Wayne Hancock – Songs from Slingin’ Rhythm

Wayne “The Train” Hancock is a living legend and one of the best country crooners and guitarists working today. His seven-song album Songs from Slingin’ Rhythm is another fine entry in his catalogue and just what you need in these contentious times.

“Slingin’ Rhythm” is a song about life on the road and his love for even the rough parts of it (“I sing 15 hours a week just to pay my bills and rent. By the time I head back home, most of it is spent.”). Theguitar work is crisp and slick throughout the whole track, making you want to catch him live as soon as possible.

“Wear Out Your Welcome” has Hancock telling an ex-girlfriend to get lost. “You’re gonna wear out your welcome, treating me like you do. Why don’t you leave me alone? ‘Cause you and I are through.” The sentiment continues on the fun and swinging “Divorce Me C.O.D.” It has a great toe-tapping beat and a guitar solo that will make you grin. “Ride” has a bit of a rockabilly edge that is great for fast drives down country roads.

“Viper of Melody” is almost a blues track with its slow rhythm and lap steel wails, but you can hear Hancock grinning through a good portion of the vocals. “Man of the Road” is another salute to Hancock’s live on the road and how he won’t give it up until he’s dead. The steel guitar on this is fantastic. “Now matter where I’ve been, no matter where I roam, I’m a shootin’ star from Texas, but the highway is my home,” Hancock sings on “Shootin’ Star from Texas” as his backing band puts down sizzling guitar work and a Johnny Cash beat.

Few people are playing this type of country music anymore, so it’s always great to find it and especially so when it’s this good.

Keep your mind open.

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Scattered Hamlet – Swamp Rebel Machine

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Looking for hard rock best suited for running moonshine or chugging it? Look no further than Scattered Hamlet (Richard Erwin – bass and vocals, Adam Joad – vocals, harmonica, and guitar, Jake Deling Le Bas – drums, percussion, and vocals, Adam Newell – lead and slide guitars, vocals) and their new album Swamp Rebel Machine. The interior art features a rendition of the “Don’t Tread on Me” flag, but the logo has been changed to “Don’t fuck with me.” It’s a theme evident in the opening track, “Battle Hymn,” and the instrumentation is indeed not something with which to fuck.

“Whip-Poor-Will” hits as hard as any Zeke track (especially Erwin’s bass groove). “Stonewall Jackson” starts with a conversation between two pals – one of who would rather watch The Dukes of Hazzard than get laid. I can’t help but wonder if this is based on a real conversation one of the band members with someone. Newell shreds on it, by the way.

“Four Barrel Mojo” is dirty honkytonk rock. “White Trash” grooves so well that the Donnas might smash a couple guitars in “Why didn’t we come up with that lick?” rage. The title track is the first single off the record. It’s a good choice since it sums up the band’s ethos (hard-workin’, hard-rockin’, hard-drinkin’, school of hard knocks graduates). “Green Bastard” has some of Le Bas’ hardest and funkiest drumming on the record. Joad salutes his grandmother on “Outlaw Breed” (“Grandma taught me nothing’s guaranteed except the hillbilly pride and the outlaw breed.”).

“Rimfire” reminds me of good hair metal, which is an elusive beast these days. “Buckshot” could be a lost Nashville Pussy track, and I love the way Joad’s vocals border on screams for a lot of it. The closer is “The Lesson,” which ends the album on a metal note that would make Clutch proud. Newell goes for broke on it, and I love the drum and bass breakdown near the end.

Swamp Rebel Machine is a good, dirty, gritty, heavy rock record. We need this kind of “Don’t fuck with me” rock right now. People are pissed and making their voices heard, and they could very well be playing this record in their earbuds as they march or mosh.

Keep your mind open.

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Levitation Austin artist spotlight: Federale

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You can call Federale a supergroup, really.  Consisting of members of SpindriftThe Black Angels, and the Brian Jonestown Massacre, Federale makes spaghetti western psychedelic rock best suited for obscure European films of the late 1960’s.  Seeing them under Levitation Austin’s Levitation Tent in the Austin, Texas sun on April 29th seems like a can’t-miss show.  I love spaghetti westerns so I’m sure I’ll love their set.

Keep your mind open.

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Kiefer Sutherland to release outlaw country album.

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Yes, you read that right.  Actor, producer, and director Kiefer Sutherland will be releasing his debut album Down in a Hole sometime this summer.  Sutherland has already released tour dates to promote the record and has been playing gigs since at least last year.

It turns out Sutherland has been involved in the music industry since 2002 by producing and releasing records by musicians he liked.  He also collects classic guitars.  He wrote a couple songs and those songs eventually bloomed into a full album.  I don’t know if the title track is a cover of Alice in Chains‘ classic, but clips of Sutherland’s live performances are good.  He has an excellent backing band and his rough voice is perfect for outlaw country.  Down in a Hole should be an interesting listen.

Keep your mind open.

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The Smoke House: Come for the smoked turkey, stay for the Louvin Brothers Museum.

Jim Oliver's Smokehouse restaurant and Trading Post, located at 850 W. Main Street, in Monteagle, Tennessee, was founded by Jim Oliver in 1960. After he passed away in 2007 his son and daughter took over the business. The complex also included a realty company and a Best Western hotel. Tennessee Home & Farms - J. Kyle Keener

I was hungry while on my way back from Chattanooga a couple weeks ago and discovered The Smoke House Restaurant and Trading Post in Monteagle, Tennessee.  It’s an impressive place with enough cured meats, spice rubs, barbecue sauces, and jams and jellies for an army.  I opted for the smoked turkey open-faced sandwich with cole slaw and mashed potatoes.

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Good grief, it was delicious.  The smoked turkey was the best I’d eaten in years.  I’m sure the rest of the menu is just as delicious, and I’ll probably try the fried chicken and / or frog legs if I ever get back there.

You pay for your meal in the gift shop on the way out.  As I walked through their expansive gift shop, I twice passed a room that appeared to be another alcove full of knick-knacks for sale before I noticed the sign above the entryway.

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Yes, tucked along one back wall of this place, with a light-up reindeer atop it, is a museum dedicated to country music legends Ira and Charlie Louvin.

It’s full of plaques, photos, and memorabilia from the duo who popularized country harmony music and were well-known for their gospel songs.

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There is so much here that I couldn’t photograph all of it without burning up more time on my trip home.  There are display cases full of show tickets, recording notes, family photos, and personal effects.  The number of photos and commendations from various music venues, writers, and associations is staggering.

There’s also a display case dedicated to the car crash death of Ira Louvin and his fourth wife, Anne Young.

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That photo was taken three days before their car was struck by a drunk driver on June 20, 1965.  In a weird twist, a DUI warrant had been issued for Ira’s arrest around the same time.

The museum also has a complete collection of the Louvin Brothers’ records, so many that I couldn’t get them all into one shot.

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It’s a cool place that is easy to miss, but you owe it to yourself to see it if you’re a fan of classic country or gospel music.  There’s a lot of neat stuff in there.  Like this, a laminated picture of Grandpa Jones on a piece of wood.

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Keep your mind open.