Review: Stuck – Optimizer

Chicago’s Stuck approached their new album, Optimizer, with the sense that they and the world at large are in the passenger seat of an out of control car. Things are spinning out of control, racing toward disaster, and we’re all trying to optimize our social media profiles, bodies, hobbies, food, and minds.

“It’s hard to know what you want, and to know it is worse,” says lead singer / guitarist Greg Obis at the beginning of Optimizer‘s opening track, “Totally Vexed.” He’s unsure what to do about not only his life, but things in general, just like the rest of us (“Take a look around. Everybody’s down.” / “You don’t know what you want.”). The song bristles with post-punk nervousness and Tim Green‘s pulse-slightly pounding-in-your-temples beats. “Instakill” is a song about fitness influencers and the weird world of fitness culture. It sound like some of Devo‘s earlier, punkier tracks with its strange, popping synths, David Algrim‘s robot bass lines, the slightly tortured guitar riffs, and the lyrics poking fun at people striving to be like everyone else.

“Sicko” is about subjecting ourselves to the relentless grind of not only work, but also maintaining social media profiles and projecting fictionalized best versions of ourselves. Algrim’s bass hits hard on “Deadlift,” another track about body image and our troubling relationships with it. “Less Is More” roars with punk fury. “Fire, Man” smirks at the emptiness of a lot of rock music nowadays.

“Net Negative” brings early Wavves tracks to mind with its catchy guitar hooks and snarled vocals like “I think that it’s funny connection’s tearing us apart.” “It Isn’t” is a stark look at how we’re being deceived every day, either by people, algorithms, or media (social and otherwise). “Punchline” has Stuck (and the rest of us) looking for some kind of, any kind of meaning to all of this chaos around us. It’s the track that reminds me most of Gang of Four (“You know something I don’t. A universal truth. I’m not in on the joke.”) through its solid bass and straight-to-the-gut lyrics.

The album closes with “GG.” No, it’s not a reference to G.G. Allin. “On a pitch black road, don’t know where it goes,” Obis sings on it. We’re back to the out-of-control car metaphor and how Obis feels like he’s holding on for dear life as he grieves over how a loved one has changed and seems intent on plunging them both to their doom.

Or maybe Stuck feel like most of the country has changed and is content to drive us all off a cliff rather than admit they’re afraid, or wrong, or rather afraid of being wrong. We’re all tempted and told to optimize our lives, produce more, consume more, and ignore the billionaire boots grinding us all.

Optimizer fades out with the same distortion that fades in the record. It’s a loop, spinning and spinning until we decide to take action and give it a rest — just like the traps we’re falling into every day. Stuck have held up the mirror. We have to accept what we see in it. Acceptance can lead to action, and that is optimizing.

Keep your mind open.

[I’ll feel optimized if you subscribe.]

[Thanks to Jacob at Pitch Perfect PR.]

Stuck hit the gym, and your face, with “Deadlift.”

Photo Credit: Miles Kalchik

Stuck—the Chicago based trio of Greg Obis (vocals, guitar), David Algrim (bass), and Tim Green (drums)—release “Deadlift,” the second single/video from their forthcoming album, Optimizer, out March 27th via Exploding in Sound. Arriving on the heels of the “tightly-wound” (Brooklyn Vegan) lead single, “Instakill,” “Deadlift” is slower and sadder, delivering an unsparing look at the loneliness of workout culture; on the song’s chorus, Obis sings: “I know, I know, // you’ve heard it before // I never feel so alone // when the weight hits the floor.”

“I have become somewhat of a gym rat over the last several years,” Obis reflects. “Lifting weights has been indispensable for my physical and mental health. And yet, when I’m in a dark place, the gym can sometimes underscore feelings of loneliness and futility. ‘Deadlift’ uses the gym as a way to look at how atomized we have become; fixating on ourselves in public, locked into our fitness routines with our headphones, barely acknowledging the other people in the room, optimizing our wellness while racing to a red light.”

The song’s video was directed, produced, and edited by Austin Vesely and stars performer, actor and comedian Alex Grelle. “Austin Vessely’s video takes on these ideas from the opposite direction,” says Obis. “Working with him and Alex Grelle on this was a real treat. Alex is an incredible performer and improviser, and I still laugh when I watch him go all out in the video. We gave Austin very little to work with here in terms of a concept, and we’re super stoked with what he came up with.”

Watch the Video for “Deadlift”

Optimizer, the third album from Stuck reports live from the front lines of a society on the decline, where every attempt toward self-improvement only locks you into a more efficient downward spiral. The album is their most ambitious and eclectic collection of songs yet, without losing the nervy, quirked-up approach to post-punk that they’d established on their first two full-lengths.

To record Optimizer, Stuck reached out to engineer and producer Andrew Oswald (Marble Eyed, Powerplant, and Smirk). Oswald suggested that they track at Electrical Audio, the legendary Chicago recording studio once run by the late Steve Albini. With Albini’s passing still fresh, the opportunity to record at Electrical took on a personal significance for Obis; recording at Electrical would simultaneously help a local institution fill out their calendar in a moment of tragic instability and affirm Stuck’s place in a lineage of fiercely independent Chicago rock bands. Stuck are proud, in the humble way that any good Midwestern folks are proud, of embodying that archetype. Not only did Obis take over Chicago Mastering Service from Shellac’s Bob Weston when the latter decamped abroad, but Stuck’s choice of album title subconsciously mirrored Big Black’s classic Atomizer.

Optimizer continues their incorporation of synthesizers and also brings along more backing vocals, bigger choruses, and even blast beats. Oswald made his name recording extreme metal bands like Mortiferum and Caustic Wound. Though it is by no means a metal record, Oswald brought that genre’s level of tactile closed mic detail to Optimizer, resulting in the most high-definition and physically propulsive Stuck record yet. Previous Stuck albums needled you, using fast twitch guitars to keep you on edge. Optimizer goes straight for the emotional haymaker.

Pre-order Optimizer

Watch the Video for “Instakill”

Stuck Live
Fri. Apr. 3 – Detroit, MI @ Outer Limits
Sat. Apr. 4 – Toronto, ON @ The Garrison
Sun. Apr. 5 – Montreal, QC @ L’Esco
Tue. Apr. 7 – Kingston, NY @ Tubby’s
Wed. Apr. 8 – Brooklyn, NY @ Baby’s All Right
Thu. Apr. 9 – Boston, MA @ Deep Cuts
Sat. Apr. 11 – Philadelphia, PA @ Warehouse on Watts – Cambridge Hall
Sun. Apr. 12 – Washington, DC @ Comet Ping Pong
Fri. April 24 – Chicago, IL @ Sleeping Village [Record Release Show]

Keep your mind open.

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[Thanks to Jacob at Pitch Perfect PR.]