Noiserock trio Cherubs release remastered rare material on “Short of Popular.”

Cherubs share first track from remastered, first time on vinyl Short of Popular via Daily Dot
 Legendary 90s noiserock trio reunited. Collection of rarities & singles on LP for the first time w/ new artwork

Hear and share “Carjack Fairy” (Soundcloud) (Daily Dot)
“Cherubs perfected something that broke free of the boundaries firmly set in place by the band’s chosen mini-movement: the noisiest pop music on the planet. Short of Popular was like a Singles Going Steady of noise rock-and was as crucial to the Cherubs’ legacy as the proper album that preceded it.” — Pitchfork
Austin, TX trio Cherubs announce the first time ever on vinyl release of the collection of singles, outtakes and compilation tracks originally released on Trance Syndicate in 1996, titled Short of Popular. This release on Austin label Sonic Surgery Records (a division of Super Secret Records) is remastered with new art and pressed on beautiful 3-colored vinyl. Releases on October 12th.
The Daily Dot shares the first track from the album today, “Carjack Fairy” HERE. (Direct Soundcloud.)
“Perhaps ironically referring to the breakthrough that never quite occurred for Austin, TX, band the CherubsShort of Popular compiles the various singles, compilation tracks, rejected session pieces from Heroin Man, plus an assortment of other sonic odds and ends, and ties them neatly into this send-off album, indicating that the band’s break-up was indeed an untimely one. Kevin Whitley‘s signature nasal vocals, barely audible over the distorted wash of bass and guitar, are like that of a small child attempting to be heard over a steamroller. Beyond the signature roar and wallop of the Cherubs‘ rhythm section, a noise rock staple, it was the particulars that truly mattered: the undeniable pop melodies articulated throughout the redlined volume, and yes, the oddball Butthole Surfer-isms found here and there. The cover of Blondie‘s “Dreaming” is rollicking fun. A fine send-off for a band that burned brightly for a few records, then shuffled off.” — All Music Guide.
Another critic observed of the Cherubs “Nobody has made music as loud, noisy and evil as the infernal racket they produced. (Forget death metal). This is pure, heavy, intense, in-the-red punk noise which will melt your face off. It’s beautiful. Heroin Man is a classic, but the tracks on Short of Popularup the ante even further. One of the most vital underground bands of the 90s.”
This 2018 reissue of Short of Popular is completely remastered with all new art designed by band member Kevin Whitley. Some selections from the original compact disc release have been removed to improve the overall energy and live within the constraints of the vinyl format. The overall sound has a fuller and warmer feel without losing the cutting impact of the Cherubs style of music.
The Cherubs have been actively playing live both in the states and in europe since 2014 following a long hiatus that saw the members follow other interest both musical (bass player Owen McMahon toured with the Butthole Surfers) and artistic.
Sonic Surgery Records is honored to bring back this amazing collection of Cherubs magic and share it with the whole wide world. Play it loud it’ll never be as loud as the actual band)! Pre-orders are available via Sonic Surgery/Big Cartel.
Artist: Cherubs
Album: Short of Popular
Record Label: Sonic Surgery Records
Release Date: October 12th, 2018
01. Pixie Stix
02. Carjack Fairy
03. Chanukka
04. Orange Julius
05. Quitter
06. Hakkeboffer
07. Zip-Up Boots
08. Little Candy Hearts
09. Oh
10. Dazy
11. I Want Candy
12. Dreaming
13. How Little We Know
On the Web:
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Grapetooth’s self-titled debut coming in early November.

Grapetooth Announces Self-Titled Debut Album
Out November 9th Via Polyvinyl Record Co.

Watch The Video For New Single “Red Wine”
https://youtu.be/Lu0XMHCyK_s


[Photo by Alex Hupp]
Concocting a freshly strange blend of synth pop and damaged folk music, Grapetooth announces its self-titled debut album set for release on November 9th via Polyvinyl Record Co.  The Chicago duo of Chris Bailoni and Clay Frankel capture a feeling somewhere between the doomy disco of 80’s new wave and the woozy laments of artists like Arthur Russell and Jeff Cowell. Grapetooth contains songs about death and love and the movie “Badlands” and more than a few songs about wine.

The two don’t remember clearly how they met, but Frankel, home from tour with garage rock outfit Twin Peaks, began dropping in at Bailoni’s residence in the winter of 2015. The two began writing spontaneous songs in Bailoni’s synth laden bedroom studio, which had long stood as the base of operations for his own wonderfully weird solo and producer work as Home-Sick.

By 2016 the two friends were sharing an apartment, along with a growing fondness for red wine, bad weather, and the music of Yukihiro Takahashi. Though still without a name or any intention to release their music, as roommates the two collaborated more and more often, at all hours of the day and night. Soon they had quite a score, and agreed to play a show opening for their close friend Knox Fortune for his upcoming album release show. They chose the name Grapetooth, an affectionate slang term for a wino, and decided to make a video in support of the upcoming show for their song “Trouble,” one of the earliest songs the two had written together. Like the song itself, which had been written and recorded in the course of one night inside Bailoni’s bedroom, the video was similarly unplanned and on the cheap, and they posted it online without further ado. The reception was encouraging, and the pair went back to the bedroom and focused on completing their debut album.

On the strength of “Trouble” and their second single “Violent,” Grapetooth is fast becoming a favorite of many established Chicago bands. This summer Grapetooth sold out Lincoln Hall, a show so raucous it was shut down early. They’ll bring their live show to New York City for the first time to play Baby’s All Right on September 28th. They’ve also just announced a headline show at Chicago’s Thalia Hall.

Today, the band shares the video for their third single “Red Wine.” “This video worked out the same way our first two did – we always wait ‘til it gets dark then go out with a camera, some weird lights, and a couple outfits and see what happens. This time we got a convertible and drove around the city. We come up with ideas on the spot when we’re shooting – less planning works in our favor – we’re super happy with it. Jackson [James] did an amazing job!”

Watch “Red Wine” Video:
https://youtu.be/Lu0XMHCyK_s

Watch “Violent” & “Trouble” Videos

Listen To Grapetooth:
http://smarturl.it/grapetooth

Grapetooth Live:
Fri. Sept. 28 – Brooklyn, NY @ Baby’s All Right
Sun. Nov. 11 – Chicago, IL @ Thalia Hall
Grapetooth Tracklist:
1. Violent
2. Red Wine
3. Trouble
4. Mile After Mile
5. Death
6. Imagine On
7. Hangover Sq.
8. Hallejuah
9. Blood
10. Together
[Grapetooth artwork]
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Axis: Sova to release new album, “Shampoo You,” this November.

Axis: Sova Announces Shampoo You,
out November 16th via God? Records, and November Tour

Watch Video for “Dodger”

Photo Credit: Grant Engstrom
Axis: Sova returns with Shampoo You, out November 16th via Drag City imprint, God? RecordsShampoo You is the latest Axis: Sova album, following 2015’s Early Surf and 2016’s Motor Earth. With each succession, the Axis sound shape morphs in subtle yet definitive ways; now, with Shampoo You, the impact is unprecedentedly direct and connective.  Stereogumhave noted “They’re sleeker this time, more melodic and a little less hazy”. Take first single, “Dodger.”  It emerges from the reverberating chambers of its predecessors with expectedly scorched, punching guitars, before giving way to the unexpected: harmonized, crystalline vocals, put forward for immediate impact. Aboard a galloping waltz beat testing the structural integrity of its own mechanical limitations, “Dodger” lilts from its final big chorus into a weaving guitar confab, escalating and emoting into deeper, wordless territories of song.
The hallucinatory video for “Dodger”, which premiered on Stereogum today, was conceived with a heavy nod to the 1960s mylar chamber photography of Ira Cohen.
Axis: Sova has always been a rock band, even when the “band” was just Brett Sova and his Roland TR66 Rhythm Arranger creating a surging maelstrom of reverberant fuzz, with guitars foregrounded and wailing at length, while beats distended the depths. Shampoo You sounds the arrival of the trio version – Sova with Tim Kaiser (guitar) and Jeremy Freeze (bass) — in trademark Axis style: relentless tempo with distorted, interlocking guitar concussions, and vocals that howl of other worldly mutation. It’s the first Axis: Sova album entirely performed and recorded live to tape as a three piece. The amusement of rock-making turned thrillingly alive, they’ve honed in on a sleek transport for their new sounds, with tightly conceived power-punk and classic pop touches creating memorably melodic (and harmonic) contours. Head down to the scar-wash and let Axis: Sova Shampoo You!
Axis: Sova have announced a November tour, dates are below.
Axis: Sova Tour Dates
11/9 – Indianapolis, IN @ State Street Pub *
11/10 – Louisville, KY @ Zanzabar ^
11/13 – Rock Island, IL @ Rozz Tox
11/14 – Minneapolis, MN @ Eagles Club *
11/15 – Madison, WI @ Mickey’s *
11/16 – Chicago, IL @ The Hideout *

* w/ David Nance Group
^ w/ State Champion, David Nance Group

Watch Axis: Sova’s “Dodger” Video –
https://youtu.be/r40cWHjYcXY

Shampoo You Tracklist:
1. Terminal Holiday
2. New Disguise
3. Crystal Predictor
4. Dodger
5. Stale Green
6. Shock Recognition
7. Same Person Twice

Pre-order Shampoo You
https://lnk.to/shampooyou

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Exploded Views’ latest single, “Dark Stains,” is now available for your listening pleasure.

LISTEN TO EXPLODED VIEW’S “DARK STAINS,” NEW SINGLE OFF OBEY
OUT SEPTEMBER 28TH VIA SACRED BONES
https://youtu.be/B64K_3gkmPo

FIRST-EVER NORTH AMERICAN TOUR KICKS OFF OCTOBER 19TH

(photo credit – Exploded View)
“‘Dark Stains’ [is] a chaotic, sinister partner to their recent single ‘Sleepers’ — if that one was the sky, this is underground. A buried hunk of metal run into by a rototiller. Life! A banger!” — FADER

“’Raven Raven’ is darkly cinematic; its initial moments of creaking synthesizer and rattling floor tom unspool like a reel of degraded film, clicking and flickering images onto a looming screen. . . The pictures Exploded View offer may be grainy, but they’re just as grave and lasting.”
Pitchfork

“‘Raven, Raven’ is a logical continuation of Exploded View, with the same beat-poet delivery from frontwoman Annika Henderson and tense kinetic energy from the instrumentalists, who sound a little like the members of Can jamming in Lee ‘Scratch’ Perry’s Black Ark Studios.” — SPIN

“Mysterious and claustrophobically groovy” — Brooklyn Vegan

“[‘Sleepers’] glides along on an eerie synth line — at times inviting and beautiful but then always threatening to take a turn into more discomfiting directions — while Henderson’s voice settles into this place where anxiety and fear and wonder seem to coexist. It’s a strange, beautiful composition.”
Stereogum

Exploded View, the international project of Berlin-based lyricist/vocalist Annika Henderson, and Mexico City-based multi-instrumentalists Hugo Quezada and Martin Thulin, are gearing up for the release of their second full-length album, Obey, out September 28th on Sacred Bones, and first-ever North American tour. Previous “singles ‘Sleepers’ and ‘Raven Raven’ both showcase one of [Exploded View]’s greatest skills: luring listeners into its dreamlike songs with a strong groove, then revealing the dream is equally part nightmare” (AV Club). Now the trio present “Dark Stains,” a song about a body who sees in themselves the errors of the past, yet flaunts behind the veils of inheritance and fails to take full responsibility for the present.” Annika described it in detail for FADER.

Leaving behind their live recording process and now a tight three-piece, Exploded View strike a special balance between precise and wild, unshackled and grounded, grooving and unhinged. The have a knack for making the esoteric feel accessible and crafting pop music out of seemingly raw consciousness. Recorded in Mexico City, the apocalyptic, yet soothing songs comprising Obey encompass all the classic dream motifs: intrigue, danger, ecstasy, hard to place, yet primordial visions, and a constant sense of movement.
                              

Listen to Exploded View’s “Dark Stains” –
https://youtu.be/B64K_3gkmPo

Listen to “Raven Raven” –
https://youtu.be/Zl-1qPg8iuE

Watch “Sleepers” Visual –
https://youtu.be/C6SXE9R67Wg

Exploded View Tour Dates:
Fri. Oct. 19 – Dallas, TX @ Nasher Sculpture
Sat. Oct. 20 – Austin, TX @ The Parish
Mon. Oct. 22 – Phoenix, AZ @ Club Congress
Wed. Oct. 24 – San Diego, CA @ The Whistle Stop
Thu. Oct. 25 – Pomona, CA @ The Glass House
Fri. Oct. 26 – Los Angeles, CA @ The Echo
Sun. Oct. 28 – San Francisco, CA @ Rickshaw Stop
Mon. Oct. 29 – Portland, OR @ Mississippi Studio
Tue. Oct. 30 – Seattle, WA @ Vera Project
Wed. Oct. 31 – Vancouver, BC @ Fox Cabaret
Thu. Nov. 1 – Chicago, IL @ The Empty Bottle
Fri. Nov. 2 – Detroit, MI @ Deluxxx Fluxxx
Sat. Nov. 3 – Toronto, ON @ The Garrison
Mon. Nov. 5 – Montreal, QC @ Sala Rossa
Tue. Nov. 6 – Boston, MA @ Middle East
Thu. Nov. 8 – Brooklyn, NY @ Rough Trade
Fri. Nov. 9 – Philadelphia, PA @ PhilMOCA
Sat. Nov. 10 – Norfolk, VA @ Charlies American Cafe
Sun. Nov. 11 – Washington, DC @ DC9
Mon. Nov. 12 – Harrisburg, PA @ The Cathedral Room

Pre-order Obey:
via Sacred Bones – https://www.sacredbonesrecords.com/products/sbr209-exploded-view-obey
via Bandcamp – https://explodedview.bandcamp.com/album/obey

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You can stream GOGGS’ new album, “Pre-Strike Sweep,” before its released later this month.

STREAM GØGGS’ NEW ALBUM, PRE STRIKE SWEEP

PHYSICAL ALBUM OUT SEP. 28TH

GØGGS photo by Denée Segall
“‘Pre Strike Sweep’ is a pummeling blast of drum fills and distorted bass, the best part of which is the middle, when it opens up into half-time and psychedelic swirls of wah-wah take the lead.” — SPIN

“’Pre Strike Sweep’ is a feverish punk-leaning thrasher. Guitars chug and screech
behind Shaw’s hoarse barking and Moothart’s restless drumbeat. It kind of sounds like
GØGGS covering Show Me The Body covering Dead Kennedys.” — Stereogum

“‘Pre Strike Sweep’ unfolds across four chaotic minutes, with a steady river of distortion coursing through a peripatetic storm of squeals, effects, and one killer solo.” — Consequence of Sound

“Augmented with some spaced synths, ‘Pre Strike Sweep’ comes on like Hawkwind
gone hardcore and its a brutal slap to the collective jaw.” — Raven Sings The Blues

GØGGS, the Los Angeles-based group comprised of co-founders Chris Shaw (vocals) and Ty Segall (guitars), and Michael Anderson (bass) and Charles Moothart (drums, guitar), unleash their new album, Pre Strike Sweep, today via streaming services. The physical release on In The Red remains set at September 28th. GØGGS will celebrate the release with shows between now and then in Los Angeles, San Francisco and Tustin, California (dates are listed below).
GØGGS add a new level of primordial anxiety to their already catastrophic symphony with Pre Strike Sweep. Written collaboratively as a band with lyrics by Shaw, and recorded and mixed over the last year by Segall, Pre Strike Sweep explores the damaging affects of modern life before blowing them up one by one.
GØGGS Tour Dates:
Fri. Sep. 14 – San Francisco, CA @ The Independent w/ CCR Headcleaner, Spiritual Camp
Sat. Sep. 15 – Los Angeles, CA @ Teragram Ballroom w/ Shark Toys
Sun. Sep. 16 – Tustin, CA @ Marty’s on Newport

Download hi-res press images and cover art
http://pitchperfectpr.com/goggs

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Protomartyr announces fall North American tour with Preoccupations.

Protomartyr Announce Fall Co-Headline Tour With Preoccupations

“The four-song EP from the Michigan post-punk band features Kelley Deal of the Breeders and some of the most pointed and impactful songwriting of their career.” – Pitchfork, on “Consolation E.P.”

“Political, environmental, epistemological, social, familial and individual anxieties fuel the latest songs by Protomartyr, a band from Detroit that has been reclaiming the jagged, muscular dissonances of post-punk for 21st-century America.” – The New York Times, on Relatives In Descent

“Brooding and abrasive, the Detroit post-punk group’s new LP isn’t for the faint of heart – but beauty lies in its 12 knotty, pummeling tunes.” – Entertainment Weekly, on Relatives In Descent
In support of this summer’s “Consolation E.P.” and last year’s Relatives In Descent (both out on Domino Recording Co), Protomartyr will hit the road with Preoccupations this fall for a slew of tour dates across North America. The co-headline tour kicks off in Toronto on Fri. Nov. 23rd at Lee’s Palace, taking the two bands over to the east coast, back through the midwest, and down the west coast before wrapping up in Los Angeles on Wed. Dec. 19th at the Regent. A full list of tour dates are below, and tickets go on-sale this Friday at 10am local time.

Protomartyr Tour Dates:
Fri. Nov. 23 – Toronto, ON @ Lee’s Palace * ^
Sat. Nov. 24 – Ottawa, ON @ 27 Club * ^
Mon. Nov. 26 – Boston, MA @ Brighton Music Hall * ^
Wed. Nov. 28 – Brooklyn, NY @ Warsaw * ^
Thu. Nov. 29 – Washington, DC @ Union Stage * ^
Fri. Nov. 30 – Philadelphia, PA @ The Foundry * ^
Sat. Dec. 01 – Columbus, OH @ The Basement * ^
Mon. Dec. 03 – Buffalo, NY @ Mohawk Place * ^
Tue. Dec. 04 – Ann Arbor, MI @ Blind Pig * ^
Thu. Dec. 06 – Chicago, IL @ Thalia Hall * ^
Fri. Dec. 07 – Omaha, NE @ Waiting Room * ^
Sat. Dec. 08 – Kansas City, MO @ Record Bar * ^
Mon. Dec. 10 – Denver, CO @ Bluebird *
Wed. Dec. 12 – Salt Lake City, UT @ Metro Music Hall *
Thu. Dec. 13 – Boise, ID @ Olympic *
Fri. Dec. 14 – Portland, OR @ Mississippi Studios *
Sat. Dec. 15 – Vancouver, BC @ Venue *
Sun. Dec. 16 – Seattle, WA @ Crocodile *
Tue. Dec. 18 – San Francisco, CA @ Independent *
Wed. Dec. 19 – Los Angeles, CA @ Regent *

* = w/ Preoccupations
^ = w/ Rattle

Download album art & hi-res images of Protomartyr – http://pitchperfectpr.com/protomartyr/

Purchase “Consolation E.P.”:
Domino Mart – https://protomartyr.dominomart.com/
iTunes – http://smarturl.it/ConsolationEPDL

Purchase Relatives In Descent:
Domino Mart – https://protomartyr.dominomart.com/
iTunes – http://smarturl.it/RIDDownload
Protomartyr Online:
https://www.facebook.com/protomartyr
https://soundcloud.com/protomartyr
http://pitchperfectpr.com/protomartyr/
https://protomartyr.bandcamp.com/
http://www.dominorecordco.us/artists/protomartyr/

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Ty Segall to release “Fudge Sandwich” – an entire album of cover songs.

TY SEGALL ANNOUNCES FUDGE SANDWICH,
COVERS ALBUM OUT OCTOBER 26TH VIA IN THE RED

LISTEN TO TY COVER SPENCER DAVIS GROUP’S “I’M A MAN”
https://youtu.be/qW4JH1jq6jU

[Fudge Sandwich cover art]
Ty Segall is a fan of music. He lives in Los Angeles, but has lived in San Francisco and Laguna Beach. Ty is obsessed with ceviche and loves being outside. He is 31 years old. For fun, he recorded a covers album of songs he loves. This includes songs by Amon Düül II, John Lennon, Sparks, War, Funkadelic, Rudimentary Peni, Grateful Dead, Spencer Davis Group, and more. Ty loves so many songs. This particular covers collection is called Fudge Sandwich, and the album art (see above) has a picture of a fudge sandwich on it. He hopes you like it. If you don’t, it’s ok because he really just made it for fun. Ty is currently taking his dog, Fanny, for a walk.

Fudge Sandwich is out October 26th on In The Red, right in the midst of his solo acoustic tour. (Fudge Sandwich is not a solo acoustic album.) The album is available for pre-order now at intheredrecords.com.

Stream Ty Segall’s “I’m A Man” (Spencer Davis Group cover) –
https://youtu.be/qW4JH1jq6jU
Fudge Sandwich Tracklist:
1. Lowrider
2. I’m A Man
3. Isolation
4. Hit it And Quit it
5. Class War
6. The Loner
7. Pretty Miss Titty
8. Archangel Thunderbird
9. Rotten To The Core
10. St. Stephen
11. Slowboat
Fudge Sandwich Pre-order –
www.intheredrecords.com

Ty Segall Solo Acoustic Tour Dates:
Sat. Oct. 20 – Big Sur, CA @ Henry Miller Memorial Library *
Sun. Oct. 21 – San Francisco, CA @ The Chapel *#
Mon. Oct. 22 – Santa Cruz, CA @ Rio Theater *
Wed. Oct. 24 – Portland, OR @ Aladdin Theater *
Thu. Oct. 25 – Vancouver, BC @ Biltmore Cabaret *
Sat. Oct. 27 – Seattle, WA @ Neumos *
Sun. Oct. 28 – Missoula, MT @ Monk’s
Tue. Oct. 30 – St. Paul, MN @ Turf Club
Fri. Nov. 2 – Chicago, IL @ Thalia Hall ^
Sat. Nov. 3 – Detroit, MI @ Museum of Contemporary Art Detroit ^
Sun. Nov. 4 – Buffalo, NY @ Buffalo Iron Works ^
Tue. Nov. 6 – South Burlington, VT @ Higher Ground ^
Wed. Nov. 7 – Portland, ME @ Port City Music Hall ^
Thu. Nov. 8 – Hamden, CT @ The Space Ballroom ^
Fri. Nov. 9 – Brooklyn, NY @ Warsaw ^
Mon. Nov. 12 – Philadelphia, PA @ Underground Arts
Tue. Nov. 13 – Washington, DC @ 9:30 Club
Thu. Nov. 15 – Asheville, NC @ The Grey Eagle!
Fri. Nov. 16 – Atlanta, GA @ Terminal West %
Sat. Nov. 17 – New Orleans, LA @ One Eyed Jack’s %
Sun. Nov. 18 – Austin, TX @ J. Lorraine Ghost Town %

* = with Shannon Lay
# = with Mike Donovan
^ = with William Tyler
! = with Greg Cartwright
% = with Emmett Kelly

Download hi-res press images – www.pitchperfectpr.com/ty-segall/

[press image by Denée Segall]

Official Website | In The Red | Drag City

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Film School announces first album, “Bright to Death,” and singles in eight years.

FILM SCHOOL RELEASE FIRST NEW ALBUM IN 8 YEARS
‘BRIGHT TO DEATH’ OUT SEPTEMBER 14TH ON HAUSKAT RECORDS
ADD MORE SHOWS FOR NOVEMBER
LISTEN: ‘CRUSHIN‘  ‘GO LOW

Photo: Howard Wise
FILM SCHOOL return this month with ‘Bright to Death‘, their fifth album and first full-length LP since 2010’s ‘Fission’. Recorded over 8 days in November 2017 on the outskirts of Joshua Tree, this luminescent collection of 11 songs is the finest showcase yet for the band’s signature layered sonic tones, psychedelic atmospheres, and seductive melodies. The album gets its title from text on an artwork singer and guitarist Greg Bertens had seen, part of an exhibit by Chinese students on the topic of global warming. “Bright to death” popped into his head as the band was recording in sun-blistered Joshua Tree, and it stuck. In addition to four members of the original lineup, the album features drummer Adam Wade (Shudder to Think, Jawbox) on several songs, and was mixed by Dan Long at Headwest Studios and mastered by David Gardner at Infrasonic Sound. “When this lineup first came together in the early 2000s, I never thought we’d be doing some of our best work 15 or so years later,” says Bertens. “Our [self-titled] album came out in 2006, when bands like the Strokes and Franz Ferdinand were in full swing. The music landscape was totally different then—shoegaze was a bad word. That’s changed.”
“…lush, languid beauty, chiming guitars, and widescreen, empyrean atmospherics.” BlackBook
‘…lovely, laconic dreampop.” Brooklyn Vegan
“…a honeyed, unhurried confessional that rolls in on a thick bass line and envelops every ounce of longing in twinkling guitar and washes of reverb.” buzzbands.la
“Go Low is another slow-burning gem that unhurriedly builds up to a stormier ending. Bertens’ shadowy, drawn out vocals hazily drape over the laidback drum pace, while sparkling guitar chime, starry-synths-notes and cymbals-shimmer add a brighter sheen. As the instrumentation swells in intensity, a searing guitar line soars through the effervescence, adding a hot rock kick to the dreamy atmosphere.” Big Takeover
‘Bright To Death’ is released September 14th on Hauskat Records.

LIVE SHOWS:
(more dates forthcoming)
November 8:  San Diego, CA – Whistle Stop
November 9: Los Angeles, CA – Zebulon (presented by buzzbands.la)
Nov 10:  San Francisco, CA – Cafe Du Nord (presented by Noise Pop)
Nov 17: Seattle, WA – Barboza JUST ADDED
Nov 18: Portland, OR – Holocene JUST ADDED
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The Beths’ first U.S. tour is now underway.

The Beths Announce Fall U.S. Dates
& Kick Off World Tour.Watch The New Video For “Little Death”:
https://www.youtube.com/watch?v=UuzlZWvTU2I

[“Little Death” video still]

“The debut from Auckland indie rockers is just really impressive—hook-filled songs filled with energy and attitude, written with depth and played masterfully.” – Pitchfork

“A wonderful little record that never lets up, piling on unassumingly buzzy fun until you start realizing you might be in the presence of a true power-pop monument.” – Rolling Stone

“The New Zealand band has two gears: The first is a more classically pop-oriented retro sound, like a ’60s girl group doing the shimmy-shimmy-cocoa-pop but with guitars and a shoegaze influence. The second is a caffeinated ’90s alterna-rock head rush, with Superchunk-level riffs and Velocity Girl vocals courtesy of singer-guitarist Elizabeth Stokes.” – The A.V. Club

“Few bands make angst sound as joyous as the Beths do on their debut LP. As its title suggests, the album is full of songs of both regret and self-doubt, but the group deliver them with some of the strongest power-pop this side of Weezer’s Blue Album.” – Bandcamp Daily

The Beths kick off their world tour this week in support of their acclaimed debut album, Future Me Hates Me (out now on Carpark). Beginning in Australia and New Zealand, The Beths will continue onto the U.S. at the end of September and play many cities for the first time ever. They will then head to Europe through mid-November to round out the year.To mark the beginning of their world tour, The Beths share the new video for “Little Death” via NPR Music. “We made this video while we were on tour,” says Elizabeth Stokes. “[The director] Norwood hit us up saying ‘I made videos for Superchunk in the 90s, let me make a Super 8 video for you guys when you’re in LA.’ So we spent a day larking about and scratching on film and then he edited it up. It’s difficult to tell, but if you look closely you can see there is some green screen footage and special effects added afterwards.”

Watch “Little Death” Video:
https://www.youtube.com/watch?v=UuzlZWvTU2I

Watch “You Wouldn’t Like Me” Video:
https://youtu.be/CV3Bjx-vPTg

Watch “Great No One” Lyric Video:
https://youtu.be/qQYhM48H5zs

Watch “Happy Unhappy” Video:
https://youtu.be/ct8AwQwlbNA

Watch “Future Me Hates Me” Video:
https://youtu.be/iVImwSb4EYU
 
The Beths Tour Dates:
Wed. Sep. 12 – Auckland, NZ @ Neck of the Woods
Thu. Sep. 13 – Auckland, NZ @ Neck of the Woods
Fri. Sep. 14 – Wellington, NZ @ Meow
Thu. Sep. 20 – Dunedin, NZ @ Captain Cook Hotel
Fri. Sep. 21 – Christchurch, NZ @ Blue Smoke
Sat. Sep. 22 – Queenstown, NZ @ Sherwood
Fri. Sep. 28 – Los Angeles @ The Roxy
Sat. Sep. 29 – San Francisco, CA @ The Independent
Mon. Oct. 1 – Portland, OR @ Doug Fir
Tue. Oct. 2 – Seattle, WA @ Timbre
Fri. Oct. 5 – Chicago, IL @ Beat Kitchen
Sat. Oct. 6 – Lansing, MI @ Mac’s Bar
Sun. Oct. 7 – Columbus, OH @ Rumba Cafe
Mon. Oct. 8 – Cleveland, OH @ Beachland Tavern
Tue. Oct. 9 – Buffalo, NY @ 9th Ward at Babeville
Wed. Oct. 10 – Boston, MA @ Atwood’s Tavern
Fri. Oct. 12 – Brooklyn, NY @ Alphaville (SOLD OUT)
Sat. Oct. 13 – Philadelphia, PA @ Everybody Hits
Sun. Oct. 14 – Washington, DC @ Songbyrd
Tue. Oct. 16 – Nashville, TN @ Fond Object Records
Wed. Oct. 17 – Atlanta, GA @ Drunken Unicorn
Fri. Oct. 19 – San Antonio, TX @ 502 Bar *
Sat. Oct. 20 – Austin, TX @ Stubb’s BBQ *
Sun. Oct. 21 – Fort Worth, TX @ MASS (Main At South Side) *
Thu. Oct. 25 – Prague, CZ @ Klub 007
Fri. Oct. 26 – Krakow, PO @ Klub RE
Sat. Oct. 27 – Berlin, DE @ Arkaoda
Sun. Oct. 28 – Cologne, DE @ Hangende Garten von Ehrenfeld
Tue. Oct. 30 – Paard, NL @ The Hague
Wed. Oct. 31 – Paris, FR @ Le 1999
Thu. Nov. 1 – Angers, FR @ Jokers Pub
Fri. Nov. 2 – Bordeaux, FR @ El Chicho
Sat. Nov. 3 – Rennes, FR @ 1988 Club
Mon. Nov. 5 – Bristol, UK @ Exchange
Tue. Nov. 6 – Manchester, UK @ Mancunia Studio (SOLD OUT)
Wed. Nov. 7 – Glasgow, UK @ Broadcast
Thu. Nov. 8 – Leicester, UK @ Duffy’s Bar
Fri. Nov. 9 – Bournemouth, UK @ The Anvil
Sat. Nov. 10 – Brighton, UK @ East Street Tap
Sun. Nov. 11 – London, UK @ Sebright Arms (SOLD OUT)
Mon. Nov. 12 – Brussels, BE @ Chaff
* w/ Flint Eastwood

[Future Me Hates Me artwork]

Keep your mind open.
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Clutch – Book of Bad Decisions

The winner of Most Intriguing Album Cover of the year might go to Clutch‘s new release – Book of Bad Decisions.  The cover doesn’t feature a book at all, just a painting of a bald eagle on a branch either looking at something off to its right or looking back at us with perhaps apathy or vigilance.  Then there’s the title.  What bad decisions make up this book?  Does it refer to a certain as-yet unnamed book?  Let’s not forget the bald eagle is a symbol of the United States, and that symbol has turned its back on us.  Has it done so because of our bad decisions in recent times?  Is Clutch, who are lovers of history, warning us through a simple image that we are at risk of losing what makes this country great?

The album opens with a tale from the history of the band – “Gimme the Keys.”  It’s the story of one of their earliest gigs when they played a small summer festival / large party in the middle of Corn Field Nowhere, USA, and were accused of stealing a microphone from another band and / or the party’s coordinators.  It opens with fuzzy feedback and then turns into a blistering fire that only Clutch seems to know how to unleash.  One of the best parts is hearing Neil Fallon re-enacting his words to the band’s accusers.  Tim Sult‘s guitar moves back and forth between metal and psychedelia with ease.

“Spirit of ’76” is another history lesson from the band, possibly referring to 1776, the political landscape of 1976 (in which Fallon mentions a “farmer with peanuts in his hand” – Jimmy Carter?), or even the 1975 album of the same name by Spirit.  Knowing Clutch’s catalogue like I do, I wouldn’t be surprised if it’s all three.  Jean-Paul Gaster‘s beats on this will have you doing bass drum kicks under your desk before you realize it.  The title track opens with almost drone-metal bass from Dan Maines and talks of dark clouds and leads to killer shredding by Sult.

“How to Shake Hands” has Gaster going bonkers while Fallon takes on elections and political campaigning.  Fallon claims he’s going to release all information about UFO’s and “put Jimi Hendrix on the twenty-dollar bill and Bill Hicks on the five note” once he’s President.  He could probably win on those three promises alone.  “In Walks Barbarella” brings in a horn section as Fallon sings about his childhood love of science fiction, “weaponized funk,” and hot women.  In other words, Clutch has written a tune about yours truly.

Jerry Lee Lewis-like piano runs through “Vision Quest.”  The nearly backward opening drums on “Weird Times” are appropriate, and Gaster’s cowbell was probably begging for mercy by the time he was done laying down the drum tracks.  I like the music box-like underlying sounds of “Emily Dickinson.”  It has a great swagger to it as well that probably flattens crowds when played live.  “Sonic Counselor” has a dirty fuzz to it that makes you feel a bit mean, and it probably should be on your newest workout playlist.

“A Good Fire” starts with bluesy drums as Fallon sings about the joys of bonfires in autumn and the whole band is soon burning up behind him.  “Ghoul Wrangler,” apart from having a cool title, takes off like a dragstrip racer off the line and doesn’t look back.  As much as it rocks, “H.B. Is in Control” rocks even harder (which almost seems impossible).  Gaster sounds like he’s having the time of his life behind his kit and Maines’ groove is so solid that you could build a skyscraper atop it.

“Hot Bottom Feeder,” believe it or not is Neil Fallon’s recipe for crab cakes.  Seriously.  The only thing better than the fact that Clutch put a recipe song on their new album is how damn good the song is.  It’s one of their best blues-laced rockers in a long while, full of Sult’s hot guitar licks and the band’s humor.  “Paper & Strife” sizzles past you at the speed of an out-of-control train engine, and the closer, “Lorelei,” practically has Fallon yelling to the heavens about the murmuring rock of legend in Germany that has possibly lured many ships to a watery grave.

Book of Bad Decisions is another good rocker from Clutch, who never swing and miss.  Historical themes are nothing new to Clutch records, but they’ve woven them into this album with more subtlety and cleverness than usual.  They’ve warned us to always keep history in mind, because, well, you know what happens when you forget it.

Keep your mind open.

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