Gustaf throw the “Book” at us with their new single.

Photo by Felipe Torres

Formed in 2018, Brooklyn’s Gustaf have built a kind of buzz that feels like it comes from a different era. The art punk 5 piece rapidly established a reputation as one of New York’s “hardest working…and most reliably fun bands” (BrooklynVegan), and early excitement about their danceable, ESG-inspired post punk expanded outside of their city with remarkable effect despite having released no recorded music and barely having an online presence. As a result of their magnetic live show the band found unlikely early champions, catching the attention of luminaries like Beck – who had the band open for him at a secret loft party he played around the release of his latest album – the New York no wave legend James Chance, and shared stages with buzzing indie acts like OmniTropical Fuck StormDehd and Bodega, while word of mouth led to sell out shows when they played their first LA headline dates in late 2019. They finally released recorded music in the form of their debut 7 inch at the end of 2020, which only furthered the growth of their reputation, earning them comparisons to acts like Television, Talking Heads, The B-52s and LCD Soundsystem from NPR (who made them a Slingshot artist for 2021), PasteDIY, Under The Radar, BrooklynVegan and NME among many others.

Today, the band are announcing their debut LP, the magnificently titled Audio Drag For Ego Slobs, which will be out on October 1st on Toronto’s Royal Mountain Records (Wild Pink, Alvvays, Mac DeMarco)and sharing their new single “Book.”

WATCH: the video for Gustaf’s “Book” on YouTube  

‘Book’ is a song about the fallacy and fight of getting ahead vs being a head. It is seeking validation in the wrong places and from the wrong people,” singer Lydia Gammil explains. “The hook, “I got ahead, I got a head” is a fun little taunt that we find either being thrown in our face or coming out our mouth. Everyone gets their moment up on the pedestal and everyone gets their turn falling off of it. Whether it’s up or down, ‘Book’ is about accepting whatever level you’re on.

To coincide with the announce Gustaf are announcing an extensive itinerary of touring in the US, UK and Europe that will see them playing with IDLES and Pillow Queens. Full details can be found below. 

Gustaf’s Audio Drag for Ego Slobs will be released on October 1st on Royal Mountain Records. It is available for preorder here.

Tour Dates
10/1 – Charlotte, NC – Snug Harbor
10/2 – Knoxville, TN – Mill and Mine 
10/3 – Cincinatti, OH – MOTR Pub
10/4 – Cleveland, OH – Beachland Tavern
10/6 – Milwaukee, WI – Cactus Club
10/7 – Saint Paul, MN – Palace Theatre #
10/8 – Chicago, IL – Riviera Theatre #
10/9 – Detroit, MI – Saint Andrew’s Hall #
10/10 – Columbus, OH – Newport Music Hall #
10/12 – Boston, MA – House of Blues #
10/13 – Philadelphia, PA – The Fillmore #
10/15 – New York, NY – Terminal 5 #
10/16 – New York, NY – Terminal 5 #
10/17 – Washington, DC – 9:30 Club #
10/18 – Washington, DC – 9:30 Club #
10/20 – Asheville, NC – The Orange Peel #
10/21 – Nashville, TN – Cannery Ballroom #
10/22 – Atlanta, GA – Masquerade – Heaven Stage #
10/25 – Austin, TX – Stubb’s #
10/26 – Dallas, TX – Granada Theater #
10/27 – San Antonio, TX – Paper Tiger #
11/2 – Birmingham, UK – The Sunflower Lounge $
11/3 – Bristol, UK – Rough Trade Bristol $
11/4 – London, UK – The Dome $
11/6 – Brighton, UK – Mutations Festival @ The Green Door Store
11/8 – Leeds, UK – Hyde Park Book Club $
11/9 – Manchester, UK – YES (Pink Room) $
11/10 – Liverpool, UK – Arts Club Loft $    
11/11 – London, UK – The Windmill, Brixton
11/13 – Utrecht, NL – Le Guess Who Festival    
11/14 – Kortrijk, BE – Sonic City Festival
11/14 – Brussels, BE – Witloof Bar
11/16 – Berlin, DE – Cassiopeia      
11/17 – Haldern, DE –  Haldern Pop Bar
11/18 – Paris, FR – Les Femmes S’en Melent @ Petit Bain
11/19 – Lille, FR – The Black Lab
11/20 – Luxembourg City, LU – Rotondes Klub
12/09 – Portland, OR – Bunk Bar (headline)

# – supporting Idles

$ – supporting Pillow Queens

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[Thanks to Tom at Hive Mind PR.]

Review: Shred Flintstone – Unlimited Power

If your band’s name is Shred Flintstone and your album is titled Unlimited Power, you need to have the chops to back up those things. Otherwise, you’ll be dismissed as a “joke band.” Shred Flintstone need not worry. They have enough chops to power a car-crushing monster truck.

Album opener “All My Friends Are Bread” starts us off with post-punk bass riffs Ed Weisgerber and guitar chords from Dan Barrecchia that sound like frantic radio transmissions from a military base being attacked by a giant monster. The whole thing turns into a wild assault on the senses in just a few moments. Wesigerber’s fury continues on the title track while his rhythm section mate, Joey Giambara, locks in everything with crisp chops. “Shred Durst” shreds harder than anything Fred Durst has released in years.

Barrecchia’s guitar work on “Red Dawn” reminds me of early Nirvana tracks. “Friend of a Friend of the Devil” is, dare I say it, a bit psychedelic as Barrecchia sings about trying to run from his fate / sins and then learning to accept it / them. The three of them go nuts on “Big Gun” – a New Bomb Turks-like punk track with the vocal reverb turned up to eleven. “Escape from New Jersey” (the band’s home state) turns the vocal effects up to twelve and drops riffs and drum fills heavier than a dump truck full of broken concrete. “Dirty Boi” comes at you like Leatherface with its heavy buzz and frantic pounding. The album’s closer, “Always,” wraps things up with surf and even a bit of 1950s love ballad crooning.

So, yes, Shred Flintstone have the chops to back up their name and album’s title, as well as knock the speakers off your shelves or walls. If you’re thinking of installing solar panels to power your house, you could just plug this album into your fuse box and save a ton of money.

Keep your mind open.

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[Thanks to Katz at Junkfood PR.]

Dry Cleaning release double A-side single – “Bug Eggs / Tony Speaks!”

Dry Cleaning is “one of the most exciting bands in rock” (Rolling Stone). Earlier this spring, they released their debut album New Long Leg via 4AD, which has already become one of the best records of 2021 thus far. Following praise from The New York Times, Pitchfork, Entertainment Weekly, The FADER, Esquire, and more, and preceding their completely sold out fall US tour, they today present a special one-off double A-side single, “Bug Eggs” b/w “Tony Speaks!” Recorded at Rockfield Studios in July and August 2020 during the same session for New Long Leg, “Bug Eggs” and “Tony Speaks!” were previously only available in an expanded Japanese edition of the album. Explaining the two tracks Florence Shaw says, “’Bug Eggs’ is about the confidence that comes with age, fragility and sexual desire. The lyrics to ‘Tony Speaks!’ were written days after the Conservative party won the December 2019 UK election. I was thinking about climate change, environmental catastrophes and political campaigning.

Listen to Dry Cleaning’s “Bug Eggs” b/w “Tony Speaks!”

 Born from the combined creative talents of Nick Buxton (drums), Tom Dowse (guitar), Lewis Maynard (bass) and Florence Shaw (vocals), Dry Cleaning’s debut album New Long Leg was produced by John Parish at Rockfield Studios and features the singles “Scratchcard Lanyard,” “Strong Feelings” and “Unsmart Lady.” Intertwining Shaw’s spoken vocals tightly with the band’s restless instrumentals they extract the meaning from the most trivial things; little witty asides about supermarkets, cupboards, beauty products and body parts add up to sonic landscapes that teem with the strange magic of ordinary life.

Stream/Purchase New Long Leg

Watch the “Scratchcard Lanyard” Video

Watch the “Strong Feelings” Video

Watch the “Unsmart Lady” Video

Dry Cleaning Tour Dates
Wed. Nov. 10 – Los Angeles, CA @ Teragram – SOLD OUT
Thu. Nov. 11 – San Francisco, CA @ Chapel – SOLD OUT
Sat. Nov. 13 – Portland, OR @ Vitalidad – SOLD OUT
Sun. Nov. 14 – Seattle, WA @ Crocodile – SOLD OUT
Tue. Nov. 16 – Chicago, IL @ Empty Bottle – SOLD OUT
Wed. Nov. 17 – Chicago, IL @ Empty Bottle – SOLD OUT
Fri. Nov. 19 – Brooklyn, NY @ Market Hotel – SOLD OUT
Sat. Nov. 20 – Brooklyn, NY @ Market Hotel – SOLD OUT
Wed. Jan. 19, 2022 – Paris, FR @ La Maroquinerie *
Thu. Jan. 20, 2022 – Lyron, FR @ Le Périscope *
Fri. Jan. 21, 2022 – Milan, IT @ Circolo Magnolia *
Sat. Jan. 22, 2022 – Bologna, IT @ Covo Club *
Mon. Jan. 24, 2022 – Vienna, AT @ Chelsea *
Tue. Jan. 25, 2022 – Prague, CZ @ Futurum *
Wed. Jan. 26, 2022 Berlin, DE @ Zukunft am Ostkreuz *
Fri. Jan. 28, 2022 – Copenhagen, DK  @ Loppen *
Sat. Jan. 29, 2022 – Hamburg, DE @ Molotow *   
Mon. Jan. 31, 2022 – Nijmegen, NL @ Doornroosje *
Tue. Feb. 1, 2022 – Brussels, BE @ Orangerie, Botanique *
Wed. Feb. 2, 2022 – Amsterdam, NL @ Paradiso Noord *    
Fri. Feb. 4, 2022 – Rotterdam, NL @ Rotown *
Sat. Feb. 5, 2022 – Tourcoing (Lille), FR @ Le Grand Mix *
Mon. Feb. 14, 2022 – Liverpool, UK @ Arts Club Theatre %
Tue. Feb. 15, 2022 – Dublin, IE @ The Button Factory – SOLD OUT %
Wed. Feb. 16, 2022 – Belfast, IE @ Empire Music Hall %
Fri. Feb. 18, 2022 – Edinburgh, UK @ Summerhall (Venue upgrade) – SOLD OUT %
Sat. Feb. 19, 2022 – Glasgow, UK @, Queen Margaret Union (Venue upgrade) %
Sub. Feb. 20, 2022 – Leeds, UK @ Brudenell Social Club – SOLD OUT %
Tue. Feb. 22, 2022 – Birmingham, UK @ The Mill %
Wed. Feb. 23, 2022 – Bristol, UK @ SWX %
Fri. Feb. 25, 2022 – Manchester, UK @ Academy 2 %
Sat. Feb. 26, 2022 – Sheffield, UK @ Leadmill %
Sun. Feb. 27, 2022 – Nottingham, UK @ Rescue Rooms %
Tue. March 1, 2022 – Portsmouth, UK @ Wedgewood Rooms %
Wed. March 2, 2022 – Brighton, UK @ Concorde 2 %
Thu. March 3, 2022 – London, UK @ O2 Forum Kentish Town %

* = w/ Maria Somerville
% = w/ PVA

Keep your mind open.

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[Thanks to Jacob at Pitch Perfect PR.]

Levitation France announces full 2021 lineup, and it’s a doozy.

The 2021 Levitation France full lineup has been announced, and it’s a great one.

The show will be at an outdoor venue this year to be a bit safer during the tail end of the pandemic. The Friday night shows include sets by The Limiñanas and Mars Red Sky, while Saturday night has sets by Shame, SLIFT, Zombie Zombie, Anika, and Wild Fox.

I’d be at this festival were it not for a nephew’s wedding that same weekend, but you should go in my stead.

Keep your mind open.

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Buffalo Daughter release first new music in seven years – “ET (Densha)” – from their upcoming album.

Photo by Enno Kaptiz / digitally altered by Kosuke Kawamura

Japanese art-rock pioneers Buffalo Daughter have announced We Are The Times, their first new album in seven years, out on September 17th, 2021, alongside the first single from the record “ET (Densha)” available on all digital streaming services now.

Since their 1996 debut on the legendary Beastie Boys-run label Grand Royal, Buffalo Daughter has been recognized as an original and energetic standout in the modern Japanese music scene. Over their decades long career, The band has pushed their unique post-rock, new wave, and techno influenced sound to global success, from numerous world tours to collaborations with many prominent acts including AirBlonde Redhead, Cibbo Matto, and Shonen Knife

The music video for their new single “ET (Densha)” was created by Berlin based artist Ryoichi Kurokawa, illustrating the worldbuilding sensation of the track with a sense of delicate power. “ET (Densha) is our soundscape for the world we currently live in,” the band wrote in a statement. “Darkness and light, chaos and harmony, intensity and ease – they seem to be black and white, but are they really? Where are we going?  Take the ET (electric train) and let the journey begin.”

We Are The Times started from an improvisation session with Masaya Nakahara as part of a tribute program for Takahiro Muramatsu(Smurf Otokogumi). The album took quite some time to record, growing and changing with the band members’ shifting lives and world views as they navigated the covid-19 pandemic. Though the record was created during a tumultuous period, it starts with the phrase “Music is the vitamin,” indicating Buffalo Daughter’s hope for positivity in the world of 2021; the band sought to create an energetic and optimistic project to combat our anxious times. The vibrancy of their sound on the album is perhaps best summed up in this quote from collaborator Masaya Nakahara: 

“A bright fruit of electronic sound! Buffalo Daughter’s new sound shows the light for where we should head to in this chaotic world.”

“We Are The Times” will be released digitally and physical CD (only available in Japan) on September 17th with vinyl to follow on October 15th.

Keep your mind open.

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[Thanks to Jake at Ramp Global.]

Little Kid release “John Arnott,” their first new music in years.

Photo by Becca Howes

The career of the Toronto band Little Kid, the long-running project of songwriter Kenny Boothby, has taken a path as unlikely and idiosyncratic as their gorgeous, and intricately arranged songs. Formed in 2011, the band spent most of a decade accruing a cult audience as a DIY band, self-releasing 5 albums and numerous unusual releases (perhaps most memorably a run of made to order cassettes on which Boothby recorded songs chosen by the purchaser), before signing to Solitaire Recordings for their 2020 album Transfiguration Highway. The album was a massive success for the band, precipitating an explosion of critical appreciation that included earning comparisons to Damien Jurardo, Sufjan Stevens, Neil Young, Alex G, and Bon Iver in a Stereogum Album of The Week piece and high praise from outlets like NPRThe AV ClubPasteDIYSecret MeetingExclaimWorld Cafe, Loud & QuietNo Depression, and The Line of Best Fit among many others. Today the band are sharing their first new music since the LP, a single entitled “John Arnott” to celebrate ten years as a band and to mark the release of the Solitaire Recordings reissue the band’s fan favorite 2017 LP Sun Milk.

LISTEN: to Little Kid’s “John Arnott” on YouTube
(Lyrics can be found here)

In keeping with the Christian themes that are often central to Boothby’s songs, “John Arnott” is a song about Pastor John Arnott, a central figure in a ’90s charismatic Christian revival centered around the Toronto Airport Vineyard Church known as the Toronto Blessing, as Boothby explains.

The song is inspired by Pastor John Arnott, who started the Toronto Airport Christian Fellowship in Toronto, the site of the so-called Toronto Blessing – a charismatic Christian revival in the 90s and early 00s,” says Boothby. “I actually traveled up from Petrolia with my family to attend a service there, and later learned my partner was attending at the same time (though we didn’t meet until about 15 years later). Most of the churches I attended in my teens and early adulthood were led by pastors inspired by the movement that started at TACF: focused on performing miracles, receiving the Gifts of the Spirit, having direct spiritual experiences with God – frankly, they were all a bit ‘out there.‘”

Keep your mind open.

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[Thanks to Tom at Hive Mind PR.]

Cuffed Up sing like “Canaries” on their new single.

Photo by Noah Kentis

Formed in 2019, LA-based Cuffed Up were born out of a search for “self acceptance and self-realization”, drawing lines from across the globe to the burgeoning post-punk scene in the UK, while leaning into ‘90s indie rock and grunge, creating a loud and rhythmic rainbow of post-punk that is fluid and versatile. Today, the band are sharing their crushing and vital new single “Canaries,” a rip-roaring track about reckoning with one’s shame, alongside the news that they have signed with Toronto-based record label Royal Mountain Records, home to Alvvays, Wild Pink, METZ and more.
WATCH: Cuffed Up’s “Canaries” on YouTube
The band explains that ““Canaries'” is about going down a path that you know is wrong, yet you keep going because some form of shame is driving you. Sometimes, we become numb to the burdens we carry. “Carrying the weight of stones/with pins to his bones” reflects that and the need to be vulnerable with yourself and not accept fate as is.”

Pairing up with producer Brad Wood (Touché Amoré, Smashing Pumpkins, Liz Phair), “Canaries” is soaring yet direct, a visceral statement of intent from the band that expands on their refreshing self-titled debut that saw love from the likes of KEXPNMEDIYBandcamp, and The Line Of Best Fit, as well as radio play on BBC 6Music and BBCRadio 1 and a supporting run with Silversun Pickups.

With support already from KCRW in Los Angeles and Double J in Australia, “Canaries” sees Cuffed Up embarking on a full US tour as main support for The Joy Formidable, beginning in Seattle on 11/26 and making stops in Portland, San Francisco, Los Angeles, Chicago, Boston, New York, Philadelphia along the way and ending in Burlington on 12/18.

“Canaries” is out now on Royal Mountain Records. It is available here.

Tour Dates
11/26 – The Crocodile – Seattle, WA
11/27 – Doug Fir Lounge – Portland, OR
11/29 – The Independent – San Francisco, CA
11/30 – The Roxy Theatre – Los Angeles, CA
12/02 – Crescent Ballroom – Phoenix, AZ
12/04 – Bluebird Theater – Denver, CO
12/05 – The Riot Room – Kansas City, MO
12/07 – Turf Club – Minneapolis, MN
12/09 – Lincoln Hall – Chicago, IL
12/10 – A&R Music Hall – Columbus, OH
12/11 – Thunderbird Music Hall – Pittsburgh, PA
12/12 – 9:30 Club – Washington, DC
12/13 – The Sinclair – Boston, MA
12/14 – Bowery Ballroom – New York, NY
12/16 – Underground Arts – Philadelphia, PA
12/17 – Empire Underground – Albany, NY
12/18 – Higher Ground Showcase Lounge – Burlington, VT

Keep your mind open.

[I’ll sing with joy if you subscribe.]

[Thanks to Conor at Hive Mind PR.]

Review: SUUNS – The Witness

Canadian psych-electro rockers SUUNS were tired in 2019. They had been touring almost non-stop since 2010. They needed to slow down, recharge, and refocus, but they didn’t want to stop making music. So, they stopped, or perhaps were forced to stop due to the pandemic, took a breath, and created The Witness.

Opening track “Third Stream” begins the album with a slow, brooding pace, almost like some of Pink Floyd‘s synth-driven psychedelic cuts. The lyrics tell of checking out from the systemic grind and seeking greater things like peace and love. The drop of the echoing guitar and drum beats on it will grab your attention. The title track, with its bumping electro bass and beats, is a song about watching things fall apart around you and avoiding the temptation to fall into the miasma.

The slow, somewhat creepy beat of “C-Thru” is perfect for late night drinks, meditations, or slow dancing with multiple lovers. “Timebender” mixes birdsong with distant guitar riffs and soft beats for an intriguing track about looking beyond the self.

“Release yourself, remove this shroud. What you see when you look around. Clarity so real, don’t change your mind.” Profound lyrics about in “Clarity,” a nice standout in the middle of the record. According to SUUNS, they’ve been working on “The Fix” for about four years and it finally found a home on The Witness. It’s a strange, quirky track with a beat that seems to shift in about five different directions. In other words, it’s kind of cool. “Go to My Head” combines Bossa nova guitar, subdued electronic beats, and simple lyrics about moving on from a finished romance into a nearly six-minute hypnotic therapy session. The album ends with “The Trilogy” – a song that, the band admits, they just sort of let happen once they got into a groove they all enjoyed. How cool is that?

SUUNS have also admitted that The Witness is a stepping stone of them toward different types of material they want to record and different themes they wish to explore. It’s a good start, and it makes you interested in what they’re planning next – as any good album should.

Keep your mind open.

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[Thanks to Patrick from Pitch Perfect PR.]

Review: Pearl & the Oysters – Flowerland

“Delightful” is the word I’d use to sum up Pearl & The Oysters‘ new album, Flowerland. It’s a bright, lovely electro-pop record and the kid of music we all sorely need as we approach the latter half of 2021 with trepidation. Should we travel? Is the pandemic really over? Is it okay to make out and hug people again? Pearl & The Oysters might not have all the answers, but they do have warm, self-replicating optimism.

“Soft Science,” the album’s opener, is a song about taking time to enjoy life (“Hey, come to the beach. You studied all night long.”) and not being a slave to the self-imposed grind. Poppy, fun synths encourage us to step outside our comfortable homes and feel the sand between our toes again. The up-tempo “Bit Valley” is an ode to staring at a computer for so long that you dream about it later. The synths sound like happy, giddy birds throughout the whole track.

“Treasure Island” is perfect for lounging at the outdoor hotel pool, at the beach, or even on the plane ride back from vacation. It’s lazy, groovy, and lovely electro-lounge. “Radiant Radish” is psychedelic surf as Pearl & The Oysters encourage us to get away from bumper-to-bumper traffic and forget your troubles at the beach. The lazy beats and lazy, warped guitar riffs on “Crocodile” reflect the self-isolation lethargy so many of us faced (“Why am I still inside?”). On its surface, “Candy” is about a love of candy and indulging in one’s sweet tooth, but is actually about love, lust, and, I suspect, oral sex. It’s a sweet, funky jam anyway you cut it.

The title track is a dreamy fantasy of crashing on an alien world and discovering it’s a sunny paradise. “Evening Sun” is about being hungover, both on booze and on Netflix, home cooking, and staying indoors. The beats on it are crisp, and the addition of a flute is a lovely touch. “Baby” is their version of the Bossa nova classic, and it’s a welcome delight on an already delightful album.

“Wizzo” brings in sitar and robot-like vocals about the future coming early, as it always does. “Osteroid Asteroid” is so full of fat synth bass that it should probably have its blood sugar checked. On “Satellite,” Pearl and the Oysters sing about the law of (physical) attraction, to the point where it’s keeping her awake at night for fear of missing something delightful. “Rocket Show” has a bit of minstrel show / circus sound to it, with what I think is a harpsichord prancing throughout it. It’s a song of optimism and seems like it’s congratulating all of us for making it through 2020, but Flowerland was completed pre-pandemic. The album closes with the instrumental, trippy “Flamingo Sketches.”

It’s a lovely record all-around and one you’ll enjoy as you move from summer to autumn, and then listen to again in winter so you can remind yourself that summer will come.

Keep your mind open.

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[Thanks to Gabriel at Clandestine PR.]

Motörhead to release “Everything Louder Forever” compilation this October.

MOTÖRHEAD…a life force, an energy, an attitude and the loudest, meanest, dirtiest music to smash the 20th and 21st centuries. With a bastard sound comprising an unholy synergy of rock, punk and heavy metal, MOTÖRHEAD comes coated in relentless, ear-curdling power. They were life-changing for millions, carrying a spirit and approach to life and music which proudly said, “Honey, we’re hoo-oome and don’t bother cleaning because we’re here to enjoy ourselves!” The ‘off’ switch was never employed in the MOTÖRHEAD lust for life, and they became legends as a result. 

Leading the charge for their entire 40 year career was the cultural icon Ian ‘Lemmy’ Kilmister, who swashbuckled around stages, streets and overseas like a glorious Mad Max pirate truthsayer, roaring for the good and screaming at the wankers. With his propulsive sound and lyrical might leading the charge, MOTÖRHEAD released 22 studio albums over those four decades, amassing chart topping records worldwide, a Grammy award and racking up around 20 million sales. Their hit song “Ace Of Spades” became MOTÖRHEAD’s anthem, perfectly capturing their attitude for millions, and punching giant holes in stereos worldwide to this day. Nothing was harder, nothing was faster, nothing packed more raw attitude and certainly nothing was louder, making MOTÖRHEAD a cultural elixir that was regularly imbibed across all genre lines. Don’t take our word for it, look around any heavy metal, punk or alternative gig, and you’ll see the indomitable warpig logo and MOTÖRHEAD gothic script on a t-shirt, a jacket, even an arm or leg or back (MOTÖRHEAD tattoos are everywhere), all sitting on the bodies of rockers, metalheads, punks, bikers, rebels, outcasts, freethinkers and even athletes all around the world. Yeah, that’s right, MOTÖRHEAD’s cultural reach remains virtually peerless to this very day (the one you’re living right now as you read this), and it continues to span fans young and old, igniting their adrenaline and giving them both entertainment and identity. 

This collection is the definitive assembly of MOTÖRHEAD songs which have created this cultural phenomenon, and represents the first time all eras of the band’s recorded history have been represented in one place. And we feel that if in this mad, mad world we’re living in, some aliens decide to drop by your house for tea and demand an explanation as to, “what the fuck is this ‘MOTÖRHEAD’ that we keep hearing and feeling bits of in our extra-terrestrial houses millions of miles away,” you could happily play Everything Louder Forever and know that the question will be thoroughly answered. Buy two copies though, because you know they won’t leave without taking one themselves! Or something like that anyway…
Everything Louder Forever will be released October 29 via BMG Records. See below for full details of the Everything Louder Forever and be sure to visit www.iMotorhead.com for news and updates!

2CD & 4LP track listing:
Overkill
We Are Motörhead
Snaggletooth
Rock It
Orgasmatron
Brotherhood Of Man
In The Name Of Tragedy
Bomber
Sacrifice
The Thousand Names Of God
Love For Sale
Killed By Death
I’m So Bad (Baby I Don’t Care)
Smiling Like A Killer
Sharpshooter
Queen Of The Damned
Keys To The Kingdom
Cradle To The Grave
Lost Johnny
The Game
Ace Of Spades
Burner
Stone Dead Forever
Bad Woman
Just Cos You Got The Power
Stay Out Of Jail
No Class
I Am The Sword
The Chase Is Better Than The Catch
God Save The Queen
R.A.M.O.N.E.S.
Iron Fist
Rock Out
Dirty Love
Shine
Overnight Sensation
On Your Feet Or On Your Knees
I Ain’t No Nice Guy
Sucker
1916
Choking On Your Screams
Motörhead
Also available as 2CD, 2LP, 4LP, digital download, streaming and 360 Reality Audio.

Keep your mind open.

[Thanks to Maria at Adrenaline PR.]