DJ set list for September 05, 2018

Thanks to everyone who listened to my final show of the 2018 summer.  Here’s my set list from the night.

  1. Afterdawn – Midnight
  2. The Whole Bolivian Army – Ah-Ah-Ah
  3. Interpol – The New
  4. Eat My Dust radio ad
  5. Humble Pie – 30 Days in the Hole (requested)
  6. The Living Strange – New Pet
  7. Yes – Owner of a Lonely Heart
  8. BODEGA – How Did This Happen?!
  9. The Blankz – (I Just Want to) Slam
  10. The Blankz – Baby’s Turning Blue
  11. Clutch – Hot Bottom Feeder
  12. Bashful Hips – Editors and Obits
  13. Ghostland Observatory – I’ll Be Suzy
  14. Errors – Canon
  15. White Denim – Magazin
  16. Vintage drive-in intermission spot
  17. The Flaming Lips – Gates of Steel
  18. Elephant Stone – Setting Sun
  19. Elephant Stone – Manipulator
  20. Elephant Stone – Motherless Child (Love’s Not for War)
  21. Yeah Yeah Yeahs – Maps (requested)
  22. Christina Perri – A Thousand Years (requested)
  23. The Black Crowes – My Morning Song (requested)
  24. Beanpole – Farmer Loved an Onion
  25. Joy Division – Love Will Tear Us Apart
  26. Bev Rage and the Drinks – Limp Wrist
  27. The Guess Who – No Sugar Tonight / New Mother Nature (requested)
  28. Lady Sings the Blues radio ad
  29. Buzzcocks – All Over You (live)
  30. Buzzcocks – Unthinkable (live)
  31. Mudhoney – Touch Me I’m Sick (live)
  32. Radiohead – The National Anthem

I should be back on air during the last half of December and first half of January.  Stay tuned!

Keep your mind open.

[Subscribe and never miss a playlist.]

Protomartyr – Consolation

Produced in part with Kelly Deal of the Breeders and Pixies, Protomartyr‘s four-song EP, Consolation, packs more punch than many double albums in the punk, post-punk, neo-rock, or alt-rock genres.

The opening squall of “Wait” is like the sound of the gates opening at the Kentucky Derby, and the band are four horses running in peak form.  Vocalist Joe Casey growls, yells, and snarls while drummer Alex Leonard seems to put down four different beats at once.

“Same Face in a Different Mirror” would be a great title for a giallo film from the 1970’s, and Greg Ahee‘s opening guitar riff is indeed creepy enough for a stylish Italian slasher film.  It’s like Protomartyr put Joy Division, Editors, and Bauhaus in a juicer and extracted the micronutrients from all three for one track.

The last two tracks feature Ms. Deal on backing vocals.  The first is “Wheel of Fortune,” and it’s easily one of the best tracks of the year.  It comes out swinging, not giving you much time to breathe in the first minute before it breaks down into something that sounds like the soundtrack from a ghost film.  Casey’s vocals slowly rise from the ground (lifted by Scott Davidson‘s fine bass work), unleashing some of his inner Nick Cave before the band kicks down the door.  Davidson’s bass walk opens “You Always Win” and Casey sings about a troubled relationship he can’t bring himself to leave while Ahee’s guitar shoegaze riffs are subtle and stunning at the same time and Leonard unleashes a quick drum solo, which are sorely missing from rock nowadays.

Consolation is sharp as a knife and one of the better EP releases of 2018, so don’t skip it.

Keep your mind open.

[Spin the wheel, make the deal.  Subscribe.]

 

The first cut from Thom Yorke’s soundtrack to the remake of “Suspiria” can now be heard.

Thom Yorke’s debut soundtrack Suspiria (Music for the Luca Guadagnino Film) will be released 26th October on XL Recordings.

Written by Thom for Luca Guadagnino’s reimagining of the 1977 Dario Argento horror classic, the soundtrack combines instrumental score with songs and interludes across a double album.

The album will be available across digital platforms, as well as 2-LP gatefold package pink vinyl and 2-CD physical versions. Pre-order now HERE.

Ahead of release, there will be a series of album playbacks in selected cities, and we would like to invite a number of fans to attend each event. If you wish to be considered for a place, please sign up here by 4pm BST on Thursday 6th September.

Suspiria

 

A1 –

  1. A Storm That Took Everything
  2. The Hooks
  3. Suspirium (WATCH VIDEO)
  4. Belongings Thrown In A River
  5. Has Ended
  6. Klemperer Walks
  7. Open Again

A2 –

  1. Sabbath Incantation
  2. The Inevitable Pull
  3. Olga’s Destruction (Volk tape)
  4. The Conjuring of Anke
  5. A Light Green
  6. Unmade
  7. The Jumps

B1 –

  1. Volk
  2. The Universe is Indifferent
  3. The Balance of Things
  4. A Soft Hand Across Your Face
  5. Suspirium Finale

B2 –

  1. A Choir of One
  2. Synthesizer Speaks
  3. The Room of Compartments
  4. An Audition
  5. Voiceless Terror
  6. The Epilogue

Keep your mind open.

[Don’t keep me in suspense.  Subscribe.]

Miss Red – K.O.

Weighing in at…I have no idea, actually, but she can’t be more than a featherweight, Miss Red has unloaded an album worthy of its title – K.O.

I described Miss Red’s music to a coworker as “Jamaican dancehall by way of Israel and Germany.”  He claimed not to understand it, but his head was bobbing and his hips were moving before he realized what was happening.

Collaborating once more with beat master the Bug, Miss Red throws out “Shock Out” like a quick jab testing her opponent’s guard.  When it lands at the 43-second mark, it about splits your nose open.  Red’s rapping is fast, smooth, sexy, and dangerous.  Bug’s beats are like a growling, prowling bear emerging from its den ready to devour anything in its path.  “Give me the money and pass me the mic,” Red sings on “One Shot Killer.”  “One move wrong and you’re gonna see me bite,” she warns / tempts before her vocals take on a smoky quality that is difficult to describe but wonderful to hear.

She bobs, weaves, and shuffle steps with amazing speed on “Money Machine.”  I don’t think she’s keeping up with the Bug’s thumping beats so much as they’re keeping up with her.  “Alarm” is a short banger, almost like a blitz of punches that disappears as quickly as it begins, like a set-up for a stronger blow.  That stronger blow is “War” – a dub mind-trip that feels as punch-drunk as it sounds.  “Come Again” has Red claiming her heavyweight (in terms of skill) title from people who can’t match her game.  The synth-bass on it is some of the biggest on the record, too.  “Big” has her letting everyone know she’s far bigger than her size would have you believe.  She might be small, but Miss Red is a giant throwing lighting bolts from thunderclouds once she grabs the mic.

“Clouds” is another trippy dub track, and the electronic beats on “Dust” bubble into a wicked brew.  “Dagga” is the first single off K.O., and it’s a good choice.  It highlights Red’s vocal chops and the Bug’s wicked beats well.  As good as that is, however, “Slay,” is downright jaw-dropping.  It’s an instant floor-filler and one of the hottest club tracks of 2018.  I can’t wait to hear this live.  Red brings a kinky swagger to her lyrics (more than usual) and the Bug’s beats and breakdowns almost aren’t fair to practicing DJ’s like yours truly.  The haunting “Memorial Day” belongs in a modern-day giallo film.  Red opts for more singing than rhyming, and the Bug’s beats crackle like a bowl of your favorite cereal.  The title track closes the album, and it’s a quick fadeout with Miss Red mostly chanting, “K.O.” throughout it.  It’s like having your bell rung and seeing the lights go out as you fall to the mat in blissful stupor.

Miss Red is a fierce opponent.  I wouldn’t want to face her in a rap battle, let alone in a street fight.  She’d probably seduce you with her agile vocals and then break at least one limb while your guard was down.  Still, you’d have a great story to tell afterwards.

Keep your mind open.

[Keep swinging by subscribing.]

Rewind Review: Le Bucherettes – A Raw Youth (2015)

Mexico’s Le Bucherettes manage to combine psychedelia, garage rock, snotty punk, and disco fever all into one band.  Their third album, A Raw Youth, covers everything from pre-2016 election anxiety to serial killers.

“Shave the Pride” gets it off to a loud, wild start with lead singer Terri Gender Bender belting out lyrics about anger and arrogance (“The size of your rage drowns my urge for lovin’.”).  “Mallely” has the disco synths of Jamie Aaron Aux and the powerful drumming of Chris Common throwing you into dance fits.  “Reason to Die Young” has Gender Bender claiming there’s “no sign of life in this hell hole,” but her assured vocals feel reassuring.  Her Iggy Pop influence can’t be denied in her vocals and stage presence, and it’s in full view on “La Uva” (“The Grape”) in which Pop sings guest vocals with her.  It’s a wild, Pixies-like track with its ebb and flow of volume and controlled, distorted chaos.  “Sold Less Than Gold” is a lyrically brutal song about child slavery that’s almost disguised as a pop song with its bright synths.

“Stab My Back” is a giant middle finger to a man who once tried to keep Bender down.  It’s like a Yeah Yeah Yeahs song combined with a kick in the nuts.  “They Fuck You Over” has Bender drawing a line in the sand against the 1% (“‘Winners’ never touch skins.  They know how to eat like bulldogs.  They fuck you over…I try to manage this game by doing the worst that I can.”).

“Witchles C Spot” is a bold, almost Metric-like tune about toxic love, fetish sex, and obsession.  It’s sexy, scary, and sinister all at once.  “The Hitch Hiker” is about a serial killer, and might be an ode to the 1986 film The Hitcher.  “Lonely & Drunk” is a powerful build up of synths, drums, and weird bass as Bender’s vocals slither out of your speakers as she sings about bad decisions made during bad times.  The bizarre title of “Oil the Shoe if the Critter Knew Any Better” is perfect for the weird lyrics about ghosts, eating your vegetables, and how screwed up a relationship can be if one doesn’t face fears.  The closer, “My Half,” is a warped song about love and possibly Bender’s Electra complex with guest guitar and synth-bass work by John Frusciante.

It’s a wild, weird record.  Le Bucherettes were on my list of bands to investigate for a while, and I’m glad I finally got around to it.  You should, too.

Keep your mind open.

[Don’t forget to subscribe before you split.]

 

Black Belt Eagle Scout’s North American tour starts today.

BLACK BELT EAGLE SCOUT SHARES NEW SINGLE, “JUST LIE DOWN,”
AND ANNOUNCES NORTH AMERICAN TOUR

LISTEN HERE

photo credit – Jason Quigley
“The electric guitar that starts ‘Soft Stud’ bristles with a coarse riff. The tone is brittle and blunt, rattling from the amplifier as it wordlessly confesses deep frustration. But Katherine Paul’s voice, which glides over the guitar, is an elegant curve, all practiced and gathered.” — Pitchfork

“You’ll hear echoes of early Hole here, but you’ll also hear a powerful new voice grappling with her heritage and her sense of place. ‘Soft Stud’ is a great track, and the crazy part is that it’s not even my favorite track on the album” — Vulture‘s Best New Songs of the Week

“‘Soft Stud’ expresses the complexity of queer desire, layering intimate
lyrics and clean melodies over fuzzy guitar.” — NPR‘s All Songs Considered

“[‘Soft Stud’] . . .  feels surprisingly compact, tight nerves and circuitous guitars
and muddy drums building and breaking.” — Stereogum

“Sludgy guitars clash compellingly with Paul’s rich, yearning vocals, which eventually
dissolve into a chaotic and cathartic instrumental outro.” — Consequence of Sound

“…a sprawling, yet intimate six-minute odyssey on which
Paul pairs tender lyrics with transcendent, seeking instrumentation.” — Paste

Black Belt Eagle Scout (aka Portland-based Katherine Paul) is an indigenous queer musician whose debut album, Mother of My Children, is about “grief and love for people, but also about being a native person in what is the United States today.” Mother of My Children is out September 14th via Saddle Creek. Paul will tour North America surrounding its release (all dates are below). After sharing lead single, “Soft Stud,” Black Belt Eagle Scout now presents “Just Lie Down.”
“I started working on the guitar line for this song at the end of a five year stay at a big duplex I was renting in Portland. This had been the longest period of time I had ever lived anywhere that wasn’t my parents’ home. I was being kicked out of the place because the landlord wanted to renovate and hike up the rent.  This was the case for a lot of Portlanders at that time (and still is) as the city was on a steep course of gentrification. 
My life shifted and I ended up moving in with people I had never met to a smaller, but comfy situation in a different part of town. There was a Corgi named Dayton involved. The room in this house is where I worked on the majority of the songs for Mother of My Children, staying up late and turning up my guitar amp volume when I could. I was in a new place and the feeling of ‘home’ was never really present when I lived there. It was a really disconnected time in my life thus warranting the initial bits and pieces of ‘Just Lie Down.’ 
So many things didn’t feel foundational and at times I felt like I was losing it. I remember thinking, ‘You aren’t yourself right now. What is wrong with you? Why are you acting like this? What even is this?’ and that’s where most of the questioning lyrics in the song came from. I like to find some sort of resolution in my songs be it a feeling I get from playing it, a certain part of the song that has lyrics that reflect it, something. My resolution in this song is when I sing the lyrics, ‘Just lie down, head on the ground, sky looks blue, just like you.’ To me, it was a simple poem you could say to yourself that means even though you are sad, even though there seems like there is no hope, look up and see what is above you. The sky is still blue and beautiful. Hopefully you will see that beauty and move forward.”
Paul grew up in a small Indian reservation, the Swinomish Indian Tribal Community, surrounded by family focused on native drumming, singing, and arts. From an early age, Paul was singing and dancing at powwows with one of her strongest memories at her family’s own powwow, called the All My Relations Powwow. Paul reminisces, “When I was younger, my only form of music was through the songs my ancestors taught the generations of my family. Singing in our language is a spiritual process and it carries on through me in how I create music today.” With the support of her family and a handful of bootleg Hole and Nirvana VHS tapes, Paul taught herself how to play guitar and drums as a teenager. In 2007, she moved to Portland, Oregon to attend college and get involved with the Rock’n’Roll Camp for Girls eventually diving deep into the city’s music scene playing guitar and drums in bands while evolving her artistry into what would later become Black Belt Eagle Scout.
Listen to Black Belt Eagle Scout’s “Just Lie Down” –
https://BBES.lnk.to/MOMC

Listen To “Soft Stud” –
https://youtu.be/LXsfiYigeg4

Black Belt Eagle Scout Tour Dates:
Fri. Aug. 31 – Columbus, OH @ Wexner Arts Center #
Sat. Sep. 1 – Detroit, MI @ Deluxx Fluxx *
Sun. Sep. 2 – Chicago, IL @ Beat Kitchen ^
Tue. Sep. 4 – Pittsburgh, PA @ Spirit Lodge #
Wed. Sep. 5 – Boston, MA @ Brighton Music Hall #
Thu. Sep. 6 – New York City, NY @ Bowery Ballroom #
Fri. Sep. 7 – Philadelphia, PA @ PhilaMOCA #
Sat. Sep. 8 – Richmond, VA @ The Camel #
Sun. Sep. 9 – Washington, DC @ Black Cat (Backstage) #
Tue. Sep. 11 – Durham, NC @ The Pinhook #
Wed. Sep. 12 – Atlanta, GA @ Drunken Unicorn #
Thu. Sep. 13 – Tampa, FL @ Crowbar #
Fri. Sep. 14 – Tallahassee, FL @ The Wilbury #
Sat. Sep. 15 – New Orleans, LA @ Gasa Gasa #
Mon. Sep. 17 – Austin, TX @ Barracuda #
Tue. Sep. 18 – Ft. Worth, TX @ Main at South Side #
Wed. Sep. 19 – Norman, OK @ Opolis #
Thu. Sep. 20 – Lawrence, KS @ Bottleneck #
Fri. Sep. 21 – St. Louis, MO @ Off-Broadway #
Sat. Sep. 22 – Davenport, IA @ Village Theater #
Mon. Sep. 24 – Lexington, KY @ The Burl #
Wed. Sep. 26 – Omaha, NE @ Reverb $
Fri. Sep. 28 – Denver, CO @ Hi-Dive $
Sat. Sep. 29 – Salt Lake City, UT @ Diabolical Records $
Sun. Sep. 30 – Boise, ID @ Funky Taco $
Wed. Oct. 3 – Spokane, WA @ The Bartlett $

* = with Varsity
^ = with Shortly
# = with Saintseneca
$ = with Guerrilla Toss

Pre-order Mother of My Children —

Mother of My Children cover art
Keep your mind open.
[Just subscribe.]

DJ set list for August 30, 2018.

Thanks to all who listened to my show early this morning until 2am EST.  It was a fun show with some good input from you folks.  Here’s my set list:

  1. Welcome Back to the Drive-in (vintage drive-in welcome announcement)
  2. The Beths – Future Me Hates Me
  3. Crystales – Agrias
  4. Asobi Seksu – Transparence
  5. CHAI – HiHi Baby
  6. The Black Crowes – Horsehead (requested)
  7. Morphine – Honey White
  8. Bear in Heaven – Dust Cloud
  9. Ancient River – Electric Jesus
  10. Baris Mancho – Little Darlin’ (We’ll Be Kissing)
  11. LCD Soundsystem – Beat Connection
  12. The Crestones – vintage 1960’s radio jingle for Tackle skin cream
  13. Bjork – Earth Intruders
  14. Drive-in intermission spot
  15. Radiohead – Ceremony
  16. Earth, Wind, and Fire – Shining Star
  17. Robin Trower – Daydream (requested)
  18. Miss Red – Shock Out
  19. Lady Frankenstein vintage radio ad
  20. Matisyahu – Jerusalem
  21. De La Soul – Transmitting Live from Mars
  22. Blood Mania vintage radio ad
  23. The Velvet Underground – Oh Gin
  24. Gang of Four – Unburden, Unbound
  25. Eagles of Death Metal – I Gotta Feelin’ (Just Nineteen)
  26. The Coyote Men – Who Rattled Your Cage?
  27. Bloody Mama vintage radio ad
  28. Bangs – S.O.S.
  29. Black Sabbath – Fluff (requested)
  30. The Donnas – 5 O’clock in the Morning
  31. The Corin Tucker Band – Doubt
  32. Screaming Females – Extinction
  33. Gary Wilson – I’m Going to Take You to a Thousand Dreams

See you next week for my last show of the summer.

Keep your mind open.

[Don’t forget to subscribe before you split.]

The Beths – Future Me Hates Me

Coming in with possibly the wittiest album title of the year (Future Me Hates Me), New Zealand’s the Beths show up with some much-needed pop-punk and joie de vivre right now.

The fun fuzz that opens “Get No One” is somehow topped by the delightful rhythm guitar that follows it.  You’re tapping your feet right away and wanting to blast the album’s opener out of your car as soon as possible.  The title track is as fun as you’d hoped it would be as lead singer Elizabeth Stokes tells us about how she’s setting herself up for “future heartbreak, future headaches,” but she’s still going through with a relationship.  “Uptown Girl” isn’t a cover of the Billy Joel song (although I’m sure they’d have fun with that), but it is a raucous salute to partying all night and the aftermath that often brings.

“You Wouldn’t Like Me” has Stokes warning a potential lover about the hazards of dating her.  “You wouldn’t like me if you saw what was inside me,” she sings, but the peppy nature of the song leads us to believe that was she thinks are faults are in reality charms.  “Not Running” has an urgent energy to it (despite the title) with Jonathan Pearce‘s guitars constantly moving forward and not looking back.

“Little Death” is a rocker about orgasms.  “Happy Unhappy” has Stokes both lamenting and loving the start of a new relationship and how its going to break her out of her comfortable rut.  “River Run: Lvl 1” might refer to a video game I’ve never played, but the theme of a lovers’ game seems to run through the whole tune.  The groovy grooves, rock anthem drums (by Ivan Luketina-Johnston) and vocal harmonies of “Whatever” make it one of the catchiest tracks of 2018 (and I love the subtly heavy bass by Benjamin Sinclair on it).  The album ends with “Less Than Thou,” another love song in which Stokes gets in her own way when it comes to love, but powers through it with shining guitars and happy beats.

Future Hates Me is one of the peppiest and most clever albums of the year.  It’s a perfect summer rock record, or a perfect record for breaking your winter blues if you’re in New Zealand this time of year.

Keep your mind open.

[Don’t hate yourself for missing music news and reviews.  Subscribe.]

 

Thom Yorke’s “Tomorrow’s Modern Boxes” solo tour starts November 23rd.

 

Radiohead front man Thom Yorke has announced a bunch of U.S. tour dates this fall to promote and play his solo material.  Joining him will be producer (and frequent Radiohead collaborator) Nigel Godrich and visual artist Tarik Barri. Oliver Coates, a London-based cellist, will be the opening act.

The dates are as follows:

November 2018
23rd  Electric Factory – Philadelphia, PA
24th  Wang Theatre-Boch Center – Boston, MA
26th  Kings Theatre – Brooklyn, NY
27th  Kings Theatre – Brooklyn, NY
30th  John F Kennedy Center For The Performing Arts Concert Hall – Washington, DC

December 2018
1st  Keybank State Theatre – Cleveland, OH
2nd  Masonic Temple Cathedral Theatre – Detroit, MI
4th  Chicago Theatre – Chicago, IL
5th  Riverside Theater – Milwaukee, WI
6th  Northrop at the University of Minnesota – Minneapolis, MN
8th  Stifel Theatre – St. Louis, MO
9th  Arvest Bank Theatre at The Midland – Kansas City, MO
11th  Paramount Theatre – Denver, CO
13th  The Union – Salt Lake City, UT
15th  Bill Graham Civic Auditorium – San Francisco, CA
17th  The Observatory, North Park – San Diego, CA
19th  Orpheum Theatre – Los Angeles, CA
20th  Orpheum Theatre – Los Angeles, CA
22nd  The Chelsea at The Cosmopolitan of Las Vegas – Las Vegas, NV

Tickets will surely sell out for most, if not all, of these shows.  Don’t wait too long to score some.

Keep your mind open.

[Don’t wait too long to subscribe either.]

Luaka Bop to reissue rare Preacherman album on October 12th.

Luaka Bop Announces Preacherman Reissue, Universal Philosophy: Preacherman Plays T.J. Hustler’s Greatest Hits, Out October 12th

Listen To “Feel It”
Tim Jones is known by several different monikers; Preacherman, Midi Man and Ironing Board Band to name a few. Though perhaps his most notable is the one that describes him best, T.J. Hustler. In 1979 as T.J. Hustler, Jones self-released one extremely rare LP, Age Of Individualism. In the years since, he’s released two even rarer CD’s as Preacherman, of which the tracks on this forthcoming reissue, Universal Philosophy: Preacherman plays T.J. Hustler’s Greatest Hits (out October 12th on Luaka Bop), are taken.
Stream Preacherman’s “Feel It” — 
https://youtu.be/35waZLUTbU0Watch Universal Philosophy Teaser Video — 
https://youtu.be/S4xHRkwlWUY

In the 1980’s Jones was a technician for IBM in both Las Vegas and San Jose where he repaired Selectric Typewriters and word processors during the day. At night he world perform in the Las Vegas lounges. Thoroughly fascinated by technology and also an engineer in his own right, Jones adapted a Hammond B3 organ to play a Moog synth with some of the organ’s keys (some still played the organ) and also adapted the organ’s foot controlled bass levers to play two Moog synth bass pedals (a failed item Moog made for a few years). Thinking he wasn’t much of a live performer, he had a custom wooden puppet made named T.J. Hustler. Together, Tim Jones/Preacherman and T.J. Hustler would perform long philosophical soliloquies.These days Jones, (“pronounced JOANZ”, says Tim), is CEO and founder of Up Productions and lives with his 103 year-old mother — the eldest living person in Oakland — in a stunning apartment overlooking Lake Merritt. With his Casio CTK-7200 keyboard, equipped with five wireless mics, a P.A., Jones performs karaoke, easily matching whatever song request you might have. Unfortunately, T.J. Hustler (the puppet) live in a storage unit in Las Vegas, Nevada, along with the modified organ.

(Photo credit: Eric Welles-Nystrom)

Perhaps even more so than his first album, Universal Philosophy grants listeners access, virtually for the very first time, to Jones’ outlook, his purpose, and the way he lives and experiences life on this planet. The music presented here is otherworldly, homespun, folk art funk; concise and stream-of-consciousness simultaneously.

Universal Philosophy will be released on vinyl (with gatefold jacket), CD and digital.

Universal Philosophy: Preacherman Plays T.J. Hustler’s Greatest Hits Tracklist:
01. That’s Good
02. Feel It
03. Tell Me Why
04. Out Of This World
05. Age Of Individualism
06. Up And Down
07. The Wrong Way (CD Version Only)

 

Pre-order Universal Philosophy: Preacherman Plays T.J. Hustler’s Greatest Hits — 
https://luakabop.lnk.to/PreachermanDownload album art & hi-res images of Preacherman — 
http://pitchperfectpr.com/preacherman/

(Universal Philosophy: Preacherman Plays T.J. Hustler’s Greatest Hits album art by Kevin Harris)
Keep your mind open.
[Expand your music universe by subscribing.]