Review: Holy Wave – Studio 22 Singles and B-Sides

Recorded in 2022 while they had some extra days in Los Angeles after the end of a U.S. west coast tour, Holy Wave got together with OseesTomas Dolas and knocked out a few singles…and then a couple more when they realized they had the makings of a groovy EP on their hands. That became the Studio 22 Singles and B-Sides album.

The opening drum fill by Julian Ruiz on “chaparral” immediately drops you into lovely headspace, and Kyle Hager‘s slightly distant vocals and sunlight-breaking-through-the-clouds synths guide you along a river made of melted ice cream. “time crisis too” is even brighter and lusher, with Hager’s synths sounding like a backing choir and Joey Cook‘s acoustic guitar work feeling like a happy cat prancing around your house as the sun rises.

The acoustic guitars return for “cowprint” — a song about being fascinated by a potential lover and watching them from afar. The song transforms by the second half into a synth and electric piano-driven bit of mellow psych-rock. Speaking of mellow, the delightful “father’s prayer” will be your new favorite 1970s toe-tapper…and it was made in 2022!

“bog song” floats along like cat tail fluff over a bog on a bright day. Cook’s guitar solo on it is never forceful, but centers the whole track, and Ryan Fuson‘s piano takes you by the hand and along all the safe places to walk in the bog. Fuson is subtly and cleverly all over the background of the record, actually, adding details (with multiple instruments) that would cause the songs to sound odd if they were absent.

I love that the albums ends (after the brief, slightly goofy “away here”) with an almost meditative instrumental — “string performer.” It’s just guitars, synths, piano, quiet bass, and little, if any, percussion. It’s lovely.

The whole record is. They captured a neat moment when recording this, and thanks to them for sharing it with us.

Keep your mind open.

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[Thanks to Andi at Terrorbird Media.]