Leenalchi announce a new EP, “Here Comes That Crow,” ahead of tour dates.

(Photo by STUDIO TEO)

Leenalchi (EEE-nal-chi) — the seven-piece Seoul-based band led by bassist Jang Young Gyu — announce their Luaka Bop debut, a new EP entitled Here Comes That Crow, out June 12th, and a North American tour. In conjunction with today’s announcements, they present the video for lead single and title track, “Here Comes That Crow.” The music of Leenalchi is taken from pansori, a traditional Korean style of musical storytelling often compared to opera. Rooted in shamanism and developed during the Joseon Dynasty (17th century), these songs tell epic tales of love, virtue, sorrow, and dragon kings. As if reverberating in our ears from a spiritual plane, the sounds emitting from Leenalchi’s singers are transcendent. Their line-up, as singular as their sound, features two bassists, drums, keys, no guitar, and four singers.

The psychedelic riffs found in Leenalchi’s songs are courtesy of Jang, the band’s enigmatic leader, who looms large in the country’s small but dedicated indie music scene. An NPR Tiny Desk concert of one of his former bands, SsingSsing, racked up 9.9 million views on YouTube and was praised by Tiny Desk founder Bob Boilen as “one of my most memorable Tiny Desk Concerts of all time.” He’s also a prestigious film composer, scoring soundtracks for some of Korea’s most celebrated movies like Train to Busan, The Wailing, and The Good, the Bad, the Weird. 

Jang’s work with pansori began in 2007, after composing for choreographer Ahn Eun-me’s piece, Bari. With musicians from that project, Jang went on to form groups such as BIBING, SsingSsing, and eventually Leenalchi. 

On “Here Comes That Crow,” as on most Leenalchi songs, Jang wordlessly directs his vision of cross-cultural funk with a collaborative spirit. First comes the rhythm section, developed with drummer Oh Hyung Suk, which sets the foundation for a song, then, singers Park Soo Bum, Ahn Yi Ho, Ra Seo Jin, and Choi Su In draw from the repertoire of pansori songs to discover the most distinctive and fitting sounds.

Adapted from a pansori tale about the Chinese warlord Cao Cao’s most decisive battle, “Here Comes That Crow” is an allegory about life’s precariousness. Ahn, together with his fellow Leenalchi members, wrote a poem to help listeners interpret the song’s meaning: 

도용도용은 작은 배가 물위를 떠가는 모양을 그린 말이다. 조조도 조자룡도 쫓기는 자도 쫓는 자도 멈출수는 없다.
판자때기 아래가 저승인데 어느 누가 멈춰 설 수 있겠는가!


Doyung doyung goes the small boat seen floating down the river.
Whether the chased or the chaser, no one can stop—just beneath the boards lies the underworld!

Watch Video for “Here Comes That Crow”

As part of their training, pansori singers are required to spend time singing next to a waterfall, tasked to carefully observe and mimic the sonic nuances of water. The Korean language is full of onomatopoeias. The repetition in these words create their own rhythmic unit, each word functioning like a tiny song: Kwal-kwal (콸콸) is the sound of a running stream; gaegul-gaegul (개굴개굴) goes the frog; and mimetic words (a slippery floor is mikkeul-maekkeul (미끌매끌)sol-sol (솔솔) is a kind of gentle and subtle slowness).

The band counts many fellow artists as fans, including Brian Eno, Robyn, Japanese Breakfast, and Merrill Garbus (of Tune-Yards), who studied pansori while part of the group Roomful of Teeth

This summer, Leenalchi will embark on their first-ever North American tour, making stops in Canada and the West coast, including Stern Grove Festival in San Francisco where they’ll support Japanese Breakfast, and a free show at The Getty in Los Angeles presented by KCRW. Tickets for all dates are on-sale now and available here

Pre-Order Here Comes That Crow

Here Comes That Crow Tracklist:
1. Hihi Haha
2. Bird
3. Here Comes That Crow
4. Let’s Live for Today
5. Look At Me Look At Me
6. Ultimate Prescription

Leenalchi 2026 Tour Dates:
Fri. May 29 – Incheon, SK @ Asian Pop Festival @ Paradise City
Sun. June 21 – Ottawa, ON @ Ottawa Jazz    
Thu. June 25 – Toronto, ON @  Lee’s Palace   
Fri. June 26 – Montreal, QC @ Montreal Jazz Festival 
Sat. June 27 – Vancouver, BC @ Vancouver Jazz Festival
Sun. June 28 – San Francisco, CA @ Stern Grove Festival (w/ Japanese Breakfast)
Wed. July 8 – Seattle, WA @ Vera Project (presented by KEXP)
Sat. July 11 – Los Angeles, CA  @ The Getty (presented by KCRW)
Thu. Nov. 12 – Amsterdam, NL @ Paradiso
Fri. Nov. 13 – Rotterdam, NL @ Grounds
Sun. Nov. 15 – Berlin, DE @ Gretchen
Tue. Nov. 17 – Hamburg, DE @ Knust
Wed. Nov. 18 – Copenhagen, DK @ VEGA Musikkens Hus
Fri. Nov. 20 – Aarhus, DK @ Turkis
Sat. Nov. 21 – Groningen, NL @ VERA
Tue. Nov. 24 – Dublin, IE @ Whelan’s
Thu. Nov. 26 – London, UK @ Jazz Cafe
Fri. Nov. 27 – Bristol, UK @ The Jam Jar
Sat. Nov. 28 – Leeds, UK @ Brudenell Social Club
Sun. Nov. 29 – Manchester, UK @ Band on the Wall

~~ tickets available here ~~

Keep your mind open.

[Here comes your subscription!]

[Thanks to Sam at Pitch Perfect PR.]

Published by

Nik Havert

I've been a music fan since my parents gave me a record player for Christmas when I was still in grade school. The first record I remember owning was "Sesame Street Disco." I've been a professional writer since 2004, but writing long before that. My first published work was in a middle school literary magazine and was a story about a zoo in which the animals could talk.

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