Tag: Thee Oh Sees Live at Levitation 2012

Top 25 albums of 2023: #’s 10 – 6

Here we are at the top 10 albums I heard last year. Let’s get to it!

10: Nevaris – Reverberations

Cool beats, dub bass, scratching, hand percussion from instruments collected around the world, and killer grooves all combine on this instrumental world music record. You’ll play this a lot, and it might be your new favorite workout record.

#9: Shame – Food for Worms

I’ll admit that I didn’t get this record at first. I enjoyed Shame‘s first two albums, but this one just seemed…off. I almost didn’t review it, but I thought, “Maybe I just need to hear it again.” I’m glad I did, because it finally clicked for me on the third listen and it turned out to be a great record by a band that is constantly exploring themes of identity, consumerism, celebrity culture, and death.

#8: Melody Fields – 1901

If you were looking for some good psychedelic music this year, Melody Fields delivered it with 1901. At times trippy, at other times lush, other times rocking, and other times meditative. They were a pleasant discovery for me this year, and I look forward to hearing more from them.

#7: Protomartyr – Formal Growth in the Desert

Protomartyr have yet to put out a bad record, and they’re probably the closest you can get to experiencing a vintage Gang of Four live sound without building a time machine. This album is about transitions, from life to death, from an old home to a new one, from grief to healing. Again, they hit a home run.

#6: Thee Oh Sees – Live at Levitation (2012)

A great, previously unreleased live set from Thee Oh Sees thanks to the good folks at the Reverberation Appreciation Society, this show captures one of the early incarnations of the band (with just one drummer) shredding the stage as they always do. The live version of “Block of Ice” is alone worth the purchase price.

Next up are my top five albums of 2023! Don’t miss it.

Keep your mind open.

[Don’t forget to subscribe!]

Review: Thee Oh Sees – Live at Levitation (2012)

Thanks be to the Reverberation Appreciation Society for capturing Thee Oh Sees‘ first performance at the Levitation Music Festival back in 2012. As a result, we have Live At Levitation (2012). Thee Oh Sees / Oh Sees / OCS / OSees have since played Levitation many times, but this wild set featuring the band’s incarnation of Petey Dammit (bass), Brigid Dawson (keyboards, hand percussion, backing vocals), John Dwyer (lead guitar and vocals), Lars Finberg (drums), and Mike Shoun (drums) is a rare treat. They’d played in Austin, Texas (home of the Levitation festival) before, but not at the festival itself, so they were pumped.

It starts with one of their biggest fan-favorites, “The Dream,” and Dwyer’s guitar already sounds like it’s begging for mercy within the first few chords. Dammit’s bass on “Devil Again” (which is actually a guitar tuned to sound just like a bass) is relentless, and Dwyer sounds like he’s taking a belt sander to his guitar at one point.

The live version of “Tidal Wave” here is even faster than it normally sounds live, showing how amped the entire band was just three songs into their set. They take a moment or two to tune, and for everyone to take a couple deep breaths, before they stomp the gas pedal and launch into “Enemy Destruct,” sending the crowd into a wilder frenzy than just moments earlier.

You could almost call “Robber Barons” “Rubber Barons” because it has this slow bounce to it thanks to Dammit’s bass and Finberg and Shoun’s double-drumming that hits the heavy spots at just the right moments. The centerpiece is “Block of Ice,” which clocks in at over thirteen minutes in length and never relinquishes its groove. Dammit’s endurance on it is stunning, and every time you think the song has reached some kind of crescendo, Dwyer and his crew take it even further.

Dwyer assures the audience that he’s “mostly in tune” before they start the lively “Meat Step Lively,” which has this garage rock jangle to it that I love. The set ends with “Minotaur” and Dwyer singing about being stuck in the maze of a job that he hates but forces himself to wander through each day.

Then they’re off to “the Red Roof Inn” as they hand off the stage to Meat Puppets and The Brian Jonestown Massacre that year.

It’s a great addition to the “Live at Levitation” series and the Osees’ catalogue. Don’t miss it.

Keep your mind open.

[Levitate over to the subscription box while you’re here.]