Top 35 albums of 2020: #’s 35 – 31

Why thirty-five albums in this list? I reviewed almost eighty albums released last year (and many others released at least a year ago). I always recap the top half of the list, so thirty-five was about right. Everyone agrees that 2020 was a crappy year, but we had a lot of good music. A lot of bands and artists had nothing else to do but create amazing music to keep them and us sane.

#35: Rituals of Mine – Hype Nostalgia

This is a sharp album about being an outsider, love and lust, and knowing when to draw a line in the sand. It mixes electronica and synthwave well and constantly intrigues you.

#34: Sofia Kourtesis – Sarita Colonia

This EP is one of the best electro / dance records I heard all year. It wasn’t on my radar until I stumbled onto it via Bandcamp. It was a breath of fresh air as lovely as it sky on its cover this year.

#33: Melkbelly – PITH

These Chicago punks / post-punks / rockers / do they really need a label? came out swinging with their new album. It’s one of those records that make you think, “Damn, they’re not screwing around.”

#32: Oh Sees – Protean Threat

Am I the only one who thinks that if you cut up the album cover for Protean Threat into four squares and rearranged them in the right pattern that it would reveal a secret image? The album is one of many releases from Oh Sees / Osees this year, who might’ve been the most prolific band of 2020. It’s a wild, fun time, of course, full of blazing rockers and krautrock jams.

#31: New Bomb Turks – Nightmare Scenario (Diamond Edition)

This is easily my favorite re-release of the year. Ohio punk legends New Bomb Turks released a raw version of their classic mid-1990s album Nightmare Scenario for the album’s twenty-fifth anniversary. It shreds and was a much needed adrenaline boost in a year when we didn’t have much to be excited about in terms of entertainment and did have a lot of anger to expel.

Who cracks the top 30? Come back tomorrow to find out!

Keep your mind open.

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Review: Sofia Kourtesis – Sarita Colonia

Hailing from Peru but based in Berlin, producer / DJ Sofia Kourtesis released a four-track EP, Sarita Colonia, earlier this year that slipped under my radar until I read about it in an article about the best electronic music we might’ve missed so far in 2020. I’m glad I found that article (which I can now no longer locate), because Sarita Colonia is a gem I would’ve otherwise overlooked.

The opening title track gets off to a great bouncy house start. The synths grow in volume and brightness as a steady dance beat keeps us grounded. “Moninga,” with its reversed samples and loops, is even happier than its predecessor. It even includes a sample from the cult film The Warriors (“Everybody says Cyrus is the one and only.”), which delighted me.

“Hollywood” is a groovy house track with thumping bass, Marilyn Monroe samples, synthesized hand percussion, and beats that shake more than a rabbit’s nose. It turns into a floor-filler around the two-minute mark when the synths back off and the bass takes the forefront. The closer, “Akariku,” has snappy synth-beats that almost sound like they’re cut off before they become full chops as heartbeat-bass thuds alongside them. The synths bubble until they’re at a rolling boil and you’re incapable of standing still by this point in the song (not even a full two minutes). The song is about love and lust, sampling The Temptations‘ “I Heard it Through the Grapevine” and Jakatta‘s “Ride the Storm.”

This is a slick EP. A full-length from Ms. Kourtesis would be a great addition to 2020’s electronic music catalog, but this well-crafted record is a great appetizer for more things to come.

Keep your mind open.

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