Live: Viagra Boys and Die Spitz – The Salt Shed – Chicago, IL – September 18, 2025

I’ll admit that I almost didn’t make it to see Viagra Boys and Die Spitz in Chicago. I’d bought the tickets when they went on sale several months ago, figuring the show would sell out after their tremendous show at The Salt Shed the last time they were there. Sure enough, it did sell out, but I was tired and had already dealt with a long week (and it was only Wednesday) by the time September 17th arrived. I debated selling my tickets, but no one offered a decent price for them.

Luckily, I convinced my girlfriend’s daughter to go with me, figuring she’d get a kick out of their show and seeing the all-female Die Spitz rip up a stage. It was the right call, because we had a fun time and she came back with a Die Spitz shirt and a couple new favorite bands.

Die Spitz

Austin, Texas’ Die Spitz put on a good, loud, sludgy set of garage punk. It reminded me a lot of Bleach-era Nirvana. They were raw, rough, and having a great time. You couldn’t ignore them, nor should you.

Viagra Boys

Viagra Boys played a lot of tracks from their new self-titled album, opening the show with “Man Made of Meat” – which most of the crowd was singing / yelling with them. “Slow Learner” was a pleasant surprise, and “Punk Rock Loser” had everyone cheering.

I didn’t eat the pizza, but more on that later.

“Ain’t No Thief” was a big hit, with the crowd tossing so many lighters to lead singer Sebastian Murphy that he forgot the lyrics to the second verse. “Pyramid of Health” has some fun audience participation, as did “You N33d Me.”

“Store Policy” was another fun surprise, and “Medicine for Horses” was a mellow turn before they launched into “Sports” and an extended version of “Research Chemicals” that had a wild, almost psychedelic outro.

Shrimptech Industries stock jumps 500%!

After a short break, the encore included “The Bog Body” from the new album, “ADD” (another nice one to hear), and “Worms” — a fitting end as it’s a song about embracing mortality and impermanence.

The crowd was fired up with anger toward the current political climate and the desire to have fun and forget about it for a while (i.e., at least two people in full shrimp costumes — one of whom, according to people we overheard as we left, was having a green-out).

As we left, we drove by this place that is not even a ten-minute drive from the Salt Shed.

It would’ve been appropriate to eat here after the show, and support Shrimptech Industries, but, alas, they were closed. We went for late night tacos instead and, as I left with our to-go order, I was passed by a woman and her…

…WEINER DOG!

If that’s not a perfect ending to a Viagra Boys show, I don’t know what is.

Keep your mind open.

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Live: Viagra Boys – The Salt Shed – Chicago, IL – Feb. 24, 2023

My friend and I arrived at Chicago’s Salt Shed (the former Morton’s Salt factory) too late to catch The Steens, mainly due to chilly weather and heavy traffic, but we made it in plenty of time to see Viagra Boys. The venue is pretty damn big, and they packed the place in a near sold-out show that lead singer Sebastian Murphy said might’ve been their biggest show in the United States.

They certainly brought the energy to back that claim, opening with a pounding version of “I Ain’t No Thief” that had beer cans and water cups flying everywhere over the large main crowd floor. Following that with “Ain’t Nice” was like pouring gasoline on a fire.

The crowd was jumping, yelling, singing and even sometimes dumbfounded as Viagra Boys ripped through old and new tracks and sometimes wandered into weird psychedelia, including a Captain Beefheart-like saxophone solo by Oscar Carls.

Other highlights included the crowd favorites “Sports” and “Troglodyte” (which had everyone chanting), the graphic deep cut “Liquids” (which Murphy admitted, on stage, is “a song about getting peed on.”), a trippy version of “Creepy Crawlers,” and a long, wild version of “Shrimp Shack” to close out the main set. It was also cool to hear “Worms” during the encore, as it’s a sharp song about impermanence but almost a relaxing tonic before “Research Chemicals” hits you in the face.

They set a high bar for bands the rest of the year. Enjoy the chaos with them if you get a chance.

Keep your mind open.

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