Levitation Music Festival Recap: Day Three – Shoegaze, synths, and psychedelia

The third day of Austin’s Levitation Music Festival was off to a good start when we bumped into Rishi Dhir of Elephant Stone and MIEN at a vegetarian breakfast cafe and then the Men at the same place.  Mr. Dhir remembered seeing us at a small show in Pittsburgh and told us he and the other chaps in MIEN were a bit nervous about performing their first live show at Stubb’s BBQ that night.  We told him we were sure they’d rock it.  I also told Nick from the Men that they reminded me of the MC5, and he was a bit blown away by the compliment.

MIEN did indeed rock their first live show.  We heard their soundcheck while dining at Stubb’s (Where, by the way, the best deal is the all-you-can-eat menu.) and we again saw Mr. Dhir not long before their set.  We told him they sounded great, and they did during the full set.  They played nearly their entire debut album and their nervous energy only seemed to benefit the set.

MIEN in their first live gig.

Local synth heroes (and Stranger Things score creators) SURVIVE were up next and put on a deep, creepy set that was longer than they expected.  They kept thinking they were out of time, but they still had enough to play three more songs before they really were done.  It was funny to see them look offstage and ask, learn they had plenty more time, and then grin as they tried to figure out what to play next.

SURVIVE getting creepy.

Finishing up the night at Stubb’s were shoegaze legends Slowdive.  I was late to their party, but got on board with their self-titled return album after nearly twenty years of no new music.  There was a good-sized crowd there by this point and people went crazy for them.  Many professed their love for singer / keyboardist / guitarist Rachel Goswell, who seemed humbled by all the love.

Slowdive

They nearly leveled the place with reverb, fuzz, and dreamy rock.  My wife wasn’t sure to make of it.  She later told me it nearly put her to sleep, which I suppose is one of the goals of such ethereal music.

We then moved over to the Empire Garage to hopefully catch the last half of No Joy‘s set, but alas they had finished by the time we got there.  Dan Deacon already had a big crowd and was spinning up a wild dance party despite his laptop computer giving him fits and a vocal distortion pedal breaking.  He had the audience building a tunnel with their arms above their heads and dance through it until his laptop computer crashed.

Dan Deacon’s dance tunnel.

We left a bit early, and I later read on Twitter than Deacon smashed his laptop by the end of the show after it crashed yet again.

Up next, my wife freaks out upon seeing Joel Gion on stage, Rishi Dhir returns, and I get Red Bull dumped on me.

Keep your mind open.

[Don’t forget to subscribe before you go.]

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Nik Havert

I've been a music fan since my parents gave me a record player for Christmas when I was still in grade school. The first record I remember owning was "Sesame Street Disco." I've been a professional writer since 2004, but writing long before that. My first published work was in a middle school literary magazine and was a story about a zoo in which the animals could talk.

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