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Category: Rock
Shame releases new single, “Lampoon,” during spring tour.
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BODEGA releases fun debut single, “How Did This Happen?”, ahead of forthcoming album.
& Shares Debut Single “How Did This Happen ?!”
Watch The Video Here

[Photo by Mert Gafuroglu]
With the eyes of filmmakers, Ben Hozie (guitar, vocals) and Nikki Belfiglio (vocals) turn the documentary on themselves, finding the political in the personal. Formerly of prankster rock collective Bodega Bay, known for its outlandish critical stunts, their blend of essay and confession bears witness to the harsh poetry of being human in the digital age.
Joined by Montana Simone (drums), Madison Velding-Vandam (guitar) and Heather Elle (bass), BODEGA are unveiling their debut single, “How Did This Happen ?!,” a standout from their many live shows around New York City. Accompanying the single is a 360-degree interactive video showcasing the band’s unique live performance.
“How Did This Happen ?!” is the first song from BODEGA’s forthcoming debut album due out this summer. It was recorded and produced by Austin Brown (Parquet Courts) on the same Tascam 388 tape machine used for their LP Light Up Gold. It was mixed and mastered by Jonathan Schenke at Dr. Wu’s.
https://youtu.be/TKAzK41-YHM
March 10 – Brooklyn, NY @ Union Pool w/ Mind Spiders (tickets)
March 13-17 – Austin, TX @ SXSW
March 24 – Brooklyn, NY @ Baby’s All Right w/ High Waisted
April 7 – Brooklyn, NY @ Alphaville
May 15 – London, UK @ The Social
May 16 – London, UK @ The Lock Tavern
May 17 – Brighton, UK @ The Great Escape
May 19 – Leeds, UK @ The Brudenell Social Club (Gold Sounds Festival)
Apple – https://itunes.apple.com/us/
iTunes – https://itunes.apple.com/us/
Spotify – http://open.spotify.com/track/
BODEGA online:
http://www.bodegabk.com/
https://www.instagram.com/
https://www.facebook.com/
https://bodegabk.bandcamp.com
http://bodeganyc.tumblr.com/
The Dunes release a new single about the cult of fear in the U.S.
Australian psych-rockers the Dunes are back with the first single from an upcoming album. The song “(Just Because You’re Not Being Followed Doesn’t Mean You’re Not) Paranoid” is a stinging rebuke about the culture of fear that has swarmed over the United States since the 1950’s and only become worse in the last decade.
Watch for the full album later this year.
Keep your mind open.
[No need to be paranoid when you subscribe. You’ll get e-mail updates. No surveillance guaranteed!]
Screaming Females – All at Once
It’s been a little while since we’ve had a full album from power trio Screaming Females, and now they’re back with a double album no less – All at Once. I’m intrigued by the title, as it seems to imply the world at large – especially in First World nations. Everything is available to us any time we want it, yet most of us are dissatisfied with what we have. Thanks to the internet, we can be everywhere all at once, yet many of us are lonely or limit human contact as much as possible.
Screaming Females explore this dichotomy right away on the opening track, “Glass House.” Lead singer and guitarist Marissa Paternoster sings about her desire to break out of a controlling relationship that she willingly entered, but knowing that doing so will shatter both parties (“I’m locked in is this glass house, impossible to get out.”).
Bassist Mike Abbate and drummer Jarrett Dougherty put down a hard groove for Paternoster as she unloads Helmet-like guitar fuzz on “Black Moon.” Another possible meaning to the album’s title is the raw energy of Screaming Females that comes at you all at once during their live shows. The album adeptly catches their turn-on-a-dime precision and angry wolverine power.
“I’ll Make You Sorry” is not only scorching, but also catchy as Paternoster tries to warn a new lover. “I was once in love before you,” she sings. She’s been down a path that didn’t end well, and wants to give it another shot, but perhaps cutting loses now is easier for everyone. Paternoster’s solo on it flies around like a frisky blue jay.
“Dirt” has a bit of a post-punk sound to it that I love, and I’m happy to say that they add this flavor to a couple other tracks, like the excellent, sharp-angled “Fantasy Lens” and the funky bass-laden “Drop by Drop.” “Agnes Martin” could easily be a metal song if they doubled the speed, but they smartly keep it between garage rock and stoner metal as Paternoster sings about seeking companionship, but only away from others (“Take me under your wing, the sun destroys me.”). Dougherty’s chops are slick as axel grease on this, and Paternoster unleashes some of her trademark shredding. Her vocals get distorted (and backed by what sounds like a church organ) on “Deeply” as she sings about how hard she tends to fall in love when the opportunity arises.
I think Abbate and Paternoster might’ve rushed Dougherty to a Ready-Med clinic after they recorded “Soft Domination” because his groove on it is wickedly sick. “Tell me you’ll lift me up, tell me you’ll take me out of this place,” Paternoster pleads, desperate to get away from…what? A specific place? Life in general? “End of My Bloodline” has a bit of a dub feel to it with Abbate’s creeping bass, Dougherty’s nice high-hat work, and Paternoster’s slightly distorted vocals.
“Chamber of Sleep I” and “Chamber of Sleep II” walk into psychedelia, and the world is better for it. In both parts, Paternoster unloads her guitar like a flame thrower on a stack of articles that still refer to her as a “female guitarist.” “Bird in Space” is downright lovely, with Paternoster singing once more of taking flight from the moment / reality and putting on a guitar clinic.
“My Body” has Paternoster singing about disconnection from a lover and the world (“I’m sleeping in this chair, while you sleep in the hallway…When they come to find me, then please burn my body.”). All at Once ends with the fuzzed-out, massive (and abrupt) “Step Outside.” Screaming Females encourage us to get away from the internet, our comfort zones, or even prepare for a fight. The whole band cooks with gas and definitely unleashes in the spirit of the album’s title. All you can do it sit back and let it hit you.
All at Once is a great addition to Screaming Females‘ catalogue. Paternoster writes biting lyrics about love, heartbreak, and the weird complexities of relationships like few others in the rock business. She is like one of those plasma nebula balls, glowing and swirling with a hypnotizing calm until you get too close, and then she arcs lightning at you. She’s the lightning, Abbate is the thunder, and Dougherty is the driving wind and rain. All three come at you all at once, and you can’t stop them.
Keep your mind open.
[I promise not to make you sorry if you subscribe.]
Caroline Rose – Loner
I first heard Caroline Rose when I got sent a press release about her first single off her album Loner. The song was “Money,” and it ended up being one of my favorite singles of 2017.
Loner, it turns out, is already one of the best releases of the winter. Her deft use of organs, synths, and keyboards turns the record into a blend of psychedelia, power pop, and electro. Plus, she’s one of the wittiest songwriters I’ve heard in a while.
“More of the Same” is a great opener about ennui and people wanting to be individuals just like everyone else. She unleashes impressive vocal chops as she sings about all of her friends having “alternative haircuts,” school being a colossal bore and a haven for crushed dreams, and wanting to get away from the ruts the world at large has created for her. “Cry!” reveals Rose’s love of Devo in the opening synth chords.
“Money” adds spaghetti western guitar and is one of the wildest cuts you’ve heard in a long while. Rose flat-out admits, and calls us out on, how much of her / our day-to-day activity is for the pursuit of cash. The roller rink keyboards of “Jeannie Becomes a Mom” perfectly sum up the fear, joy, and uncertainty of the song’s subject. Plus, the electric beats are wicked.
“Getting to Me” includes what sounds like a plucked violin as Rose sings about the life of a waitress who craves more out of life but yet is a master at her craft. Rose gets a David Lynch-vibe going on “To Die Today” with its echoing guitar, subtle percussion, and her haunting vocals about the feeling and release of death. It’s fitting that the follower is “Soul No. 5,” a song about embracing life (“I ain’t got a job, but I got a lot of time.). The synths during the chorus are exuberant, and they’re laced with surf rock on “Bikini” (a song about the benefits of sex appeal and the objectification of women).
The stabbing synths of “Talk” push the desperate narrative of the lyrics, in which Rose sings of blissful, sexy silence with her lover. The closer, “Animal,” with its synthesized handclaps and trippy keys, is a sexy song about two lovers in the throes of passion.
The whole album is a mix of sex, death, mishaps, and comedy. In other words, it’s about real life. Rose might consider herself a loner, but she’s really all of us.
Keep your mind open.
[We’re not in this for the money, just your subscriptions.]
Radiohead announces U.S. tour for summer 2018.
Just in time to celebrate the twenty-fifth anniversary of their debut album, Pablo Honey, Radiohead have announced a 2018 U.S. tour beginning in July and running through August. The dates are as follows:
Sat-Jul-07 – Chicago – United Center
Tue-Jul-10 – New York – Madison Square Garden
Wed-Jul-11 – New York – Madison Square Garden
Fri-Jul-13 – New York – Madison Square Garden
Mon-Jul-16 – Montreal – Bell Centre
Tue-Jul-17 – Montreal – Bell Centre
Thu-Jul-19 – Toronto – Air Canada Centre
Fri-Jul-20 – Toronto – Air Canada Centre
Sun-Jul-22 – Detroit – Little Caesars Arena
Mon-Jul-23 – Columbus – Schottenstein Center
Wed-Jul-25 – Cincinnati – US Bank Arena
Thu-Jul-26 – Pittsburgh- PPG Paints Arena
Sat-Jul-28 – Boston – TD Garden
Sun-Jul-29 – Boston – TD Garden
Tue-Jul-31 – Philadelphia- Wells Fargo Center
Wed-Aug-01 – Philadelphia – Wells Fargo Center
Tickets go on sale tomorrow. Don’t wait to get them. They will sell out, and resale prices will be high enough to enrage you and them (Radiohead have railed against ticket scalpers for years.).
Keep your mind open.
[Don’t wait to subscribe either.]
Smashing Pumpkins announce (almost) reunion U.S. tour for 2018.

Smashing Pumpkins have had a countdown clock on their website for days now, and it finally ended to reveal a 34-city not-quite-a-reunion tour for 2018. It’s not a full reunion because front man Billy Corgan and original bassist D’arcy Wretzky have been involved in a public feud via social media regarding Wretzky not being asked to join the tour.
Regardless, Corgan and guitarist James Iha and drummer Jimmy Chamberlin are soon criss-crossing the U.S. on the “Shiny and Oh So Bright Tour.” Tickets go on sale February 23rd, and I suggest not waiting too long to get them. I’m sure many venues will sell out fast.
July 12 — Glendale, AZ @ Gila River Arena
July 14 — Oklahoma City, OK @ Chesapeake Energy Arena
July 16 — Austin, TX @ Frank Erwin Arena
July 17 — Houston, TX @ Toyota Center
July 18 — Dallas, TX @ American Airlines Center
July 20 — Nashville, TN @ Bridgestone Arena
July 21 — Louisville, KY @ KFC Yum! Center
July 22 — Atlanta, GA @ Infinite Energy Arena
July 24 — Miami, FL @ AmericanAirlines Arena
July 25 — Tampa, FL @ Amalie Arena
July 27 — Baltimore, MD @ Royal Farms Arena
July 28 — Philadelphia, PA @ Wells Fargo Center
July 29 — Uncasville, CT @ Mohegan Sun Arena
July 31 — Boston, MA @ TD Garden
August 1 — New York, NY @ Madison Square Garden
August 4 — Pittsburgh, PA @ PPG Paints Arena
August 5 — Detroit, MI @ Little Caesars Arena
August 7 — Montreal, QC @ Centre Bell
August 8 — Toronto, ON @ Air Canada Centre
August 11 — Columbus, OH @ Schottenstein Center
August 13 — Chicago, IL @ United Center
August 16 — Kansas City, MO @ Sprint Center
August 17 – Indianapolis, IN @ Bankers Life Fieldhouse
August 19 — St. Paul, MN @ Xcel Energy Center
August 20 — Omaha, NE @ CenturyLink Center
August 21 — Sioux Falls, SD @ Denny Sanford Premier Center
August 24 — Seattle, WA @ KeyArena
August 25 — Portland, OR @ Moda Center
August 27 — Oakland, CA @ Oracle Arena
August 28 — Sacramento, CA @ Golden 1 Center
August 30 — Los Angeles, CA @ The Forum
September 1 — San Diego, CA @ Viejas Arena
September 2 — Las Vegas, NV @ T-Mobile Arena
September 4 — Salt Lake City, UT @ Vivint Smart Home Arena
September 5 — Denver, CO @ Pepsi Center
September 7 — Boise, ID @ Ford Idaho Center
Keep your mind open.
[No angry social media stuff here, just music news and reviews when you subscribe.]
L7 unleash new single, “I Came Back to Bitch,” and U.S. spring tour dates.
L7, as usual, aren’t screwing around. Case in point, their new single, “I Came Back to Bitch.” This will soon be your new favorite song and is already sure to be one of my top ten singles of 2018.
They’ve also announced some spring U.S. tour dates. Don’t miss them. They were great when I saw them in Chicago a couple years ago. They haven’t lost an inch.
04/11 – Boston, MA @ Paradise
04/13 – Philadelphia, PA @ Trocadero
04/15 – Cleveland, OH @ Beachland Ballroom
04/16 – Milwaukee, WI @ Eagles Club
04/18 – Indianapolis, IN @ Vogue
04/19 – Minneapolis, MN @ First Avenue
Keep your mind open.
[I’ll come back to your e-mail if you subscribe.]
Unknown Mortal Orchestra’s new album, “Sex & Food,” due April 6th.
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