Psychedelic – Page 53 – 7th Level Music

Top 30 albums of 2017: #’s 15 – 11

We’re halfway there, folks. Things only get better from here.

#15 – King Gizzard and the Lizard Wizard – Flying Microtonal Banana

The year of King Gizzard and the Lizard Wizard began with the first of their five planned releases for 2017. Yes, five. Flying Microtonal Banana unleashes the band’s new obsession with microtones and provided a link between their outstanding Nonagon Infinity to the rest of their catalogue.

#14 – King Gizzard and the Lizard Wizard – Murder of the Universe

Easily the craziest album of the year for me, the second release from KGATLW of 2017 is a concept album about a man turned into a cyborg by a giant monster. That man then decides the only way to end his suffering is to destroy the universe so he can finally embrace death.

#13 – King Gizzard and the Lizard Wizard with Mild High Club – Sketches of Brunswick East

Yes, that’s three KGATLW albums in a row in my top 15. This one, a joint effort with Mild High Club, is my favorite and the mellowest. It’s a delightful change from the heaviness of Murder of the Universe and has some of their best psychedelic grooves.

#12 – Jackie Shane – Any Other Way

This is probably the best reissue of the year. In case you didn’t know (and many of us didn’t), Jackie Shane was a talented performer on the soul scene in the 1950’s and 1960’s who gained most of her fame in Canada and then disappeared into obscurity almost as fast as she became a star. She also did this while being a transgendered black woman during a time when openly living in a such a way was a great way to get thrown in jail or worse. This double-disc album is eye-opening and jaw-dropping. You’ll be amazed that you’ve never heard her before and want to her more of her all the time.

#11 – Zombie Zombie – Livity

I almost forgot how much I missed France’s Zombie Zombie until I heard them again on this new album. It’s an expansive soundscape of sci-fi synths, processed beats, and mood-shifting analog sounds. You need this if you’re into electro, synthwave, or altering your reality.

Who’s in the top ten? Come back soon, my friends!

Keep your mind open.

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Top 30 albums of 2017: #’s 20 – 16

It’s top twenty time!

#20 – Brother O’ Brother – Neon Native

I’m happy to include some “local” (as in from the same state as I) cats on my list of top albums of the year. This is a blistering garage-blues record that further proves you don’t need a lot of fancy gadgets and studio trickery to make hard-hitting rock. They’re one of my favorite discoveries of the year.

#19 – The New Pornographers – Whiteout Conditions

This album is one of the best reactions to the year in politics that was 2017. Band leader Carl Newman has openly spoken about how the 2016 election and his battle with depression formed a lot of the songs on this record, but it’s not all doom and gloom. There’s a lot of hope on this fine power pop album, and we all need a lot of that right now.

#18 – Thundercat – Drunk

I didn’t expect to pick up a jazz fusion record this year, but this one is certainly outstanding and was all over the place in 2017. It made the top of many lists, too, and for good reason. It’s an incredible concept album about the day in the life of a guy who parties too much and knows he’ll probably regret it later. It’s the closest we’ll get to a Frank Zappa album any time soon.

#17 – Priests – Nothing Feels Natural

As I mentioned in an earlier post, I got on a big post-punk kick this year and albums like this are the reason why. It’s a vicious takedown on corporate bigwigs, consumerism, and greed, and the music is sharp as a hatchet.

#16 – The Black Angels – Death Song

If you know me, then you’re not surprised that a Black Angels record made my top 30. They’re one of my favorite bands, and this album is one of their hardest-hitting in a long while. It, too, is a bit of a reaction to the 2016 election and the country we’re now living in and seeing on the nightly news, but the Black Angels also let us know that all things are transient and this, too, will pass.

We’re halfway to home! Who makes the cut? Come back soon to find out.

Keep your mind open.

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Top 30 albums of 2017: #’s 25 – 21

Who made the top 25? Read on!

#25 – Dion Lunadon – self-titled

As the story goes, Dion Lunadon was restless during a break that his band, A Place to Bury Strangers, was taking in-between tour dates. He focused that restless energy into this powerhouse of a record that mixes everything from noise-rock to psychobilly grooves. Thank heavens for eager artists.

#24 – The Moonlandingz – Interplanetary Class Classics

A band that started out as a fictional joke between Sean Lennon and members of Fat White Family ended up putting out one of the wildest records of 2017. It’s a great mix of psychedelia, electro, disco, and otherworldly chaos.

#23 – Jake Xerxes Fussell – What in the Natural World

Good heavens, this album is beautiful. It’s somewhere between blues and outlaw country and is most Jake Fussell and his acoustic guitar singing heartbreaking songs about being broke, lost loves, and the bravery of river men in old times. It will leave you wondering why you hadn’t heard of him before now.

#22 – Ron Gallo – Heavy Meta

Ron Gallo is working damn hard to remind you that rock and roll isn’t dead (We are, however, according to him.), so it would do you good to pay attention to his Stooges-inspired riffs, vocals, and attitude. He’s already planning a release early next year, so get on this now and hear the buzz.

#21 – The Flaming Lips – Oczy Mlody

The Flaming Lips continue their journey through other dimensions and exploration of death, life, and love with this weird mix of psychedelia and shimmering power pop. The addition of guest vocals by Miley Cyrus is a nice touch as well.

Next up, the top 20! Come back soon!

Keep your mind open.

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Top 30 albums of 2017: #’s 30 – 26

I reviewed close to 60 albums this year. Post-punk made a big comeback for me this year, as did electro. Let’s get this countdown started!

#30 – Ancient River – O.D.D.S. II

I’ve been listening to this psych-rock duo for years now, and they deserve to be better known to the world at large. O.D.D.S. II was a wild, crazy record with heavy fuzz, vocals covered in so much reverb as to make them almost incoherent, and a mix of live and electronic beats.

#29 – Tinariwen – Elwan

These Tuareg musicians make music for desert landscapes, yet it fits in anywhere you are. You could be in Antartica, the Amazon, or at the middle of Randolph and Michigan in downtown Chicago and this album’s haunting vocals and superb craftsmanship will make you feel your surroundings in a different way.

#28 – Sisters of Your Sunshine Vapor – Lavender Blood

In a perfect world, this Detroit psych-rock trio are headlining music festivals. This album, heavily influenced by a near-death experience shared by all three members during a flight to Greece, is their trippiest so far and might be the best Velvet Underground album never released.

#27 – Partner – In Search of Lost Time

This is probably the best debut album of 2017. Josee Caron and Lucy Niles come out guns-a-blazin’ with this fine piece of power pop that contains heavy riffs, fun lyrics, and razor sharp song craft. It’s loud and proud.

#26 – RIDE – The Weather Diaries

RIDE came back this year with one of the best albums, shoegaze or otherwise, I’d heard in a long time. Shoegaze is enjoying a great resurgence right now, and it’s due in part to albums like this. It’s a stunning piece and a record we didn’t realize how badly it was needed until we heard it.

Who’s in the top 25? Stay tuned!

Keep your mind open.

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Top 10 singles of 2017: #’s 10 – 6

2017 was the first year in a long while when I bought singles and not just full albums or EP’s, so I thought I’d keep track of my favorites. Here’s the first half of the list!

#10 – Marlon Williams – “Vampire Again”

Not only does this song have the sexiest groove of the year, it also has a great backstory. Marlon Williams was bored on Halloween night in L.A. and noticed a local theatre was showing Nosferatu with a live orchestra performing music for the silent film. He got high, dressed up as a vampire, and went to the event only to discover he was the only one in costume. This is the story of that night.

#9 – Bebel Gilberto – “Creep” (live)

When my wife and I saw Bebel Gilberto in 2016, she played this song and mentioned that she was “thinking of releasing it.” “Please do!” I yelled from the middle of the amphitheater. She did, along with her wonderful EP Live at the Belly Up. This song makes me cry every time I hear it.

#8 – Honey – “Dream Come Now”

Honey‘s fiery single “Dream Come Now” was one of the most exciting tracks I heard all year. The opening guitar chaos made me immediately want to buy their album, New Moody Judy, which wasn’t available for another few months. It was well worth the wait.

#7 – Ty Segall – “The Main Pretender”

This wild, groovy bit of soul-punk from Ty Segall is jaw-dropping, especially with the wicked saxophone work from Mikal Cronin. This is like a lost Captain Beefheart track and a great example of Segall‘s love of multiple genres.

#6 – The Moonlandingz – “Black Hanz”

Weird, trippy, funky, and catchy, the Moonlandingz released “Black Hanz” and I was immediately hooked on them. The chorus roots into your head and the song warps into a crazy dream sequence at one point. It’s my favorite psychedelic track of the year.

Who’s in the top 5? Tune in tomorrow, friends!

Keep your mind open.

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Top live shows of 2017: #’s 10 – 6

We’ve reached the top ten in my list of live shows for 2017. Who’s here? Read on…

#10 – Kasabian – House of Blues Chicago – Chicago, IL September 20th.

“I don’t know why this show isn’t sold out?” was the sentiment held by me and at least a few others when Kasabian played in Chicago. “These guys sell out Glastonbury!” said a guy behind me, referring to the massive British music festival. Sure enough, Kasabian put on a great, energetic set that had everyone bouncing and dancing. It might’ve been the liveliest set you missed all year.

#9 – All Them Witches – Founder’s Brewery – Grand Rapids, MI March 19th.

I was stunned to learn that Nashville’s All Them Witches were playing for free up in Michigan. I was even more stunned by their set, which was a tight set infused with blues, rock, voodoo rock, and psychedelia. It immediately made me want to catch them again as soon as possible.

#8 – King Gizzard and the Lizard Wizard – Metro – Chicago, IL April 8th.

2017 has been the year of King Gizzard and the Lizard Wizard. They’ve release four albums this year and a fifth is due to drop any day now. Their show at Chicago’s Metro was one of the craziest I attended all year. They tore through a set that not only played older material but also included tunes from the (at the time) unreleased album Murder of the Universe.

#7 – Anoushka Shankar – IPFW – Ft. Wayne, IN March 26th.

This show gave me chills. Anoushka Shankar is perhaps the greatest living sitar player on Earth, although I’m sure she’d disagree with that statement. Seeing and hearing her in an acoustically perfect venue playing traditional ragas might convince you of my earlier statement, however. It was a sublime performance.

#6 – Flying Lotus – Mamby on the Beach – Chicago, IL June 25th.

Flying Lotus was the final act we saw at Mamby on the Beach this year. It was chilly by that time of day, but his set made you forget about the cool air blowing in from Lake Michigan. The visuals were stunning and the sounds he made from his mushroom cloud-like stand were an impressive array of psychedelic, trip hop, and dub sounds.

Who finishes in the top five for 2017? You’ll find out tomorrow!

Keep your mind open.

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Top live shows of 2017: #’s 15 – 11

We’re halfway through my list of top live shows of the year. Who’s in the top half?

#15 – Tom Petty and the Heartbreakers – Scottrade Center – St. Louis, MO May 12th.

This was an impressive show with a sold-out crowd. Tom Petty and his crew had a fun time tearing through a lot of classic hits, and the performance took on a deeper meaning to my wife and I after Petty’s death at the end of this tour. We’d wanted to see him for a long while, so we were thankful we caught him in time.

#14 – Buddy Guy – Lerner Theatre – Elkhart, IN September 9th.

Blues legend Buddy Guy is pushing 90 and still shredding better than guitarists a third of his age. He dazzled with his skill and spoke openly about the importance of love and compassion in these tough times.

#13 – Depeche Mode – Air Canada Centre – Toronto, ON September 3rd.

Depeche Mode were a big part of our high school years, so it was surprising that it took my wife and I so long to finally catch them live. It was a solid set with new and classic tracks and one of the best encores we saw all year.

#12 – Deap Vally – Valley Bar – Phoenix, AZ March 11th.

Deap Vally are easily one of the best live bands of this decade. This set at Phoenix’s VIVA PHX festival was a stunner. I always feel bad for any band that has to follow them, and getting to chat with them after the show was an added treat.

#11 – The Black Angels – Thalia Hall – Chicago, IL May 11th.

I won’t skip an opportunity to see the Black Angels. I’ve already bought tickets to see them at next year’s Levitation Austin festival. This set in Chicago was a great start to a fun weekend with my wife, and the Black Angels played more aggressively than I’d seen them in a long while.

Who cracks the top 10? Tune in tomorrow to find out!

Keep your mind open.

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King Gizzard and the Lizard Wizard – Polygondwanaland

The fourth album from King Gizzard and the Lizard Wizard of this year, Polygondwanaland, is special for a couple reasons. One, to repeat the earlier point, is that it’s the fourth album they’ve put out this year. Many bands don’t put out four albums in a lifetime, let alone four in one year…with another one yet to come before the year’s end. Second, is that they are giving away this album for free.

Yes, you can download this album for free and, according to the band, use the tracks for anything you’d like. Many indie labels have already created their own rare pressings of the album on vinyl. KGATLW have stated that anyone can use the songs for their film, art projects, mix tapes, remix albums, or any other use. It’s a stunning gift to fans and the world at large.

The album is a neat mix of the many sounds KGATLW create. The opener, “Crumbling Castle,” is an epic song just under eleven minutes long that exemplifies the band’s cosmic psychedelia with echoed vocals, microtonal guitars, perfect double-drumming, and tricky guitar work. The title track is mellower and almost hypnotizing, as is “The Castle in the Air” with Stu MacKenzie‘s flute work.

“Deserted Dunes Welcome Weary Feet” and “Inner Cell” are equally haunting, especially the latter with its lyrics speaking of the dead, ghosts, and shadows. The bass line on “Loyalty” is one of the best KGATLW have put on a track all year. “Horology” and “Tetrachromacy” are neat companion pieces to each other with their complimentary guitar pieces and tick-tock drumming. The building groove of “Searching…” is outstanding, and the entire track simmers with synth wave menace that is new to KGATLW’s sound. I hope they explore more of this on the next record. It flows right into the album’s closer, “The Fourth Color,” which is a sizzling jam on all fronts – especially when it comes back from a fake fade-out.

Is this as good as the three previous releases from KGATLW so far? No, but it is still an excellent piece of work and is reminiscent of some of the band’s earlier material. This isn’t a bad place to start if you’re just now walking into the KGATLW camp. It blends many of their styles well.

Keep your mind open.

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Brother O’ Brother – Neon Native

Indianapolis rock duo Brother O’ Brother are busy making solid records in the middle of a state practically ignored by the music industry and touring bands. Their latest, Neon Native, is a prime example of a nearly secret vibrant music scene in the Hoosier state’s capital.

Opening with “R.O.S.E.,” the album immediately submerses you into Brother O’ Brother’s psychedelic blues and powerful riffs. You can hear influences ranging from the Black Keys to the Black Angels in the first few chords. “16 Flowers” brings in a slight punk edge and flattens everything around you. It’s one of the most powerful songs I’ve heard all year. “Sunshine” has a southern rock vibe before it blows up into something you might hear from Zen Guerilla, “Grab the Rope” gets off to a raucous start with soulful yet rough vocals and then a chugging beat that doesn’t let up for the whole track.

“I Got It” continues the rock and roll fury with guitar work that sounds like strings are going to break at any moment. “I Confess” has some psychedelic sludge that I love. “Cardinal” is, on it’s surface, a song about the beauty of a bird, but it’s also about the beauty of a lover, killer guitar work, and slam-tastic beats. “Fever” is just as powerful in its subtlety as we hear about a “sweet love” who inspires guitar chords that Jack White dreams about at night.

Even the acoustic guitar on “White Noise” has a fierce energy to it. “Take Me” brings back the electric fuzz and ups the blues influences. Their cover of David Bowie‘s “Life on Mars” ups the Mick Ronson fuzzed-out guitars and is almost unrecognizable at first (but it’s still great). “Widow Maker” could be a Thin Lizzy B-side.

Don’t let anyone tell you rock and roll is dead. It isn’t. Brother O’ Brother is living proof. They’re one of my favorite discoveries of the year.

Keep your mind open.

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King Gizzard and the Lizard Wizard with Mild High Club – Sketches of Brunswick East

The year of King Gizzard and the Lizard Wizard continues with their fourth album of 2017 – Sketches of Brunswick East. This is a collaboration with psych-rocker pals Mild High Club made while the bands were hanging out for a couple weeks.

It’s a mellower album that their previous release, Murder of the Universe, with a cool jazz fusion sound to the entire thing. “Countdown” is one of the more relaxing tracks in their entire catalogue. “D-Day” has a light sense of menace and even some guitar touches reminiscent of Flying Microtonal Banana. “Tezeta” has a sweet bass lick throughout it and could even be described as “jaunty” while it keeps its trippy touches (and vocals from Murder of the Universe‘s doomed cyborg Hyan-Tumi).

“The Spider and Me” could almost be the theme to a beloved and forgotten 1960’s cartoon. The instrumental “Sketches of Brunswick East II” brings to mind an afternoon spent at a closed and forgotten seaside resort. KGALTW’s front man Stu MacKenzie plays a lovely flute while warped electric piano (perhaps played by a ghost at the aforementioned resort) bounces along next to him. “Dusk to Dawn on Lygon St” is another happy trip, perhaps along a coastal road at sunrise. The bass work on this and the previous track is outstanding, by the way. It roots both songs.

“The Book” is a witty takedown on Bible thumpers and almost has a lounge jazz sound to it. “A Journey to (S)Hell” is a bit nightmarish, but in a way that would make you wake up wondering if what you dreamed was real and not in a way that would wake you up in a pool of sweat. “Rolling Stoned” is another great instrumental that flows out of your speakers in weird curves. “You Can Be Your Silhouette” is a catchy tune about embracing the idea of being a blank slate without the trappings of modern culture, and “Sketches of Brunswick East III” ends the album on a subtle psychedelic note.

Sketches of Brunswick East is a welcome departure from the heaviness of KGATLW’s last there records. Mind you, I love those records, but this foray into lighter, jazzier, trippier fare is a good choice by them. It’s a good choice by you to buy it.

Keep your mind open.

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