Duvet bring fun back to post-punk with their new single “Girlcow.”

Photo credit: Charlie Harris

Today we’re excited to introduce you to new Manchester-based band Duvet who are set to release a split 7″ ‘Girlcow / Sweaty Dog’ on October 6th via Fear of Missing Out Records. Today the band are sharing the first single “Girlcow“. Duvet’s jagged post-punk tales conjure sleazy cowboys, bone-dry badlands, and grotty indie discos in northern England.

Speaking about new single, the band said ‘“‘Girlcow’ is a song that includes a bit of fictional story telling about a confident cowboy pursuing a play girl bunny type character. The lyrics are a bit scattered, stream of conscious and all over the place, with the verse and chorus switching from the two perspectives. Given that, it only felt natural to write something that’s quite erratic to go with the words. It’s a very up and down song and that was kind of our intent, to put together something that’s slightly nauseating but still catchy.”

Listen to “Girlcow” on YouTube here: https://youtu.be/ldAhKIXTVlY?si=69HoDn4N2HJTzEnO
Listen via other streaming services here:https://lnk.to/duvet

Self-released earlier this year, previously single “Rodeo” takes these markers and gallops full steam ahead, kicking up a dust storm of dissonance and teflon-tough drumming fortified by howls from lead singer Grace Walkden. The song lays into armchair activists who “jump on the rodeo” and “complain about topics they never actually act on”, according to the band. 

First forming in 2022, Duvet dipped their toes in dream-pop and riot grrrl before landing on the driving basslines of post-punk. The band’s debut offering “Clown Clown Clown” cuts a hard-hitting figure of scabrous riot grrrl energy in thrall to the 1990s. Duvet assembled their current lineup of vocalist Grace Walkden, guitarists Tasmin Stephens and Seth Lloyd, bassist Jimmi Brown and drummer Victoria Melling and settled on a post-punk sound indebted to the genre’s new wave of artists like Shame, Warmduchser, and Viagra Boys. 

Released as a split 7” with “Sweaty Dog,” new single “Girlcow” is flecked with specks of noisy grunge and was written from the perspective of “a pervy cowboy”. The haunting track showcases the band’s knack for crafting stories, as they flip the script and hand over the narrative reins to a female protagonist. “We all mutually find cowboys quite funny,” offers Tasmin Stephens. “I think we all live through cowboys – somehow.” 

On the flipside, “Sweaty Dog” channels the band’s cider-drenched commitment to having a good time. The propulsive track is “basically just about being really sweaty and dancing”, according to Walkden. Meanwhile, guitarist Seth Lloyd has designs on transforming “Sweaty Dog” into a dance. “There are sweaty dogs inside all of us,” he jokes. 

It’s this uninhibited sense of humour that shines through the band’s songwriting and at their riotous live shows with which they have been building their reputation over the past few years. “The reason we tend to write songs more of the fun side of life is because myself and Grace had many conversations at the start about how people only expect us to only talk/sing about harsh topics that affect a lot of women,” explains Stephens. “We tried it, but it didn’t work for us. Maybe in the future it will, but we came to the conclusion that we are here to have fun with the band and escape that side of life.” 

“You come to the practice room with a smile on your face because this is meant to be fun, and that’s why we hopefully write songs that we think are fun,” says Lloyd. “We are here to distract from the shit things in life.” 

Keep your mind open.

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[Thanks to Frankie at Stereo Sanctity.]

Review: Mandy, Indiana – “… EP”

Hailing from Manchester and not Indiana, Mandy, Indiana, formerly known as Gary Indiana, make post-punk that bends and warps the genre on their …EP. As guitarist Scott Fair put it, “We’ve scrapped anything that sounded too normal.”

Opening track “Bottle Episode” starts off with Liam Stewart‘s snare drum rolls that sound like a swarm of angry bees attacking a hulking robot and then it switches to thumping synth bass and horror movie sounds, all with Valentine Caulfield singing in her native French. The percussion on “Nike of Samothrace” sounds like a drunk guy stumbling down a flight of stairs – and I mean that in the best possible sense – while Fair’s guitar and synths remind one of revving, and possibly failing, jet engines. I don’t know if “Alien 3” is inspired by the movie of the same name, but I do know that it’s over six minutes of industrial techno that slays as hard as a Xenomorph.

The EP comes with a remix of “Alien 3” by Daniel Avery that somehow makes the track heavier and, dare I say it, sexier, and the “Club Eat” remix of “Nike of Samothrace” – which ups the speed and would be perfect for a fight scene in whatever Matrix film comes next.

Let’s hope Mandy, Indiana puts out a full LP soon, because this EP will leave you craving more of their work.

Keep your mind open.

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[Thanks to Ahmad at Pitch Perfect PR.]