You know you’re in for an interesting time when the new Oh Sees (Thomas Dolas – synths, John Dwyer – guitar / vocals / synths, Tim Hellman – bass, Paul Quattrone – drums, Dan Rincon – drums) album has a cover featuring airbrushed van art of Frank Frazetta’s “Swamp Demon” and the record is a double-album called Face Stabber.
The album combines psychedelic jams with stoner metal riffs and jazz influences for one of the coolest albums of 2019. The opener, “The Daily Heavy,” begins with toy squeaks and soon morphs into a weird mantra-like jam of double drums and a rolling bass groove from Hellman that doesn’t seem to let up for almost eight minutes. The song seems to be about trying to live in a chaotic world in its final death throes, and maybe it’s about a bad relationship. I’m not sure. It just cooks. “The Experimenter” pokes fun at hipsters (“Everybody’s doing everybody’s else thing. Everybody’s talking about how, how it should be.”). The title track is a fast, furious instrumental jam.
The guitar and synth stabs of “Snickersnee” hit you like a knife as Dwyer sings about the constant barrage of lies from politicians mentally and physically affects us (“Politicians tell you only lies. It possesses every breath you breathe.”). “Fu Xi” brings in some prog rock elements that remind me of some Frank Zappa tracks. “Scutum and Scorpius” is a synthwave mind trip at first and then transforms into a psychedelic lava lamp flow that floats around you for over fourteen glorious minutes. Dwyer stretches his riffs into great Hendrix-like sounds, Quattrone and Rincon keep the song movie with simple, effective beats, Dolas follows Dwyer’s lead, and Hellman grounds the whole track.
Then along comes “Gholu,” an instant mosh pit creator that has Dwyer growling about demonic dinners and bodies in freezers in under two minutes. “Poisoned Stones” chugs along with a heavy weight and more excellent double drumming from Rincon and Quattrone. “Psy-Ops Dispatch” is a cautionary tale about cyber-addiction (“Lock us all together, pulsing low-end sine, image on the screen disrupting a withered broken mind.”).
“S.S. Luker’s Mom” is another groovy instrumental, “Heart Worm” is a raucous punk track, “Together Tomorrow” is a quickie about, I think, quickies, “Captain Loosely” is another instrumental, this one based around spacey synths, and then there’s the closer – “Henchlock.” “Henchlock” is over twenty minutes of psychedelic jazz that brings in dual saxophones, lyrics about the drag of information overload and consumerism, intricate drum patterns, hypnotic bass, groovy synths, and trippy guitar solos. It’s probably my favorite single of the year, and it takes up an entire album side.
Oh Sees are nothing if not prolific, and for them to release a double-album in the same year as another full album (Grave Blockers) is par for the course. Few other bands have as much creative energy, and Face Stabber is another excellent addition to their discography.
Keep your mind open.
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