“Believe” in Jacques Greene’s new single.

Canadian-based electronic musician Jacques Greene unveils “Believe,” his first new single/video of 2023, out today via LuckyMe. Wasting no time, “Believe” sets the pace immediately. With an urgent vocal refrain and a driving beat, “Believe” is one of Greene’s most direct tracks of his career thus far. The accompanying video, directed by Cameron Morse, harnesses the frenetic energy of a Jacques Greene set, with the underlying track displaying all the familiar JG hallmarks. “Believe” marks Greene’s first new solo music since the release of 2022’s Fantasy EP, and follows the success of Greene’s collaborative single with Bonobo, “Fold.” Of “Believe,” Greene adds: “Channeling the feeling of a year spent back in the real world. Fresh energy and bright colors. Fun for the sake of it.”

 
Watch Jacques Greene’s “Believe” Video
 

Greene has been making music “about the club” for over a decade. Over the course of multiple EPs, singles, and two full-length albums — 2017’s Feel Infinite and 2019’s Dawn Chorus — his sound has developed into an emotional haze. In 2020, Greene made headlines for creating “Promise,” the first single released with associated NFT that staked the owner to music publishing, and the following year released ANTH01, a collection of unearthed tracks spanning the earliest years of his career alongside previously unreleased tracks. Outside of his own releases, Greene has explored his relationship with the club in a variety of contexts, from remixing Radiohead to producing for Katy BTinashe and touring with The xx.

Keep your mind open.

[I believe you’ll subscribe today.]

[Thanks to Sam at Pitch Perfect PR.]

Top 20 albums of 2022: #’s 5 – 1

Here we are at the top five albums I reviewed in 2022. It was a great year for music, and these are what stood out for me among all the good stuff out there.

#5: Jacques Greene – Fantasy

As I’ve mentioned before, 2022 was a great year for electronic music, and this EP from Jacques Greene topped my list of that kind of music. It mixes house, drum and bass, ambient, and a bit of synth wave into a luscious brew.

#4: The Staples Jr. Singers – When Do We Get Paid

This reissue of classic gospel funk tracks by The Staples Jr. Singers is stunning. The amount of groove and friskiness in these songs is almost overwhelming. The instrumentation and harmonizing are outstanding, and there’s enough soul for two churches.

#3: Yard Act – The Overload

This is the best post-punk album I heard all year. Everything on it is razor sharp: the wit, the guitar angles, the grooves, the drum sounds, and the slightly snarled tongue-in-cheek vocals.

#2: The Black Angels – Wilderness of Mirrors

The Black Angels‘ new album was a great return for them. It explores the stress of modern times through walls of distorted guitars, reverb-laden vocals, powerful drums, and mind-warping sound. The Black Angels have yet to put out a bad record, but this one somehow set the bar even higher for psych-bands to follow.

#1: A Place to Bury Strangers – See Through You

A Place to Bury Strangers came back with a new lineup and some of Oliver Ackermann‘s most revealing lyrics about the end of friendships, loneliness, grief, over-reliance on technology, and the overall anxiety everyone’s been feeling since 2019. Ackermann put it all out there and walloped us with more honesty and distortion that you can almost stand.

Let’s look forward to a great 2023!

Keep your mind open.

[Don’t forget to subscribe.]

Review: Jacques Greene – ANTH01

Taking from ten years of his catalogue, ANTH01 brings together many of Jacques Greene‘s best tracks, killer dance cuts, and hypnotic grooves.

“I Won’t” is the answer to “Are you just going to sit in that dark corner of this dance club all night?” Greene’s snappy beats are all you need to get moving. “(Baby I Don’t Know) What You Want” literally gets off to a shaking start before this electro-bass saunters into the room and curls around you like a playful cat. “The Look” is similarly playful, with Greene mixing blips and bleeps with sexy house music vocals about feeling a connection – something we were all wishing for in the last two years.

The warped, yet still sexy lyric of “Tell me what you like.” starts off “Tell Me,” pulling you into a lush trip. “These Days” bursts like an opening flower and then descends on you like disco ball lights. “Arrow” has a beat like a ticking clock or a dripping faucet that turns into a warm rain shower – followed by sick, thick bass hits. The opening, echoed vocal sounds of “Ready” made my dog lift her head and look around the living room when she heard them. The rest of the song made me dance and bounce on my desk stool.

“Faded” brings in soul lyrics to mix with slick house beats, and “Faithful” continues the soul-house vibe with gospel-tinged vocals mixed with synths that sound like robotic eagles calling from above. “On Your Side” is an emotional plea to a potential lover for some kind of recognition and invitation. “Quicksand” mixes house with synthwave, and the closer, “Another Girl,” is lush house under lyrics about heartbreak and longing.

ANTH01 is a great collection of Greene’s work so far. He’s always experimenting with multiple electronic genres and this collection shows the scope of his talent.

Keep your mind open.

[Fade on over to the subscription box while you’re here.]

[Thanks to Sam at Pitch Perfect PR.]

Review: Jacques Greene – Fantasy

Mostly made and recorded while he was self-isolation in Canada, Jacques Greene‘s new EP, Fantasy, came out of Greene’s exploration into presence and the blissful side of solitude.

The first track on the album, “Taurus,” hooks you within six seconds with its killer beats and meditative vocal sounds. “Memory Screen + Fantasy” is layered with trance beats, ambient chords, and images of Greene reliving his childhood through, like many of us, his computer or phone screen and memories.

According to Greene, “Relay” was made on multiple machines and recorded straight live and only fiddled with a bit in later editing. It’s a fun track that sounds like hip video arcade music. “Sky River” has thick electro-beats backed with haunting, smoky vocals from Somimagae about awakening the light within us. “Got to leave here. You are not the only one.” are the only lyrics of “Leave Here,” the closing track on the EP that, as Greene puts it, are “…kinda the most direct reference to the Get Me the Fuck Out of Here vibe of this whole record.”

Mission accomplished, Mr. Greene. This EP, brief as it is (just over twenty-one minutes), is a wonderful escape from winter chills, lockdown blues, or wherever you find yourself wishing for peaceful space.

Keep your mind open.

[I fantasize about you subscribing.]

[Thanks to Sam at Pitch Perfect PR.]

Jacques Greene releases great new track, “Taurus,” ahead of his next EP.

Photo by Jacques Greene

Jacques Greene today announces a new EP, Fantasy, out January 28th (digitally) and April 8th (physically), with the EP available today as NFTFantasy pushes Greene further into his down-tempo, trip-hop, and ambient influences than ever before, all while maintaining his signature style. In conjunction with today’s announcement, Greene shares Fantasy’s hypnotic lead single, “Taurus.” “In my mind there’s a real soothing, meditative core to this,” says Greene, “and the almost relentless repetitive nature of the aggressive breaks is meant to tip over into full mediation mode. There’s angst – but there’s trying to move through it.” 

Listen to “Taurus” by Jacques Greene

The things you hear when you’re alone. Walking through Mount Royal or other wooded areas you might notice a branch break. As much as I value my alone time and the subtle things you can pick up around and within yourself in those moments, a certain loneliness and anxiety permeates the quiet at some point. The past couple years created ample opportunity for that anxiety and loneliness to stretch its legs and make itself comfortable. This record was born out of weeks of willing a form of peace and inspiration into my surroundings. A large part of that came from working with Leanne Macomber on some vocals. Through a desire to form new connections and throw more humanity into the work. We made a variety of song sketches that I mostly reworked into the final recordings here. We spoke a lot about where our heads were at, certain key phrases, triggers and emotions. Joel Ford, whom I worked on Dawn Chorus with, mixed the record and helped me wrangle a few cats to get this across the finish line. Restless at home in Canada, feeling the restlessness of all my friends and loved ones I kept in touch with as much as possible, trying to make something that made the quiet a bit more peaceful.”
 — Jacques Greene

Since releasing his last studio album Dawn Chorus in 2019, Jacques Greene scored the short film Exhaust starring Jimmie Fails (The Last Black Man in San Francisco), Glenn Kaino’s installation piece Tidepools (alongside Nosaj Thing), and the video game Home School. Additionally, Greene released remixes for artists including Montreal disco legends LimeKacy Hill, Kllo, Elohim, and more. In 2020, Greene made headlines for creating “Promise,” the first single released with associated NFT that staked the owner to music publishing, and the following year released ANTH01, a collection of unearthed tracks spanning the earliest years of his career alongside previously unreleased tracks.  

Fantasy Tracklist:
01. Taurus
02. Memory Screen + Fantasy
03. Relay
04. Sky River ft. Satomimagae
05. Leave Here

Pre-Order Fantasy

Keep your mind open.

[Don’t forget to subscribe before you go.]

[Thanks to Sam at Pitch Perfect PR.]

Jacques Greene to release a treasure trove of early and out-of-print stuff on October 22nd.

Photo by Mathieu Fortin

Jacques Greene announces ANTH01, a collection of tracks and out-of-print 12”’s spanning the earliest years of his career. Arriving ten years after his groundbreaking single, “Another Girl,” ANTH01 features classics that introduced Greene to the world, such as “The Look,” and also includes collaborations with Koreless and How To Dress Well, plus tracks from Greene’s releases on 3024Night Slugs and his own Vase imprint. In conjunction with today’s announcement, Greene shares “I Won’t,” a certified live favorite and highly requested unreleased gem; one of two exclusive, previously unreleased tracks to appear on ANTH01
 

Stream Jacques Greene’s “I Won’t” (Previously Unreleased)


Greene has been making music “about the club” for over a decade. Over the course of multiple EPs, singles, and two full-length albums – 2017’s Feel Infinite and 2019’s Dawn Chorus – his sound has developed into an emotional haze. Outside of his own releases, Greene has explored his relationship with the club in a variety of contexts, from remixing Radiohead to producing for Katy BTinashe and touring with The xx

“Time became quite slippery in the past year and a half,” says Greene. “As the years go it’s strange how some things feel like just yesterday while others are seemingly lifetimes away. It was equal parts challenging and fun to revisit some of this material that laid the foundation for this Jacques Greene project. ‘ANTH01’ is a form of anthology: a collection of songs meant to tell the first few chapters of that story. From bedroom studios in the Mile End in Montreal at the start of the 2010s to now. Thank you for listening.”
 

ANTH01 Tracklist: 
01. I Won’t
02. (Baby I Don’t Know) What you Want 
03. The Look
04. Tell Me 
05. These Days 
06. Arrow (feat. Koreless)
07. Ready 
08. Faded 
09. On Your Side (feat. How To Dress Well)
10. Faithful 
11. Quicksand 
12. Another Girl

Pre-order ANTH01

Keep your mind open.

[Don’t forget to subscribe while you’re here.]

[Thanks to Sam at Pitch Perfect PR.]

Top 30 albums of 2019: #’s 15 – 11

We’ve reached the halfway point. Who’s in the list? Read on!

#15 – Sleater-Kinney – The Center Won’t Hold

Sleater-Kinney chose to mix their hard rock and punk chops with electro touches, and the result is a great record about loneliness, toxic masculinity, standing up when you get knocked down, and walking away from the past. The fact that drummer Janet Weiss left the band not long after The Center Won’t Hold was released adds a bittersweet edge to the album, too.

#14 – Jacques Greene – Dawn Chorus

This is a brilliant house music record that has a theme of getting ready for, going to, and then dealing with the after-effects of an all-night party. It’s full of great dance tracks and some chill stuff to give you a breather now and then. Jacques Greene spins like he was a DJ in the early 1990’s, even though he was just a toddler then.

#13 – Weeping Icon – self-titled

The image of the two skulls exploding with waves of…something is appropriate for the debut album from Weeping Icon because this album is a tidal wave of sound – guitar fuzz, psychedelic noise, and other things that are better heard than described all team up to make this one of the best debut albums of the year.

#12 – CHAI – Punk

CHAI just keep putting out great records. Punk is full of their wit, excellent musicianship, and pure joy. It’s a record about embracing who you are and not giving a damn what others think. Throw in J-Pop, post-punk, electro, and songs that practically force you to sing along with them and you have a winner.

#11 – Ash Walker – Aquamarine

Holy cow, this is a groovy record. All of the songs have some sort of theme related to oceans or water. Aquamarine blends soul, house, trip hop, dub, jazz, and lounge chill to produce something you might hear on Aquaman’s hi-fi.

The top 10 start tomorrow on New Year’s Day 2020!

Keep your mind open.

[Check a new year’s resolution off your list early by subscribing.]

Review: Jacques Greene – Dawn Chorus

Dawn Chorus, the excellent new house music album from Jacques Greene, is music for an afterparty or what comes after the afterparty. It’s the sound of what’s buzzing in your head as the lights in the club are turned on to move you onto the streets, the sounds of those streets, or the sounds coming from your car stereo or in your earbuds as you head home from a long night of raving.

The opener, “Serenity,” is warm and still danceable. You’ve achieved a fuzzy bliss from all the dancing and making out that’s been going on all night. The drums on the track have you dancing and the bright synths are almost like alarm clock klaxons reminding you it’s time to start thinking about what comes next. “Drop Location” thumps along with you as you cruise home in your car stuffed with friends or on the train with just a few bleary eyed party-goers and early morning workers.

“Do It Without You” is empowering house that builds to a slick beat and begs you to come back to the dance floor. “Night Service” is Greene’s testament to how nights at the club are like church for many. They’re a community gathering where love is expressed and a place where transcendence can be found among beats, lights, and sweaty bodies. “Sel” touches on some psychedelic elements that flow nicely into “Let Go” – a song that tells us, “Love isn’t lust, unless you say it.”

The words “Girls, ’cause I’m too hot for love” are looped throughout the instant hit floor-filler “For Love.” The tribal beats alone are worth the purchase price. “Sibling” and “Whenever” add synthwave elements to house beats for excellent effect. “Understand” starts off with a cool, warped sound that reminds me on sunlight bouncing off a skipping record.

The last two tracks, “Distance” and “Stars,” invoke images of dawn breaking as you shuffle into your place after the long night of fun, drop your keys in the bowl next to the front door, and put on some house music as you undress and then brush your teeth. You’re not quite ready to lose the beats running through your head just yet, but the moment you’re in calls for a wind-down, and you’re happy for it.

This is one of the best house music albums I’ve heard in a long while, and it should be high among lists of such. It will be on mine.

Keep your mind open.

[I’d love it if you subscribed.]

Jacques Greene announces 2020 tour dates to promote “Dawn Chorus.”

Photo by Mathieu Fortin

“You get the sense that exploring unfamiliar equipment in new spaces has helped him find new possibilities in his own work—that by plunging himself into guitar pedals and classic French-house compression modules, he’s ushered in a new era for Jacques Greene without losing sight of his unique sentimentality.”  — Pitchfork

“The dozen tracks on ‘Dawn Chorus’ capture the hazy, ambient feeling of joyful exhaustion. It’s an elegant soundtrack to a real moment in many ravers’ lives, and rather than create the music you might listen to then, he scores the scene as if it were a movie.”  — Billboard

“‘Dawn Chorus’ hangs together as a cohesive work, even when Greene is pushing genre omnivorousness to giddy new extremes.”  — Bandcamp

“Coagulating in the form of a sprawling 12-track collection of diversified cuts, the project maintains the producer’s idiosyncratic arsenal of club-heavy textures, albeit repurposed for listening outside of the normative dancefloor atmosphere.”  — Hypebeast


Fresh off the release of his “intimate and immense” (Pitchfork) new album, Dawn Chorus, via LuckyMeJacques Greene is pleased to announce a slew of 2020 European and North American tour dates. Last week he debuted a sold out run of launch parties in Berlin, London, Manchester, New York, LA and Montreal. In early 2020 he returns to Europe and North America (BostonBrooklynDetroitPortlandVancouver, and Oakland). A full list of dates is below. 

In conjunction with this announcement, Greene also released the video for “Stars” – the second part of a narrative which started outside a warehouse party in his “Do It Without You” video. The track features spoken word from Canadian artist Sandrine Somé – who reconciles memories from her childhood over understated kik drums and synths. An evocative closer to the album, Mathieu Fortin’s piece of impressionistic cinema seeks to express early AM euphoria as we settle back into reality after a night out. It’s an apt conclusion for an album which has been applauded for his cinematic atmosphere. 
 

Watch Video For “Stars” – 
https://youtu.be/ZmXuiFluhB4

Jacques Greene Tour Dates:
Wed. Jan. 29 – London, UK @ Studio 9294
Thu. Jan. 30 – Manchester, UK @ YES (Pink Room)
Fri. Jan. 31 – Dublin, IE @ Lost Lane
Sat. Feb. 1 – Belfast, IE @ The Menagerie
Tue. Feb. 4 – Glasgow, UK @ Stereo
Wed. Feb. 5 – Leeds, UK @ Headrow House
Fri. Feb. 7 – Paris, FR @ Badaboum
Thu. Feb. 20 – Boston, MA @ Middlesex Lounge (DJ Set)
Fri. Feb. 21 – Brooklyn, NY @ Elsewhere (DJ Set)
Sat. Feb. 22 – Detroit, MI @ The Red Door
Thu. Feb. 27 – Portland, OR @ Holocene
Fri. Feb. 28 – Vancouver, BC @ The Beaumont
Sat. Feb. 29 – Oakland, CA @ Starline Social Club

Purchase Dawn Chorus – https://jacquesgreene.com/

Watch/Listen/Share:
“For Love” video – https://youtu.be/GzdMcHhM7tQ
“Do It Without You” video – https://youtu.be/ftBguTzzVYI
“Do It Without You” stream – https://bit.ly/2mRYy8n
“Night Service” b/w “Silencio” (Feat. Cadence Weapon) – https://youtu.be/S1JaoIYJ-PE
“Night Service” (Whatever/Whatever Night Version) – https://youtu.be/_x3Ysk3po4k
“Night Service” (Whatever/Whatever Day Version) – https://youtu.be/iltM5sg-f8g

Keep your mind open.

[Don’t forget to subscribe before you leave.]

Jacques Greene does it all “For Love” on his new single.

Photo by Mathieu Fortin

Jacques Greene has released his new single, “For Love,” from his forthcoming album, Dawn Chorus, out October 18th via LuckyMe. “For Love” follows the “spacious and breakbeat-heavy” (SPIN) lead single “Do It Without You” and it’s accompanying video, as well as early single “Night Service” (Feat. Cadence Weapon).

Watch Video For “For Love” – https://youtu.be/GzdMcHhM7tQ

Greene approached the making of Dawn Chorus as if he were a band. He lived in the studio for five months this past winter – half the time at home in Toronto, the other half in Hudson Mohawke’s studio in L.A. – and wrote these songs in a sprint to capture this chapter in his life. While samples played a big part in his early output, his creative process for Dawn Chorus revolved around recording a stellar cast of musicians, arranging new parts. As a result, it’s his most collaborative project to date, featuring additional production and instrumentation from film composer Brian Reitzell (Lost In Translation), cello by London’s Oliver Coates, additional production from Clams Casino and original vocal contributions from ambient artist Julianna Barwick, rapper Cadence Weapon and singers Ebhoni and Rochelle Jordan, all sampled, processed and stitched back into the album.

To craft the sound of the record, he thought about the artists he held dear and researched the gear they used as a means of being in dialogue with their emotional tenor. Some of the gear he sourced included the delay that My Bloody Valentine was renowned for, as well as a compressor used by French Touch producers Alan Braxe and Fred Falke. Working with mix engineer Joel Ford (of Ford & Lopatin), he created a rule book for the album’s sonics that saw each part, from the drums to the pads, be processed in a specific way, through guitar pedals and outboard equipment.

Surrounding the release of Dawn Chorus, Greene will play select shows in Europe and the UK before returning to North America. All dates can be found below and tickets are on sale now.

Jacques Greene tour dates: Thu. Oct. 17 – Berlin, DE @ Burg Schnabel Fri. Oct. 18 – London, UK @ St. Pancras Old Church – SOLD OUT Fri. Oct. 18 – Manchester, UK @ Warehouse Project (DJ set) (late show) Sat. Oct. 19 – London, UK @ Five Miles (DJ set) Wed. Oct. 23 – Brooklyn, NY @ National Sawdust Fri. Oct. 25 – Los Angeles, CA @ The Echo Sat. Oct. 26 – Montreal, QC @ Ausgang

Pre-order Dawn Chorus – https://jacquesgreene.com/

Watch/Listen/Share: “Do It Without You” video – https://youtu.be/ftBguTzzVYI

“Do It Without You” stream – https://bit.ly/2mRYy8n

“Night Service” b/w “Silencio” (Feat. Cadence Weapon) – https://youtu.be/S1JaoIYJ-PE

“Night Service” (Whatever/Whatever Night Version) – https://youtu.be/_x3Ysk3po4k

“Night Service” (Whatever/Whatever Day Version) – https://youtu.be/iltM5sg-f8g

Keep your mind open.

[Love music news and reviews?  Then you should subscribe.]