Dayluta Means Kindness – When You’re Young You’re Invincible

Texas psych / prog-rockers Dayluta Means Kindness have returned with another album of mind-altering instrumental cosmic rock – When You’re Young You’re Invincible.

After a brief, feedback-looped “Intro,” the band bursts forward with “Warzawa.” It’s loud, bright, and shimmering with layers upon layers of guitars before it drifts into a bass solo that reminds me of light rain before the whole thing launches like an eagle launching itself off a mountain peak.

The title track starts off with dreamy guitars that are the sounds your brain thinks it’s hearing when you see the sun reflected off a rippling lake.  It blooms at about the 4:00 mark into a song that evokes the bravery of a kid jumping off a tire swing into that rippling lake for the first time.

After a brief “Segue,” DMK treats us to over ten minutes of dreamscape music on “Fort Lebanon.” It grows into something like a rolling thunderstorm across a meadow on a summer day. “Young Savagery and General Debauchery” could be, thematically, a companion piece to the title track. It doesn’t have a savage or debauched opening. It’s almost idyllic. Perhaps DMK is trying to tell the generation coming up behind them that cockiness, base pleasures, and ego are all fleeting things that hold us back from tranquility. The song transforms into a stunning piece of heavy prog-rock that never loses its shoegaze influences.

There’s an “Outro” that leaves us with a bit of a somber note, like we’re waking up from a cryptic dream. The whole record brings dreams to mind – dreams of the future and the past, mainly. It’s a dream worth having and worth exploring.

Keep your mind open.

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Bad Luck Gamblers – Casino Maldito

I got an e-mail from a band called Bad Luck Gamblers who wanted to know if I’d like to hear and review their latest record – Casino Maldito. They’re a psychobilly band from Brazil. How could I resist?

It turned out to be a good decision, because these three cats are putting down some serious grooves. The title track (about a cursed casino) opens the record and travels by at approximately 80mph. “Like a Bat” has some jaw-dropping slap bass as they sing about the long-term effects of late night partying. “8%” has a fun country twang to it, but the rock guitars and auto factory assembly line precision drumming aren’t far behind.

I hope the horror film of the same name starring Jamie Lee Curtis inspired “Terror Train”. They mention that it’s loaded with zombies and surrounded by bats, and the number on the engine is 666. The guitar solo rips through it like a runaway locomotive, and is that a Theremin I hear in the background? That’s a win. You can’t have a psychobilly album without a song about a car, and “Rusty T-Bucket” certainly qualifies. I like the way it starts off slow, like an engine having a bit of trouble turning over, and then roars to life.

A sure sign of a good psychobilly record is an instrumental track in which the band cuts loose. “Thylacinus Attack” is that track on Casino Maldito. All three Gamblers shred for about two glorious minutes. “Somebody Stole My Pet Possum” is goofy fun, but the guitar solo on it is serious business.

Another must-have on any psychobilly record worth its salt is a song about Ole Scratch, and “Drinking with the Devil” has a cool swing vibe at the bridge that’s about as slick as Satan’s Brylcreem. “Shoulder Mount” blasts by as quickly as a Stinger missile. The closer, “No Chips No Chicks,” grows in velocity until its at mosh pit-level speed, even though I think it’s a song about a party being lame because there isn’t a girl or even a bag of chips there.

I don’t know how Bad Luck Gamblers found me, but I’m glad they did. There’s no gamble on Casino Maldito. It’s a sure thing.

Keep your mind open.

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Wayne Hancock – Songs from Slingin’ Rhythm

Wayne “The Train” Hancock is a living legend and one of the best country crooners and guitarists working today. His seven-song album Songs from Slingin’ Rhythm is another fine entry in his catalogue and just what you need in these contentious times.

“Slingin’ Rhythm” is a song about life on the road and his love for even the rough parts of it (“I sing 15 hours a week just to pay my bills and rent. By the time I head back home, most of it is spent.”). Theguitar work is crisp and slick throughout the whole track, making you want to catch him live as soon as possible.

“Wear Out Your Welcome” has Hancock telling an ex-girlfriend to get lost. “You’re gonna wear out your welcome, treating me like you do. Why don’t you leave me alone? ‘Cause you and I are through.” The sentiment continues on the fun and swinging “Divorce Me C.O.D.” It has a great toe-tapping beat and a guitar solo that will make you grin. “Ride” has a bit of a rockabilly edge that is great for fast drives down country roads.

“Viper of Melody” is almost a blues track with its slow rhythm and lap steel wails, but you can hear Hancock grinning through a good portion of the vocals. “Man of the Road” is another salute to Hancock’s live on the road and how he won’t give it up until he’s dead. The steel guitar on this is fantastic. “Now matter where I’ve been, no matter where I roam, I’m a shootin’ star from Texas, but the highway is my home,” Hancock sings on “Shootin’ Star from Texas” as his backing band puts down sizzling guitar work and a Johnny Cash beat.

Few people are playing this type of country music anymore, so it’s always great to find it and especially so when it’s this good.

Keep your mind open.

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My top 25 live shows of 2016 – #’s 5 – 1

Here we are at my top five live shows of 2016.

#5 – Earthless at Levitation Chicago March 12th

Earthless are the only band to be in my top 10 concerts of 2016 twice.  This was the second time I’d seen them and the first time I’d been close to the stage.  It was a stunning performance that nearly left me speechless.  They were also cool cats who were happy to sign my concert poster after their performance.

#4 – Night Beats at Levitation Chicago March 12th

Night Beats are the only band to be in the top 30 concerts of 2016 three times.  Their Levitation Chicago performance was downright dangerous and established the swagger and tight chops I’d see from them all year.  They, too, were also cool cats who signed my copy of their new album Who Sold My Generation for me after their set.

#3 – Deap Vally at the Chicago House of Blues October 13th

They were first on a bill with Death from Above 1979 and Black Rebel Motorcycle Club and they set the bar so high that the other two bands couldn’t match it.  They came to kick ass and take names…and they were all out of names.  They, too, were cool cats who chatted with me after their set.  Everyone was still talking about their performance as we were walking out of the venue.

#2 – Gary Wilson at Levitation Chicago March 10th

I didn’t know much about Gary Wilson before seeing him at Levitation Chicago.  I walked out a devoted fan.  His show was part-lounge act, part-psychedelic freak-out, and part-performance art piece.  He creeped out a woman next to me, made others laugh, others cheers, and others stand there with a “What the hell am I seeing and hearing?” look on their face.  I couldn’t stop talking about his performance for weeks and haven’t stopped recommending him to everyone since.

#1 – Bebel Gilberto at Ann Arbor Summer Fest June 18th

Only one concert had a moment that made me cry in 2016, and that was when Bebel Gilberto and her guitarist performed a cover of Radiohead‘s “Creep.”  Seeing this member of bossa nova royalty in a great venue (The acoustics in Ann Arbor’s Powerhouse Theatre are sublime.) was a dream come true, as I’ve had a serious crush on her and her music for many years.  It was also the first show I attended on a press pass thanks to this blog, so it will always hold a special place in my memory.

Thanks for reading.  I hope to get to just as many shows in 2017.  Wish me luck and let me know about bands I need to see this year.

Keep your mind open.

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My top 25 live shows of 2016 – #’s 10-6

We’re in the top ten of the my favorite live shows of 2016.

#10 – The Flaming Lips at Middle Waves Fest in Ft. Wayne, Indiana September 17th

It was a triumphant return to Fort Wayne after nearly 30 years for them.  The show was big, bright, and full of love.  It was in the middle of the election season and just what we all needed at the time.

#9 – Earthless at the Empty Bottle in Chicago December 2nd

Earthless is easily one of the best live acts out there right now, and this was my first time seeing them in a small venue.  I don’t know how the Empty Bottle was still standing by the time they were done because it was among the loudest and heaviest sets I’ve seen there.

#8 – John Carpenter at the Masonic Temple Theatre in Detroit July 15th

“I got a movie and a concert,” my wife said after seeing a screening of Escape from New York and then John Carpenter, his son, his godson, and the rest of his band play a fantastic retrospective of his film score music.  It was also in a huge gothic structure, so that made it all the better.

#7 – Screaming Females at the Brass Rail in Ft. Wayne, Indiana June 26th

I’d wanted to see them for a couple years, and seeing them an hour’s drive away with my best friend in a venue not much bigger than the bottom floor of my house was one of my favorite memories of 2016.  They were even kind enough to let me interview in their tour van.  They crushed it, leaving most of the crowd dumbstruck.

#6 – L7 at the Metro in Chicago August 6th

Another band I’d waited years, even decades, to see was L7 and their sold-out reunion tour show in Chicago was one of the best performances I’d seen from any band in years.  They hadn’t lost a thing and showed pretenders how it’s done.

Good grief!  If these shows were so good, who’s in the top five?  Come back tomorrow and see!

Keep your mind open.

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My top 25 albums of 2016 – #’s 10-6

We’re into the top ten!

#10 

If you know me well, then you shouldn’t be surprised that a new record by Deap Vally made it into my top test list of any given year.  Femejism, besides having the greatest album title of the year, is solid beginning to end with the sizzling guitar, sexy / snarling vocals, and powerhouse drumming they do so well.

#9 

The debut LP from Goggs (or is it “G0ggs?”) is the loudest, wildest punk rock record I’ve heard all year.  Ty Segall, who plays guitar on the record, has quickly become one of the most prolific artists in music, and everything he puts out is worth hearing.

#8 

Of course a Radiohead record was going to be in the top 10.  A Moon Shaped Pool continues the band’s metamorphosis into this generation’s Pink Floyd.  It’s beautifully crafted, but a heavy listen.  It might be the saddest break-up (Thom Yorke from his long-time girlfriend) record of 2016.

#7 

“Holy crap” is the way I described my reaction upon first hearing A Tribe Called Quest‘s We Got It from Here…Thank You 4 Your Service to a friend.  This friend, Dee Tension, is a hip-hop producer, beat maker, and MC in Boston, and he claimed he’d been listening to it daily since its release.  You might, too, upon hearing it.  It’s not only a loving tribute to founding member Phife Dawg, but also a sharp critique on race, politics, gentrification, and much more.

#6 

Speaking of great returns, Underworld had another one we needed in 2016.  Barbara, Barbara, We Face a Shining Future is the most uplifting and optimistic record of the year.  Every song is about seeing good times ahead and remembering how every moment is divine.

We’re almost there.  Who makes the top 5?  Tune in tomorrow!

Keep your mind open.

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My top 25 live shows of 2016 – #’s 15-11

Who killed it live this year?  Keep reading!

#15 – Death from Above 1979 at the Chicago House of Blues October 13th

Yeah, the whole show was this crazy.  It was a rough pit, but worth a couple spins through it to feed off the energy DFA1979 were throwing at us.

#14 – Buzzcocks at the Vic Theatre in Chicago September 22nd

Speaking of rough mosh pits, I helped break up a fight in this one.  I’d been waiting a long time to see Buzzcocks, and it was well worth it.

#13 – Clutch at Pierre’s in Fort Wayne, Indiana June 10th

“Hottest show of the tour.  No question,” said Clutch lead singer Neal Fallon.  It was indeed damn hot in there, and Clutch seemed to use the heat like a furnace to create some sort of alchemical spell.

#12 – Golden Dawn Arkestra at Levitation Austin May 1st

My wife and I were front and center for the funkiest show we saw all year.  The crowd was bonkers by the end of their set.  “I almost left,” said one woman as we were leaving the show.  “I’m glad I stayed.”  Shame on you if you missed it.

#11 – Ceu at the City Winery in Chicago June 24th

This was a beautiful show in an intimate venue, and Brazilian bossa nova / eletro siren Ceu had the whole room in the palm of her hand by the end of it.  I couldn’t stop grinning through the whole performance.

 

Who’s in the top 10?  Come back tomorrow to see!

Keep your mind open.

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My top 25 albums of 2016 – #’s 20-16

The countdown continues!

#20 

This is the best funk / Afrobeat record I’ve heard in a long time.  Golden Dawn Arkestra will get you moving and possibly transport you to another dimension.

#19 I happened to catch Ron Gallo at a show in Fort Wayne and was glad I did because his RG3 EP is one of the best EP’s I’ve snagged all year.  I need to get his full album pronto.  He plays a neat style of garage blues-influenced rock.

#18 

Morphine is one of my favorite bands of all time, so it’s no surprise that I was going to love Vapors of Morphine, which includes two of the band’s original members and a new singer and bass player performing glorious low rock and blues.

#17 

There’s no way an album by Goat wasn’t going to be at least in the top 50% of albums I’d like, and Requiem is full of their usual weird voodoo rock.  It’s mellower than previous releases, but still trippy.

#16 

I discovered the new Cosmonauts record late in the year, and I’m glad I did because I think they’re going to be one of my new obsessions.  A-OK! is full of neat psych-rock and shoegaze.  I’m all in if you can combine those two genres.

Who cracks the top 15?  Come back tomorrow to see!

Keep your mind open.

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My top 25 live shows of 2016 – #’s 25-21.

I had a blast at live shows this year, seeing nearly 50 different bands.  I hope I can match or beat that in 2017.  I’m going to highlight the top 50% of the bunch, five at a time.

#25 – Imarhan at Levitation Austin April 29th.

Levitation Austin always brings in at least one Tuareg artist, and Imarhan played a packed house at the Empire in downtown Austin.  It was early in their first U.S. tour and they put on a fine show of uplifting music.

#24 – Gourisankar and Indrajit Banerjee at Levitation Austin May 1st.

These two maestros of their respective instruments (Gourisankar on tabla and Indrajit Banerjee on sitar) wowed the crowd at the Stoop Inn.  My wife and I were right in front and their energy had us and the whole crowd buzzing.

#23 – The Blind Owls at Levitation Austin April 28th.

They were the first band we saw at Levitation Austin in 2016, and they had to play an abbreviated set due to showing up a bit late (Thanks, Austin traffic.).  As a result, they played a wham-bam-thank you ma’am set of all their rockers.  They threw down the gauntlet early.

#22 – Bleached at the Grog Shop in Cleveland, Ohio October 21st.

They were a blast, the venue was great, and the crowd was appreciative.  They were even better live than I thought they would be and friendly to anyone who stopped by their merch table after their set.

#21 – Night Beats at Levitation Austin April 28th.

I saw Night Beats three times in 2016.  This was the second time, and the third time I saw them came in at #26 on my list of live shows and was only two days later at San Marcos’ MR Fest.  They closed the first night of Levitation Austin, after nearly everyone had learned the festival had been cancelled, and they made everyone forget their blues for a little while.  It was a raucous set, and we all needed it.

Which shows made my top 20 for 2016?  Come back tomorrow to find out.

Keep your mind open.

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My top 25 albums of 2016 – #’s 25-21.

Don’t let anyone tell you that there’s no good music anymore.  There is always good music.  You just have to find it.  I hope this list and this blog helped you discover some good stuff in 2016.

I reviewed close to 50 albums released in 2016 last year, so I’ve decided to highlight the top 25.   Here are numbers 25-21.
25.Slaves bring great British punk that skewers not only the elite rich, but also Millennial slackers and even the stupidity of drunk driving.

24.Dunsmuir is a metal supergroup featuring members of Clutch, Fu Manchu, The Company Band, and Black Sabbath.  Their debut is a concept record about a shipwrecked crew fighting monsters on a remote island.

23.

Canadian psych-rockers Elephant Stone have yet to put out a bad record, and this one added electro touches to their mix of 1960’s psychedelia and bhangra.

22. 

Birth is a fine piece of stoner rock from this three-piece Australian outfit.  I was on a big stoner rock kick in 2016 and ORB certainly fit the bill.

21. 

Klaus Johann Grobe were a delightful discovery this year, and their latest album, Spagat Der Liebe, is a fun electro / lounge record suitable for both late night parties and making out.

Who cracks the top 20?  Come back tomorrow to find out!

Keep your mind open.

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