Anika releases title track from her upcoming album – “Change.”

Photo by Sven Gutjahr

Anika – the project of Berlin-based musician Annika Henderson who is also a founding member of Exploded View – announces Change, her first new album in over a decade, out July 23rd on Sacred Bones & Invada, and shares the “Change” video directed by Sven Gutjahr who also directed the video for recent single “Finger Pies.” The follow-up to cult favorite Anika (2010), Change is beautifully fraught. The intimacy of its creation and a palpable sense of global anxiety are seemingly baked into the album’s DNA. Spread across nine tracks, the central feeling of the record is one of heightened frustration buoyed by guarded optimism. The songs offer skittering, austere electronic backdrops reminiscent of classic Broadcast records or Hi Scores-era Boards of Canada, playing them against Anika’s remarkable voice—Nico-esque, beautifully plaintive, and—in regards to the record’s subject matter—totally resolute.

Having worked collaboratively in the past with the likes of BEAK> and Exploded View, Change was ultimately the product of necessity. After recording the initial ideas by herself at Berlin’s Klangbild Studios, Anika was joined by Exploded View’s Martin Thulin, who co-produced the album and played some live drums and bass. “This album had been planned for a little while and the circumstances of its inception were quite different to what had been expected,” says Anika. “This colored the album quite significantly. The lyrics were all written there on the spot. It’s a vomit of emotions, anxieties, empowerment, and of thoughts like—How can this go on? How can we go on?

Recorded at a time when literally everyone in the world was being forced to take stock, rethink, and reimagine their own place in the cosmos of things, Anika provides the wizened perspective of an outsider. It’s a perspective that is not lost on the British ex-pat and former political journalist, and despite the subject matter and the circumstances around its creation, Change itself is ultimately a treatise on optimism. The title track presents the album’s message writ large: “I think we can change, we all have things to learn, about ourselves and about each other.” To end the record on such a sanguine note might be one of Change’s most revolutionary gestures.

“There’s a lot of stuff I want to change,” says Anika. “Some things I sat down and decided last year, I had to change about myself and my life. Sometimes it feels helpless because the things we want to change are so huge and out of our control. Starting with yourself is always a good place. I think we can change.” 
Watch “Change” Video

Watch “Finger Pies” Video 

Pre-order ChangeChange Tracklist
1. Finger Pies
2. Critical
3. Change
4. Naysayer
5. Sand Witches
6. Never Coming Back
7. Rights
8. Freedom
9. Wait For Something Anika European Tour Dates:
Sept. 10 – Offenbach, DE @ Hafen2
Sept. 12 – Dunkerque, FR @ Les 4 Ecluses
Sept. 23 – Nancy, FR @ L’Autre Canal
Sept. 24 – Rouen, FR @ Le 106 Club

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[Thanks to Patrick at Pitch Perfect PR.]

King Gizzard and the Lizard Wizard move North American tour to 2022.

King Gizzard & The Lizard Wizard announce that their North American tour is now rescheduled for Fall 2022. In October 2022, the band will play shows across the country, including marathon sets at Berkeley’s Greek Theatre and two performances at Red Rocks Amphitheatre, during which the band will play material from their vast discography across three hours. The tour will follow the release of their new album, Butterfly 3000, out now via the band’s own label KGLW.
 
Butterfly 3000 is King Gizzard’s 18th studio album. The band decided to play this one close to the vest, and refrained from sharing any advance singles, or the album artwork, which will be a cross-eyed autostereogram created by long-time collaborator Jason GaleaButterfly 3000 might be their most fearless leap into the unknown yet; a suite of ten songs that all began life as arpeggiated loops composed on modular synthesisers, before being fashioned into addictive, optimistic and utterly seductive dream-pop by the six-piece. The album sounds simultaneously like nothing they’ve ever done before, and thoroughly, unmistakeably Gizz, down to its climactic neon psych-a-tronic flourish. This is undoubtedly the most accessible and jubilant album of their career.
 

King Gizzard & The Lizard Wizard Tour Dates
Sun. Oct. 2 – Berkeley, CA @ Greek Theatre
Tue. Oct. 4 – Portland, OR @ Roseland Theater
Wed. Oct. 5 – Vancouver, BC @ PNE Forum
Thu. Oct. 6 – Seattle, WA @ Moore Theatre
Mon. Oct. 10 – Morrison, CO @ Red Rocks Amphitheatre
Tue. Oct. 11 – Morrison, CO @ Red Rocks Amphitheatre
Fri. Oct. 14 – St Paul, MN @ The Palace Theatre
Sat. Oct. 15 – Chicago, IL @ RADIUS
Sun. Oct. 16 – Detroit, MI @ Masonic Temple
Tue. Oct. 18 – Toronto, ON @ TBA
Wed. Oct. 19 – Montreal, QC @ L’Olympia
Sat. Oct. 22 – Philadelphia, PA @ Franklin Music Hall
Sun. Oct. 23 – Washington, DC @ The Anthem at The Wharf
Mon. Oct. 24 – Asheville, NC @ Rabbit Rabbit
Wed. Oct. 26 –  Atlanta, GA @ The Eastern
Mon. Oct 31 – Oklahoma City, OK @ The Criterion
 
*all dates supported by Leah Senior
 

King Gizzard & The Wizard Lizard Online:
https://kinggizzardandthelizardwizard.com/
https://www.instagram.com/kinggizzard/
https://www.facebook.com/kinggizzardandthelizardwizard/
https://twitter.com/kinggizzard
https://kinggizzard.bandcamp.com/
https://gizzverse.com/

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[Thanks to Jacob at Pitch Perfect PR.]

Review: Evolfo – Site Out of Mind

Recorded in an attic in a house where an exorcism took place and inspired by science fiction and mind expansion via psychedelic drug trip, Evolfo‘s Site Out of Mind is a pretty groovy record. I mean, how could it not be with an origin story like that?

Opening with Cure-like guitar chords that mix with thick electro-bass and reverbed vocals on “Give Me Time,” the album instantly feels far more expansive than an attic. The crunchy guitars and humming of the first single, “Strange Lights,” will make you stomp the pedal to the metal. Evolfo goes from Temples influences to Osees within two songs, which is nothing but cool to me. The warped, wobbly beats of “Zuma Loop” are disorienting at first and then hypnotic.

“Towers rise, towers fall,” they sing on “Blossom in Void” – a song that seems to be about staying present in order to emerge from sorrow and end up in a place of joy. Jangly acoustic guitars and vintage psych-synths start the funky “Drying Out Your Eyes” – a top-notch groovy cut. “In Time” parts 1 and 2 are a nice psychedelic combo – like pretzels and curry. “Let Go” is a dreamy float down a hazy river.

“Broken Hills” has this neat, weird beat that I love, and the change to a trippy Yes-like sound for the end (complete with string section) is gorgeous. “Orion’s Belt” is appropriately spacey, with guitars sounding like buzzing UFOs. The closer, “White Foam,” reminds me of Psychedelic Furs by the end if the Furs were even more psychedelic.

It’s a nice record, and I’m curious to see and hear where these chaps go next.

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[Thanks to Cody at Clandestine PR.]

Oh Baby, like the rest of us, claim “I Need Somebody to Love Tonight.”

London & Manchester-based duo Oh Baby are set to release their new album ‘Hey Genius‘ on July 23rd via Burning Witches Records  The pair, made up of distant cousins Rick Hornby & Jen Devereux met via a chance meeting at distant relatives funeral. Today they’re sharing their new single I Need Somebody To Love Tonight“.

Speaking about the track, the band said “I Need Somebody To Love Tonight is a cover of an obscure track by Patrick Cowley who was a composer and electronic musician/producer in 70’s San Francisco and who’s music formed part of the New York underground post-disco scene of the early 80’s. When we discovered his early instrumentals and demos had been re-released we devoured all that homemade analog charm. Finding out that the original track was part of music commissioned for gay porn films gave the sound even more beautiful late-night sleaze.”

Listen to “I Need Somebody To Love Tonight” here:https://bit.ly/3fHhDS7

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[Thanks to Frankie at Stereo Sanctity.]

Dry Cleaning announce massive tour.

Photo by Steve Gullick

Last month, London-based band Dry Cleaning released New Long Leg, their 4AD debut and one of 2021’s most praised albums thus far. The album was immediately met with much fanfare and glowing reviews from Pitchfork(Best New Music), The New York Times, NPR Music, Rolling Stone, Entertainment Weekly, Bandcamp, and more. Today, they announce a fall tour in support of New Long Leg. Dry Cleaning will play select shows across the states, performing for the first time ever in San Francisco, Portland, Seattle, and Chicago, plus return appearances in Los Angeles and Brooklyn. Following in early 2022, the band will tour Europe and the UK. Their live energy was previewed during their television debut on Later…with Jools Holland earlier this year, plus their 2021 KEXP session

Dry Cleaning is Nick Buxton (drums), Tom Dowse (guitar), Lewis Maynard(bass) and Florence Shaw (vocals). Buoyed by the universal acclaim they received for 2019 EPs “Boundary Road Snacks and Drinks” and “Sweet Princess,” New Long Leg “arrives fully formed, ready to evacuate the contents of your brain and replace them with the odd images, bizarre obsessions, vivid sense memories, and banal judgements that live rent-free in the mind of another” (Pitchfork). 
 

Stream/Purchase New Long Leg

Watch the “Strong Feelings” Video

Watch the “Scratchcard Lanyard” Video

Watch the “Unsmart Lady” Video

DRY CLEANING TOUR DATES
Wed. Nov. 10 – Los Angeles, CA @ Teragram
Thu. Nov. 11 – San Francisco, CA @ Chapel
Sat. Nov. 13 – Portland, OR @ Vitalidad
Sun. Nov. 14 – Seattle, WA @ Crocodile 
Wed. Nov. 17 – Chicago, IL @ Empty Bottle
Sat. Nov. 20 – Brooklyn, NY @ Market Hotel

Wed. Jan. 19, 2022 – Paris, FR @ La Maroquinerie *
Thu. Jan. 20, 2022 – Lyron, FR @ Le Périscope *
Fri. Jan. 21, 2022 – Milan, IT @ Circolo Magnolia *
Sat. Jan. 22, 2022 – Bologna, IT @ Covo Club *
Mon. Jan. 24, 2022 – Vienna, AT @ Chelsea *
Tue. Jan. 25, 2022 – Prague, CZ @ Futurum *
Wed. Jan. 26, 2022 Berlin, DE @ Zukunft am Ostkreuz *
Fri. Jan. 28, 2022 – Copenhagen, DK  @ Loppen *
Sat. Jan. 29, 2022 – Hamburg, DE @ Molotow *    
Mon. Jan. 31, 2022 – Nijmegen, NL @ Doornroosje *
Tue. Feb. 1, 2022 – Brussels, BE @ Orangerie, Botanique *
Wed. Feb. 2, 2022 – Amsterdam, NL @ Paradiso Noord *     
Fri. Feb. 4, 2022 – Rotterdam, NL @ Rotown *
Sat. Feb. 5, 2022 – Tourcoing (Lille), FR @ Le Grand Mix *
Mon. Feb. 14, 2022 – Liverpool, UK @ Arts Club Theatre %
Tue. Feb. 15, 2022 – Dublin, IE @ The Button Factory – SOLD OUT %
Wed. Feb. 16, 2022 – Belfast, IE @ Empire Music Hall %
Fri. Feb. 18, 2022 – Edinburgh, UK @ Summerhall (Venue upgrade) – SOLD OUT %
Sat. Feb. 19, 2022 – Glasgow, UK @, Queen Margaret Union (Venue upgrade) %
Sub. Feb. 20, 2022 – Leeds, UK @ Brudenell Social Club – SOLD OUT %
Tue. Feb. 22, 2022 – Birmingham, UK @ The Mill %
Wed. Feb. 23, 2022 – Bristol, UK @ SWX %
Fri. Feb. 25, 2022 – Manchester, UK @ Academy 2 %
Sat. Feb. 26, 2022 – Sheffield, UK @ Leadmill %
Sun. Feb. 27, 2022 – Nottingham, UK @ Rescue Rooms %
Tue. March 1, 2022 – Portsmouth, UK @ Wedgewood Rooms %
Wed. March 2, 2022 – Brighton, UK @ Concorde 2 %
Thu. March 3, 2022 – London, UK @ O2 Forum Kentish Town %

*= w/ Maria Somerville
%= w/ PVA

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[Thanks to Jacob at Pitch Perfect PR.]

Sharon Van Etten and Angel Olsen combine their superpowers for a fine new single.

oday, Sharon Van Etten and Angel Olsen unveil a true knockout of a song, “Like I Used To,” with a gorgeous accompanying video. The track opens less with a chord than with a crash, an announcement to stop what you’re doing and stand at attention: Sharon Van Etten and Angel Olsen are singing together. “Like I Used To” takes its place among the great anthems: a powerful and joyful ode to reclaiming one’s own space.  Sharon’s troubadour swagger is sure-footed and stadium-sized. Angel’s inquisition is piercing, evocative, impossible to dodge. The combination of their voices is so beautiful and electric, it’s almost destabilizing, and it’s only furthered by John Congleton’s production, who has worked closely with both in the past: Sharon on her most recent album, Remind Me Tomorrow, and Angel throughout her career on Burn Your Fire for No Witness and All Mirrors.

The song’s stunning accompanying video, directed by Kimberly Stuckwisch and shot in Los Angeles and Joshua Tree at various locations, elevates the overall vibe and free spirit of “Like I Used To.” It is a visual representation that truly celebrates the collaborative nature of these two special songwriters and performers. 
Watch Sharon Van Etten and Angel Olsen’s Video for “Like I Used To”
 Both Sharon and Angel have long-admired one another from the close-but-far distance of life on tour, a life that unifies them even as they’ve spent years criss-crossing each other from miles, countries, continents apart. Ask them each about the song’s origin story and they inadvertently stitch a mirror together, a story of mutual admiration and, lucky for us, eventual collaboration. “Even though we weren’t super close, I always felt supported by Angel and considered her a peer in this weird world of touring. We highway high-fived many times along the way…I finally got the courage in June of 2020 to reach out to see if she would want to sing together. I got greedy and quickly sent her a track I had been working on,” says Sharon. 

I’ve met with Sharon here and there throughout the years and have always felt too shy to ask her what she’s been up to or working on,” says Angel. “The song reminded me immediately of getting back to where I started, before music was expected of me, or much was expected of me, a time that remains pure and real in my heart.” To call it magic is to cheapen the connection between these two masters, but when you listen it’s hard to call it anything else.

Keep your mind open.

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[Thanks to Jessica at Pitch Perfect PR.]

Psycho Las Vegas unveils updated 2021 lineup.

Las Vegas, Nevada’s Psycho music festival has revealed its updated lineup for 2021, and it still includes plenty of heavy-hitters in the metal world, psychedelic bands, shoegaze groups, and even bossa nova musicians.

Danzig, Emperor, and Down are the main headliners, but there’s plenty to keep you occupied if you want to avoid the headliners’ crowds. The Flaming Lips never disappoint live, and Thievery Corporation will be a delightful show of trip hop and makeout music. Ty Segall and Freedom Band will probably be a raucous set, and there’s no doubt that Osees will have a lot of pent-up energy to unleash after a year of not touring.

The Sword are a nice addition to the revised lineup, Health is powerful live, as is Zola Jesus‘ voice in any venue. TSOL will bring classic punk to the festival, Black Joe Lewis and the Honeybears will bring funk, Dengue Fever will bring Southeast Asian psych-disco grooves, Frankie and the Witch Fingers will supply psychedelic jams, Guantanmo Baywatch will serve up surf, and Claude Fontaine will sing bossa nova and dub tracks to make you melt.

There’s plenty of metal, to be sure. Warish will flatten any venue in which they play. High on Fire will shred everything, and Cannibal Corpse will burn whatever’s left to ashes. Flavor Crystals and Highlands will add shoegaze to the mix, and there’s even a Queen cover band – Mother Mercury – to boot.

The “Psycho Swim” pre-party will also be worth your time. Death Valley Girls are ruling right now, Blackwater Holylight are also equally creepy and enchanting, and Here Lies Man will have everyone jamming in the pool.

Tickets are rapidly selling, so don’t wait to get some.

Keep your mind open.

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Durand Jones and the Indications drop wicked new single – “Witchoo.”

Photo by Ebru Yildiz

Durand Jones & The Indications announce their new album, Private Space, out July 30th on Dead Oceans in association with Colemine Records, and a fall North American tour. Following the “immaculate and eternal soul” (The Guardian) of The Indications’ 2019 album, American Love CallPrivate Space unlocks the door to a wider range of sounds, boldly launching the band into a world of synthy modern soul and disco beats dotted with strings. Anchored by the high-low harmonies of Aaron Frazer (drums/vocals) and Durand Jones (vocals), and rounded out by Blake Rhein (guitar), Steve Okonski (keys), and Mike Montgomery (bass), The Indications are true masters at melding revival sounds with a modern attitude. The ten tracks across Private Space provide for both an escapist fantasy and a much-needed recentering after a tumultuous 2020.
 
In conjunction with today’s announcement, they share Private Space’s lead single/video “Witchoo.” Reflective of the track’s vibrant, playful energy, the Weird Life-directed video features the five band members and close friends, transitioning from a live performance to an electric backstage soirée.
 

Watch the Video for “Witchoo”

 
“At the end of the day, I just want people to close their eyes and forget where they are. Just the way a Stevie Wonder album does for me,” says Jones. Developed after being apart for much of the year, Private Space is creatively explosive and delights in upending expectations. Throughout, The Indications highlight a collective resiliency – as well as the power of a good song to be a light in the darkness. From an Indiana basement (where the band recorded their 2016 self-titled debut LP as college students), The Indications have catapulted into the soul limelight and an international stage. Following their sophomore album American Love Call — a dreamy but pensive record of big string arrangements and sweet soul stylings — The Indications became revered by vintage music fans, the lowrider community and late-night television.
 
Between production work, solo efforts and major sold-out shows, Durand Jones & The Indications continue on an unstoppable upswing. With live music temporarily out of the equation, The Indications were able to dive deep into recording their third LP. Uptempo tracks like “Witchoo,” “The Way That I Do” and “Sea of Love” practically manifest the flicker of a disco ball, their pop-funk grooves recalling Idris Muhammad and Raphael Saadiq as well as Pete Rock and DJ Premier. You’ll slow it down as the group evokes the likes of Teddy Pendergrass, the Isley Brothers and Sylvia on “Ride or Die” or “More Than Ever” (“I’ve never felt so sexy as when I was singing that track,” says Jones).
 
While Private Space is an intentional departure from The Indications’ roots in ‘60s funk and soul, its exploratory vibe is true to their origins and evolving tastes. “There’s a lot of the band’s original DNA, but it’s not a time capsule,” says Rhein. The sound of Private Space isn’t a stretch, Frazer adds. “We’re actually revealing more of ourselves, a deeper and broader look into who we are as musicians and fans.”
 
Settled in a cabin in upstate New York, the five-piece spent significantly more time experimenting with sound than previous releases. “It was like this buildup of all the ideas, the love, and the need to make music with these guys again,” Jones says. They leaned into songwriting and brought in vibraphonist Joel Ross (Blue Note), an eight-piece string section and friends from the group 79.5 to sing backups. From ideation to the final album cut, Private Space is a meditation on what gets us through isolation and loss: community, love and friendship.
 
Each Indications album opens with a statement of political consciousness; a musical State of the Union that sets a tone. As Nina Simone once declared, “I choose to reflect the times and situations in which I find myself. That to me is my duty.” Private Space leans into hope, coalescing around the idea that joy can set us free. “I want listeners to know that through really rough times something beautiful can be birthed,” says Jones, who proclaims on “Love Will Work It Out” that “All the people lost made me fall right onto my knees/all I could do was cry and shout/I knew I had to trust the faith that love would work it out.”
 
As the world slowly resets from the chaos of the past year, Private Space is arriving at just the right time. “I feel we’ll be arriving into people’s lives as they’re exiting a really tough period,” Frazer theorizes. “We’re not out of the woods, but hopefully this allows people to get together again, to share and experience catharsis.”
 

Pre-order Private Space
 
Private Space Tracklist
01. Love Will Work It Out
02. Witchoo
03. Private Space
04. More Than Ever
05. Ride or Die
06. The Way That I Do
07. Reach Out
08. Sexy Thang
09. Sea of Love
10. I Can See
 
Durand Jones & The Indications Tour Dates
(on sale this Friday at 10am local time)
Tue. Sept. 7 – Boston, MA @ Paradise Rock Club
Wed. Sep. 8 – Philadelphia, PA @ Union Transfer
Fri. Sept. 10 – Brooklyn, NY @ Brooklyn Steel
Sat. Sept. 11 – Washington DC @ 9:30 Club
Mon. Sept. 13 – Chicago, IL @ Vic Theatre
Tue. Sept. 14 – Minneapolis, MN @ Fine Line
Thu. Sept. 16 – Denver, CO @ Gothic Theater
Fri. Sept. 17 – Salt Lake City, UT @ The Commonwealth Room
Mon. Sept. 20 – San Diego, CA @ Soma
Wed. Sept. 22 – Los Angeles, CA @ Hollywood Palladium
Fri. Sept. 24 – Dana Point, CA @ Ohana Fest

Keep your mind open.

[I can get witchoo if you subscribe.]

[Thanks to Sam at Pitch Perfect PR.]

TORRES puts a sweet song in our heads with “Don’t Go Puttin’ Wishes in My Head.”

Photo by Shervin Lainez

TORRES (moniker of Mackenzie Scott) announces her new album, Thirstier, out July 30th on Merge Records, and a North American and European tour. In conjunction, she unveils the album’s first single/video, “Don’t Go Puttin Wishes in My Head.” Thirstier, the follow-up to 2020’s Silver Tongue, is Scott’s most exuberant and daring record to date, showcasing her in thrilling freefall. “I’ve been conjuring this deep, deep joy that I honestly didn’t feel for most of my life,” says Scott. “I feel like a rock within myself. And I’ve started to feel that I have what it takes to help other people conjure their joy, too.” The album revolts against the gray drag of time, a searing and life-affirming eruption of an album that wonders what could happen if we found a way to make our fantasies inexhaustible. Thirstier explodes the borders of imaginative possibility.

Recorded in the fall of 2020 at Middle Farm Studios in the UK, Thirstier marks a turn towards a bigger, more bombastic sound for TORRES. The anxious hush that fell over much of Scott’s previous music gets turned inside-out in songs tailored for post-plague celebration. Scott co-produced the album with Rob Ellis and Peter Miles, drawing on her experience self-producing Silver Tongue to push her music onto an even broader scale. Guitar-driven walls of sound, reminiscent of producer Butch Vig’s work with Garbage and Nirvana, surge and dissipate like surf in high winds, carrying Scott’s commanding voice to the fore.

I wanted to channel my intensity into something that felt positive and constructive, as opposed to being intense in a destructive or eviscerating way,” Scott notes. “I love the idea that intensity can actually be something life-saving or something joyous.”

This massive sound and celebratory mood is evident in lead single “Don’t Go Puttin Wishes in My Head,” a sparkling country romp. Bolstered by glistening synth, it’s a defiant yet disarming number that sees Scott singing of a love that knows no bounds, while sharing her vulnerabilities with remarkable candor. Its charming video was shot in Scott’s apartment with her partner. In her own words, it’s “my relentless arena country star moment—my shameless Tim McGraw cheeseball hit.” 
Watch TORRES’ “Don’t Go Puttin Wishes in My Head” Video
Thirstier clasps together love songs from all angles. Romantic love, platonic love, familial love, self-love, and freeing spiritual love all commingle, all feeding one another and vaulting toward the horizon. Scott sings of love that never knows scarcity. With Thirstier, TORRES clears the way to that wellspring and invites others to follow her there. 
Pre-order Thirstier

Thirstier Tracklist
1. Are You Sleepwalking?
2. Don’t Go Puttin Wishes in My Head
3. Constant Tomorrowland
4. Drive Me
5. Big Leap
6. Hug From a Dinosaur
7. Thirstier
8. Kiss the Corners
9. Hand in the Air
10. Keep the Devil Out

TORRES Tour Dates
(tickets on sale May 12 @ 10am Eastern)
Sun. Aug. 29 – Fairfield, CT @ StageOne
Mon. Aug. 30 – Portsmouth, NH @ Press Room
Tue. Aug. 31 – Cambridge, MA @ Sonia
Fri. Sept. 3 – Buffalo, NY @ Mohawk Place
Mon. Sept. 13 – Cleveland, OH @ Beachland Tavern
Tue. Sept. 14 – Columbus, OH @ Ace of Cups
Wed. Sept. 15 – Detroit, MI @ Marble Bar
Thu. Sept. 16 – Chicago, IL @ Empty Bottle
Fri. Sept. 17 – Minneapolis, MN @ 7th Street Entry
Sat. Sept. 18 – Kansas City, MO @ Record Bar
Sun. Sept. 19 – St. Louis, MO @ Off Broadway
Tue. Sept. 21 – Denver, CO @ Larimer Lounge
Wed. Sept. 22 – Salt Lake City, UT @ Kilby Court
Sat. Sept. 25 – Boise, ID @ Treefort Music Festival
Mon. Sept. 27 – Seattle, WA @ Tractor Tavern
Tue. Sept. 28 – Portland, OR @ Doug Fir Lounge
Thu. Sept. 30 – San Francisco, CA @ Brick & Mortar Music Hall
Fri. Oct. 1 – Santa Cruz, CA @ Atrium @ Catalyst
Sat. Oct. 2 – San Diego, CA @ Soda Bar
Sun. Oct. 3 – Los Angeles, CA @ Troubadour
Mon. Oct. 4 – Phoenix, AZ @ Rebel Lounge
Wed. Oct. 6 – Dallas, TX @ Deep Ellum Art Co.
Thu. Oct. 7 – Houston, TX @ Bronze Peacock
Fri. Oct. 8 – Austin, TX @ 3TEN @ ACL Live
Mon. Oct. 11 – Chattanooga, TN @ House Show
Tue. Oct. 12 – Atlanta, GA @ The Earl
Wed. Oct. 13 – Asheville, NC @ ISIS Asheville
Thu. Oct. 14 – Nashville, TN @ EXIT/IN
Fri. Oct. 15 – Knoxville, TN @ Open Chord
Sat. Oct. 16 – Durham, NC @ The Pinhook
Sun. Oct. 17 – Washington, DC @ Union Stage
Mon. Oct. 18 – Philadelphia, PA @ Johnny Brenda’s
Thu. Oct. 21 – New York, NY @ The Bowery Ballroom
Fri. March 11, 2022 – Glasgow, UK @ Mono
Sat. March 12, 2022 – Leeds, UK @ Brudenell Social Club
Sun. March 13, 2022 – Manchester, UK @ Night & Day
Mon. March 14, 2022 – Bristol, UK @ Exchange
Tue. March 15, 2022 – London, UK @ Bush Hall
Thu. March 17, 2022 – Paris, FR @ La Boule Noire
Fri. March 18, 2022 – Gent, BE @ Charlatan
Sat. March 19, 2022 – Utrecht, NL @ Ekko
Mon. March 21, 2022 – Berlin, DE @ Frannz Club
Tue. March 22, 2022 – Hamburg, DE @ Uebel & Gefährlich (Turmzimmer)
Wed. March 23, 2022 – Cologne, DE @ Bumann & SOHN
Thu. March 24, 2022 – Heidelberg, DE @ Karlstorbahnhof
Fri. March 25, 2022 – Zürich, CH @ Rote Fabrik
Sat. March 26, 2022 – Bologna, IT @ Locomotiv

Keep your mind open.

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[Thanks to Jessica at Pitch Perfect PR.]

Max Bloom’s “Palindromes” is a delightful love song.

Photo by Bex Day

Today Max Bloom (previously of Yuck) has shared a second single from his forthcoming solo record ‘Pedestrian’, which is set for release on June 18 through Bloom’s own new label, Ultimate Blends. He will also be playing a socially-distanced show at London’s Oslo on July 2nd.

Palindromes is a wistful, understated love song. Bloom explains: “This song is about how I got together with my girlfriend Anna, who also plays bass in my live band (and co-wrote two songs on the album). We were best friends for years, then she broke up with her boyfriend and we got together quite suddenly. It was completely unplanned, but when it happened it felt like a lucid dream. I wanted to write something to commemorate it (Anna has also written a few songs about it too), and after the darkness and grief of Perfume, it felt cathartic for me to write this song.”

“Palindromes” video:https://youtu.be/Uv7y47iMoNM

The album ‘Pedestrian’ takes its listener into the outside world. And it was here, wandering the city streets and parks against the surreal backdrop of the last twelve months, that Bloom discovered his inspiration for this latest collection of songs. He found himself observing his surroundings and people’s behaviour in a new light. 

Over the months, a regular cast of companions (namely Spoon, Beck, and Yellow Magic Orchestra) accompanied Bloom on his increasingly lengthy runs. These references, alongside core influences like Wilco, George Harrison, and Grandaddy, helped bring a fresh pallet of sonic colours and textures to ‘Pedestrian’.

‘Pedestrian’ is the first release on Bloom’s new label, Ultimate Blends, which will be a home to all of his future projects and productions. Bloom has also designed individual artworks for every song on this album, and animations for its forthcoming singles. He also hosts podcast JEW-ISH, a series of one-to-one interviews with Jews from a range of different cultures and backgrounds, aiming to show the nuance that exists within the Jewish world. Listen here.

‘Pedestrian’ will be released on June 18th via Ultimate Blends.
Max Bloom will play Oslo in London on July 2nd. Ticket info here.

‘Pedestrian’ track list:
1. Pedestrian – Official video
2. Palindromes – Official video
3. All The Same
4. America
5. The Weatherman
6. Imposter Syndrome
7. Under Green Skies
8. How Can I Love You
9. Twenty-Two
10. Cat On Your Lap

Links:
JEW-ISH podcast
https://maxbloom.bandcamp.com/
https://www.facebook.com/MaxBloomMusic/

Keep your mind open.

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[Thanks to Kate at Stereo Sanctity.]