Interview: Carbon Decoy

Photo credit: Cidney Bundon

In case you’re not aware, Caron Decoy is an excellent doom / psych-rock band out of Detroit, Michigan whose newest album, Crush the Sun, explores mythological themes while unloading cosmic, colossal riffs. The trio of Jared Jordan (bass), Earl Mudd (guitar), and Casey Rowe (drums and vocals) were kind enough to participate in a short interview with me about their influences, other Detroit bands, and interests outside of music.

7th Level Music: I’m intrigued by your band’s name.  Why the play on carbon decay, changing it to decoy?  

Carbon Decoy: Honestly, it was just two words that we thought sounded cool when put together. We definitely were thinking of atomic structure and matter using the word carbon (evident with our first single “Atomic #6“), but there wasn’t much else that went into the name.

7LM: Greek mythology themes are prominent on Crush the Sun, with the story of Icarus and the characters of the Sirens being in the forefront on those tracks.  Has mythology always been a favorite subject or inspiration, or did all of you gravitate toward it on this record for a particular reason?

CD: Mythology is definitely something that we all have a strong interest in and a subject we likely will continue to draw inspiration from.

7LM: Some riffs on Crush the Sun reminded me of heavy southern rock, and the opening riff on “Forest of Lies” has a great blues sound to it.  Are some of those 1970s bands like Lynyrd Skynyrd, Molly Hatchet, and Mountain or Delta blues artists influences on all of you?

CD: We are all very influenced by the bands from the 70s. Mountain is a huge inspiration for the entire band. Creedence Clearwater Revival is another. The Delta Blues are at the core of many of our songs and a lot of Earl’s guitar work.

7LM: That being said, are there any influences you all have that some of your fans might find surprising?

CD: A lot of folks might be surprised to find out how influenced the entire band is by classic/outlaw country music. Honestly though, you never know what we are listening to when we’re cruisin’ in Casey’s Safari. Willie Nelson, Herb Alpert + The Tijuana Brass, Electric Wizard, Wu-Tang Clan, CCR. It’s like a box of chocolates in there.

7LM: While we’re on the subject of bands and other musicians, are there any other Detroit scene bands you all love and think more people need to hear?  

CD: Detroit is thriving and busting at the seams with great music. We could go on and on and undoubtedly will forget someone, but just a few of our favorites include Glass Chimera, Cherry Drop, Sonic Smut, MRKT, Eck!, The Cult of Spaceskull, The Velvet Snakes, Dunamis, Winds of Neptune, Duende! and so many more.

7LM: Do you have any tour plans soon, or festivals you hope to make it to in 2026?

CD: We are taking it pretty easy in 2026. Jared added a new baby to his family this year. We have a short Midwest tour planned for the fall, and will likely add a few one-off dates through the summer. 

7LM: I always like to wrap up with this story and question: I once heard an interview with Ray Charles, and in it he said he sometimes got a bit depressed because most people only wanted to talk to him about music.  So, outside of music, are there other things you’re all fascinated with, or interested in, or just enjoy?

CD: Earl is an incredibly talented photographer and has a passion for film. Jared has a small farm and loves working cattle and gardening. Casey is an extremely skilled builder and loves working with his hands.

All thanks to Carbon Decoy and Ksu at Discipline PR!

Keep your mind open.

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Review: Carbon Decoy – Crush the Sun

I’m intrigued with Carbon Decoy‘s name. It’s a play on “carbon decay,” the process used for carbon dating, and the skull on the cover of their new album, Crush the Sun, indicates a version of decay, but they chose “decoy.” Their name seems to indicate being a stand-in for the decayed, or for the dead perhaps.

I mean, the heavy doom riffs they play certainly help back this theory. “The Trip” opens the album with a gas pedal-stomper that makes you want to hit the open road, pick up a weird, sexy hitchhiker, fight a band of cultists, and discover a doctor’s bag full of loot at the end of the road. Earl Mudd‘s guitars on “Castle East” sometimes sound like they’re straining to hold back undead hordes attacking said castle, and the agonized wails from drummer / vocalist Casey Rowe amplifying the image.

Jared Jordan‘s bass is spread thick across “Icarus,” and Rowe’s drums reflect the surely panicked, euphoric, and then panicked again heartbeat of the doomed man who flew too close to the sun. The swagger and groove of “Forest of Lies” is outstanding. It’s a swampy, sludgy one amidst the doom, and I’m all for it. “Sirens” goes back into mythological lands (and waters, in this case) as Rowe bemoans that he’s being beckoned by physical and metaphorical monsters. Speaking of monsters, the trio hammers away on “The Wraith,” in which they apparently try to banish such a spirit with the power of crushing riffs and pounding beats. The album ends with “Ghost Town,” this time with Jordan on vocals and the sounds of wind blowing through a spaghetti western that takes place near a haunted coal mine that probably houses some sort of horrible creature of the souls of a hundred trapped miners.

For most of its runtime, Crush the Sun feels heavy enough to do just that. Carbon Decoy’s created one of the best doom albums of the year so far.

Keep your mind open.

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[Thanks to Ksu at Discipline PR.]