Top 35 albums of 2020: #’s 10 – 6

We’ve reached the top 10 (of nearly 80) albums I reviewed in 2020. Who made the cut? Read on…

#10: The Wants – Container

The only thing bad about this album is that The Wants didn’t get to extensively tour to promote it. Screw you, 2020. Container deserves to be heard by everyone, especially post-punk fans or anyone else who likes their rock with a slight goth edge. I was lucky enough to see them in February 2020 before the country and touring and venues shut down. I hope they’re able to get back to the road soon, because hearing this record live is even better.

#9: Pigs Pigs Pigs Pigs Pigs Pigs Pigs – Viscerals

This album is so heavy that it might break your turntable if you have it on vinyl. The Black Sabbath influences are evident, but Pigs X7 sound like they had fun while making an album to unleash their wrath upon Brexit, COVID-19, politicians across the pond, and jackasses in general.

#8: Frankie and the Witch Fingers – Monsters Eating People Eating Monsters…

I’d only heard a few tracks by Frankie and the Witch Fingers from earlier records before hearing their new album, Monsters Eating People Eating Monsters… Holy crap. This record floored me. It’s double-album-full of prime psychedelia, shoegaze, and garage rock jams. Let this album consume you.

#7: BRANDY – The Gift of Repetition

I don’t remember where I first heard BRANDY’s music, but I’m glad I did because this is the most fun punk record I heard all year. The repetition mentioned in the album’s title is used to great effect throughout the record with killer beats, riffs, and choruses.

#6: Hum Inlet

The biggest surprise release of the year also turned out to be one of the best albums of the year. No one expected or even considered a new, full-length album by 1990s shoegaze legends Hum, but along came Inlet to knock off our socks and remind us that these guys can mop the floor with just about any other band out there.

Only five more to go! Who takes the title of best album of 2020? Come back tomorrow to find out.

Keep your mind open.

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Review: BRANDY – The Gift of Repetition

I love the cover of BRANDY‘s new LP, The Gift of Repetition. It’s a bunch of broken smartphones and ink blots that, if you look at them just right, spell out the record’s title. I can’t help but wonder if the pictured phones ended up in such a state from being dropped in mosh pits at BRANDY shows because the record is a fury of punk rock that is perfect for shaking you out of your smartphone-induced zombie state.

Opener “(Wish You Was) Madball Baby” has a great, yes, repetitive post-punk drum and bass beat while sings / yells about the desire that a lover would just go off the hinges now and then. The guitars on “Dangle” deftly move back and forth between roars and fuzzy fills.

“I’m Shipping Up to Boston” might have you stomping the gas pedal if you hear it while driving. It’s like fuel injection for your bloodstream that will have you turning into a bobblehead. The bass licks on “UFO’s 2 Heaven” are great, and the whole tune bumps with punk attitude and “We’ve got these chops and we’re going to flaunt them.” spirit.

“Christmas Colors” adds synths to the mix to make you turn and mess with your head and confound you with lyrics like “Wearing my red and greens, mistletoe magazines.” The jingle bells are also a nice touch. “Clown Pain” might be about kinky sex, as the band keeps yelling, “Thank you for my clown pain!” over fun and loud guitar chords before it devolves into trippy synth sludge. “Text Home” has the heaviest, fuzziest bass on the whole record – which I love. “Insane Screensaver” closes the album with New York Dolls-like swagger and kiss-off lyrics like, “Guess what? Your mommy don’t care!”

This is a fun punk rock record. We need more stuff like this right now, especially as winter bears down on us here in the U.S. We need to be slapped awake and encouraged to jump on our beds and dance around our places as we self-isolate, and this is a great record for that soundtrack.

Keep your mind open.

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