Tag: King Buffalo live album

Rewind Review: King Buffalo – Acheron (2021)

At first glance, you might think King Buffalo‘s Acheron is an EP. It only has four track on it, after all. Then you realize that the four tracks average about ten minutes each, making the album a full cosmic experience. Plus, the whole thing was recorded live in Howe Caverns in New York, giving the album a deeper feel of heaviness and heat.

The title track opens with blazing guitar work from Sean McVay that, as you can imagine, ignites the entire cavern system and probably awakened ancient mystics living in its deepest recesses. “Zephyr,” a song that seems to be about embracing a future that’s already here instead of dwelling on a past that was gone the moment it happened, soars about the cavern and your ears, like a bat gliding over a mountain stream.

“Shadows” is a gorgeous track elevated by Dan Reynolds synthesizer solo setting up McVay’s stalagmite-shaking guitar solo. It must’ve been deafening in that cavern when he played it. The closing track, “Cerberus,” is the crown jewel of the album, hitting hard in all the right spots and altering your mind-space in the others. Reynolds’ bass work is subtle yet stunning, and Scott Donaldson‘s drum work is so nimble that you can barely keep track of the number of fills he fits into one song.

It’s another fine piece in their excellent discography. King Buffalo doesn’t miss. Ever.

Keep your mind open.

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Review: King Buffalo – Live at Burning Man

Released, and still available, for free on their Bandcamp page, King Buffalo‘s Live at Burning Man is a great capture of them doing what they do best – melting minds and faces, and what better place to do it than the Burning Man Festival during their first trip there?

Starting with a scorching version of “Silverfish,” the trio immediately hook the crowd – many of whom might not have known who they were. It was the first time they’d played the festival, after all. The guitar solo on “Grifter” sounds like a test car racing across a salt flat. People are already shouting, “Love you guys!” by the third song (“Shadows”).

“Longing to Be the Mountain” is their ten-minute-plus psychedelic take on a classic Zen story. “Repeater” is probably on rotation in a Zen retreat on a mountaintop somewhere, as it seems to make you levitate. “Orion,” one of their best-known tracks, absolutely rips here. You can tell that King Buffalo and the Burning Man crowd were feeling it by this point, and everyone knew they were experiencing something special.

“Red Star 1 & 2” is a massive double dose of mind-altering sounds (nearly fifteen minutes in length). “Loam” is trippy and heavy at the same time. The set ends with the epic “Cerberus,” sending the Burning Man crowd back into the desert with visions of things on the horizon they hadn’t noticed before the show began.

King Buffalo are, despite their frequent touring, still a bit of a secret. This live album gives us all another reason to learn their secrets, the number of which seem to increase with each listen and performance.

Keep your mind open.

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[Thanks to King Buffalo!]

Rewind Review: King Buffalo – Live at Freak Valley (2020)

Recorded in 2019, Live at Freak Valley by King Buffalo is a well-mastered and engineered document of a powerful set at that year’s Freak Valley Festival. It’s a great introduction to King Buffalo’s live sound if you’ve never heard it before and will make you want to seek them out at the nearest venue as soon as possible.

“Sun Shivers” sets off the show by launching us away from Earth’s gravity and into the endless sea of stars leading to the sun and beyond. They waste no time and get right to the cosmic riffs. “Longing to Be the Mountain” is a reference to a Chinese story about a stonecutter working on a mountain who desires to become the grand mountain that seems to be above all people, things, and concerns. He’s granted his wish but soon feels a tapping at his base. He looks down to see another stonecutter there chipping away at him. The stonecutter was caught by his own ego and delusions The song is a powerful as the lesson.

“Every day is the same,” they sing on “Repeater,” a fourteen-minute mind-melting experience that covers both existential ennui and Zen presence. By the time you get to “Orion” (“Can you hear me through the smoke and the haze?”), it feels like you’re drifting past his belt of stars. It’s a stunning track that must’ve been quite an experience for the lucky Freak Valley attendees.

“Kerosene” twists and turns around itself like some kind of heavy metal Escher drawing. They mention that A Place to Bury Strangers is up after them (which you can see here) before they get to the closer, “Eye of the Storm.” It’s a great closer that bridges the gap between stoner rock and desert rock for over ten glorious minutes. They encourage us to embrace the void without fear, for the eye of the storm is often the safest place.

Keep your mind open.

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