Rewind Review: The Stooges – self-titled (1969)

The Stooges, who would become known for their fierce punk garage rock, could’ve been one of the greatest psychedelic rock bands of all time if they had chosen to go down that road.

Take the opening track (“1969”) of their debut album, for example. It’s loaded with psych-fuzz guitar from Ron Asheton that sounds like he just walked in from San Francisco instead of Detroit, and Iggy Pop‘s vocals are almost spoken word poetry rambled from a dingy coffee house. “I Wanna Be Your Dog” almost induces bad acid trip panic.

The third track, “We Will Fall,” is over ten minutes of floating down a lazy river while monks wearing saffron-colored robes chant and play hand percussion instruments along the banks. “No Fun” brings back the grungy fuzz with Dave Alexander‘s distorted bass leading the romp. “Real Cool Time” has Asheton jamming like a damn sawmill of sound tearing through your house.

Pop’s vocals on “Ann” blend right into Asheton’s guitar squalls while Alexander and Scott Asheton lay down a hypnotic rhythm to further trip you out of your headspace. “Not Right” has Pop feeling frisky, but his lady friend isn’t “feeling right,” so he’s stuck again frustrated, and then even more so when she’s finally in the mood and he isn’t. “It’s always this way,” he moans while the rest of the Stooges proceed to melt our faces. The album closes with “Little Doll” and its swirling, scratchy, savage guitars fading the album, and us, into oblivion.

Everyone knows how important The Stooges are to music, but their debut album is a forgotten psychedelic rock classic.

Keep your mind open.

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Published by

Nik Havert

I've been a music fan since my parents gave me a record player for Christmas when I was still in grade school. The first record I remember owning was "Sesame Street Disco." I've been a professional writer since 2004, but writing long before that. My first published work was in a middle school literary magazine and was a story about a zoo in which the animals could talk.

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