Review: Lammping – Never Never

Mikhail Galkin and Jay Anderson, sometimes known as Lammping, are a Toronto duo known for producing beats, combining genres, and making interesting, and sometimes weird, decisions that create intriguing music you feel like you’ve heard before…but you’re not sure.

Nowadays, the duo have released the first of four experimental EPs — Never Never, this one with rockabilly one-man-band Bloodshot Bill, whom John Waters once described as “Roy Orbison with a head injury.” Take someone like that and put them in a studio with trip-hop and psych-rock music producers and you get a fun record.

The opening title track alone, with its brush beats, looped saxophone, and upright bass is enough to stop you in your tracks as Bill sings / raps about an unexpected love connection. The somewhat melted guitar on the instrumental “Coconut” oozes into mind-melting beats. “One and Own” is a fun example of Waters’ “head injury” description of Bill as he sings about his girlfriend but sounds like he might be punch-drunk.

“0 and 1” is a fun instrumental trip-hop cut that would fit right onto a St. Germain or Air album. Bill’s vocals on “Won’t Back Down” sound like he’s trying to keep up a brave face while crying into his beer. The gooey, chewy beat loops and western guitar on the track are slick — especially the guitar solo. In a just and right world, the quirky instrumental “Anything Is Possible” would’ve been remixed by MFDOOM by now. The EP ends with “Nitey Nite.” You can just barely hear Bill’s backing vocal sounds in it, which give way to his whistling (which is sprinkled throughout the record) that sends us out with a grin.

The whole EP will keep you grinning. It’s a lot of fun and a great sign of things to come over the next three projects.

Keep your mind open.

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[Thanks to Jenn at No Rules PR.]

Lammping return with title track from upcoming album “Never Never” featuring Bloodshot Bill.

Photo Credit: Adrian Cvitkovic

Toronto psych-rock experimentalists LAMMPING return with “Never Never,” a full-tilt collaboration with Montreal rockabilly legend Bloodshot Bill, out May 6 via We Are Busy Bodies. The track supports their upcoming album Never Never, set for release on June 27, which marks the first installment of an ambitious four-album journey that will span genres, collaborations, and sonic time-travel over the next year.

After remixing Badge Époque Ensemble’s Clouds Of Joy album, Lammping’s Mikhail Galkin found himself re-immersed in the kind of sample-heavy hip-hop production he’d explored years earlier under the name DJ Alibi. Drawing on a style rooted in early ’90s East Coast rap but layered with live instrumentation and offbeat textures—somewhere between Pete Rock and The Avalanches—Galkin began blending those techniques into Lammping’s heavy psych-rock foundation.

The spark for Never Never came when the band reached out to Montreal rockabilly legend Bloodshot Bill, whose voice—gritty, elastic, and totally distinctive—felt like the perfect wildcard. The two had crossed paths over a decade earlier, and when Bill came to Toronto for a show, they booked a quick session. One track turned into three, and the album took shape around Jay Anderson’s breakbeat-style drumming, live jams, and flipped samples.

“‘Never Never’ was the first song that came out of this series of sessions, and it felt like a reset,” says Lammping producer Mikhail Galkin“I was getting back into sampling, digging through records, pulling loops, then flipping them into songs. There are certain voices that always stood out to me. I always liked Bloodshot Bill’s voice and how he manipulates it and felt it would be a really cool instrument, so to speak, to feature on our stuff. It’s pretty harsh at times, but then he can drop it super low when needed. It generally has this animated feel.”

Originally built around a saxophone loop unearthed by bandmate Jay, the song became a springboard for collaboration. “I think the loop was kinda mischievous and rhythmically interesting, and it was recorded quite hot so it had a little bit of distortion. BB gravitated to it and used it as a springboard to write the song. He also shares a love of ’80s rap—when we were driving in his car, he had LL Cool J, Run DMC and Ultramagnetic MCs playing and all that, so it made sense that this project happened.”

Layer by layer, guitars, drums, and other samples were stirred into the mix, resulting in a gritty, genre-bending track that feels both chaotic and strangely cohesive. “I feel like BB is almost rapping on it,” Galkin adds, “but it still doesn’t become a hip-hop track. How weird the result became is what I love about the songs—I never get tired of it.” 

Paired with a hallucinatory video directed and edited by Galkin himself, “Never Never” acts as a portal into the first chapter of Lammping’s upcoming 4 part series—a celebration of psychedelic music, hip-hop, the DIY punk aesthetic, and unfiltered creativity. It’s a record that doesn’t just reference influences, it inhabits them with total sincerity.

Keep your mind open.

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[Thanks to Jenn at No Rules PR!]