Wild Nothing’s groovy new single, “Partners in Motion,” is a sweet track for the summer.

Wild Nothing Presents “Partners In Motion,”
New Single Off Indigo, Out August 31st On Captured Tracks

Listen HERE

photo credit – Cara Robbins
 “a project that has virtually perfected the art of writing about romance”
Vulture, Summer Music Preview

“an intoxicating, pristine cut of melancholy pop”
The A.V. Club, 2018’s Second Half Preview

“A retro sensibility is nothing new for Tatum, but the urge sounds more fleshed out on
[‘Letting Go’], more bright and ambitious. . . The effort to stay true to his digital
creations shines through in the tight, sparkly rendering.” — Stereogum

“[‘Letting Go’]s chiming guitar and Tatum’s sweet falsetto in the chorus bring you to a pastel-painted room where there’s a slow-motion pillow fight going on.” — Paste

“On ‘Letting Go,’ Jack Tatum’s Wild Nothing project is working in familiar dreamy and nostalgic territory, though this is a little more frenetic and muscular than usual. By the time the bridge hits, though, Wild Nothing shows a willingness to experiment and wade into uncomfortable waters. It’s enough to pique interest into what’s to come.” – Uproxx

Wild Nothing, the project of Los Angeles-based Jack Tatum, will release his fourth album, Indigo, on August 31st via Captured Tracks. He’ll tour North America for a month beginning mid-October with newly announced support, Men I Trust. After presenting the chiming guitar and sweeping synths of lead single, “Letting Go,” Wild Nothing now shares the ’80s-heavy “Partners In Motion” featuring saxophonist Taylor Plenn. As discussed with FADER, it’s a song he’s been inching towards for years.

Recorded at LA’s Sunset Sound and produced by Tatum and Jorge Elbrecht, Indigo is its own cyborg world, utilizing the artful mechanisms of human touch with the precision of technology to create the classic, pristine sound Tatum has been seeking his entire career. After a decade of making music as Wild Nothing, Indigo finds Tatum at his most efficient, calculated, and confident. It’s both a return to the fresh, transcendent sweep of his debut, 2010’s Gemini, and a culmination of heights reached, paths traveled, and lessons learned while creating the follow-ups, Nocturne and Life of Pause.

To make Indigo, Tatum confronted the Man vs. Machine dichotomy by seizing on the surrounding synergy. In his studio, he would write pieces of songs with whatever instruments and programs held his interest on any given day. He built a series of highly detailed demos, intending to record the final package swiftly with a live band in a studio and in a clear, bright, 1980’s-inspired fidelity. “I wanted it to sound like a classic studio record, as close as I could get it there. It just boils down to me wanting to fit into some larger narrative, musically, in terms of these artists I love,” says Tatum. “I think about how my music will age. Ideas of ‘timeless’ are going to be different—so if Indigo is not timeless then it’s at least ‘out of time.’”

Stream “Partners In Motion” –
https://youtu.be/6ksagHpqCKo

Stream “Letting Go” –
https://WildNothing.lnk.to/LettingGo

Pre-order Indigo
https://WildNothing.lnk.to/Indigo

Wild Nothing Tour Dates:
(all shows with Men I Trust)
Tue. Oct. 16 – Carrboro, NC @ Cat’s Cradle
Wed. Oct. 17 – Atlanta, GA @ Terminal West
Thu. Oct. 18 – Birmingham, AL @ Saturn
Fri. Oct. 19 – New Orleans, LA @ Gasa Gasa
Sat. Oct. 20 – Houston, TX @ White Oak Music Hall
Sun. Oct. 21 – Austin, TX @ Mohawk
Tue. Oct. 23 – Santa Fe, NM @ Meow Wolf
Wed. Oct. 24 – Phoenix, AZ @ Crescent Ballroom
Thu. Oct. 25 – Santa Ana, CA @ Observatory
Fri. Oct. 26 – Los Angeles, CA @ The Regent Theater
Sat. Oct. 27 – San Francisco, CA @ The Independent
Tue. Oct. 30 – Portland, OR @ Revolution Hall
Wed. Oct. 31 – Vancouver, BC @ Imperial Vancouver
Thu. Nov. 1 – Seattle, WA @ Neumos
Fri. Nov. 2 – Boise, ID @ Neurolux
Sat. Nov. 3 – Salt Lake City, UT @ Urban Lounge
Sun. Nov. 4 – Denver, CO @ Bluebird Theater
Tue. Nov. 6 – Omaha, NE @ The Slowdown
Wed. Nov. 7 – Minneapolis, MN @ Cedar Cultural Center
Thu. Nov. 8 – Madison, WI @ Majestic Theatre
Fri. Nov. 9 – Chicago, IL @ Thalia Hall
Sat. Nov. 10 – Detroit, MI @ El Club
Mon. Nov. 12 – Toronto, ON @ Opera House
Tue. Nov. 13 – Montreal, QC @ Corona Theatre
Wed. Nov. 14 – Boston, MA @ Royale Nightclub
Fri. Nov. 16 – Brooklyn, NY @ Brooklyn Steel
Sat. Nov. 17 – Philadelphia, PA @ Underground Arts
Sun. Nov. 18 – Washington, DC @ 9:30 Club

Download hi-res press images and cover art –
www.pitchperfectpr.com/wild-nothing/

Indigo cover art
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Pitchfork Music Festival artist spotlight: Zola Jesus

Singer, songwriter, and electro / goth musician Zola Jesus will be playing an early set on Saturday at Chicago’s Pitchfork Music Festival.  Her voice is something to behold, and her near-darkwave music will be jarring under the afternoon sun.  There is a chance of rain, however, and that would be perfect for her somber songs.  Don’t miss this one.

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Pitchfork Music Festival artist spotlight: Tame Impala

Australian psych-rockers Tame Impala have a huge following.  They’ve been together since 2007 and have produced quite a bit of material in the last 11 years.  I missed them in Austin a few years ago when they played the Levitation festival there, but they’re closing the Pitchfork Music Festival on Friday.  I’m sure it will be a packed set and a big freak-out for a crowd dehydrated, sunburned, and fuzzy from alcohol, fried chicken, and other odd substances.

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Pitchfork Music Festival artist spotlight: Tierra Whack

Replacing Earl SweatshirtPitchfork Music Festival , who has cancelled his upcoming performance at Chicago’s (possibly due to recent depression issues over the death of his father, some sources say), Tierra Whack is a welcome addition with her experimental hip hop and visual artistry.  She has a lovely voice, fine mic skills, and a neat aesthetic that combines hip hop culture with 80’s retro, glam, and soul.

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Pitchfork Music Festival artist spotlight: Mount Kimbie

The British electro duo Mount Kimbie make neat music that combines synthetic beats with dream-pop vocals, guitar, and some live percussion.  They’re another band that’s new on my radar.  I love discovering new bands through festivals, and their performance at the Pitchfork Music Festival might be a nice surprise.

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Pitchfork Music Festival artist spotlight: Open Mike Eagle

Hometown artist Open Mike Eagle will be working the Blue Stage on July 20th at this year’s Pitchfork Music Festival in Chicago.  Mr. Eagle has a good blend of electronic beats and a smooth flow that discusses issues serious to him, his hometown, and the world in general.  I haven’t heard much of his material, but I do like the few things I have heard.  It should be an interesting set.

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Pitchfork Music Festival artist spotlight: Joshua Abrams and the Natural Information Society

It’s a bit hard to describe Joshua Abrams and the Natural Information Society, but the best word is probably “minimalist.”  They play an interesting form of minimalist jazz and low rock that’s centered around Abrams’ love and mastery of a three-stringed African guimbri lute.  Their stuff can be both meditative and danceable.  I first caught them at Levitation Chicago a while back, and they put on a good show then.  It will be interesting to catch them in an outdoor venue this year at the Pitchfork Music Festival.

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Pitchfork Music Festival Artist Spotlight: Melkbelly

Chicago noise-punk outfit Melkbelly are playing one of the earliest sets (1:45pm on Friday) at this year’s Pitchfork Music Festival in their hometown, and it would be well worth leaving work early to see them.  Their fierce rock has an edge to it that will slap you out of your doldrums and fire you up for the rest of the festival.  Their 2017 album Nothing Valley was one of the best of the year, and I’ve heard their live performances are game-changing.  Don’t miss them.

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Kalamazoo, Michigan’s Audiotree Music Festival releases lineups for 2018.

AUDIOTREE MUSIC FESTIVAL ANNOUNCES WIDR STAGE LINEUP

CO-BOOKED BY WMU’S STUDENT RADIO STATION, WIDR-FM

SEPTEMBER 22-23 IN KALAMAZOO, MI

TICKETS AVAILABLE NOW

 

Audiotree Music Festival is returning to Kalamazoo’s Arcadia Creek Festival Place on Saturday, September 22nd and Sunday, September 23rd for the 6th year in a row. The main stage lineup was announced last month, featuring Father John Misty, Local Natives, Real Estate, Khruangbin, and more. Now, the festival has shared its WIDR Stage lineup, featuring Slow Mass, Michigander, Pool Holograph, McKinley Dixon, and Miranda Winters amongst others.

Booked in collaboration with Western Michigan University’s student radio station, WIDR-FM, The WIDR Stage will present a dozen up-and-coming artists that are predominantly from Kalamazoo, Grand Rapids, and Chicago. ATMF has worked with WIDR-FM for the last 5 years, but this is the first time that the station has participated in the festival’s booking process.

Audiotree Music Festival and its namesake company, Audiotree, were founded by Kalamazoo natives Michael Johnston and Adam Thurston. The duo have always  made an effort to ensure that the company and the fest share a unifying goal: to provide a platform for artists and fans to discover one another through live performances. With the addition of the WIDR Stage, ATMF attendees now have an opportunity to see new artists from their hometown and neighboring cities.

In addition to music, the festival will offer a variety of craft beer, food trucks, and specialty vendors from the Kalamazoo area. The fest is all ages and children under the age of 10 get free admission with an adult.

PURCHASE TICKETS
Single Day General Admission – $45
Two Day General Admission – $80
Single Day VIP – $75
Two Day VIP – $135

WATCH AUDIOTREE MUSIC FESTIVAL TRAILER

LEARN MORE ABOUT AUDIOTREE

WIDR  STAGE LINEUP
Michigander – Grand Rapids
Slow Mass – Chicago
Miranda Winters – Chicago
Pool Holograph – Chicago
McKinley Dixon – Richmond
REZN – Chicago
Maybe April – Nashville
Moss Jaw – Kalamazoo
Lume – Michigan & Chicago
Jake Simmons & The Little Ghosts – Kalamazoo
Lushh – Kalamazoo
V.V. Lightbody – Chicago

MAIN STAGE LINEUP
Father John Misty
Local Natives
Khruangbin
Real Estate
Blitzen Trapper
Chicano Batman
Diet Cig
The Regrettes
Stuyedeyed
Flaural
Basement
Palm
Caamp
Common Holly
Major Murphy
NE-HI
Melkbelly
Post Animal

LINEUP BY DAY

SATURDAY, SEPTEMBER 22
Local Natives
Khruangbin
Basement
Diet Cig
The Regrettes
NE-HI
Melkbelly
Stuyedeyed
Flaural
Michigander
Miranda Winters
Maybe April
McKinley Dixon
V.V. Lightbody
Moss Jaw

SUNDAY, SEPTEMBER 23
Father John Misty
Real Estate
Chicano Batman
Blitzen Trapper
Post Animal
Palm
Caamp
Major Murphy
Common Holly
Jake Simmons
Lume
REZN
Pool Holograph
Slow Mass
Lushh

Audiotree Music Festival FAQ

Audiotree Music Festival Socials
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Steve Hauschildt releases “Alienself” from album due this August.

STEVE HAUSCHILDT SHARES “ALIENSELF
OFF UPCOMING ALBUM DISSOLVI


GHOSTLY INTERNATIONAL DEBUT OUT AUGUST 3

 

(photo credit: Maria Tzeka)

 

Today, electronic musician Steve Hauschildt shares “Alienself,” the second song off his new full-length and Ghostly International debut, Dissolvi (out August 3rd). “Alienself is a song that began in my live set and so I had the luxury of developing it gradually over the last two years,” says Hauschildt. “The final version features guitar by Rafael Irisarri in the first half of the track which then transitions into synthesized voices in the latter half. The song title refers to a psychoanalytical term which has to do with the development of a false aspect of the self and how mental states are not only envisioned in others but how they’re externalized or projected.”

The album’s title — a reference to cupio dissolvi, the Latin phrase meaning “I wish to be dissolved” — needn’t be taken one-­dimensionally or as purely solipsistic. Physiological phenomena are of interest to Hauschildt. These back­-of-­mind ruminations find their way out. Songs are cerebral in orientation, but beyond explanation, the music is truly visceral.

Late last month, Steve shared the first single off the record, the sublime “Saccade,” which featured vocals from Julianna Barwick. The album, which is his most collaborative work to date, also features a song with Gabrielle Herbst, aka GABI.  Watch visuals for “Alienself” and “Saccade” below (art by Robert Beatty).

LISTEN TO “ALIENSELF”
https://www.youtube.com/watch?v=P-7Y–KRHvQ&feature=youtu.be

LISTEN TO “SACCADE” (FEAT. JULIANNA BARWICK)
https://youtu.be/Tt7JiZutEDU
Pre-order Dissolvi:
Ghostly International — https://ghostly.com/products/dissolvi
Or at the retailer of your choice — https://Ghostly.lnk.to/steve-hauschildt-dissolvi

 

Download hi-res images & album art of Steve Hauschildt —
http://pitchperfectpr.com/steve-hauschildt/

Facebook | Twitter | Instagram | Bandcamp | Ghostly International

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