For a small place, Ft. Wayne, Indiana’s Brass Rail can pack in a lot of sound. This show of indie shoegaze and psychedelic acts was no exception.
First up was local band Leones, who played a good set of bass-forward shoegaze with thick Latinx psychedelic touches.
Leones
Second on the bill were Chicago’s Diagonal. I’ve been a fan of the band for a while now and was happy to finally catch them live. They played a sold psychedelia set of mostly new material from their upcoming album. One of the funniest parts of their set was how they kept referring to Gary Numan and playing parts of “Are Friends ‘Electric’?” after I played it on the Brass Rail’s juke box while they were doing their sound check.
Diagonal
Closing out the night was Ft. Wayne’s Necromoon, who are not a Dead Moon cover band. They play a mellower version of psychedelia than Dead Moon (and to be fair, few bands can match Dead Moon’s raw power) but still put out a lot of sound as they played songs about love and death and other subjects with a bright hope to them.
Necromoon
All in all, it was a fun night of live music in a small venue and a nice oasis in the dead of winter.
Rage Against the Machine have announced their first full tour in almost ten years, starting with three shows in the American southwest that will benefit immigrant charities. Most of the tour includes opening support from Run the Jewels, and there’s also a headlining spot for RATM at Coachella this year. Tickets are on sale now, and I’m sure many dates (if not all of them) will sell out. Here’s the list:
03-26 El Paso, TX – Don Haskins Center 03-28 Las Cruces, NM – Pan American Center 03-30 Glendale, AZ – Gila River Arena 04-10 Indio, CA – Coachella Valley Music and Arts Festival 04-17 Indio, CA – Coachella Valley Music and Arts Festival 04-21 Oakland, CA – Oakland Arena 04-25 Portland, OR – Moda Center 04-28 Tacoma, WA – Tacoma Dome 05-01 Vancouver, BC – Pacific Coliseum at the PNE 05-03 Edmonton, Alberta – Rogers Place 05-05 Calgary, Alberta – Scotiabank Saddledome 05-07 Winnipeg, Manitoba – Bell MTS Place 05-09 Sioux Falls, SD – Denny Sanford Premier Center 05-11 Minneapolis, MN – Target Center 05-14 Kansas City, MO – Sprint Center 05-16 St. Louis, MO – Enterprise Center 05-19 Chicago, IL – United Center 05-23 Boston, MA – Boston Calling 06-19 Dover, DE – Firefly 07-10 East Troy, WI – Alpine Valley Music Theatre 07-13 Detroit, MI – Little Caesars Arena 07-17 Ottawa, Ontario – Ottawa Bluesfest 07-18 Québec City, Québec – Festival d’Été de Québec 07-21 Hamilton, Ontario – FirstOntario Centre 07-23 Toronto, Ontario – Scotiabank Arena 07-27 Buffalo, NY – KeyBank Center 07-29 Cleveland, OH – Rocket Mortgage FieldHouse 07-31 Pittsburgh, PA – PPG Paints Arena 08-02 Raleigh, NC – PNC Arena 08-04 Washington, DC – Capital One Arena 08-07 Camden, NJ – BB&T Pavilion 08-10 New York, NY – Madison Square Garden 08-11 New York, NY – Madison Square Garden 08-28 Leeds, England – Leeds Festival 08-30 Reading, England – Reading Festival 09-01 Paris, France – Rock En Seine Festival 09-04 Stradbally Laois, Ireland – Electric Picnic Festival 09-06 Berlin, Germany – Lollapalooza Berlin Festival 09-08 Prague, Czech Republic – O2 Arena 09-10 Krakow, Poland – Tauron Arena
Sharon Van Etten follows 2019’s Remind Me Tomorrow, “an album of hope, intimacy and perseverance” (New York Times), with a new single, “Beaten Down,” and its gorgeous accompanying video. “‘Beaten Down’ is about love, patience and empathy,” says Van Etten. “It’s about making life-changing choices and remaining strong enough to see them through.” Produced by John Congleton, the song opens with dark, minimalistic percussion and Van Etten’s smoldering voice before growing more textured, expanding with layered vocals, synths and keys.
The “Beaten Down” video was directed by Nicky and Juliana Giraffe at Giraffe Studios and features Van Etten and the dancing duo of Allison and Veronica Huber. “Our goal was to create a striking and psychedelic video set in the California desert, a welcoming of Sharon’s next chapter here,” explains Nicky and Juliana Giraffe. “Upon hearing the song, our minds automatically drifted into stark black and white, fever dreams, dark silhouettes contrasted against a barren desert landscape. Our intention was to give Sharon’s song and performance space to breathe and echo. It was important to us that the dancers were strongly connected and we’re so lucky to have worked with the talented Huber Twins on this project.”
As previously announced, Van Etten guest stars in Eliza Hittman’s new film, Never, Rarely, Sometimes, Always,which premiered at Sundance last week to a great deal of industry praise and won the U.S. Dramatic Special Jury Award for Neorealism. The film opens in theaters in North America on March 13th, 2020. Watch the trailer here.
Van Etten will tour the southeast this April playing cities she has not yet visited in support of Remind Me Tomorrow. Additionally, she’s just announced a return to New York this summer. She’ll headline Central Park SummerStage on Wednesday, July 29th and be joined by Real Estate and Grace Ives.
Sharon Van Etten Tour Dates: Fri. April 17 – Baltimore, MD @ Ram’s Head Live Sat. April 18 – Asheville, NC @ The Orange Peel Sun. April 19 – North Charleston, SC @ High Water Festival Mon. April 20 – Saxapahaw, NC @ Haw River Ballroom Wed. April 22 – Nashville, TN @ Ryman Auditorium Fri. April 24 – New Orleans, LA @ Civic Theatre Sat. April 25 – Fort Worth, TX @ Fortress Festival Sun. April 26 – Austin, TX @ Stubb’s Tue. April 28 – Atlanta, GA @ Variety Playhouse Fri. May 22 – Boston, MA @ Boston Calling Wed. July 29 – New York, NY @ Central Park SummerStage w/ Real Estate, Grace Ives
“this is music meant to be played at a volume walls can’t contain. Fuzz’s namesake is no joke, either — this is proto-metal, anvil-head blues-rock, thick like cement about to harden.” – NPR Music
FUZZ, comprised of Ty Segall (drums, vocals), Charles Moothart (guitar, vocals), and Chad Ubovich (bass, vocals), announces a North American tour – their first since winter 2015. The band will bring their rowdy live shows across the states, including three nights at Los Angeles’s Teragram Ballroom and to Chicago’s Thalia Hall, New York’s Bowery Ballroom and Music Hall of Williamsburg, and more. There will be additional FUZZ-related news in the coming weeks. Tickets are on sale now.
FUZZ Tour Dates: Wed. May 27 – San Francisco, CA @ Great American Music Hall Fri. May 29 – Portland, OR @ Aladdin Theater Sat. May 30 – Seattle, WA @ Neptune Theatre Sun. May 31 – Vancouver, BC @ Rickshaw Theatre Tue. June 2 – Sacramento, CA @ Harlow’s Wed. June 3 – Santa Cruz, CA @ Felton Music Hall Fri. June 5 – Los Angeles, CA @ Teragram Ballroom Sat. June 6 – Los Angeles, CA @ Teragram Ballroom Sun. June 7 – Los Angeles, CA @ Teragram Ballroom Thu. June 18 – Chicago, IL @ Thalia Hall Fri. June 19 – Cleveland, OH @ Beachland Ballroom Sat. June 20 – Toronto, ON @ Danforth Music Hall Sun. June 21 – Montreal, QC @ La Tulipe Mon. June 22 – Cambridge, MA @ The Sinclair Wed. June 24 – New York, NY @ Bowery Ballroom Thu. June 25 – Brooklyn, NY @ Music Hall of Williamsburg Fri. June 26 – Baltimore, MD @ OttoBar Sat. June 27 – Philadelphia, PA @ Underground Arts Sun. June 28 – Pittsburgh, PA @ Mr. Small’s Theater
Independent record label Burger Records and Spaceland Presents announced that, following a five-year hiatus, Burgerama will return for an all-day, all-ages mini-festival on Saturday, March 9th at The Echo/Echoplex in LA. Featuring over 30 bands and headlined by cult superstars The Mummies and Burger Records favorites The Flamin’ Groovies, Burgerama 5 tickets start at just $25.00 and are available to purchase at the Spaceland Presents website.Of the show roster for Burgerama 5, Burger Records’ Lee Rickard said; “The Flamin’ Groovies and The Mummies are two of Sean and my all-time favorite bands and rock ‘n roll institutions. We couldn’t be happier to have em both as headliners along with some of our favorite underground Southern California acts.”
Sponsored by Volcom and Uck Off, Burgerama 5 will take over the entire Echo venue complex including The Echoplex, and patio, and includes three music stages, food trucks, and DJs and the Mad Alchemy Liquid Light Show. Beyond The Mummies, performers include Flamin’ Groovies, Pearl and the Oysters, Hammered Satin, Hollywood Stars, Cosmonauts, Tomorrows Tulips, Shadow Show, and in their last show ever, Apache. A complete lineup for the event can be found on the Spaceland website.
This is the first of three (so far) live albums released this month from Australian juggernauts King Gizzard and the Lizard Wizard. All proceeds from the purchase of Live in Adelaide ’19(and the other live records) go toward wildlife rescue efforts during Australia’s horrible brush fires.
They come out roaring with “Planet B,” “Mars for the Rich,” and “Venusian 1” – any of which can flatten the uninitiated. “Cyboogie” is a switch to synth-blues and the grooves of “Real’s Not Real,” “Hot Water” (with guest flute from Adam Halliwell of Mildlife) and “Open Water.” “Sleep Drifter” is one of those songs that always delights when you hear it live.
“Billabong Valley” is always a crowd favorite because Ambrose Kenny-Smith takes on lead vocals in the song about an Outback outlaw. “The Bird Song” is another great live treat, as the song is so happy and groovy you can’t help but smile when you hear it. Things get weird on “Inner Cell,” a tune that had a menacing buzz throughout it, and “Loyalty,” which has plenty of odd time signatures to amaze you.
The groove on “Plastic Boogie” makes you think the song should’ve been named “Solid Rock Boogie.” The band then heads back into thrash metal with “Organ Farmer” (which is bonkers) and “Self-Immolate” before learning they still have thirty-five minutes of stage time left. What to do? How about playing a nearly half-hour version of “Head On / Pill” which is nothing short of outstanding?
This is a solid live album by one of the best live bands on the planet right now, and you can’t beat the price and you’re contributing to a great cause when you buy it. It’s a win for everyone.
Australian band Tropical Fuck Storm are pleased to announce a North American tour in support of Braindrops, their newest album released last year on Joyful Noise Recordings. The band will bring “their good old-fashioned down-under rock kick to the gut” (Chicago Reader) of a live show across the states, including some cities they have yet to visit. Tickets are on sale now.
Tropical Fuck Storm – comprised of Gareth Liddiard and Fiona Kitschin (The Drones), Erica Dunn, and Lauren Hammel – was formed around 2017 in the city of Melbourne, Victoria along Australia’s south-eastern coast. Following their debut album, 2018’s A Laughing Death in Meatspace, Braindrops overflows with compelling sounds and visions that reflect the often dark and fractured reality of life on planet Earth as we hurtle toward environmental and social decay at a frighteningly rapid clip. Listening to the album is a jarring and exhilarating experience, full of pulsating grooves, black humour, dissonant experimentation, and unsettling dystopian plot-lines.
Braindrops is an unrelenting work, from an unrelenting musical ensemble. “Tropical Fuck Storm is a full on thing,” Liddiard offers. “Everything we do, we do it to the death.” Purchase Braindrops – https://bit.ly/2ZPsO2Y
Tropical Fuck Storm Tour Dates: Tue. March 31 – Los Angeles, CA @ Bootleg Theater Thu. April 2 – Iowa City, IA @ Mission Creek Festival Fri. April 3 – Detroit, MI @ Deluxx Fluxx Sat. April 4 – Toronto, ON @ The Legendary Horseshoe Tavern Sun. April 5 – Montreal, QC @ Bar Le Ritz P.D.B. Mon. April 6 – Cambridge, MA @ The Sinclair Wed. April 8 – Philadelphia, PA @ Johnny Brenda’s Thu. April 9 – Brooklyn, NY @ Music Hall of Williamsburg Sat. April 11 – Baltimore, MD @ Metro Gallery Mon. April 13 – Atlanta, GA @ The Earl Tue. April 14 – Nashville, TN @ The End Wed. April 15 – Bloomington, IN @ The Bishop Thu. April 16 – Chicago, IL @ Lincoln Hall
Keep your mind open.
[Drop your e-mail address in the subscription box for music news and reviews sent straight to your e-mail.]
“This quartet has been burning up stages all around their hometown, fueled by their abrasive blend of doom metal, psych rock, goth and a tangy soupçon of pop music… They landed a spot on the 2018 Best New Band poll in alt-weekly Willamette Week, but could quickly take over the world.” — Paste Magazine “They mesh elements of doom, Krautrock and atmospheric indie into one bewitching rock whole.” –Classic Rock Magazine “A greasy, sun-baked rock jam calling back to the genre’s classic days while showcasing a heavy doom edge that gives it a modern spin.” 6 Best New Songs Right Now — Revolver Magazine
Portland, OR quintet Blackwater Holylight announce March 2020 headlining tour dates today, while also releasing a new video. The clip is a dramatic art short film set to the song “Jizz Witch” from the band’s 2018 self-titled debut album. Watch/share the video via YouTube HERE. Please see current tour dates below. Blackwater Holylight released their acclaimed sophomore albumVeils of Winter (RidingEasy Records) in October 2019. Hear/share Veils of Winter: YouTube, Bandcamp, Spotify.
The Coachella Valley Music and Arts Festivalhas announced its lineup for the two April weekends (10-12th, 17-19th) this year. As expected, it’s a weird mix that already has some people praising it and others deriding it.
If you ask me, the Friday dates are the best bang for your buck. Rage Against the Machine, Calvin Harris, King Gizzard and the Lizard Wizard, IDLES, Peggy Gou, Amyl and the Sniffers, Sleaford Mods, and Friendly Fires on one bill are worth the price of admission.
As for the Saturday dates, Thom Yorke and Caribou would be great to see, sure, but the announcement that was blowing up Twitter was that Danny Elfman would be playing there. No one yet knows if he’s bringing an orchestra to perform tunes from his many film scores, Oingo Boingo tunes, or a combination of both. Either way, it’s tempting to fly to California just to see his set. Fatboy Slim will put on a fun set on Sunday nights, I’m sure, but the rest of that lineup doesn’t thrill me.
Get your tickets while you can. The first weekend is already sold out.
Here we go. Who were my top five live acts of 2019?
#5 – The Well – Levitation Austin – November 09th
The Well are at the top of their game right now, and this heavy-hitting set of blues-laced doom metal was one of the highlights of Levitation Austin for me. I knew within three songs that it was going to be one of the best sets I saw all weekend if not all year, and I was right.
#4 – A Place to Bury Strangers – Levitation Austin – November 10th
I was talking with a woman after the Levitation Austin set by A Place to Bury Strangers. We’d just been flattened by it. Walls of sound, blazing strobe lights, haunted house fog, and guest spots by members of Ringo Deathstarr, Numb.er, the KVB, Cryogeyeser, and Hoover iii were added treats to the raw force that APTBS unleashed. The woman said, “You wonder, ‘Were they really as good as I remember the last time I saw them?’ and as soon as they start you’re like, ‘Oh yeah. They are.'”
#3 – Thee Oh Sees – Thalia Hall – Chicago, IL – October 11th
As I like to say, everything you’ve heard about a show by Thee Oh Sees is a hundred percent true. Crazy double drumming, wild guitar work, wall-shaking bass, psychedelic synths, and a crazy crowd mixed to produce a stunning night of music, highlighted by all twenty-one-plus minutes of “Henchlock” from their great new album, Face Stabber.
#2 – Jeff Lynne’s ELO – United Center – Chicago, IL – July 27th
In terms of sheer spectacle and sound quality, this show by Jeff Lynne’s ELO was going to be tough to beat. The light show was, go figure, amazing and was only outmatched by the sound quality. Mr. Lynne still sounds great and his backing band was top-notch. He played all of his hits and even a Traveling Wilburys song with Dhani Harrison singing and playing his father’s parts. This show by a legend could only be outmatched by another legend.
#1 – Paul McCartney – Memorial Coliseum – Ft. Wayne, IN – June 03rd
Seriously, how was anyone going to beat this show? It was practically in my back yard and was a fun show by a legend who has inspired more musicians than we’ll ever know. He played a great mix of Beatles, Wings, and solo tracks, told a lot of fun stories, and delivered a fun show that left you wanting another full set. The expensive tickets were worth every dollar.
There you have it. Another great year for live music. Get out there and see some.
