Tag: Matthew Halsall

Top 25 albums of 2021 – 2025: #’s 5 – 1

Here we are. The top five albums I reviewed in the last five years. I revised this list of all twenty-five records several times. It wasn’t easy to get here, but here we go.

#5: The Black Angels – Wilderness of Mirrors (2022)

This was a great return for my favorite band. The Black Angels came back in 2022 with anger about the past and hope for the future. It was a psychedelic, heavy reflection on the current times, what came before, and what was looming.

#4: Shame – Drunk Tank Pink (2021)

The album’s name refers to a color that’s often painted in jail cells to calm rowdy people. This post-punk album blends rowdy rage with punk riffs and cutting lyrics about how bonkers the world was back then…and still is.

#3: Pigs Pigs Pigs Pigs Pigs Pigs Pigs – Land of Sleeper (2023)

Good heavens, this thing is massive. Pigsx7 unleashed an album that was designed to shake us out of our doldrums and also explore the weird world of dreams and how they merge with reality. It rocketed into my “best of” list for 2023 upon my first listen, and their tour for this was solid.

#2: A Place to Bury Strangers – Synthesizer (2024)

Speaking of albums that landed in my “best of” lists for a particular year and then never moved out of it, how could I not include an album by APTBS that, no joke, you can turn into an actual synthesizer. The album cover is a circuit board. You can create music with this thing. Plus, the whole album shreds. It’s a stunning work that I think only they could imagine and then execute so well.

#1: Matthew Halsall – An Ever Changing View (2023)

I almost didn’t hear this album or discover Halsall’s work. It got buried in a big stack of unread e-mails and press releases and I didn’t open the file until late fall of 2023, not long before I was about to make my “Best of 2023” list. Lo and behold, it was the most beautiful album I’d heard all year. “Ambient jazz” doesn’t describe it well enough. It’s an album that instantly changes the atmosphere around you for the better.

There you have it. Up next, my top twenty-five concerts of the last five years…which was more difficult to determine than this list.

Keep your mind open.

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Review: Matthew Halsall – An Ever Changing View

To simply put it, trumpeter / composer / bandleader Matthew Halsall has created one of the most beautiful albums of the year with An Ever Changing View.

Combining jazz with spiritual music, world music, ambient electronica, and maybe a touch of synthwave, An Ever Changing View drifts like a bird gliding over the waters of the album’s cover, or caresses you like wind through the grass on the album cover’s foreground. Halsall has described his writing process for the album as “hitting the reset button,” and “a real exploration of sound.” Both are accurate, because the album instantly resets you wherever you are and during whatever you’re doing. It’s also like finding an oasis or a garden or a library or a back room chill lounge when you need any of those things the most.

After a brief intro (“Tracing Nature”), the record gives you a nice hug and invites you to have a cup of tea and just forget about everything for the next eight minutes with “Water Street.” Harp, flute, trumpet, and hand percussion all meld in perfection. The title track clicks and snaps with late night jazz beats and Halsall’s trumpet echoing from some rooftop club where they have cool drinks and warm people.

Jasper Green‘s Rhodes organ on “Calder Shapes” is as smooth as melting wax and Matt Cliffe‘s alto sax is practically the voice of a jazz crooner. “Mountains, Trees and Seas” is instant stress relief, and, I dare say, perhaps the sexiest song on the whole album. I’m not saying the song will guarantee you’ll get laid, but it will certainly enhance the mood. Liviu Gheorghe‘s work on the Rhodes organ is superb throughout the whole track.

If you somehow need further resetting, “Field of Vision” is just over a minute of bird song and harp-like field recordings. “Jewels” might be the closest to a “dark jazz” (Is that even a thing? If not, Halsall might’ve invented it right here.). “Natural Movement” is a splendid, toe-tapping mix of Halsell’s trumpet, Sam Bell‘s congas, and harp work by Alice Roberts. Lastly, Chip Wickham‘s flute on “Triangles in the Sky” picks you up from the ground and Alan Taylor‘s simple, snappy, yet subtle beats carry you along as you stroll down the street about two inches off the pavement.

You need this record. Heck, everyone in this day and age needs this record. It soothes the soul. It’s probably going to be the most gifted music I buy for people this Christmas season.

Keep your mind open.

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[Thanks to Mark at Clandestine Label Services.]