming they do so well.
The debut LP from Goggs (or is it “G0ggs?”) is the loudest, wildest punk rock record I’ve heard all year. Ty Segall, who plays guitar on the record, has quickly become one of the most prolific artists in music, and everything he puts out is worth hearing.
Of course a Radiohead record was going to be in the top 10. A Moon Shaped Pool continues the band’s metamorphosis into this generation’s Pink Floyd. It’s beautifully crafted, but a heavy listen. It might be the saddest break-up (Thom Yorke from his long-time girlfriend) record of 2016.
“Holy crap” is the way I described my reaction upon first hearing A Tribe Called Quest‘s We Got It from Here…Thank You 4 Your Service to a friend. This friend, Dee Tension, is a hip-hop producer, beat maker, and MC in Boston, and he claimed he’d been listening to it daily since its release. You might, too, upon hearing it. It’s not only a loving tribute to founding member Phife Dawg, but also a sharp critique on race, politics, gentrification, and much more.
Speaking of great returns, Underworld had another one we needed in 2016. Barbara, Barbara, We Face a Shining Future is the most uplifting and optimistic record of the year. Every song is about seeing good times ahead and remembering how every moment is divine.
We’re almost there. Who makes the top 5? Tune in tomorrow!
Keep your mind open.
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We’re halfway to #1 on the countdown!
The Kills released a great album for their 15th anniversary. Ash & Ice oozes with their sweaty, smoky, whiskey-tinged rock and is one of the best albums about love and sex from 2016.
I didn’t expect a full record of shoegaze from the Duke Spirit, but Kin is the best shoegaze record I’ve heard all year (and probably of the last two or three years).
All Them Witches released a live album last year (which I still need to get), teased a new album for this year, and started 2016 with Dying Surfer Meets His Maker – a great blend of stoner metal and blues voodoo rock.
Comacozer contacted me through this website and asked if I’d like to hear their record. I’m glad I said yes, because this stoner metal album, Astra Planeta, is amazing.
The KVB make excellent dark wave and shoegaze. It’s a bit difficult to believe at first that just two people produce that much sound. Of Desire was recorded on vintage synthesizers and sequencers, and the rich sound produced is excellent.
Who’s made it into my top 10 for 2016? Come back tomorrow to find out!
Keep your mind open.
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Let’s keep rollin’ with this countdown of great live shows from 2016!
#20 – Seal at Four Winds Casino in New Buffalo, MI August 27th.
It was just him, a DJ / synth player, and a guitarist, and they knocked it out of the park. He even dabbled in some dark wave versions of some of his songs and he knows how to work a crowd.
#19 – Wolfmother at the Double Door in Chicago, IL July 10th
The whole show was this crazy. It was probably the sweatiest show I attended all year as well, and completely worth it.
#18 – Jeff the Brotherhood at Middle Waves Festival in Ft. Wayne, IN September 17th
That photo, taken by yours truly, pretty much says it all. They hammered out a loud set in the post-rain sunlight that won over many new fans. They played a lot of new material that was quite good. I need to get their new album soon.
#17 – Bully at Middle Waves Festival in Ft. Wayne, IN September 16th
They closed one of the Middle Waves stages on the first night of the festival and had everyone roaring by the end of their set. They were the best act that night.
#16 – Black Rebel Motorcycle Club at the Chicago House of Blues October 13th
BRMC always puts on a good show, and this one was no exception. They played a shorter than normal set due to some equipment malfunction (I think it was a screwed-up monitor.), but they worked around it by playing songs they hadn’t planned on playing and altering some guitar parts. It was a great example of a band on top of their game and able to improvise if things get weird.
Who’s in the top 15? Check back tomorrow to see!
Keep your mind open.
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