My top 25 albums of 2016 – #’s 15-11

We’re halfway to #1 on the countdown!

#15 

The Kills released a great album for their 15th anniversary.  Ash & Ice oozes with their sweaty, smoky, whiskey-tinged rock and is one of the best albums about love and sex from 2016.

#14 

I didn’t expect a full record of shoegaze from the Duke Spirit, but Kin is the best shoegaze record I’ve heard all year (and probably of the last two or three years).

#13

All Them Witches released a live album last year (which I still need to get), teased a new album for this year, and started 2016 with Dying Surfer Meets His Maker – a great blend of stoner metal and blues voodoo rock.

#12 

Comacozer contacted me through this website and asked if I’d like to hear their record.  I’m glad I said yes, because this stoner metal album, Astra Planeta, is amazing.

#11 

The KVB make excellent dark wave and shoegaze.  It’s a bit difficult to believe at first that just two people produce that much sound.  Of Desire was recorded on vintage synthesizers and sequencers, and the rich sound produced is excellent.

Who’s made it into my top 10 for 2016?  Come back tomorrow to find out!

Keep your mind open.

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My top 10 albums of 2016 so far.

It’s been a good year so far for music.  I’m finding excellent stuff every month.  We’re halfway through the year, so here’s a quick recap of my top 10 records of 2016 so far.

  1. David Bowie – Blackstar: A powerful way to end one’s career, let along a legendary life.
  2. The Besnard Lakes – A Coliseum Complex Museum: It’s still the most lush, beautiful record I’ve heard so far this year.
  3. Night Beats – Who Sold My Generation: This band gets better with each record, and this one is a tour de force.
  4. King Gizzard and the Lizard Wizard – Nonagon Infinity: Easily the craziest record of the year so far.  You can play it on an infinite loop beginning with any track and it will repeat without any noticeable pauses, stutters, or breaks.
  5. WALL – self-titled EP: WALL are currently my favorite discovery of 2016.  They’ve brought back a fierce post-punk edginess that I didn’t know I was yearning for until I heard them.
  6. Underworld – Barbara, Barbara, We Face a Shining Future: This record is so good that it might go higher on my Best of 2016 list by the end of the year.  It’s a fabulous return for the band and wonderfully optimistic.
  7. Radiohead – A Moon Shaped Pool: One word to describe this record – Heartbreaking.  Most of the songs are about the end of Thom Yorke’s 20+ year relationship with his girlfriend.
  8. All Them Witches – Dying Surfer Meets His Maker: This is simply a great rock record.  No muss, no fuss.
  9. The Duke Spirit – Kin: I’m so happy they’re back and even happier that they’ve put out the best shoegaze record of the year so far.
  10. Golden Dawn Arkestra – Stargazer: Pure cosmic funk that can induce dancing in even the grumpiest of grumps.

Keep your mind open.

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All Them Witches – Dying Surfer Meets His Maker

ATWDSMHM

A friend of mine introduced me to All Them Witches (Ben McLeod – guitar, Michael Parks, Jr. – bass, vocals, guitar, Robby Staebler – drums, Allan Van Cleave – keyboards, violin) when she sent me their 2014 album Lightning at the Door and said, “I think you’ll like these guys.” I’m not sure if she thought I’d like them because their name involved witches and she figured that would go along with my love of old horror movies or if their psychedelic desert rock would intrigue me. She was right on both accounts.

Their new album, the intriguingly titled Dying Surfer Meets His Maker, rises and ebbs like waves and can easily lull you into some sort of trance. The opener, “Call Me Star,” builds to an almost menacing drone and slips right into “El Centro,” which is over eight minutes of psychedelic greatness. McLeod pulls in riffs that could’ve been used in Alejandro Jodorowsky’s Dune movie if it had ever been made. Van Cleave’s synths add a touch of weird playfulness that is somewhat disturbing (in a good way), Parks’ bass sounds like a ghost, and Staebler beats his kit like it will power a rocket launch.

“Dirt Preachers” is the first single off the record. It starts with a weird bass dirge and then moves out at a pace best suited for late night high speed driving. It has a great Led Zeppelin-like breakdown in the middle that is outstanding. “This Is Where It Falls Apart” might be about a relationship. The blues harmonica, sad drums, and distant vocals seem to relate that something is coming to an end, but it may be the end of this reality for all I know. The track is like a half-awake dream.

“Mellowing” lives up to its title, and McLeod’s work on it is excellent. Van Cleave is all over “Open Passageways” with spooky synths and even better violin work that makes the track sound like something you’d hear on a Scottish moor just before a banshee steps out of a tree next to you. “Instrumental 2 (Welcome to the Caveman Future)” would be great for a live-action Thundarr the Barbarian movie considering the title and how it drifts from thudding rock to mystical tones. “Talisman” sounds like a mix of Black Rebel Motorcycle Club and the Jesus and Mary Chain.

The closer is “Blood and Sand / Milk and Endless Waters.” I have a feeling the first half is war-themed, with the second half being the images seen by a wounded or dying soldier on a stormed beach. It’s definitely trippy enough for that.

This is a great way to start off your psychedelic music collection for 2016. All Them Witches are about to take off on a tour of Europe for the spring. Catch them if you can. They’ve moved up high on my list.

Keep your mind open.