Review: Jake Xerxes Fussell – Good and Green Again

My taste in folk music, not unlike doom metal, is hit or miss. There has to be a certain combination of elements for me to enjoy an album in either genre. I’m not sure if I could tell you what all those elements are, but I can tell you that one of the most crucial is that the artist or band, while being good at their craft, doesn’t try too hard. They don’t force anything.

Jake Xerxes Fussell is such an artist. His guitar playing and vocals are simple, haunting, and the work of an expert craftsman – and none of it is forced. None of it is for show. It simply is, and his new album Good and Green Again continues his string of top-notch folk music that instantly transports you to different times and places that resonate with lessons needed in modern time.

“Love Farewell” is the sound of the sun rising or setting, depending on your mood when you hear it. It can be a song of moving forward after the loss of love or realizing a love is ending. “Carriebelle” adds solemn horns to a solemn song about the perils of booze and heartbreak. The horns continue their lonely cries on “Breast of Glass,” in which Fussell sings about wishing how he could keep a memory inside him forever – all the while knowing his hold on it would be fragile.

“Frolic,” “What Did the Hen Duck Say to the Drake?”, and “In Florida” are three lovely instrumentals on the album, something I hadn’t heard from Fussell before this record, and they’re all great additions. Fussell is great at writing, playing, and singing songs about the plight of the working class (or finding obscure songs about the subject and reinterpreting them in a new way), and “Rolling Mills Are Burning Down” is one such track. He sings about workers watching their jobs being reduced to ashes, knowing their way of life and means of earning bread are gone.

“The Golden Willow Tree” is a nine-minute-long tale of a scuttled ship, betrayal, and the loss of wealth and glory. The album ends with “Washington,” Fussell’s tribute / satirical salute to the first President of the U.S. and the way we, as Americans, tend to deify the Founding Fathers.

It’s another lovely record from Fussell with strength in its subtlety.

Keep your mind open.

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[Thanks to Sam at Pitch Perfect PR.]

Jake Xerxes Fussell releases two singles from his new album due January 21st.

Photo by Tom Rankin

Singer, guitarist, and folk music interpreter Jake Xerxes Fussell shares two new songs, “Breast of Glass” and “Frolic,” from his forthcoming album, Good and Green Again, out January 21st on Paradise of Bachelors. Produced by James Elkington (Jeff Tweedy, Michael Chapman, Steve Gunn, etc.), Good and Green Again is Fussell’s most conceptually focused and breathtakingly rendered album to date, a transcendent place on a musical map of melancholy, quietude, and foot-stomping joy. Following previously released album opener “Love Farewell,” “Breast of Glass” features beautiful, sparse horn arrangements written by Fussell and Elkington and performed by Anna Jacobson. “Frolic,” one of the three airy instrumentals on Good and Green Again, punctuates the program, offering respite and light in the form of crisp, shuffling play-party tunes.   

Listen to “Breast of Glass”

Listen to “Frolic”

Fussell has distinguished himself as one of his generation’s preeminent interpreters of traditional (and not so traditional) “folk” songs, a practice which he approaches with a refreshingly unfussy lack of nostalgia and preciousness. By recontextualizing ancient vernacular songs and sources of the American South, he allows them to breathe and speak for themselves and for himself; he alternately inhabits them and allows them to inhabit him. In all his work, Fussell humanizes his material with his own profound curatorial and interpretive gifts, unmooring stories and melodies from their specific eras and origins and setting them adrift in our own waterways. The robust burr of his voice, which periodically melts and catches at a particularly tender turn of phrase, and the swung rhythmic undertow of exquisite, seemingly effortless guitar-playing pull new valences of meaning from ostensibly antique songs and subjects.

For Good and Green Again, Elkington and Fussell enlisted engineer Jason Richmond and a group of formidable players hailing from Durham, North Carolina (where Fussell lives) and elsewhere, including regular band members Casey Toll (Mt. Moriah, Nathan Bowles) on upright bass, Libby Rodenbough (Mipso) on strings, and Nathan Golub on pedal steel. They were joined by welcome newcomers Joe Westerlund (Megafaun, Califone) on drums, Joseph Decosimo on fiddle, Anna Jacobson on brass, and Bonnie “Prince” Billy, who contributes additional vocals. 

Listen to “Love Farewell”

Pre-order Good and Green Again

Jake Xerxes Fussell Tour Dates (new dates in bold):
Fri. Jan. 21 – Chapel Hill, NC @ The Nightlight
Sat. Jan. 22 – Richmond, VA @ The Camel
Sun. Jan. 23 – Washington, DC @ Pie Shop
Tue. Jan. 25 – Philadelphia, PA @ PhilaMOCA
Wed. Jan. 26 – Brooklyn, NY @ The Knitting Factory
Thu. Jan. 27 – Boston, MA @ Club Passim
Fri. Jan 28 – Keene, NH @ Nova Arts
Sat. Jan. 29 – Saratoga Springs, NY @ Caffe Lena
Thu. Feb. 17 – Los Angeles, CA @ Gold Diggers *
Sat. Feb 19 – Santa Monica, CA @ McCabe’s Guitar Shop *
Tue. Feb 22 – Portland, OR @ The Old Church *
Sun. May 1 – Kilkenny, IE @ Kilkenny Roots
Mon. May 2 – Kilkenny, IE @ Kilkenny Roots
Tue. May 3 – Dublin, IE @ Bello Bar
Wed. May 4 – Belfast, UK @ Cathedral Quarter Arts Festival
Fri. May 6 – Manchester, UK @ Gulliver’s
Sat. May 7 – London, UK @ Oslo
Sun. May 8 – Glasgow, UK @ Glad Cafe
Mon. May 9 – York, UK @ Fulford Arms
Wed. May 11 – Ultrecht, NL @ Tivoli (Club Nine)
Fri. May 13 – Nijmegen, NL @ Merleyn
Sat. May 14 – Cologne, DE @ King Georg
Mon. May 16 – Hamburg, DE @ Aalhaus
Tue. May 17  – Amsterdam, NL @ Paradiso

* w/ special guest Tom Brosseau

Keep your mind open.

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[Thanks to Sam at Pitch Perfect PR.]