May 2022 – Page 3 – 7th Level Music

Review: P.E. – The Leather Lemon

Combining the talents of members of Pill and Eaters, NYC’s P.E. easily weave in and out of psychedelia, post-punk, no wave, bedroom rock, and dream pop on their second album, The Leather Lemon.

Benjamin Jaffe‘s opening saxophone on “Blue Nude (Reclined)” automatically takes you into a cool headspace while Veronica Torres sings sexy lyrics. “Contradiction of Wants” is a perfect song for 2022. It’s about not knowing what you want, even though you already have everything you need. The bass line on it is wicked. I can’t tell you who plays it, because all the band members (Jonny Campolo, Jaffe, Bob Jones, Jonathan Schenke, Torres) are multi-instrumentalists and often switch axes from track to track. “Lying with the Wolf” goes into low rock and mixes it with synthwave and old school techno beats.

The title track is a short, proto-industrial puzzler. “Tears in the Rain” does invoke some Blade Runner imagery and has guest vocals from Parquet Courts‘ Adam Savage as he teams with Torres to give us a song of romantic hope in times that can be gray and bleak. “The Reason for My Love” is a hot dance track with yet another great bass line (The album is full of them.).

“Magic Hands” has plucked string instruments dancing around slightly loopy synths and drunken android vocals. The darkwave sound of “New Kind of Zen” is powerful and haunting. You’re never sure where the track is going to lead, especially when it floats into spoken word psychedelia. The instrumental “86ed” drifts into “Majesty,” which returns some of the musical themes from other tracks as Torres sings, “I don’t want that life. I don’t want that majesty.” and her bandmates reply, “I want everything.” It’s a neat loop to be in for a couple minutes.

The whole album is worth a visit. It sizzles, saunters, and seduces.

Keep your mind open.

[Don’t forget to subscribe!]

[Thanks to Tom at Hive Mind PR.]

Anika releases Psychic TV cover and North American tour dates.

Anika shares new music for the first time since the release of her new album, Change (out now on Sacred Bones), ahead of her North American headline tour next month with live musicians Sally Wanda Whitton (bass, vox), Eilis Kiera Frawley (drums), and Zooey Rosa Agro (keys, vox). Tickets are on sale now here. The cover of Psychic TV’s “Godstar” appears on Sacred Bones’ Todo Muere SBXVcompilation out May 27th, and was recorded in tribute to the late Genesis Breyer P-Orridge, one of Anika’s biggest inspirations.

“Psychic TV, specifically the album Orchids, has been a huge influence on my music and human psyche over this musical life,” says Anika. “[Genesis] is a big inspiration, the humor and investigation element in their work. I remember going to a talk in NYC where G recommended that no-one finish art school. I like this concept. Perhaps it leaves things unfinished and room for the individual to grow shoots, continue on their own journey. Perhaps this is like music school or any creative school. I think G specifically thought the place was bull and that they could do it better on their own terms, which turned out great. They also told a story about an art school work, which involved a used tampon in the shell of a clock. It was called Period Piece. I like the humor in this piece and the deconstruction of social boundaries. They are for sure an inspiration, in how to do things your own way, carve out your own path and don’t worry too much about what other people are doing.”
Listen to Anika’s “Godstar” (Psychic TV Cover)

Anika Tour Dates
Sat. May 14 – Austin, TX @ Oblivion Access Festival
Sun. May 15 – San Diego, CA @ Casbah
Mon. May 16 – Los Angeles, CA @ Lodge Room
Tue. May 17 – San Francisco, CA @ Rickshaw Stop
Wed. May 19 – Portland, OR @ Mississippi Studios
Thu. May 20 – Seattle, WA @ Vera Project
Fri. May 21 – Vancouver, BC @ The Fox Cabaret
Mon. Mon. May 23 – Chicago, IL @ Empty Bottle
Wed. May 25 – Toronto, ON @ The Garrison
Thu. May 26 – Montreal, QC @ Fairmount Theatre
Sat. May 28 – New York, NY @ Knockdown Center
Sun. May 29 – Philadelphia, PA @ Johnny Brenda’s
Mon. May 30 – Washington, DC @ Union Stage
Tue. May 31 – Knoxville, TN @ Pilot Light
Wed. June 1 – Nashville, TN @ Third Man Records
Thu. June 2 – Memphis, TN @ Crosstown Arts
Fri. June 3 – Dallas, TX @ Cheap Steaks

Keep your mind open.

[I’ll think you’re a star if you subscribe.]

[Thanks to Jaycee and Patrick at Pitch Perfect PR.]

Grace Ives cuts “Loose” on her new single.

Brooklyn-based musician Grace Ives presents “Loose,” her debut release on her new label True Panther/Harvest. This is her first new piece of music and video since 2019’s 2nd, an immediate pop record that found critical acclaim (and won over the likes of Grimes and Khalid). Ives wrote and did initial production of “Loose” at her home in Brooklyn and then teamed up with co-producer Justin Raisen (Yves Tumor, Charli XCX). Despite the song’s somewhat self-effacing lyrics – “Oh what a loser sound // I let out when I hit the ground // I never squeal like that // I need some respite, please” – “Loose” oozes confidence. The song is grounded in familiar sonics, but “Loose” is an elevated Ives. “Living in a bed bug infested apartment, withdrawing from SSRIs, not sleeping,” says Ives about where she was mentally and physically when she wrote the song. “There’s nowhere to go but up.”
WATCH “LOOSE” VIDEO

Music has always followed Grace Ives – she was raised in New York City by creative parents (her dad is a cinematographer and her mother worked in music), and when she was younger, she was inspired by the sounds of Brittany Spears and Rihanna. A brief stint at MICA in Baltimore and a three year study at SUNY Purchase led to Grace starting to perform, slowly winning over a crowd that has only grown more insatiable. Most recently, Ives opened for Remi Wolf, bringing her infectious songs to a new audience. “Loose” is the first taste of much more to come.

Keep your mind open.

[Why not subscribe while you’re here?]

[Thanks to Jacob at Pitch Perfect PR.]

Rewind Review: Failure – The Heart Is a Monster (2015)

Coming eighteen years after their (at the time) overlooked masterpiece, Fantastic Planet, Failure‘s The Heart Is a Monster picks up where Fantastic Planet (and the 1990s) ended. Ken Andrews, Greg Edwards, and Kellii Scott created an album in 2015 that linked to their past (and the past of their fans) and also showed what a stunning future could be had if we all came together and chose to pursue it.

Opening with the instrumental “Segue 4” (again, picking up after “Segue 3” on Fantastic Planet), The Heart Is a Monster jumps up in volume and beat with “Hot Traveler” – a song about begging for forgiveness after an accidental wrong (“I didn’t mean to hurt you. I had to make a snap move, but now I see your purpose.”). The powerful Failure guitars, soaring synths, and sharp drum chops are all here right away, assuring fans that Andrews, Edwards, and Scott hadn’t lost anything in over a decade – and in fact had only grown in power. “A.M. Amnesia” is a stand-out, which Scott pounding hard beats and drilling fills that make your jaw drop while Andrews and Edwards sing about a woman who exists in both darkness (“You were born on the bottom of the ocean.”) and in the the infinite light of space. Cosmic space is a common theme in Failure’s work, and it’s great to hear them continue to explore that theme on this record.

“Snow Angel” has a heavy, almost doom groove to it, which makes me wish Failure would make a doom metal record. The groaning, squealing guitar of “Atom City Queen” only reinforces that wish. “Counterfeit Sky,” a song about realizing most of your problems (if not all of them) are self-inflicted, has layers of Andrews’ and Edwards’ guitars constantly switching with Scott’s drums for the lead.

I can’t help but wonder if “Petting the Carpet” is a sequel to their classic song “The Nurse Who Loved Me,” which contains the lyrics, “Say hello to the rug’s topography. It holds quite a lot of interest with your face down on it.” “Petting the Carpet” starts with the lyrics, “Petting the carpet. Saliva flows strong.” Both songs blaze with sun-bright guitar chords and thick bass. “Mulholland Dr.” blends sci-fi themes of aliens and mutants with trippy “Sgt. Pepper’s”-era Beatles chords (courtesy of Troy Van Leeuwen – who was in Failure for a short time and went on to become a full-time member of Queens of the Stone Age).

“Fair Light Era,” with its lyrics of “What’s all this space junk? These gems behind my eyes?” might be a sly reference to the “one hundred stones that sparkle in darkness” on Fantastic Planet‘s “Sgt. Politeness.” “Come Crashing” hits with crashing cymbals and power chords before it drops, weightless, into “Segue 7,” and then “The Focus” kicks open the door with a killer bass line that isn’t screwing around. The guitars on “Otherwhere” sound like the calls of robotic birds of prey. “I Can See Houses” tells a haunting tale of a man, possibly Andrews, seeing the world fall away from him as the airplane he’s on rises into the sky and he realizes he has to let go of things binding him to earthly illusions. The album closes with “Segue 9” to leave us in a trippy headspace.

The Heart Is a Monster was a great return for Failure, who have since released three more albums, will begin another tour, and have a documentary film about the band coming soon. Go to space with them. You’ll come back changed.

Keep your mind open.

[Don’t fail to subscribe!]

October and the Eyes returns with “Spiral.”

Following the release of her debut EP Dogs and Gods in 2020, New Zealand-born, London-based singer & songwriter October and the Eyes is back with a new single “Spiral“, which is out now via KRO Records.

Speaking about the new single, October said “‘Spiral’ is about a problematic friendship where you never quite know where you stand at any given time – a constant pendulum between being pulled in and then spat out again, going round and round in circles until you’re left dizzied and jaded by the whole thing. The song is pretty scathing and somewhat of a waving fist.

I wanted the song to sound in constant flux, with reverberating percussion and vocals that feel like they could spiral out of control at any moment.”

Listen to “Spiral” here on Soundcloud: https://soundcloud.com/octoberandtheeyes-music/spiral

Listen via other streaming services here:https://orcd.co/octoberspiral

Keep your mind open.

[Don’t forget to subscribe while you’re here.]

[Thanks to Frankie at Stereo Sanctity.]

The Black Angels announce western U.S. west tour for this June with Dion Lunadon and Primus.

The Black Angels have announced a cool tour through the western United States starting June 02nd in Denver and wrapping up twenty-three days later in Las Vegas. Bass fuzz maestro Dion Lunadon is opening for them, and eight of those shows (including the finale in Las Vegas) has The Black Angels and Mr. Lunadon opening for Primus, no less. Tickets are already on sale for these dates, so don’t miss out on them.

Keep your mind open.

[Don’t forget to subscribe before you go.]

[Thanks to The Black Angels.]