Category: Post-punk

Review: Public Practice – Distance Is a Mirror

Rising from the ashes of post-punk bands WALL and Beverly, Public Practice (Drew Citron – synths, bass, vocals, Vince McClelland – guitars, Scott Rosenthal – drums and programming, Sam York – vocals) have brought us a sharp EP – Distance Is a Mirror – in these weird times where truth and perception are openly warped by media, politicians, news pundits, the guy on the street corner, your drunk uncle, and everyone else it seems.

“Fate / Glory” starts out with jagged guitar and cocksure bass before York’s sultry, assured (and playfully weary, it seems) vocals saunter into the room.  “Lies make lovers of us all,” she states.  She’s right.  Once we accept a lie, we’re all in bed together with it.  I love the way the song ramps up in speed in the last third.

“Bad Girl(s)” is the band’s anthem / middle finger to misogynists.  “I won’t play your game, I don’t need your shame,” she yells as McClelland pounds his guitar and Rosenthal taps out a near Morse code message on his hi-hat.  McClelland’s guitar opening of “Foundation” reminds me of an anime theme song I can’t place.  Citron’s bass on it reminds me of a Talking Heads riff I can’t place either.  You can practically see York owning a stage as she struts across it to Rosenthal’s snappy beats on it.  The crumbling house referred to in the track could be a metaphor for the country as a whole to a relationship from York’s past.

“Into the Ring” has another great groove that goes from stand-offish to a full sexy embrace when it kicks into gear.  York sings about a sexy dalliance that resembles a battle she’s not sure she’s ready for.  “We entered this fight, thinking we knew who was going to win,” she says, possibly also referring to the last presidential election.  “No, you can’t it back now,” she repeats at one point, again obscuring the secret meaning of her lyrics.

I was crushed when WALL broke up before their first full album was released, but this EP is a great follow-up to that record.

Keep your mind open.

 

Review: CHAI – Pink

Originally released in Japan last October, but first released in the U.S. earlier this year, the four-piece pop-punk band CHAI might have released the most fun record of the last 12 months – Pink.

Twin sisters Mana (vocals and keys) and Kana (guitar) joined up with high school classmate Yuna (drums) and college pal Yuuki (bass) to create music that is cute, catchy, and crunchy all at the same time.  It’s the aural equivalent of Pocky, and I mean that in the best possible sense.

Beginning with “Hi Hi Baby,” a song about babies being goofy, CHAI puts down infectious cowbell-heavy beats, post-punk bass, and even steel drums to produce something so fun that you’re almost not sure how to process it.

“You are so cute.  Nice face, oh yeah!  We are so cute.  Nice face, oh yeah!” starts off “N.E.O.”, which is nearly three minutes of pop-punk laced with psychedelia and has maybe the sickest drum and bass groove of the last year.  This is the kind of track that makes you think, “Where the hell have these women been all my life?” when you hear it.  The bass gets fat and the guitars and synths get fuzzy on “Boyz Seco Men” while the dual vocals between Mana and Kana bring to mid early 1990’s glam-pop love songs.

“Horechatta” adds reverb and downright sexy vocals that remind me of late 1970’s yacht rock.  I’m fairly certain “Fried” is about how great fried fish is, but I could be wrong.  I doubt it, because a lot of songs on Pink are about food.  Tempura fish, when done well, is great, as are Mana’s bright synths on the track.  “She Is Kitty” bounces like a kitten looped on catnip and chasing a butterfly, and the psychedelic touches make you think the kitten has knocked over a lava lamp in the process.

Not weird enough for you?  Then try “Gyaranboo,” which I won’t even attempt to describe.  “Kawaii Hito,” a song about double standards of beauty, is almost as strange.  “Walking Star” is lovely pop-punk with some of the toughest guitar riffs on the record.  “Sayonara Complex” is a bass-driven song that seems to produce sunlight from your speakers.  The closer, “Flat Girl,” strolls along like a happy tourist on a Japanese beach.  By the way, it’s about women with small breasts.

This is one of the catchiest and surprisingly trippy records released in the U.S. this year.  It’s the perfect antidote for these modern, angry times.

Keep your mind open.

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Public Practice releases “Foundation” from upcoming EP.

Public Practice Shares New Single “Foundation”
Listen Here

Distance Is A Mirror, Debut EP Out October 26th Via Wharf Cat Records

[“Foundation” artwork]

Last month, Public Practice announced their debut EP, Distance Is A Mirror, to be released October 26th via Wharf Cat Records and shared lead single “Fate/Glory.” Today, they’re back with another new single, “Foundation.” The song deep fries Beach Boys guitars in ice-cold-but-somehow-funky Scritti Politti grooves. Add a dead pan David Byrney vocal, and Public Practice remind us again how integral it is to use honesty and self-reflection to bring some of life’s double standards to light.

The four members of Public Practice—singer Sam York, guitarist Vince McClelland, synth/bassist and vocalist Drew Citron, and drummer/programmer and producer Scott Rosenthal—are no strangers to songwriting. A Brooklyn DIY super group of sorts, Public Practice combines members of freshly-dead punk project WALL and local pop band Beverly. Public Practice backs their ambitious songwriting with serious chops, their live shows already pulling them into the sharp foreground of a scene growing all too warm and fuzzy.

Distance is a Mirror is a confident, juried testimony of love steeped in dark optimism. By the end of the short and bittersweet 4-song EP, Public Practice anchors themselves as a new band with wisdom like their influences, bringing songs distinctly fresh as they are familiar. Public Practice will privately change your mind about where guitar music is going.

Stream “Foundation” – https://bit.ly/2N46WIZ

Stream “Fate/Glory” – https://bit.ly/2Iix5mp

Public Practice Live:
Fri. Oct. 5 – Brooklyn, NY @ Music Hall of Williamsburg (w/ Shame, BODEGA)
Fri. Oct. 26 – Brooklyn, NY @ Alphaville (Record Release Party)
Fri. Nov. 30 – Washington, DC @ Black Cat (w/ Flasher, Gong Gong Gong)
Mon. Dec. 3 – Cleveland, OH @ Beachland Tavern (w/ Flasher, Gong Gong Gong)
Tue. Dec. 4 – Chicago, IL @ Hideout (w/ Flasher, Gong Gong Gong)
Wed. Dec. 5 – Columbus, OH @ Ace of Cups (w/ Flasher, Gong Gong Gong)
Thu. Dec. 6 – Paterson, NJ @ A Red Wheelbarrow (w/ Flasher, Gong Gong Gong)

[Distance Is A Mirror artwork]
Keep your mind open.
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Constant Lovers share heavy, frantic track “You Are Dinner” from upcoming album.

Constant Lovers share first track from forthcoming album Pangs
 Chaotic, fun punk rock’n’roll w/ members of Helms Alee, Damien Jurado, Harkonen, Suffering & The Hideous Thieves, Triumph of Lethargy

Hear and share “You Are Dinner” (Soundcloud) (Heavy Blog)
“A curve ball…A barely contained explosion of rock n’ roll riffs and potential, shaking off bonds that lay at the base of why rock n’ roll is so good.” — Heavy Blog Is Heavy
Seattle, WA quartet Constant Lovers premiere the first track from their forthcoming sophomore album, Pangs today via Heavy Blog is Heavy. Hear and share “You Are Dinner” HERE. (Direct Soundcloud and Bandcamp.)
It’s like we’ve all forgotten what a great rock ‘n’ roll band should sound like. Everything’s been subdivided into narrower and narrower genres. The idea of a loud, fun, sometimes heavy, other times chaotic, brash and unfettered rock band seems completely alien today. Constant Lovers is one of those – like how the MC5 sounded completely different on every album, yet always unparalleled in rhythmic, propulsive force.
Considering that Constant Lovers is a coterie of Seattle musicians from a mixed musical background, their collision of styles makes perfect sense. Drummer Ben Verellen plays guitar and sings in celebrated crunchers Helms Alee (Sargent House), guitarist Eric Fisher played with Sub Pop songwriter Damien Jurado, guitarist/vocalist Joel Cuplin played in Murder City Devils offshoot Triumph of Lethargy Skinned Alive To Death and bassist/vocalist Gavin Tull-Esterbrook in murder balladeers Suffering and The Hideous Thieves. The entire band’s members have generally vacillated across the board of musical convention over the years.
Hearkening to the late-60s/early-70s boundary pushing of proto-punk, Constant Lovers have added saxophone and the use of improvisation in both recording and their live shows. Some tunes are as taut and wiry as Television, others are heavy as modern doom metal, most of them are just loud and fun and less than serious — aside from delivering the goods to the good people. Of course, more modern comparisons are equally fitting, like early aughts chameleons and fellow Seattleites The Blood Brothers, rock iconoclasts Cloud Nothings, and a more playful amalgam of the band members’ other outfits.
At once a celebration of the heavier sounds featured in their last album, Experience Feelings, Pangs also signals a turn towards a more exploratory nature. Pangs opens with a slow fade in to the propulsive skree of “The Wound Up Get Down” reminiscent of The Birthday Party. “You Are Dinner” repeats an urgent, chirping guitar line before erupting in a heavy, slinking riff. “Meow Meow Meow” takes a rock’n’roll swagger, chopped into jagged slashes of guitar over syncopated drums. Elsewhere, “Bone Shard Fashion” and “Lullabye” serve up low end fury and frantic vocals. Throughout, while it’s an aggressive and wild ride, Pangs never abandons melody for the sake of crunch.
Pangs will be available on LP and download on October 26th, 2018. Preorders are available HERE.

Artist: Constant Lovers
Album: Pangs
Record Label: Self-released
Release Date: October 26th, 2018
01. The Wound Up Get Down
02. Meow Meow Meow
03. Ceiling Sweats
04. It’s Electric
05. You Are Dinner
06. Bone Shard Fashion
07. Know The Knot
08. Rally Cry For The Pang In Your
09. Lullabye
10. Amuse Bouche
11. Pang Time
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Beijing duo Gong Gong Gong release premiere single – “Siren”

INTRODUCING BEIJING DUO GONG GONG GONG

LISTEN TO DEBUT SINGLE ON WHARF CAT, “SIREN 追逐劇“; CATCH THEM ON TOUR THIS FALL

Beijing’s Gong Gong Gong make driving, stripped-down transnational blues, tapping into the spirit of Bo Diddley, the Monks, and psychedelic music from West Africa to Southeast Asia. “Phantom Rhythm” is the concept at the duo’s core: between Tom Ng’s percussive guitar and Joshua Frank’s melodic, charging bass, an aura of ghostly snare hits emerges over a thumping low-end pulse. Atop this framework, Ng recounts Cantonese tales of absurdity, love and lust with fragmented, wry vision.

On their first US release, “Siren 追逐劇” b/w “ Something’s Happening 突發 “ (out 11/9 on Wharf Cat) Gong Gong Gong brings to life a cinematic chase scene. Shot-by-shot, frame-by-frame, “Siren 追逐劇“ is a story of galloping hooves and screeching tires—a horse and car racing each other through mountains and desert, charging into the city. The flip-side, instrumental “Something’s Happening 突發” is Gong Gong Gong at their most raw: locomotive jangle and fuzz-faced roar. Dust, sweat and engine oil, the landscape rushing by. Gong Gong Gong have dates lined up on both sides of the Atlantic with the likes of Parquet Courts, Bodega and Flasher. A full list of upcoming tour dates is below.

LISTEN TO “SIREN追逐劇“
https://youtu.be/Xtz1OJfgeAM

PRE-ORDER “SIREN” 7″
https://www.wharfcatrecords.com/store/gong-gong-gong-siren

GONG GONG GONG TOUR DATES
Sun. Sept. 23 – Seattle, WA @ The Showbox w/ Parquet Courts
Mon. Sept. 24 – Vancouver, BC @ Imperial w/ Parquet Courts
Tue. Sept. 25 – Portland, OR @ Wonder Ballroom w/ Parquet Courts
Thu. Sept. 27 – San Francisco, CA @ The Fillmore w/ Parquet Courts
Fri. Sept. 28 – San Jose, CA @ The Ritz w/ Parquet Courts
Sun. Oct. 7 – Brooklyn, NY @ Alphaville w/ Eaters
Fri. Oct. 19 – Queens, NY @ Outpost Artists Resources
Fri. Nov. 30 – Washington, DC @ Black Cat w/ Flasher, Public Practice
Mon. Dec. 3 – Cleveland, OH @ Beachland Tavern w/ Flasher, Public Practice
Tue. Dec. 4 – Chicago, IL @ The Hideout w/ Flasher, Public Practice
Wed. Dec. 5 – Columbus, OH @ Ace of Cups w/ Flasher, Public Practice
Thu. Dec. 6 – Patterson, NJ @ The Red Wheelbarrow w/ Flasher, Public Practice
Tue. Feb. 12 – Brussels, BE @ Rotonde, Botanique w/ Bodega
Thu. Feb. 14 – Bottingham, UK @ Rescue Rooms w/ Bodega
Fri. Feb. 15 – Glasgow, UK @ The Art School w/ Bodega
Sat. Feb. 16 – Dublin, IR @ Whelan’s w/ Bodega
Mon. Feb. 18 – Manchester, UK @ Gorilla w/ Bodega
Tue. Feb. 19 – Leeds, UK @ Brudenell Social Club w/ Bodega
Wed. Feb. 20 – London, UK @ Scala w/ Bodega
Sat. Feb. 23 – Paris, FR @ Point Ephemere w/ Bodega
Mon. Feb. 25 – Rotterdam, NL @ Rotown w/ Bodega
Tue. Feb. 26 – Amsterdam, NL @ Bitterzoet w/ Bodega
Keep your mind open.
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Protomartyr – Consolation

Produced in part with Kelly Deal of the Breeders and Pixies, Protomartyr‘s four-song EP, Consolation, packs more punch than many double albums in the punk, post-punk, neo-rock, or alt-rock genres.

The opening squall of “Wait” is like the sound of the gates opening at the Kentucky Derby, and the band are four horses running in peak form.  Vocalist Joe Casey growls, yells, and snarls while drummer Alex Leonard seems to put down four different beats at once.

“Same Face in a Different Mirror” would be a great title for a giallo film from the 1970’s, and Greg Ahee‘s opening guitar riff is indeed creepy enough for a stylish Italian slasher film.  It’s like Protomartyr put Joy Division, Editors, and Bauhaus in a juicer and extracted the micronutrients from all three for one track.

The last two tracks feature Ms. Deal on backing vocals.  The first is “Wheel of Fortune,” and it’s easily one of the best tracks of the year.  It comes out swinging, not giving you much time to breathe in the first minute before it breaks down into something that sounds like the soundtrack from a ghost film.  Casey’s vocals slowly rise from the ground (lifted by Scott Davidson‘s fine bass work), unleashing some of his inner Nick Cave before the band kicks down the door.  Davidson’s bass walk opens “You Always Win” and Casey sings about a troubled relationship he can’t bring himself to leave while Ahee’s guitar shoegaze riffs are subtle and stunning at the same time and Leonard unleashes a quick drum solo, which are sorely missing from rock nowadays.

Consolation is sharp as a knife and one of the better EP releases of 2018, so don’t skip it.

Keep your mind open.

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Rewind Review: Le Bucherettes – A Raw Youth (2015)

Mexico’s Le Bucherettes manage to combine psychedelia, garage rock, snotty punk, and disco fever all into one band.  Their third album, A Raw Youth, covers everything from pre-2016 election anxiety to serial killers.

“Shave the Pride” gets it off to a loud, wild start with lead singer Terri Gender Bender belting out lyrics about anger and arrogance (“The size of your rage drowns my urge for lovin’.”).  “Mallely” has the disco synths of Jamie Aaron Aux and the powerful drumming of Chris Common throwing you into dance fits.  “Reason to Die Young” has Gender Bender claiming there’s “no sign of life in this hell hole,” but her assured vocals feel reassuring.  Her Iggy Pop influence can’t be denied in her vocals and stage presence, and it’s in full view on “La Uva” (“The Grape”) in which Pop sings guest vocals with her.  It’s a wild, Pixies-like track with its ebb and flow of volume and controlled, distorted chaos.  “Sold Less Than Gold” is a lyrically brutal song about child slavery that’s almost disguised as a pop song with its bright synths.

“Stab My Back” is a giant middle finger to a man who once tried to keep Bender down.  It’s like a Yeah Yeah Yeahs song combined with a kick in the nuts.  “They Fuck You Over” has Bender drawing a line in the sand against the 1% (“‘Winners’ never touch skins.  They know how to eat like bulldogs.  They fuck you over…I try to manage this game by doing the worst that I can.”).

“Witchles C Spot” is a bold, almost Metric-like tune about toxic love, fetish sex, and obsession.  It’s sexy, scary, and sinister all at once.  “The Hitch Hiker” is about a serial killer, and might be an ode to the 1986 film The Hitcher.  “Lonely & Drunk” is a powerful build up of synths, drums, and weird bass as Bender’s vocals slither out of your speakers as she sings about bad decisions made during bad times.  The bizarre title of “Oil the Shoe if the Critter Knew Any Better” is perfect for the weird lyrics about ghosts, eating your vegetables, and how screwed up a relationship can be if one doesn’t face fears.  The closer, “My Half,” is a warped song about love and possibly Bender’s Electra complex with guest guitar and synth-bass work by John Frusciante.

It’s a wild, weird record.  Le Bucherettes were on my list of bands to investigate for a while, and I’m glad I finally got around to it.  You should, too.

Keep your mind open.

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Wharf Cat Records has brought us a new post-punk supergroup -Public Practice.

DARK OPTIMISM IN DEADPAN VOCALS AND FUNK GROOVES – STEREOGUM

Wharf Cat Records is pleased to introduce Public Practice – a Brooklyn DIY supergroup of sorts, featuring members of freshly-dead punk project WALL and local pop band Beverly. Comprised of singer Sam York, guitarist Vince McClelland, synth/bassist and vocalist Drew Citron, and drummer/programmer and producer Scott Rosenthal, their serious chops and dance-inducing live set are already pulling them into the sharp foreground of a scene growing all too warm-and-fuzzy.

Public Practice’s debut EP, Distance is a Mirror, is a confident, juried testimony of love steeped in dark optimism. Dry, deadpan vocals chant over skittish guitar and danceable 70s grooves—songs snapping like rubber bands—seesawing between post-punk and its insomniac twin sister disco. With contradicting references as overt as Talking Heads (without the shoulders), but as specific as Haruomi Hosono of Yellow Magic Orchestra (with some polka dots), the band is carrying a funky torch that does not get lit too often.

By the end of the short and bitter-sweet 4-song EP, punctuated by Sam York’s sign-off of “no you can’t take it back now,” Public Practice anchors themselves as a new band with wisdom like their influences, bringing songs distinctly fresh as they are familiar. Public Practice will privately change your mind about where guitar music is going. Tired of the familiar? Seeing dots? Wake up!

TBR 10/26 // First 150 EP’s Hand-Numbered // Special Edition EP’s (limited to 250) Feature Flexi-Disc w/Remixes by Austin Brown (Parquet Courts) and House of Feelings // All LP’s Include Insert w/Lyrics // Also Available on CD
PRE-ORDER: PUBLICE PRACTICE – DISTANCE IS A MIRROR EP SPECIAL EDITION W/REMIXES FLEXI ($20)
PRE-ORDER: PUBLICE PRACTICE – DISTANCE IS A MIRROR EP REGULAR EDITION (14$)

Keep your mind open.

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Shopping announce fall tour dates for North America.

Shopping To Return Stateside For Fall North American Tour
In Support Of The Official Body, Out Now On FatCat Records

Playing Hopscotch, OctFest, Basilica Soundscape, And More
(photo credit: Matthew Williams)

 

“Wiry and urgent, ‘The Official Body’ offers vibrant, chaotic catharsis at an ideal moment.” — Rolling Stone

 

“‘The Official Body’ has such an expansive and warm soul that it forces you reconsider all the wiry clichés associated with post-punk.” — Pitchfork

“…Shopping have opted for one of the most revolutionary forces of all: fun.” — NPR Music 

 

“The 10 tracks here are audacious, funky, and have that element of outsider-cool leftover from the heyday of influences like Delta 5, Gang of Four and ESG.” — Paste

Having wrapped up a short North American tour of the west coast this past summer, which included a triumphant performance at San Francisco Pride to a crowd of nearly 50,000, Shopping – the London/Glasgow-based trio of Rachel Aggs (guitar, vocals), Billy Easter (bass, vocals) and Andrew Milk (drums, vocals) – are thrilled to announce they’ll return stateside next month in support of their most recent album, The Official Body, out now on FatCat Records. Including stops at Hopscotch Music Festival, OctFest, and Basilica Soundscape, the tour will kick off in Philadelphia on Thu. Sep. 6th at PhilMOCA. A full list of dates are below, with tickets on-sale now.
Shopping Tour Dates:
Sat. Aug. 11 – London, UK @ Oslo Hackney
Thu. Aug. 30 – Dorset, UK @ End Of The Road
Fri. Aug. 31 – Baignade Interdite @ Rivières, FR
Thu. Sep. 6 – Philadelphia, PA @ PhilMOCA
Fri. Sep. 7 – Raleigh, NC @ Hopscotch Music Festival *
Sat. Sep. 8 – Washington, DC @ Rock & Roll Hotel #
Sun. Sep. 9 – New York, NY @ OctFest %
Tue. Sep. 11 – Toronto, ON @ The Garrison
Wed. Sep. 12 – Montreal, QC @ Bar Le Ritz
Thu. Sep. 13 – Allston, MA @ Great Scott
Fri. Sep. 14 – Sun. Sep. 16 – Hudson, NY @ Basically Soundscape &

* = w/ Miguel, Belle & Sebastian, MC50 and more
# = w/ No Age
% = w/ The Flaming Lips, Nile Rodgers & CHIC, Girlpool and more
& = w/ Efrim Manuel Menuck, Grouper, Stephen O’Malley’s Un Vide Dans Le Ciel and more

 

Watch/Listen/Share:
Stream The Official Body via Spotify – https://spoti.fi/2KkcdKW
“The Hype” video – https://youtu.be/JnAm6AphanY
“Wild Child” video – https://youtu.be/GWvzFYTPrRw
“Suddenly Gone” video – https://youtu.be/GVcZGVVhfkU

 

Purchase The Official Body:
via Bandcamp – http://bit.ly/2kZQL6Z
via iTunes – http://apple.co/2iBSknm
via FatCat Shop – http://bit.ly/2C3DGO8

Download hi-res album art and press images of Shopping – 
www.pitchperfectpr.com/shopping/

Shopping online:
facebook.com/weareshopping

twitter.com/SH0PP1NG
soundcloud.com/shoppingband

fat-cat.co.uk/artist/shopping

pitchperfectpr.com/shopping

Keep your mind open.

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Fat Possum Records to remaster and re-release four classic X albums.

FAT POSSUM RECORDS TO RELEASE REMASTERED X ALBUMS IN 2018
‘LOS ANGELES’
‘WILD GIFT’
‘UNDER THE BIG BLACK SUN’
‘MORE FUN IN THE NEW WORLD’

Photo: Gary Leonard

Fat Possum Records and X are teaming up.  Effective immediately, Fat Possum Records will begin distributing for the world four classic X albums; ‘Los Angeles’ (1980), ‘Wild Gift’ (1981), ‘Under The Big Black Sun’ (1982), and ‘More Fun In The New World’ (1983). There are plans to release remastered versions of all four albums by the end of 2018. More details to come.
Formed in 1977, X quickly established themselves as one of the best bands in the first wave of LA’s flourishing punk scene;  becoming legendary leaders of a punk generation.  Featuring vocalist Exene Cervenka, vocalist/bassist John Doe, guitarist Billy Zoom, and drummer DJ Bonebrake, their debut 45 was released on the seminal Dangerhouse label in 1978, followed by seven studio albums released from 1980-1993. Over the years, the band has released several critically acclaimed albums, topped the musical charts with regularity and performed their iconic hits on top television shows such as Letterman and American Bandstand.  X’s first two studio albums, Los Angeles and Wild Gift are ranked by Rolling Stone among the top 500 greatest albums of all time.  The band continues to tour with the original line-up fully intact.  In 2017, the band celebrated their 40th year anniversary in music with a Grammy Museum exhibit opening, a Proclamation from the City of Los Angeles and being honored at a Los Angeles Dodgers game where Exene threw out the first pitch and John Doe sang the National Anthem. The band continues to tour with the original line-up and are currently on the road, including select dates with The Psychedelic Furs.
X Tour Itinerary:
July 25  SOMO Village Event Center – Rohnert Park, CA (w/The Psychedelic Furs)
July 27  Oregon Zoo Summer Concerts – Portland, OR (w/The Psychedelic Furs)
July 29  Woodland Park Zoo – Seattle, CA (w/The Psychedelic Furs)
July 31  The Rockwell/The Complex – Salt Lake City, UT (w/The Psychedelic Furs, The FIXX)
Aug 2 The Ogden – Denver, CO (w/The Psychedelic Furs)
Aug 17 The Cave – Big Bear, CA
Aug 18 Burton Chase Park – Marina Del Rey, CA
Aug 19 North Park – San Diego, CA
Aug 22 Marty’s -Tustin, CA
Aug 23 Marty’s – Tustin, CA
Aug 24 Weins Family Winery- Temecula, CA
Aug 31 Del Mar Hall – St. Louis, MO
Sept 2 Muddy Roots Music Festival – Cookeville, TN
Sept 3 The Masquerade – Atlanta, GA
Sept 4 The Cat’s Cradle –  Chapel Hill, NC
Sept 5 The Neighborhood Theatre – Charlotte, NC
Sept 7 Sidetracks – Huntsville, AL
More Dates To Be Announced!
Los Angeles (1980)
1. Your Phone’s Off the Hook, But You’re Not
2. Johnny Hit and Run Paulene
3. Soul Kitchen
4. Nausea
5. Sugarlight
6. Los Angeles
7. Sex and Dying in High Society
8. The Unheard Music
9. The World’s a Mess, It’s In My Kiss
Wild Gift (1981)
1. The Once Over Twice
2. We’re Desperate
3. Adult Books
4. Universal Corner
5. I’m Coming Over
6. It’s Who You Know
7. In This House That I Call Home
8. Some Other Time
9. White Girl
10. Beyond and Back
11. Back 2 the Base
12. When Our Love Passed Out On the Couch
13. Year 1
Under the Big Black Sun (1982)
1. The Hungry Wolf
2. Motel Room In My Bed
3. Riding With Mary
4. Come Back To Me
5. Under the Big Black Sun
6. Because I Do
7. Blue Spark
8. Dancing with Tears In My Eyes
9. Real Child of Hell
10. How I (Learned My Lesson)
11. The Have Nots
More Fun in the New World (1983)
1. The New World
2. We’re Having Much More Fun
3. True Love
4. Poor Girl
5. Make the Music Go Bang
6. Breathless
7. I Must Not Think Bad Thoughts
8. Devil Doll
9. Painting the Town Blue
10. Hot House
11. Drunk In My Past
12. I See Red
13. True Love Pt. #2
For more information on X live shows, please contact:
For Fat Possum/reissue press inquiries, please contact:
Keep your mind open.
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