Howard release new single, “Your Honor,” from album due September 14th.

Howard Announce New Album, Together Alone, Out September 14th on Fashion People; Watch Video For First Single, “Your Honor”
https://youtu.be/JXRHCs5ZZms
(photo credit: Sonya Kitchell)

“The video’s kitschy collage-style animation, as well as the zany, exaggerated expressions of the band’s characters, elevate the classic outsider-falls-for-girl narrative into something refreshing and whimsical.” — NPR Music on “Your Honor” video

“…a stellar introduction…” — Stereogum on Religion

“Slow building electronics swirl forward, urging you to get wrapped up in the call to prayer that is Feibusch’s vocals.” — Consequence of Sound on Religion
Howard, the Brooklyn-based outfit composed of Howard Feibusch (guitar, vocals), Alex Chakour (guitar, synth, backup vocals), Myles Heffernan (bass), and Chris Holdridge (drums), are thrilled to announce their new album, Together Alone, out September 14th on Fashion People.

The video for the album’s first single, “Your Honor,” was directed by Joey Abisso and premiered on NPR Music earlier this morning. He says, “We wanted to strike a unique balance between elegant, zany, and playful, which led to the ‘Life Magazine,’ Monty Python, construction paper visual combo of the final video. The weird little story came about pretty organically alongside the visual style…it was a lot of fun directing everyone to make silly facial expressions at various angles and dropping the results onto their animated bodies.” Watch the video below.

Watch Howard’s “Your Honor” video — 
https://youtu.be/JXRHCs5ZZms
Together Alone follows Howard’s debut album, 2015’s Religion, and it’s companion EP, Please Recycle. It’s the first album from 30-year-old multifaceted bandleader Howard Feibusch’s project to be recorded with the full band that so capably toured behind Religion; it’s also an aching, restless, and altogether lovely document of the paradoxical sensation in which we feel more isolated than ever in the face of increasing togetherness and connectivity—a modern sentiment wrapped in music that’s timeless in its timbre.

Together Alone finds Howard venturing further out of their comfort zone and using their full-band capabilities to their greatest advantage—a full-bodied warmth, aided by horn contributions from the famed Daptone musical family. No sonic stone is left unturned here, from the gently rollicking and subtly psychedelic “Mothers Wedding” (shared last fall) to the brittle, dusty desert rock of “Oh Dear Brother.” You can hear a variety of influences here, from the winsome sounds of Athens’ Elephant 6 collective to Amnesiac-era Radiohead and the distant lullabies of the Everly Brothers—but they all coalesce to form a sound that is truly its own. It’s untethered from the present and applicable to the plight of humanity at large—but it represents Feibusch and his band finding themselves, too, necessary hope for anyone who’s ever dreamed of turning the thoughts in their heads into something tangible and real.

Listen/Share:
“Mother’s Wedding” stream (first single from Together Alone) — https://spoti.fi/2xJ1Wab
“Ooh Baby Baby” stream (Smokey Robinson cover) — https://spoti.fi/2sFVyuK
“Tracks of My Tears” stream (Smokey Robinson cover) — https://spoti.fi/2Jku2dv
Stream Religion (2015) — https://spoti.fi/2xHCulr
Stream Please Recycle EP (2016) — https://spoti.fi/2HkDHyG



Pre-order Together Alone — https://listentohoward.bandcamp.com/

Download hi-res images & album art — http://pitchperfectpr.com/howard/

(Together Alone Cover Art)

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Flasher – Constant Image

Opening with something that sounds like a song you’d hear on the tape deck of one of those Blade Runner flying cars, Flasher‘s debut full-length album, Constant Image, is strongly self-assured post-punk.  That opening track, “Go,” encourages you to “suck it up” and get ready for a fast ride.

“Pressure” builds with its namesake until the chorus, and even then it doesn’t let up too much.  Daniel Saperstein‘s bass seems like it’s all over the place, but he grounds the tune like metal stakes into circus tent loops.  I like how Saperstein’s vocals blend with those of Emma Baker (drums) and Taylor Mulitz (guitar) on “Sun Come and Golden.”  The whole track has a brightness to it, but it doesn’t ignore the shadows caused.  “Material” raises the attitude of the record, as Mulitz’s vocals border on snotty punk and throw down the right amount of tongue-in-cheek sass.

Mulitz’s guitar buzzes like a green hornet on “XYZ.”  It’s one of the hottest cuts on the record as Flasher sing about self-introspection and the expectations of their generation and the ones before and after them.  As good as it is, “Who’s Got Time?” is even better.  Saperstein unloads on it.  It has a rough urgency and is yet highly danceable.  “Skim Milk” was their first single, and it’s easy to hear why they chose it.  Mulitz’s guitar is precise and fuzzy when it needs to be, Baker keeps time and thrashes when she needs to, and Saperstein keeps up his serial killing of bass grooves.  Their triple vocals weave together well and it’s pretty much everything you want in a post-punk song.

There’s a neat piano riff underlining “Harsh Light” while Mulitz sings, “Every corner that you turn, you never learn.”  Good grief, can’t we all relate to that at times?  “Punching Up” has a bit of a punch-drunk beat to it, with Baker providing co-lead vocals and a Pixies-like rhythm.  The Pixies influence is thick on the entire track with its back-and-forth bouncing between soothing guitars and heavy distortion.  “Business Unusual” would be a great name for a TV show or comic book, but it’s instead about a “man, now a boy in blue, this whole world’s got it out for you.”  It also throws in some saxophone (a welcome addition to any post-punk record) with the quirky guitars and the repeated question from Flasher – “What’s the worst thing you’ve ever done?”

It’s the last lyric of the album.  Are they asking us to reflect and perhaps realize it isn’t that bad?  Are they asking us to forgive ourselves?   The name of the album is, after all, Constant Image.  We all constantly project different images of ourselves, and often to cover up what we think are horrible flaws but are usually things about which no one cares.  Most of the things we worry about never happen.  Flasher want us to know this, I think.  We should thank them for the reminder.  You can do it by buying this record.

Keep your mind open.

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DJ set list for June 07, 2018

Thanks to all who listened to my show on WSND last night.  My nephew, Cody (AKA C-Hav) was my guest, and he picked out some of the songs.  Here’s our set list:

  1. Duran Duran – Planet Earth
  2. Zombie Zombie – Acera
  3. Peaking Lights – Amazing and Wonderful
  4. Sturgill Simpson – Turtles All the Way Down (requested)
  5. Stepford Wives radio ad
  6. The Damned – Standing on the Edge of Tomorrow
  7. ZZ Top – TV Dinners
  8. Spice Boys – Spice City Boys
  9. Fozzy – Judas
  10. The Walk-a-Bout – Things Are Looking Up
  11. Bear in Heaven – Lovesick Teenagers
  12. TV on the Radio – Nobody Else
  13. Eager Beavers – Hamm’s beer radio ad
  14. A Place to Bury Strangers – Act Your Age
  15. Skyland Drive-In Theatre intermission
  16. The Who – Under My Thumb
  17. The Clash – The Magnificent Seven
  18. White Manna – Acid Head
  19. Napoleon XIV – They’re Coming to Take Me Away (requested)
  20. John Williams – Duel of the Fates
  21. King Gizzard and the Lizard Wizard – The Acrid Corpse
  22. Frankenstein’s Bloody Terror radio ad
  23. The The – Infected (requested)
  24. Stardeath and White Dwarf – The Age of the Freak
  25. The Kut – Mind Games
  26. Three Days Grace – Never Too Late
  27. Deap Vally – End of the World
  28. Oingo Boingo – Wild Sex (in the Working Class)
  29. Pink Floyd – Fearless (requested)
  30. Oh Sees – Drowned Beast

I’m back on air on June 13th at midnight.  Give me a listen if you’re up late.

Keep your mind open.

[Don’t forget to subscribe before you go.]

Unknown Mortal Orchestra’s new single, “Hunnybee,” is a delightful treat.

UNKNOWN MORTAL ORCHESTRA SHARE VIDEO
FOR NEW SINGLE “HUNNYBEE”

Today, Unknown Mortal Orchestra share a new video for album track and single “Hunnybee.” From the day their new album Sex & Food was released, it was clear “Hunnybee” was really hitting a chord with fans in a special way.  A live show favorite, the song draws lyrical inspiration from UMO mastermind Ruban Nielson‘s daughter, whose middle name gave the song its title. A beautifully understated song, it still moves with propulsion that gives fans reason to dance. The video remains stylistically in tune with previous videos for Sex & Food‘s previous singles “Everyone Acts Crazy Nowadays” and “American Guilt.” Watch it below.
WATCH “HUNNYBEE”
https://www.youtube.com/watch?v=IJrKlSkxRHAYOUTUBE EMBED:
<iframe width=“560” height=“315″ src=”//www.youtube.com/embed/IJrKlSkxRHA” frameborder=”0″ allowfullscreen></iframe>

LISTEN TO SEX & FOOD
https://unknownmortalorchestra.lnk.to/sexandfood

UMO TOUR DATES:
June 10 – Hilvarenbeek, Netherlands @ Best Kept Secret Festival
July 6 – Richmond, VA @ The National w/ Shamir
July 7 – Asheville, NC @ The Orange Peel w/ Shamir
July 8 – Atlanta, GA @ Variety Playhouse w/ Shamir
July 9 – Athens, GA @ Georgia Theatre w/ Shamir
July 11 – New Orleans, LA @ Republic w/ Shamir
July 12 – Houston, TX @ White Oak Music Hall w/ Shamir
July 13 – Austin, TX @ Stubbs BBQ w/ Shamir
July 14 – Dallas, TX @ Granada Theater w/ Shamir
July 16 – Englewood, CO @ Gothic Theatre w/ Shamir
July 17 – Ogden, UT @ Ogden Amphitheatre w/ Sylvan Esso, Shamir
July 18 – Las Vegas, NV @ Vinyl at Hard Rock w/ Shamir
July 19 – Phoenix, AZ @ Crescent Ballroom w/ Shamir
July 21 – Santa Ana, CA @ The Observatory
July 23 – Missoula, MT @ The Top Hat
July 24 – Billings, MT @ The Pub Station
July 26 – Madison, WI @ Majestic Theatre
July 27 – Chicago, IL @ House of Vans
August 9 – Budapest, Hungary @ Sziget Festival
August 10 – Basel, Switzerland @ Open Air Basel
August 11 – Copenhagen, Denmark @ Haven
August 16 – Hasselt, Belgium @ Pukkelpop Festival
September 5 – Christchurch, New Zealand @ The Foundry Bar
September 6 – Dunedin, New Zealand @ Glenroy Auditorium
September 7 – Wellington, New Zealand @ Hunter Lounge
September 8 – Auckland, New Zealand @ Auckland Town Hall
September 12 – Melbourne, Australia @ Forum Theatre
September 14 – Adelaide, Australia @ Fat Controller
September 15 – South Brisbane, Australia @ Brisbane Festival
September 16 – Newtown, Australia @ Enmore Theatre
September 18 – Perth, Australia @ Badlands
September 23 – Tokyo, Japan @ WWWX
October 4 – Guadalajara, Mexico @ C3 Stage
October 6 – Lomas Atlas, Mexico @ Festival Hipnosis @ Deportivo Lomas Atlas
November 19 – Birmingham, UK @ O2 Institute
November 21 – London, UK @ Royal Albert Hall
November 22 – Brighton, UK @ Concorde 2
November 23 – Sheffield, UK @ The Leadmill
November 25 – Dublin, Ireland @ The Academy
November 26 – Glasgow, UK @ O2 ABC

Watch “Not In Love We’re Just High” – http://www.youtube.com/watch?v=uY82vChor2A
Watch “Everyone Acts Crazy Nowadays” – https://youtu.be/ad2Iy0DMCWU
Watch “American Guilt” – https://www.youtube.com/watch?v=4-JlcmCxIXU
Download hi-res images here: http://pitchperfectpr.com/unknown-mortal-orchestra/
UMO Online:
https://twitter.com/umo
http://unknownmortalorchestra.com/
http://instagram.com/unknownmortalorchestra
http://www.jagjaguwar.com/artist.php?name=umo
https://www.facebook.com/unknownmortalorchestraKeep your mind open.

[Be a honey and subscribe.]

The Beths release catchy new single – “Happy Unhappy”

The Beths Share New Single “Happy Unhappy”
Watch The Video HereU.S. Tour Begins Next Week

Future Me Hates Me Out August 10th On Carpark Records

[Photo by Mason Fairey]

“a young band that knows exactly who they are flexing some impressive versatility” – Stereogum
The Beths are sharing the second single, “Happy Unhappy,” from Future Me Hates Me, their debut album coming out August 10th on Carpark Records. The accompanying video directed by Callum Devlin debuts today via Noisey. Front and center is lead singer and primary songwriter Elizabeth Stokes. Stokes commands a vocal range that spans from the brash confidence of Joan Jett to the disarming vulnerability of Jenny Lewis.The Beths occupy a warm, energetic sonic space between joyful hooks, sun-soaked harmonies, and acerbic lyrics. Future Me Hates Me delivers an astonishment of roadtrip-ready pleasures, each song hitting your ears with an exhilarating endorphin rush like the first time you heard Slanted and Enchanted or “Cannonball.”

All four members of The Beths studied jazz at university, resulting in a toolkit of deft instrumental chops and tricked-out arrangements that operate on a level rarely found in guitar-pop. The Beths’ guitarist and studio guru Jonathan Pearce (whose other acts as producer include recent Captured Tracks’ signing Wax Chattels) brings it all home with an approach that’s equal parts seasoned perfectionist and D.I.Y.

The Beths recently toured Europe and will begin a U.S. run next week at Alphaville in Brooklyn, NY. These early shows in support of Future Me Hates Me mark their first time ever playing outside of New Zealand and Australia. A full list of dates is below.

Watch The Beths’ “Happy Unhappy” Video:
https://www.youtube.com/watch?v=ct8AwQwlbNA

“Future Me Hates Me” Video:
https://www.youtube.com/watch?v=iVImwSb4EYU
The Beths Tour Dates:
June 11th – Brooklyn, NY – Alphaville *
June 13th – Philadelphia, PA – Ortlieb’s
June 14th – Washington, DC – Loves Me Not
June 16th – Chicago, IL – Charm School
June 20th – San Francisco, CA – The Battery
June 22nd – Los Angeles, CA – Make Out Music
* w/ Peach Kelli Pop

[Future Me Hates Me artwork]

Keep your mind open.
[I’ll be happy if you subscribe, unhappy if you don’t.]

The Damned – Evil Spirits

Let’s face it, not all punk rock ages well.  This isn’t the case with the Damned, however (and most classic punk bands, actually.).  Their newest album, Evil Spirits, is a fine return for them with tracks written by multiple members of the band.

Starting with the slightly creepy “Standing on the Edge of Tomorrow,” lead singer David Vanian (whose voice only seems to have improved with age) pleads with “this dystopian generation” to fix things for future generations before it’s too late for them.  Guitarist Captain Sensible‘s riffs blend into the sound of passing fighter jets by the end of it.  “Devil in Disguise” has a bass heavy groove and barely disguised lyrics (again, masterfully sung by Vanian) about current political leaders (i.e., “Don’t understate the state we’re in.  Don’t misconstrue my sideways grin, ‘cos you’re the one that let me in.” / “As you build your walls and empires fall, it seems the truth doesn’t matter anymore.”).  “We’re So Nice,” written by the Captain, is a punk anthem with a slick beat by Pinch and lyrics about being careful not to fall into complacency.

In case you were doubting the Damned have opinions on the current political landscape, look no further than “Look Left.”  It’s almost a gothic ballad as Vanian sings, “Subterfuge and fantasy played only to ignite.  While everybody’s looking left, what the hell is happening right?”  Keyboardist Monty Oxymoron‘s work on the track is subtle but crucial.  “Evil Spirits” is the kind of song Kaiser Chiefs want to write on that crushing rock album in the back of their heads.  Capt. Sensible shreds on it and his lyrics convey a bit of “Meet the old boss, same as the new boss” aesthetic.  Oxymoron also gets to go wonderfully bonkers by the end of it.

It’s easy to forget that the Damned started as a goth-punk band, but “Shadow Evocation” will remind you of their roots.  Vanian sings about ghosts, lurking in the night, and the devil chasing him towards death.  Capt. Sensible dives into the realm of conspiracy theory with “Sonar Deceit” as Vanian sings Sensible’s lyrics about sea fish swimming into fresh water rivers, whales dying on shores, dolphins going mad, and submarines doing nefarious things.  “Procrastination” encourages all of us to achieve our dreams while we still have time (“I’d like to see the pyramids at this time of the year, but never quite get round to it and end up staying here.”).

“The Daily Liar” is a plea for truth in news and for someone, anyone to cut through the “smoke and mirrors” of the 24-hour news cycle.  “I’m drowning in a raging sea of words,” Vanian sings.  Aren’t we all?  The closer, “I Don’t Care,” is a great companion to “The Daily Liar,” as Vanian admits all the white noise of mass media and political mudslinging has left him apathetic about all of it.  It starts with sad piano by Oxymoron and almost fades out before the whole band rushes in to shake you awake.

It’s a good return from these legends, who are still fiery live as well.  It’s a wake-up call, and a welcome one.

Keep your mind open.

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Here Lies Man release new single – “You Will Know Nothing” – from album due June 15th.

Here Lies Man share “Taking The Blame” from forthcoming album You Will Know Nothing
Antibalas members “if Black Sabbath played Afrobeat”
Hear & share “Taking The Blame” (YouTube) (Bandcamp)
“An evolutionary step forward for their sound.” – Metal Hammer
“A woozy wall of Afrobeat inspired fuzzbox riff worship and pounding circular rhythmic power, Here Lies Man connect the stoner rock underground straight to downtown Lagos.” – The Quietus
“This is a band ahead of their time.” — The Obelisk

Los Angeles quintet Here Lies Man share a new single from their forthcoming highly anticipated sophomore album today via The Obelisk. Hear and share “Taking The Blame” HERE and at Bandcamp and YouTube. The album, You Will Know Nothing will be released June 15th via RidingEasy Records.
Earlier in the month, the band released “That Much Closer To Nothing” via YouTube. Back in March, the band dropped the first song, “Fighting” via YouTube.
Here Lies Man play the prestigious Primavera Sound festival in Barcelona, Spain tomorrow before hitting the road with Earthless in June. Later in Fall, the band hits the massive Desert Daze festival in Southern California. Please see current dates below.
Here Lies Man took the music world by storm in 2017 with their self-titled debut positing the intriguing hypothesis: What if Black Sabbath played Afrobeat?
Rough Trade named Here Lies Man in their prestigious Top 10 Albums of 2017. BBC 6 & Classic Rock Magazine deemed it among the year’s best, as well as countless other press outlets singing its praises.
This June, the L.A. band comprised of Antibalas members quickly follow their auspicious debut with the even more thoroughly realized album You Will Know Nothing. Its 11 tracks expand upon the band’s exploration of heavy riff-based rock and psych within the ancient rhythmic formula of the clave.
“We’re very conscious of how the rhythms service the riffs,” explains founder and vocalist/guitarist/multi-instrumentalist Marcos Garcia (who also plays guitar in Antibalas) of the band’s sound. “Tony Iommi‘s (Black Sabbath) innovation was to make the riff the organizing principle of a song. We are taking that same approach but employing a different organizing principle: For Iommi it was the blues, for us it comes directly from Africa.”
Sonically, on You Will Know Nothing the dynamic range is thicker, crisper and more powerful. It glistens as much as it blasts. The songs are even catchier, more anthemic, and the production reflects that of a band truly come into its own. Lyrically, it’s an equally more conceptualized effort that reflects upon states of being and consciousness – a driving force that carries throughout the words and moods of all of the band’s releases, interconnected to their trancelike music. Here Lies Man have honed their sound and their focus, and soon, you will truly know Nothing.
“We wanted to go deeper with the sonic experience,” says Garcia. “Even though it sounds more hi-fi than the first record, it was important that it didn’t sound too polished.”
While You Will Know Nothing certainly maintains its gritty grooves, there’s an interesting conceptual mathematics to the entire proceedings. “There are interludes between each song that are 2/3 to 3/4 of the tempo of the previous song,” Garcia says. “The reason it breaks down to 2 over 3 or 3 over 4 is that everything in the music rhythmically corresponds to a set of mathematical algorithms known as the clave. The clave is an ancient organizing rhythmic principle developed in Africa.”
“We dove deep into the texture of the music, beyond the groove and the riff,” says HLM cofounder and drummer Geoff Mann (former Antibalas drummer and son of jazz musician Herbie Mann.) “Although something might sound like one instrument, there are subtle layers shifting through. It’s definitely a headphone album.”
Garcia and Mann recorded the album much like they did the debut, at their own L.A. studio on a Tascam 388 8-track tape machine. Congas were later recorded by percussionists Richard Panta and Reinaldo DeJesus. Then, Garcia went to NY to record interludes with former Antibalas keyboardist Victor Axelrod. Mixing took the most time in order to find the proper sonic space for each layer of musical detail, with first album engineer Jeremy Page mixing the drums and the band tackling the remainder while also juggling a hectic touring schedule.
Here Lies Man has already spent much of early 2018 on tour, with dates supporting Antibalas and Fu Manchu as well as a headlining trek through the EU & UK. Many summer festival dates and headline tours await later in the year as Here Lies Man continues its infectious charge onward.
You Will Know Nothing will be available on LP, CD and download on June 15th, 2018 via RidingEasy Records.
HERE LIES MAN LIVE 2018:
05/31 Barcelona, ES @ Primavera Sound Festival 
06/02 Dudingen, CH @ Bad Bonn Kilbi
06/05 Asheville, NC @ Mothlight *
06/06 Atlanta, GA @ Masquerade *
06/07 Spartansburg, SC @ Ground Zero *
06/08 Orlando, FL @ Wills Pub *
06/09 Tallahassee, FL @ The Wilbury *
06/10 Baton Rouge, LA @ Spanish Moon *
06/12 Houston, TX @ White Oak Upstairs *
06/13 Austin, TX @ Barracuda *
06/14 Ft Worth, TX @ Ridgela Room *
06/15 Memphis, TN @ Growlers *
06/26 Seattle, WA @ Nectar Lounge
06/27 Bellingham, WA @ The Shakedown
06/28 Vancouver, BC @ Fox Cabaret
06/29 Portland, OR @ Star Theater
06/30 Grant’s Pass, OR @ The Haul
07/01 Chico, CA @ Naked Lounge
07/02 San Francisco, CA @ The Chapel
07/05 Los Angeles, CA @ Resident DTLA
08/24 Hudson Valley, NY @ Huichica Festival
08/31 Los Angeles, CA @ Levitt Pavillion (MacArthur Park)
10/12-14 Lake Perris, CA @ Desert Daze 2018
* w/ Earthless

Artist: Here Lies Man
Album: You Will Know Nothing
Label: RidingEasy Records
Release Date: June 15th, 2018
01. Animal Noises
02. Summon Fire
03. Blindness
04. That Much Closer
05. Hell (Wooly Tail)
06. Voices At The Window
07. Taking the Blame
08. Fighting
09. Floating On Water
10. Memory Games
11. You Ought To Know

On The Web:

Keep your mind open.
[You’ll know plenty about music when you subscribe.]

Riot Fest announces first wave of 2018 lineup.

As usual, Chicago’s annual Riot Fest is the festival Lollapalooza used to be and now dreams of being.  Also as usual, the Riot Fest lineup is impressive.  This first wave announcement packs some wallops.  Beck, Interpol, Cypress Hill, Bad Religion, Clutch, Digable Planets, Gary Numan, Killing Joke, Wolfmother, and Bully are all worth your time.  Tickets are on sale, and layaway options are available, so don’t wait until the second wave announcement if you want to get in on this.

Keep your mind open.

[It’d be a riot if you subscribed.]

BODEGA release sexy new single – “Gyrate” – and announce more summer tour dates.

BODEGA Shares New Single “Gyrate”
Watch The Video

July/August North American Tour Announced

Endless Scroll Out July 6th On What’s Your Rupture?

BODEGA have unveiled another new single, “Gyrate,” from their forthcoming debut album, Endless Scroll, coming out July 6th on What’s Your Rupture?. Nikki Belfiglio from the band said of the song, “When I was a little girl I used to masturbate in public (once at a JC Penny perfume counter). My parents, not wishing to shame me told me I shouldn’t ‘gyrate’ in front of other people. My song uses the language of Top 40 pop to celebrate self-sustainability and female pleasure.” Note the lyrics, “In the middle of a party. In the middle of the floor. You can get it all out right now. Wiggle your ass around. Feel the vibes coming up through your toes. Let it all go. You must have to gyrate it,” sings Nikki who also directed the accompanying video.
Watch BODEGA”s “Gyrate” Video”
https://youtu.be/Pyr-gS3LCCA
Limited physical copies of Endless Scroll will be available at BODEGA’s Sunnyvale show in Brooklyn this Friday, June 1st, and throughout their June U.S. dates while supplies last. Following another European run in July, BODEGA will tour North America throughout July and August. This summer marks the first time BODEGA will play many of these cities. A full list of dates is below.
Watch:
“Gyrate” video – https://youtu.be/Pyr-gS3LCCA
“Jack In Titanic” video – https://youtu.be/2PmC3y-ktBM
“Can’t Knock The Hustle” video – https://youtu.be/sm5fWJDJicI
“How Did This Happen ?!” video – https://youtu.be/TKAzK41-YHM
BODEGA Tour Dates (new dates in bold):
Fri. June 1 – Brooklyn, NY @ Sunnyvale
Sat. June 16 – Toronto, ON @ The Rivoli
Sun. June 17 – Cleveland, OH @ Beachland Tavern
Mon. June 18 – Detroit, MI @ Marble Bar
Tue. June 19 – Chicago, IL @ Empty Bottle
Thu. June 21 – Nashville, TN @ The High Watt
Fri. June 22 – Bloomington, IN @ The Bishop
Sat. June 23 – Lawrence, KS @ Jackpot
Sun. June 24 – Iowa City, IA @ The Mill
Mon. June 25 – St. Paul, MN @ Turf Club
TUe. June 26 – Milwaukee, WI @ The Cactus Club
Wed. June 27 – Columbus, OH @ Used Kids Records
Thu. June 28 – Athens, OH @ The Union
Fri. June 29 – Washington, DC @ DC9
Sat. June 30 – Philadelphia, PA @ Everybody Hits
Tue. July 10 – Manchester, UK @ Soup Kitchen (tickets)
Wed. July 11 – Birmingham, UK @ The Sunflower Lounge (tickets)
Fri. July 13 – Beccles, UK @ Latitude Festival (tickets)
Mon. July 16 – Nijmegen, NL @ Valkhof Festival (tickets)
Thu. July 19 – Port Grimaud, FR @ Plage de Rock w/ Parquet Courts
Sat. July 21 – Benicassim, ES @ Benicassim Festival (tickets)
Sun. July 29 – Richmond, VA @ Strange Matter
Mon. July 30 – Durham, NC @ Pinhook
Tue. July 31 – Atlanta, GA @ The Earl
Wed. Aug. 1 – New Orleans, LA @ Gasa Gasa
Fri. Aug. 3 – Fort Worth, TX @ MASS
Sat. Aug. 4 – Austin, TX @ Austin
Tue. Aug. 7 – Phoenix, AZ @ Valley Bar
Wed. Aug. 8 – Los Angeles, CA @ Moroccan Lounge
Fri. Aug. 10 – San Francisco, CA @ Hemlock Tavern
Sun. Aug. 12 – Portland, OR @ Bunk Bar
Mon. Aug. 13 – Seattle, WA @ Barboza
Tue. Aug. 14 – Vancouver, BC @ Fox Cabaret

[Endless Scroll artwork]
Keep your mind open.
[Wiggle over to the subscription box and drop me your e-mail address.]

Love Hustler signs with Jumpsuit Records and will release first single for them June 5th.

Love Hustler’s Adam Rudolph and Matt Cashdollar announced the official release of their single “Sinderella” with San Francisco’s Jumpsuit Records.

“We feel very fortunate to be a part of the Jumpsuit Records family. The label has proven to be driven by such a positive nature, we jumped at the opportunity to add to the vibe.” said Adam Rudolph, one half of the electronic band Love Hustler.

FIRST INDEPENDENT LABEL RELEASE

After two self-releases, Love Hustler set out to procure distribution in markets previously untapped. Love Hustler, an emerging electronic music duo, recently entered into a contract with Jumpsuit Records for the release of their new single “Sinderella”, available for purchase/download Tuesday, June 5th on iTunes, Spotify, Amazon and more. The debut release of with Jumpsuit Records will ultimately introduce the band to the growing audience commanded by label founder David Sugalski (AKA The Polish Ambassador) as well as the diverse audiences of all Jumpsuit Records artists.

“We plan to grow with the label,” said Matt Cashdollar, of Love Hustler. “Jumpsuit is making waves in the industry on many levels.”

“SINDERELLA” AVAILABLE FOR DOWNLOAD 6/5/2018

Formed in 2009, Love Hustler’s Adam Rudolph and Matt Cashdollar have created a live dance music experience merging analog and digital instruments in a live format. From synth pop styles to downtempo funk, the LH brand of electronic music is one to keep your eyes and ears on.

Keep your mind open.

[Hustle on over to the subscription box and drop me your e-mail address.]