Noir Addiction serve up a slick new single with “Serve Me Some Crime.”

Alternative-industrial rockers Noir Addiction present their new single “Serve Me Some Crime”, a sarcastic manifesto about embracing chaos and contradiction, where rule-breaking, humor and non-conformity become tools of personal freedom. Presented with a smashing new video directed & edited by ‪Jack Lucas Laugeni, it celebrates choosing instinct and madness over routine, control, and the suffocating seriousness of everyday life. This is the first taste of the album “Pretty Things Don’t Last”, forthcoming via Berlin-based Soulpunx label.

Emerging with a raw, industrial-tinged soul, Noir Addiction is a powerhouse trio that harnesses a dark, heavy aesthetic against a backdrop of classic rock ’n’ roll grit. Founded by Sonny Lanegan, who handles vocals, guitars, synthesizers, and programming, the band is rounded out by drummer Roberto Catanzaro and Nessie Zorba on keyboards and percussion. A seasoned musician and producer, Lanegan’s creative vision was shaped by cutting his teeth in Los Angeles’s high-octane music scene, where he honed his experimental style as singer-songwriter for White Pulp and co-founder of The Dead Good.

“Serve Me Some Crime” started from a really simple feeling: sometimes life gets too serious. Too structured. Too polite. The word “crime” in the song isn’t literal it’s more about breaking small, invisible rules. It’s about those moments when you don’t want to behave exactly how you’re expected to. A regular Sunday can feel predictable, almost scripted, and the song plays with the idea of shaking that up adding a bit of danger, irony, or mischief to something ordinary,” says Sonny Lanegan.

“At its core, the song is about freedom not the peaceful, inspirational kind, but the messy kind. The kind where you allow yourself to be contradictory, to not have it all figured out, to embrace a bit of chaos instead of pretending you’re always in control. It’s me saying: if life insists on being absurd, I might as well play along.”

Based in Italy, Noir Addiction has electrifying their way onto the music scene through their clever mix of glamorously haunting atmosphere, sense of decadence, rebellion and obsession, Noir Addiction bring a high-voltage fusion of dark rock, grunge attitude and shock-rock energy. By fusing heavy, distorted guitars and electronic textures with theatrics and raw emotion, they offer an immersive experience that is meant to be felt just as much as it is heard.

“There’s a lot of contradiction in the lyrics on purpose. Lines like “I don’t need forgiveness right now” or “I wear the joke to fight” reflect that push and pull between being sincere and hiding behind humor. I think many of us do that… we joke when things get uncomfortable, we act cool instead of saying what we really feel. The song lives in that space. Writing it felt like letting myself misbehave creatively. I didn’t overthink it, I followed the impulses that felt a little reckless. The lyrics came out in bursts, almost like I was arguing with myself. There’s tension in the song because that’s how I felt: torn between wanting to stay composed and wanting to blow everything up,” says Sonny Lanegan.

“When we recorded it, I wanted that tension to stay alive. We didn’t polish away the edges. The vocals needed attitude something slightly provocative, almost teasing. I wanted the track to feel cool but restless at the same time, like there’s something simmering underneath.  We played with that contrast between restraint and release, keeping it tight in some moments and then letting it loosen just enough to feel unpredictable. That balance is really what gives the song its character”.

Sonny Lanegan brings years of behind-the-scenes studio and production experience to Noir Addiction. Many of his songs have also been licensed to and featured in American TV shows, cementing his presence in mainstream media and propelling him into notable collaborations with artists and producers, which has sharpened his sound and pushed his creative vision to new heights.

Lanegan eventually reconnected with his old friend Nessie Zorba, former bandmate in PostHuman, with whom they toured Europe, rekindling their deep musical connection and passion for relentless intensity and depth and channelling this unfiltered energy into this new, heavier, darker project. Drummer Roberto Catanzaro then joined in, bringing a new dynamic layer to their presence, his powerful and heavy-weighted performance adding body, urgency and raw impact to their overall sound.

Soulpunx is an independent record label and media production house founded in 2017 by music producer and film composer Konstantin Dellos. Dedicated to the creation and promotion of high-quality audiovisual art, the label’s focus is modern rock and alternative music. Beyond music, Soulpunx produces short films, documentaries and music videos, always emphasizing powerful storytelling. 
As of March 20, “Serve Me Some Crime” will be available across digital platforms, including SpotifyApple Music and Bandcamp. The full “Pretty Things Don’t Last” album will be released on July 16 via SoulPunx Records.

Noir Addiction will be touring in support of this EP, beginning with two special shows in Prague – at Subzero Prague on May 14 and at Chapeau Rouge on May 15.

Keep your mind open.

[Serve me a subscription.]

[Thanks to Shauna at Shameless Promotion PR.]

Hiss Golden Messenger’s single is “In the Middle of It.”

Photo by Graham Tolbert

Hiss Golden Messenger—the North Carolina-based project of MC Taylor—announces his new album, I’m People, out May 1st via Chrysalis Records, and presents the lyric video for its lead single, “In The Middle Of It.” In conjunction, he announces a U.S. tour with a full band. Tickets go on sale FridayFebruary 13th at 10am local time and will be available here.

Arriving three years after Jump For Joy (2023), praised by The Guardian as “a triumph of wide-eyed wonder,”  I’m People is an intensely human record—immediate, vulnerable, and full of spirit,  something you could touch, sing along to, dance with, know about, recognize, relate. Taylor, grappling  with the heartbreak and exhilaration, the absolute black comedy of being alive in America circa 2026, seems to ask: What other choice do we have than to be hopeful?

The songs on I’m People are about running towards and away from things, about reasonable and realistic hope and expectations, about having babies, getting older, love and lust and luck and music. They are songs about solitude and heartbreak and poverty of the spirit, and maybe community as some kind of antidote for these particular types of sicknesses. Shedding old skin. Mystery as a beautiful necessity. My grandmother Lucy’s Cadillac, filled with cigarette smoke, Conway Twitty singing ‘Slow Hand.’ The lightning fields outside Santa Rosa, NM, midnight. Late nights drinking wine, running wild, bondage, fealty, devotion, seeing and being seen, owning and being owned. My wife, my children, summertime in the mountains, wild roses climbing the fence, a peaceful mind, rummaging through scrap heaps of the heart, breaking and making and breaking again. To dust. Truth, lies, magic, faith.
— MC Taylor

Taylor refers to lead single “In The Middle Of It” as a “Santa Fe song.” Written in a corner room of the El Rey Court hotel, he cites “Highway 10 through the desert towns, Los Angeles to El Paso …  Art Bell’s Coast to Coast droning from a bunker in the middle of Nevada. Ghosts and UFOs and vagabonds. The engine sings out over the long lightning fields. In the middle of it: the country, the story, the relationships.”

Stream “In The Middle Of It”

I’m People was written in New Mexico, California, and North Carolina, co-produced by Taylor and Josh Kaufman, engineered by Chris Boerner and Gillian Pelkonen, and mixed and mastered by D. James Goodwin. The album was recorded at Dreamland, a decommissioned church outside of Woodstock, NY. “I wanted the record to feel the way that upstate place feels, deep in the pocket, a place of poetry, earth and sky and mountains. A place where a lot of my favorite music has come from,” Taylor comments. The album features instrumentation from Taylor, Kaufman, JT BatesCameron Ralston,  Bruce HornsbySam BeamMarcus KingSara WatkinsAmy HelmMatt DouglasEric D. Johnson, and Griff and Taylor Goldsmith.

Pre-order/Pre-save I’m People

Hiss Golden Messenger Tour Dates:
Thu. Sept. 24 – Denver, CO @ Ogden Theatre
Fri. Sept. 25 – Beaver Creek, CO @ Vilar Performing Arts Center
Sat. Sept. 26 – Aspen, CO @ Belly Up
Tue. Sept. 29 – Solana Beach, CA @ Belly Up
Fri. Oct. 2 – Los Angeles, CA @ Troubadour
Tue. Oct. 6 – Healdsburg, CA @ Little Saint
Fri. Oct. 9 – Portland, OR @ Aladdin Theatre
Sat. Oct. 10 – Seattle, WA @ Tractor Tavern
Sun. Oct. 11 – Seattle, WA @ Tractor Tavern
Wed. Oct. 14 – Minneapolis, MN @ Icehouse
Fri. Oct. 16 – Newport, KY @ Southgate House
Sat. Oct. 17 – Louisville, KY @ Zanzabar
Sun. Oct. 18 – Atlanta, GA @ Terminal West
Wed. Nov. 4 – Ardmore, PA @ Ardmore Music Hall
Thu. Nov. 5 – Woodstock, NY @ Bearsville Theatre
Fri. Nov. 6 – New York, NY @ Irving Plaza
Sat. Nov. 7 – Washington, DC @ 9:30 Club
Mon. Nov. 9 – Cambridge, MA @ The Sinclair
Wed. Nov. 11 – Ann Arbor, MI @ The Ark
Thu. Nov. 12 – Chicago, IL @ Thalia Hall
Fri. Nov. 13 – St. Louis, MO @ Off Broadway
Sat. Nov. 14 – Nashville, TN @ Basement East
Wed. Nov. 18 – Richmond, VA @ The Broadberry
Thu. Nov. 19 – Asheville, NC @ The Orange Peel
Sat. Nov. 21 – Carrboro, NC @ Cat’s Cradle
Sun. Nov. 22 – Carrboro, NC @ Cat’s Cradle

Keep your mind open.

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[Thanks to Patrick at Pitch Perfect PR.]

American Sharks are “Not Dead Yet” thanks to their new single.

Austin trio American Sharks drop a new single today, the title track to their first new album in 6 years, Not Dead Yet. The song, “Not Dead Yet” is available to hear and share on all DSPs HERE.

The band returns to the stage this week with two special performances at SXSW in Austin. First, Hotel Vegas’ 15th Anniversary Party on March 12th, and at Sagebrush for Duel Step with Rickshaw Billie’s Burger Patrol on Friday the 13th. American Sharks will be main support on the upcoming full U.S. tour dates with Rickshaw Billie’s Burger Patrol beginning in April. Please see all dates below. Tickets for all shows are available HERE.

American Sharks is a three-piece band hailing from Austin, TX. Their punk-metal hybrid sound blends pop hooks with blasting-yer-face riffs resulting in something akin to if Weezer went Stoner Rock. Coupled with hook-laden singalong lyrics, American Sharks’ forthcoming 2026 album Not Dead Yet is, well, a breathtaking return. 

The band is joined on the album by special guest guitar soloists: Mike Derks (GWAR), Zach Blair (Rise Against), Kyle Shutt (The Sword), David Sullivan (Red Fang), and Leo Lydon (Rickshaw Billie’s Burger Patrol). 

Since the release of their 2013 self-titled debut album, American Sharks has toured extensively supporting the likes of GWAR, Clutch, The Sword, Red Fang, Big Business, Corrosion of Conformity and many others. After touring to support their debut album on The End Records, American Sharks took time off to write and record their self-produced follow up album, 11:11 on BMG. After a 5 year break, American Sharks are back (centered around founders, vocalist/bassist Roky Moon and drummer Nick Cornetti) with 9 fast-paced, pummeling tracks. 

Not Dead Yet will be available on LP, CD and download on April 17th, 2026 via Permanent Teeth.

Pre-orders are available HERE.

AMERICAN SHARKS – LIVE 2026:

04/16 Denver, CO – Bluebird Theater *#

04/17 Salt Lake City, UT – Urban Lounge *

04/18 Kalispell, MT – Rocky Mountain Riff Fest 

04/19 Seattle, WA – Tractor Tavern *

04/20 Portland, OR – Mississippi Studios *

04/22 San Francisco, CA – Bottom of The Hill *

04/23 Los Angeles, CA – Zebulon *

04/25 San Diego, CA – The Casbah *

04/26 Pioneertown, CA – Pappy & Harriet’s *

04/28 Phoenix, AZ – Rebel Lounge *

05/01 Oklahoma City, OK – Resonant Head *#

05/02 Lawrence, KS – The Bottleneck *#

05/03 Omaha, NE – Reverb *#

05/04 Minneapolis, MN – 7th Street Entry *#

05/06 Milwaukee, WI – Falcon Bowl *#

05/07 St. Louis, MO – Blueberry Hill Duck Room *#

05/08 Chicago, IL – Empty Bottle *#

05/09 Cleveland, OH – Mahall’s *#

05/10 Toronto, ON – The Garrison *

05/12 Montreal, QC – Cabaret Foufs *

05/13 Boston, MA – Sonia *

05/15 Brooklyn, NY – TV Eye *

05/17 Philadelphia, PA – Johnny Brenda’s *

05/18 Baltimore, MD – Metro Gallery *

05/20 Charlotte, NC – Neighborhood Theatre *

05/22 Atlanta, GA – The Earl *

05/23 Nashville, TN – The Blue Room *

* w/ Rickshaw Billie’s Burger Patrol

# w/ Pink Fuzz

Keep your mind open.

[Why haven’t you subscribed yet? Are you dead?]

[Thanks to Dave at US / THEM Group.]

Grab your surfboard and sunscreen for Motherhood’s new single – “Kyle Hangs Ten.”

Motherhood by Naomi Peters

It’s no secret that Motherhood loves surf music – they are Canada’s Evil Beach Boys, after all. But usually by the time they release a song, the original influences have been hidden under layers of subterfuge, with our attraction to play far outweighing our ability to stay put.

“With ‘Kyle Hangs Ten,’ we were trying to write the most surfy song we could without over-complicating a genre that, at it’s core, is just swaggy country music” explains the band. “Adam had a drum beat that we jammed over, eventually falling into a Miserlou-adjacent guitar melody and filling the rest with pastiches.”

When the band were preparing to record their latest LP, Thunder Perfect Mind, the band couldn’t agree on the proper tempo for the song, until Kyle Cunjak (co-producer of the album) suggested both speeding it up AND slowing it down, creating 2 songs with the same bones.

“In the end, the slow version (the spaghetti western “
Kyle Hangs at Noon”) made the record and the fast version (“Kyle Hangs Ten”) didn’t,” explains the band, “but we still love the song. Kyle promised us he’d be able to hang 10 by the time this song comes out. If not, he hangs at noon.

March 28 – Boise, IDTreefort Music Fest // tickets
April 18 – Fredericton, NB: The Cap
May 14/15 – Paris, FRSupersonic’s Block Party // tickets
May 16 – Strasbourg, FRPelpass Festival // tickets
May 18 – Skofja Loka, SI: AKC Nama
May 19 – Budapest, HU: Szimpla Kert // FREE
May 20 – Pilsen, CZ: Mistni Borci
May 21 – Hamburg, DE: Deichdiele
May 22 – Frankfurt, DE: Dreikönigskeller
May 23 – The Hague, NLSniester // tickets

Keep your mind open.

[Catch a wave to the subscription box.]

[Thanks to Gabriel at Clandestine Label Services.]

Cosmic Sonic Rendezvous releases first batch of their 2026 lineup.

COSMIC SONIC RENDEZVOUS hits North Brooklyn on May 23rd/24th at The Brooklyn Monarch. LIMITED early-bird weekend passes available NOW.

From the dark and menacing riffs of Pentagram and Eyehategod to the sky-gazing grooves of Dead Meadow and Al-Qasar, guitar driven explorations of the best psych and heavy rock will take over an industrial Brooklyn block for one lovely weekend in May.

It’s a Cosmic Sonic Rendezvous.

Teepee Records is thrilled to welcome:

Pentagram
Eyehategod
Legions of Doom
Dead Meadow
The Obsessed
Al-Qasar
Sacri Monti
The Atomic Bitchwax
Freedom Hawk
Satan’s Satyrs
Casket Rats
Sun Voyager
The Golden Grass
Worshipper
Carousel
Mirror Queen
Black Moon Cult
Mick’s Jaguar
Cat’s Eye
River Cult
Dead Hits
and more to be announced


Venues: The Brooklyn Monarch; The Meadows; The Woodshop
Website: cosmicsonicfest.com

Keep your mind open.

[Don’t forget to subscribe before you go.]

[Thanks to Jason at Teepee Records.]

Kevin Morby tosses out a new single – “Javelin” – and 2026 tour dates.

Photo Credit: Chantal Anderson

Kevin Morby announces his eighth studio album, Little Wide Open, out May 15th via Dead Oceans, and shares its lead single & video, “Javelin.” Little Wide Open was produced by Aaron Dessner. Additionally, Morby announces his 2026 world tour.

Little Wide Open is set to a backdrop of tangled highways, towns with populations less than 100,000, roadside crosses, a rock and roll romance, coupling butterflies, being an American entertainer, Econoline vans and more,” explains Morby. “This is, without a doubt, the most personal and vulnerable album I’ve ever made. Aaron did a heroic job of holding me back from throwing too many tricks at the songs, and letting my stories stand a bit naked. Despite its title this album is in fact, very wide open.”

Of today’s single, “Javelin,” Morby says: “This is a song I wrote about being in love with someone you keep circling around the globe, relentlessly traveling through the air and down highways, and then returning home alone to middle America. Amelia Meath (Sylvan Esso) shines here, with her incredible vocals. I had invited her into the studio and asked that she create a backing choir out of just her voice – but her presence is so special that her ‘backing vocals’ can’t help but take the lead.”

The accompanying video for “Javelin” stars Morby and friend Caleb Hearon on an ATV driving around the fields and backroads of Missouri, with cameos from Katie Crutchfield and Tara Raghuveer. “I think it captures all the fun we had making it,” says Morby.

Watch the Video for “Javelin”

In the summer of 2024, Dessner had asked Morby to support The National at their London show in Crystal Palace Park. Shortly after, Dessner—who was on a hot streak, having produced albums for Taylor Swift, Ed Sheeran, and Gracie Abrams—reached out to Morby to say he’d love to produce his next album. They began recording at Aaron’s Long Pond Studio in Stuyvesant, NY, early in 2025 and finished in September of that year.

The album, which includes a host of contributors such as Dessner—who plays multiple instruments across it— Meath, Justin Vernon, Katie Gavin, Lucinda Williams, Mat Davidson, Meg Duffy, Oliver Hill, Rachel Baiman, Stuart Bogie, Tim Carr, Andrew BarrBenjamin Lanz, Colin Croom and Tom Moth, and mixed by Bella Blasko & Jonathan Low, has been described by Morby as the third in an unintentional trilogy of releases, following 2020’s Sundowner and 2022’s This Is a Photograph, which catalogued his time in middle America after moving back to Kansas City. This time out, Dessner’s production elevates Morby’s recordings while never losing focus of the songs themselves. There’s a newfound confidence and clarity in both Morby’s writing and Dessner’s production that recalls Tom Petty’s 1994 classic Wildflowers. Now primarily living in LA, the atmosphere that runs through Little Wide Open has changed somewhat from its predecessors. The feeling of restlessly hurtling towards something new. A future unseen and untested, but inevitable.

Kevin’s friend, critically acclaimed novelist Rachel Kushner, has written an astonishing essay about Little Wide Open, entitled “Field Guide to the North American Troubadour.” Rather than mangle or chop up the work for the purposes of fitting something so artistically written into the format of a press release, please read her full essay below.

Read Rachel Kushner’s “Field Guide to the North American Troubadour”

Pre-order Little Wide Open 

Kevin Morby Tour Dates
Sat. March 14 – Austin, TX @ The Long Time
Fri. May 8 – Woodstock, NY @ Levon Helm Studios *
Wed. May 13 – Aspen, CO @ Belly Up Aspen *
Thu. May 14 – Denver, CO @ Ogden Theatre *
Fri. May 15 – Salt Lake City, UT @ Kilby Block Party
Sun. May 17 – Vancouver, BC @ Commodore Ballroom *
Mon. May 18 – Seattle, WA @ Neptune Theatre *
Tue. May 19 – Portland, OR @ Revolution Hall *
Thu. May 21 – San Francisco, CA @ The Fillmore *
Fri. May 22 – Los Angeles, CA @ The Wiltern *
Sat. May 23 – Pioneertown, CA @ Pappy & Harriet’s *
Sun. May 24 – San Diego, CA @ Music Box *
Tue. May 26 – Phoenix, AZ @ Crescent Ballroom *
Wed. May 27 – Santa Fe, NM @ The Bridge at Santa Fe Brewing *
Fri. May 29 – Kansas City, MO @ Uptown Theater *
Sat. May 30 – St. Louis, MO @ Delmar Hall *
Tue. June 2 – Chicago, IL @ Metro *
Thu. June 4 – Detroit, MI @ Saint Andrew’s Hall *
Fri. June 5 – Toronto, ON @ HISTORY *
Sat. June 6 – Montréal, QC @ Théâtre Beanfield *
Sun. June 7 – Boston, MA @ Royale *
Tue. June 9 – Philadelphia, PA @ Union Transfer *
Wed. June 10 – Brooklyn, NY @ Brooklyn Steel *
Fri. June 12 – Washington, DC @ Lincoln Theatre *
Sat. June 13 – Charlotte, NC @ The Underground *
Sun. June 14 – Atlanta, GA @ Variety Playhouse *
Tue. June 16 – New Orleans, LA @ Tipitina’s
Thu. June 18 – Houston, TX @ The Heights Theater
Fri. June 19 – Fort Worth, TX @ Tannahill’s Tavern and Music Hall
Sat. June 20 – Austin, TX @ Stubb’s Waller Creek Amphitheater
Thu. July 2 – Amsterdam, NL @ Paradiso *
Fri. July 3 – Beuningen, NL @ Down the Rabbit Hole
Sat. July 4 – Lille, FR @ L’Aéronef *
Sun. July 5 – Hérouville-Saint-Clair, FR @ Festival Beauregard
Mon. July 6 – Paris, FR @ Salle Pleyel *
Wed. July 8 – London, UK @ Troxy *
Thu. July 9 – Manchester, UK @ The Ritz *
Fri. July 10 – Brighton, UK @ CHALK *
Sat. July 11 – Brugge, BE @ Cactusfestival
Sun. July 12 – Köln, DE @ Even Flow Festival
Tue. July 14 – Zurich, CH @ Rote Fabrik *
Wed. July 15 – Galzignano Terme, IT @ Anfiteatro del Venda *
Thu. July 16 – Feldkirch, AU @ Poolbar Festival *
Fri. July 17 – Vienna, AU @ Simm City *
Sat. July 18 – Munich, DE @ Technikum *

* = support from Liam Kazar

Keep your mind open.

[Don’t forget to subscribe.]

[Thanks to Jacob at Pitch Perfect PR.]

Gentilesky are “Chasing the Light” (and Andy Gill) on their new single.

Photography by Rosa Brianda

Gentilesky, the powerhouse Italian-Turkish punk collective, officially announces the April 3 release of their second full-length album, Dream, via Slovenly Recordings. Accompanying the announcement is the premiere of their latest single, Chasing The Light,” an aggressive, staccato-driven track that pays homage to the jagged post-punk influence of the late Andy Gill.

Taking their name from the Baroque master Artemisia Gentileschi, the band bridges the gap between 17th-century subversive art and modern radical expression. Just as Gentileschi’s work reclaimed the female narrative through visceral, unflattering physical realities, Gentilesky utilizes a hard-edged sound to navigate the complexities of the current sociopolitical landscape. Three years after their debut on Hozac Records, Gentilesky returns with a sharper sonic profile. The band features veterans of the European underground, boasting members from Rippers, Undisco Kidd, and Sushicorner.  While their debut explored broader artistic theories, Dream leans into a more muscular, rhythmic intensity, drawing a direct line from Gentileschi’s impact to contemporary figures with a visceral collection of work such as Nan Goldin, Jennifer Precious Finch & the late Kathy Acker.

Yaprak Kırdök (vocals) says this about the new album.

Dream is a continuation of Ways of Seeing, but taking a year to plan and write the record really highlights its maturity.  Recording it with Piff played a big part as well, and listening to both albums shows our growth. I love how similar yet different each one is.  

Recorded and mixed by Piff/Frizzer Studio at Smoking Fridge Studio, Cagliari, and mastered by the esteemed Nene Baratto (Movie Star Junkies), Dream will be available on vinyl and all digital platforms on April 3rd. Artwork by Yaprak Kırdök and Gabriele Serrau. 

Pre-orders are currently live via the Slovenly Recordings Bandcamp page. In support of the release, Gentilesky will embark on a European tour, with dates to be announced in the coming weeks.

Keep your mind open.

[I’m chasing your subscription.]

[Thanks to Matt at Shattered Platter PR.]

Las Cruxes’ new single is “El Último.”

Credit: Yayo Trujillo

Yayo Trujillo’s Las Cruxes is muscular. The fluid Omaha project doubles as a solo outlet and collective, united by an electric undercurrent. This quality beams bright on Trujillo’s third full-length, Las Cruxes, out April 24 via Conor Oberst’s Million Starslabel. Today, he shares the second single, “El último.” It is anchored by fuzzy propulsion, culminating in a distorted solo. This is timeless rock and roll, tailored to top-down desert drives. Check out the premiere on New Noise Magazine.

On the track, Las Cruxes’ Yayo Trujillo shares: “El Ultimo-(pasajero). ‘Tu luz Enciende, despierta mi alma’ are the opening lines to this song. It’s when love is way too fast and heavy (for my own good). It’s that feeling of meeting someone and realizing you were wrong about everything, then you wake up and remember it shouldn’t be that easy.”

As a native of Los Angeles, music guides Yayo Trujillo. “It all started hanging out with my older brother, who used to play traditional boleros to serenade his girlfriend,” he recalls. “I was lucky enough to tag along.” With a notable following in Mexico and Latin America, his Las Cruxes project has evolved in moves between Mexico City, San Francisco, and Omaha. He also spent years in Pastilla, a Latin rock institution on Aztlan Records and BMG.

As a Nebraska-based artist, it seems inevitable that Trujillo would encounter hometown hero Conor Oberst. After gigging at his bar, Pageturners Lounge, he signed a deal with Million Stars — the label now issuing Las Cruxes’ self-titled third full-length. The album embraces straightforwardness, favoring live performances captured on classic consoles with vintage microphones. The sessions were led by Bright Eyes affiliates Taylor Hollingsworth (Conor Oberst and the Mystic Valley Band) and Adam Roberts at ARC Studios. It bears traces of new wave, shoegaze, and lofi experimentation.

Across 12 cuts, Spanish vocals crest over fuzzy melodies and pounding grooves. “The writing process was the same as everything else — very ‘let’s do this,’” Trujillo reflects. “No thought to it — just very natural, free flowing.” Opener “El último” unfolds with a driving bassline that escalates in a raucous chorus. “No creo que pueda olvidarte / No creo / No creo,” Trujillo repeats atop rickety fretwork. On “Déjà vu,” searing riffs interrupt brooding verses. Closer “By Frank” is the only English language piece, propelled by shakers and woozy organs. “I know it’s a lie they’ll never really tell you / I know it’s lust / I’ll never really tell you,” he proclaims in the refrain. Las Cruxes weaves macabre insistence with themes of mental collapse and romance.

Las Cruxes doubles as a solo practice and fluid collective, both on record and live. “I write everything, but I do it thinking about who is in the band at that moment — who’s wearing the Las Cruxes suit that week,” Trujillo muses. This time around, he tracked the majority of the instruments himself, though a handful of peers were invited to contribute. In addition to a cast of Omaha locals, Californian Ellie English (L.A. Witch) appears on drums. Jeffrey Davies (The Brian Jonestown Massacre) and Jorge Vilchis (La Gusana Ciega) were tapped for guitar. The record channels simplicity at its finest.

Keep your mind open.

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[Thanks to Andi at Terrorbird Media.]

Eve Maret’s new single, “Hit U with a Banger,” is appropriately titled.

Credit: Gracie Bone

Eve Maret (sounds like “muh-ray”) is a Nashville-based experimental artist and composer who employs a wide array of electronic media and techniques in her various disciplines, exploring the possibilities of personal and communal healing through creative action. She has been praised by the likes of WIRE Magazine, Chicago Tribune, DJ Mag, Bandcamp, and more.

Drawing inspiration from nineteenth-century orchestral and choral works, the Fluxus movement, Kosmische Musik and funk, Eve makes use of digital and modular synthesizers, a vocoder, clarinet, electric bass, guitar, and field recordings to create works that range from lush cinematic compositions to space disco. Eve’s music practice is a conversation with her numerous curiosities, manifested in the form of video art, drawing, dance, ritual, and cymatics.

Her upcoming release Diamond Cutter is out April 17th, 2026. Over twelves tracks, Diamond Cutter is an exploration of the space where strength meets vulnerability. The title comes from an ancient Buddhist text of the same name.

“A diamond represents the invisible potential within everything. Diamonds are perfectly clear, while also being the hardest substance in the universe,” Eve describes. “With this body of work, I endeavored to create music that was both strong and honest. I set aside any genre-specific limitations to allow the pure expression to come through directly. Each song is a commitment to using my authentic voice, to embodying my highest potential by singing the truth.”

Today, Eve shares the second single, “Hit U With a Banger.” It zeroes in on the dance floor, thanks to acid bass squelches and a hypnotically syncopated vocals. The new video, like the song itself, pops with energy and color with themes of empowered transformation at the forefront. Check out the new video and single via YouTube and pre-order the album here.

On the new single, Eve shares: “‘Hit U With a Banger’ is an expression of the idea that the ultimate form of love is acceptance. When I feel frustration about the opinions and actions of others, I channel my angst into music. Expressing my feelings helps me to accept myself as I am – I embrace strong emotions, and they become fuel for my transformation.”

Eve’s music has been featured on Echoes Radio and Iggy Pop’s BBC radio show Iggy Confidential. “Synthesizer Hearts,” off of Eve’s 2020 release, Stars Aligned, appeared on BBC Radio 6 Music’s B-List in December 2020 and premiered on Mary Anne Hobbs’ BBC Radio show “Music From The Near Future.” In 2021, Eve contributed to Moebius Strips, an audio installation and companion album honoring the work of electronic music pioneer Dieter Moebius. Other contributors include Geoff Barrow (Portishead, Beak), Sarah Davachi, Jean-Benoît Dunckel (Air), Mark Mothersbaugh (Devo), Phew, Hans-Joachim Roedelius (Cluster, Harmonia), Michael Rother (Harmonia, NEU!) and Yuri Suzuki.

In 2022 and 2023, Eve and her collaborators Dream Chambers and Belly Full Of Stars composed a live-score for FW Murnau’s 1922 film, Nosferatu, which they performed in theatres across the United States. Collaborating is an important aspect of Eve’s creative path, and she has an on-going dance music project called GLAZIER with her partner Scott Glazier, as well as a synth-rock duo, Eardrummer, with longtime friend Adrienne Franke.

Eve has performed across the United States and internationally, alongside artists such as William Tyler, Guerilla Toss, MATMOS, JEFF the Brotherhood, and Lydia Lunch.

In addition to her personal creative practices, Eve is committed to providing avenues for others to create and uplift one another. In 2018, She, Jess Chambers, Deli Paloma-Sisk, and Arlene Sparacia founded Hyasynth House, an electronic music collective and education center for female and LGBTQIA+ artists. Together they facilitated workshops, performances, and community-wide conversations in an effort to support and empower marginalized groups. The founders went their separate ways in 2019, but Eve continues to lead electronic music workshops and to organize live music events in Nashville and beyond, including her work co-producing Nashville Drone, a 6-hour music experience featuring 13 regional artists across genres, in an effort to create an immersive space for the community to connect and recharge.

Keep your mind open.

[Hit me with a subscription.]

[Thanks to George at Terrorbird Media.]

Miss Grit’s new single is a “Mind Disaster.”

Photo Credit: Hoseon Sohn

Miss Grit—the project of New York-based, Korean-American musician Margaret Sohn (they/she)—releases “Mind Disaster,” the third single from their forthcoming album, Under My Umbrella, out April 24th via Mute. Following the “trippy, futuristic electronica” (The Forty-Five) of “Tourist Mind” and the “dreamy electro-pop track” (Stereogum), “Stranger,” “Mind Disaster” is a warped lullaby that swells and swoops with fizzing drums, dramatic choir pads, a heady electronic pulse, and euphoric synths, evoking a raw electronic sound. It’s about trying to wrestle free of the social anxiety that comes with being overwhelmed by others.

Margaret describes “Mind Disaster” as “the one that really helped create the palette for the rest of the album for me. It’s my favorite instrumental on the record and so many good friends helped make it happen.” Some of those friends include electronic visionary and film scorer Sae Heum Han (mmph), producer Luciano Rossi (Mui Zyu), drummer Preston Fulks (Momma), and Aron Kobayashi Ritch (Momma), who mixed the whole record.

Watch the Visualizer for “Mind Disaster”

Sohn is a bold experimentalist and architect of sculptural texture, known for deftly moving between analogue and digital, guitar and synths, and creating an immersive cosmos of sound with futuristic frameworks for their searching introspection. For their second full-length album, Under My Umbrella, they’ve lifted the lid on their internal world, lasering in on the anxieties and heartbreak of the past two years. It’s an album that is as immersive and expansive as it is intimate, channeling the noirish atmosphere of classic trip-hop bands, while adding a hefty dose of maximalism and a dream-pop sensibility.

Under My Umbrella began to take shape when Sohn returned from an intense touring schedule where they’d driven themself around North America totally alone. When they returned home, Sohn found themselves yearning to capture that specific, less restrained energy of playing live. Like Follow The Cyborg, its creation mostly took place in Sohn’s Queens apartment. The music came to them quickly, streams of consciousness with one new guiding principle: don’t overthink it. “I tried not to edit too much or force a moment to happen,” they explain, leaning into big choruses where it felt right. Some guitar sounds were first takes, ditto vocals, thus preserving the immediacy and authenticity of the emotion. As such, it’s a densely layered album, charged with electric crescendos that build to moments of unbridled catharsis. “It feels truer to myself, and more of a representation of what is actually coming out of me,” says Sohn.

Miss Grit will play record release shows in NYC on Friday, April 24th at Nightclub 101 and Los Angeles on Saturday, May 2nd at Scribble. Prior, Sohn will appear at Rough Trade in NYC for an acoustic set and signing with free entry along with a pre-order of the album. Fans can RSVP here. Additionally, there will be a listening party for the album at Yu and Me Books in NYC on Saturday, April 18th

In May, Miss Grit will support Just Mustard on their North American tour. A full list of dates is below.Under My Umbrella will be available digitally and on limited-edition crystal clear vinyl and CD.

Pre-order Under My Umbrella

Watch the Visualizer for “Stranger”

Watch Video for “Tourist Mind”

Miss Grit Tour Dates:
(New Dates in Bold)
Fri. April 24 – New York, NY @ Nightclub 101
Sat. May 2 – Los Angeles, CA @ Scribble
Fri. May 8 – Seattle, WA @ Tractor Tavern *
Sat. May 9 – Vancouver, BC @ Fox Cabaret *
Sun. May 10 – Portland, OR @ Polaris Hall *
Tue. May 12 – San Francisco, CA @ Café Du Nord *
Thu. May 14 – Santa Ana, CA @ Constellation Room *
Sat. May 16 – Los Angeles, CA @ Troubadour *
Sun. May 17 –Phoenix, AZ @ Valley Bar *
Tue. May 19 – Denver, CO @ Larimer Lounge *
Thu. May 21 – Chicago, IL @ Empty Bottle *
Sat. May 23 – Toronto, ON @ Garrison *
Sun. May 24 – Montreal, QC @ Bar le Ritz *
Fri. May 29 – Philadelphia, PA @ Johnny Brenda’s *
Sat. May 30 – Washington, DC @ Songbyrd *

* = supporting Just Mustard

Keep your mind open.

[You not subscribing feels like a disaster in my mind.]

[Thanks to Jessica at Pitch Perfect PR.]