Jess Cornelius – 7th Level Music

Jess Cornelius releases haunting Peach Fuzz version of “Body Memory.”

Today, Los Angeles-based musician Jess Cornelius presents “Body Memory” (Peach Fuzz Version), with an accompanying video. It’s an alternative version of the original that appeared on Distance, her album released last year on Loantaka Records (which will see its UK release on May 14, 2021), and follows her recent cover of the Eagles’ “I Can’t Tell You Why.” While the original track is driven by a catchy electro-rhythm, the Peach Fuzz version is gorgeously stripped down. Cornelius’ voice is poignant over reverberating electric guitar, as she sings of the lasting emotions that stem from a miscarriage. Peels of guitar and muted percussion gently filter in as the song continues.

“I’d started playing the song for myself in a totally different way – on echoey guitar instead of keys, with a dreamy, melancholic mood, and wanted to record it as a sort of ‘part two’. It’s like a new cover of my own song, I guess. When I started recording the demo I ended up capturing all these distant sounds that got all distorted in the process: a nail gun, a baby, police sirens, which I kept in for the final recording. I added harpsichord, synth and drums, and Jarvis Taveniere added bass during the mixing. The rolling toms and shaker in the outro added this new little groove and moved the mood again. To me this almost feels like a new song; ‘I was my own woman once’ is now less defiant and more reflective, maybe even yearning.”

Cornelius and her partner filmed the video in the Sequoia National Forest in Northern California. “I had the idea for the visual for a while – this hyper-artificial neon outfit against a lush forest backdrop. I made the dress the night before the shoot, using some high-visibility fabric I’d been given years ago. But when we got out to the forest, about half of the trees were dead – killed off by drought and bark beetles exacerbated by rising temperatures. The video inadvertently became a sort of environmental lament – about a different kind of loss and love.”
Watch Jess Cornelius’ Video for “Body Memory” (Peach Fuzz Version)

Watch/Listen/Share:
Purchase Distance
Watch the “No Difference” Video
Watch the “Kitchen Floor” Video
Watch the “Body Memory” Video
Listen to “I Can’t Tell You Why” (Eagles’ Cover)

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[Thanks to Jaycee at Pitch Perfect PR.]

Jess Cornelius covers the Eagles’ “I Can’t Tell You Why.”

Today, Los Angeles-based musician Jess Cornelius presents a cover of the Eagles’ “I Can’t Tell You Why.” Rather than remaining faithful to the original, Cornelius transforms the song with a grittier sound featuring a drum machine and live drums, and fuzzy guitars which unwind under her muscular croon. It was recorded by Aaron Stern in Los Angeles earlier this year.

Cornelius elaborates: “I can’t remember when this song first came under my radar — I imagine that, like for many people, it was sort of playing in the background on one of those classic hits stations. One day a friend put the song on (because we were talking about late 70s yacht rock, I guess) and it got a bit stuck in my head so I learnt the chords. It wasn’t ever going to be something that I covered faithfully, and I didn’t see the point anyway.

So I was messing around with the arrangement, making it less bouncy and darker. I have always loved the melody, and the tension of the chorus, but to me it was a sad song and I wanted to bring out the frustration of the lyrics. Also, years ago I heard Lou Reed cover Peter Gabriel’s ‘Solsbury Hill,’ which is one of my favorite covers of all time, and that became a bit of a template for this version. It’s almost an homage to that cover, really.

I wanted to learn the guitar solo, because I never do, so it was fun to practice all that cheesy string bending. Of course, my version is a little trashier. And I started with drum machine drums but added some live drums at the end. I kinda wanted it to sound like it was disintegrating — luckily Jarvis Taveniere was mixing so he made the drums sound cohesive and not as chaotic.”

This is Cornelius’ first new material since the release of her debut album, Distance, last year via Loantaka Records. Distance will see its UK release on May 14, 2021.
Listen to Jess Cornelius Cover the Eagles’ “I Can’t Tell You Why”

Watch/Listen/Share:
Purchase Distance
Watch the “No Difference” Video
Watch the “Kitchen Floor” Video
Watch the “Body Memory” Video

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[Thanks to Jaycee at Pitch Perfect PR.]

Review: Jess Cornelius – Distance

The first thing that strikes you about Jess Cornelius, of course, is her haunting voice. It’s right up there with the vocal chops of Erika Wennerstrom and the honesty of Patsy Cline.

Her new album, Distance, starts out with the powerful “Kitchen Floor” – a song about getting up and moving on after a one night stand (which, I suspect, is both a literal tale and a metaphor for moving forward when things are tough, even if that walk from the bedroom and out the front door feels like a marathon) and then finding a lover who isn’t so easy to leave. The groove on it is empowering. “No Difference” is a song summed up by the Zen proverb “Let go or be dragged.” Cornelius sings, “If it’s gone, it’s gone. You gotta keep on doing without it, and one day it’ll feel like none of this was real.” Tony Buchen‘s keyboard work on the track is excellent.

Cornelius gets real and raw on the electro-poppy “Body Memory” – a song about the loss of a child and how the loss left her unsure of everything. The country-tinged “Easy for No One” has Cornelius realizing that living in the past is a treacherous game (“I keep wasting my time on other things, like thinking of the past and all the other lives I could’ve lived instead.”). She gets real about lust and hot sex on “Here Goes Nothing” (and Buchen lays down a cool bass groove) with lyrics like “…nothing kills lust like real life.” and “…you know that we won’t want each other if we could actually be lovers.”

The subtle “Born Again” pulls the veil back on Cornelius’ feelings of isolation as a younger woman (“Have you ever wanted to be loved so bad, and not by a person who could love you back, and not by a person at all, but by the world?”). The addition of Mary Lattimore‘s harp is a beautiful touch. “Palm Tress” drifts from an alt-country sound to shimmering Southern California shoegaze thanks to Michael Rosen‘s keys and Cornelius’ guitar work.

“Banging My Head” would’ve been a massive hit were it released in the mid-90’s era of Liz Phair, as it’s full of self-anger (about returning back to old behaviors and bad relationships) and big, bold chords and softer verses, not unlike a Pixies track. “Street Haunting” has a neat, rolling groove that weaves throughout it without beating you over the head. The closer “Love and Low Self-Esteem” has Cornelius finding the strength to talk about being jilted, but also knowing that she still has some longing for her ex (“I just don’t care at all, that’s what I’m gonna say to you when it is true, when I no longer need a single thing from you.”).

The title of Distance covers a lot of ground. It’s easy in this time of COVID-19 to apply it to all of us distancing from each other, and even members of our own families. It can refer to the distance Cornelius feels in her heart toward ex-lovers, her current beau, and herself at different stages of her life. It can refer to the physical distance between her English homeland and California, to the passage of time, the healing of wounds, and probably a dozen other things. The album is a look into Cornelius’ heart, but at arm’s length. She’s not going to let just anybody in there, but she is willing to share her stories and encourage us to look into our own hearts. Bridging that gap in ourselves will eventually let us bridge the gaps we’ve built between others.

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[Thanks to Jaycee at Pitch Perfect PR.]

Jess Cornelius’ “Body Memory” is a lovely ode to heartbreak.

Los Angeles-based musician Jess Cornelius releases a new single/video, “Body Memory,” from her debut album, Distance, out July 24th on Loantaka Records. It follows the Roy Orbison tinged rave-up, “Kitchen Floor.” On “Body Memory,” the last song she wrote for the record, Cornelius intones over a calming electro-rhythm “When we met I used to make you laugh/then we lost the baby and it broke my heart,” adding later: “My body has a memory and it won’t forget.” Its accompanying video, the second she’s made since the start of the pandemic lockdown, was created by Cornelius and her partner and filmed on an iPhone at Lake Isabella, California. Cornelius elaborates on the video:

“Originally I had a much more elaborate, narrative-based concept, where I was this woman running away from a cult, (hence the tracksuit and Nikes), to be filmed in Oildale and Posey where my partner, Joe, is fixing up an old cabin. At the last minute, we decided to drive to Lake Isabella because of supposed good visuals there. I was grumbling all the way there about how the location wouldn’t fit with my shot list, but when we got there and I started dancing on rocks, we just threw away the shot list and made it up as we went along. The editing was fun because I’m teaching myself Premiere Pro (thanks YouTube tutorials) and I got to throw every hilarious video effect at it. We were also heavily influenced by Laraaji’s videos, obviously.”
Watch Jess Cornelius’ Video for “Body Memory”

Cornelius first began writing the songs that would comprise Distance after moving from Melbourne, Australia to Los Angeles. At the time, she was excited to start fresh after several years as the primary songwriter in the band Teeth and Tongue. But the distance she addresses over the album is hardly a geographical one. The journey over Distance is a celebration of newness. New beginnings and new perspectives on endings. From the chaos of a vagabond lifestyle to expecting a child just weeks before the albums’ release and researching how to tour as a mother in the coming years.

While the sonic tones and textures on the album evoke certain classic staples of Americana, soul and rock and roll, Cornelius’ lyrics anchor the songs to a deeply personal place. She sings of a miscarriage, a messy romantic affair, and the frustrations that come with having a partner. Distance finds a deft songwriter analyzing the space between society’s expectations for her and her own dreams, the illusion of love and the reality of disappointment, and a past she is ready to let go of and a future she could have hardly imagined.

Watch Jess Cornelius’ “Kitchen Floor” Video

Watch “No Difference” Video

Pre-order Distance

Keep your mind open.

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[Thanks to Jessica at Pitch Perfect PR.]

Jess Cornelius takes us for a walk across the “Kitchen Floor” and down Hollywood Boulevard.

Jess Cornelius announces her debut album, Distance, out July 24th on Loantaka Records, and presents a new single/video, “Kitchen Floor.” Cornelius first began writing the songs that would comprise Distance after moving from Melbourne, Australia to Los Angeles. At the time, she was excited to start fresh after several years as the primary songwriter in the band Teeth and Tongue. But the distance she addresses over the album is hardly a geographical one. Instead, Distance finds a deft songwriter analyzing the space between society’s expectations and her own dreams, the illusion of love and the reality of disappointment, and a past she is ready to let go of and a future she could have hardly imagined.

Distance documents a songwriter in the pursuit of living life on her own terms. As Cornelius puts it, “A lot of the record was about me deciding to continue this nomadic lifestyle of being a musician. People would ask me if I was going to have a family and a lot of the songs are about me being ok with not pursuing that path. It was about coming to terms with the choices I had made. . . And then two years later, I’m knocked up and married! I couldn’t have imagined that.”

With the help of producer Tony Buchen, Distance became a roving affair, recorded in a string of Los Angeles studios with delicate and emphatic contributions from the local music scene, including Stella Mozgawa (Warpaint), harpist Mary Lattimore, Emily Elhaj (Angel Olsen), Stephanie Drootin (Bright Eyes), Jesse Quebbeman-Turley (Hand Habits), whistler Molly Lewis, Justin Sullivan (Night Shop, Kevin Morby) and Laura Jean Anderson.

While the sonic tones and textures on the album evoke certain classic staples of Americana, soul and rock and roll, Cornelius’ lyrics anchor the songs to a deeply personal place. She sings of a miscarriage, a messy romantic affair, and the frustrations that come with having a partner. As she says, “I am a fan of classic songwriting but I would hope that the lyrics are not of any time historically but rather this time of my life as a woman.”

Cornelius gave a first taste of Distance with “No Difference,” released last year. On new single “Kitchen Floor,” Cornelius maps the space between the bedroom and the front door over a Roy Orbison tinged rave-up, lamenting the coming pain: “This is gonna be a hard one.” Its accompanying video, the first in a series in which she plays a familiar female character trope, was filmed by Cornelius and her partner on an iPhone at 5am in Los Angeles so they wouldn’t encounter any people. “I have a weird fascination with Hollywood Blvd — it’s such a grotesque place most of the time,” says Cornelius. “But I knew we’d have the chance to experience it deserted and empty, and it was like a different place. I’d been watching a lot of ‘last human on earth’ apocalypse-type films. Mostly, the concept behind the clip was to have this character just owning it. There are so many things pregnant women are not ‘supposed’ be doing, like having casual sex with strangers. There’s a loneliness, too, that I wanted to get across in the clip, but ultimately she’s in a state of friendliness with herself and the world.”

The journey over Distance is a celebration of this newness. New beginnings and new perspectives on endings. From the chaos of a vagabond lifestyle to expecting a child just weeks before the albums’ release and researching the most sustainable ways to tour in the coming years. This is the distance Cornelius covers over the course of the albums’ ten songs. The result is an album where listeners get to hear a songwriter in the midst of a true transformation.

Watch Jess Cornelius’ “Kitchen Floor” Video

Watch “No Difference” Video

Pre-order Distance

Distance Tracklist
1. Kitchen Floor
2. No Difference
3. Body Memory
4. Easy for No One
5. Here Goes Nothing
6. Born Again
7. Palm trees
8. Banging My Head
9. Street Haunting
10. Love and Low Self Esteem

[Keep your mind open.]

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[Thanks to Pitch Perfect PR.]