Exploded View releases “Sleeper” from upcoming album, “Obey,” out September 28th.

EXPLODED VIEW SHARE “SLEEPERS” WITH VISUAL,
NEW SINGLE OFF OBEY, OUT SEPTEMBER 28TH VIA SACRED BONES
https://youtu.be/C6SXE9R67Wg

FIRST-EVER NORTH AMERICAN TOUR KICKS OFF OCTOBER 19TH

(photo credit – Exploded View)
     “Break free and fly above the clouds outside the lines that we were told were good for us.
Free yourself from your own prison. Remove the shackles of fear to find that the unknown is not so scary        and can be full of precious discoveries (sometimes only possible during sleep).  
A constant trip comes to          an abrupt and unresolved ending with the collapse and eerie shriek of the Arp Solina.” – Exploded View
Exploded View, the international project of Berlin-based Annika Henderson, and Mexico City-based Hugo Quezada and Martin Thulin, will release Obey, their second full-length album on September 28th on Sacred Bones. The apocalyptic, yet soothing songs comprising Obey encompass all the classic dream motifs: intrigue, danger, ecstasy, hard to place, yet primordial visions, and a constant sense of movement. After presenting lead single, “Raven Raven,” the trio now share “Sleepers” and an accompanying visual made by Annika. It’s “a song that very much feels as if it’s flying above the clouds, but is still looking down on desolation from that vantage point. The song glides along on an eerie synth line — at times inviting and beautiful but then always threatening to take a turn into more discomfiting directions — while Henderson’s voice settles into this place where anxiety and fear and wonder seem to coexist. It’s a strange, beautiful composition” (Stereogum).
Leaving behind their live recording process and now a tight three-piece, Exploded View strike a special balance between precise and wild, unshackled and grounded, grooving and unhinged. The have a knack for making the esoteric feel accessible and crafting pop music out of seemingly raw consciousness. This ability to make beautiful music that feels written beyond the veil is at the heart of what makes Exploded View so captivating, and it’s on full display all over Obey. Recorded in Mexico City, the album feels like a liberation of creative impulses and expression allowing the band to reach more mature sonic territories.
Exploded View will head out on their first-ever North American tour the month following the album’s release (all dates are below).
Watch “Sleepers” Visual –
https://youtu.be/C6SXE9R67Wg

Listen to “Raven Raven” –
https://youtu.be/Zl-1qPg8iuE

“’Raven Raven’ is darkly cinematic; its initial moments of creaking synthesizer and rattling floor tom unspool like a reel of degraded film, clicking and flickering images onto a looming screen. . .
The pictures Exploded View offer may be grainy, but they’re just as grave and lasting.”
Pitchfork

“‘Raven, Raven’ is a logical continuation of Exploded View, with the same beat-poet delivery from frontwoman Annika Henderson and tense kinetic energy from the instrumentalists, who sound a little like the members of Can jamming in Lee ‘Scratch’ Perry’s Black Ark Studios” SPIN

“Mysterious and claustrophobically groovy” Brooklyn Vegan

Exploded View Tour Dates:
Fri. Oct. 19 – Dallas, TX @ Nasher Sculpture
Sat. Oct. 20 – Austin, TX @ The Parish
Mon. Oct. 22 – Phoenix, AZ @ Club Congress
Wed. Oct. 24 – San Diego, CA @ The Whistle Stop
Thu. Oct. 25 – Pomona, CA @ The Glass House
Fri. Oct. 26 – Los Angeles, CA @ The Echo
Sun. Oct. 28 – San Francisco, CA @ Rickshaw Stop
Mon. Oct. 29 – Portland, OR @ Mississippi Studio
Tue. Oct. 30 – Seattle, WA @ Vera Project
Wed. Oct. 31 – Vancouver, BC @ Fox Cabaret
Thu. Nov. 1 – Chicago, IL @ The Empty Bottle
Fri. Nov. 2 – Detroit, MI @ Deluxxx Fluxxx
Sat. Nov. 3 – Toronto, ON @ The Garrison
Mon. Nov. 5 – Montreal, QC @ Sala Rossa
Tue. Nov. 6 – Boston, MA @ Middle East
Thu. Nov. 8 – Brooklyn, NY @ Rough Trade
Fri. Nov. 9 – Philadelphia, PA @ PhilMOCA
Sat. Nov. 10 – Norfolk, VA @ Charlies American Cafe
Sun. Nov. 11 – Washington, DC @ DC9
Mon. Nov. 12 – Harrisburg, PA @ The Cathedral Room

Pre-order Obey:
via Sacred Bones – https://www.sacredbonesrecords.com/products/sbr209-exploded-view-obey
via Bandcamp – https://explodedview.bandcamp.com/album/obey

Wild Nothing releases “Shallow Water” ahead of full album due August 31st.

Wild Nothing Shares New Single “Shallow Water”
Listen Here

New Album, Indigo, Out August 31 Via Captured Tracks

[Photo by Cara Robbins]
Later this month Wild Nothing will release his new album, Indigo, one of the summer’s most anticipated albums as heralded by Vulture (“another excellent entry in the catalogue of a project that has virtually perfected the art of writing about romance”) and The A.V. Club (“this is pop music at its most luxurious”). “Shallow Water” is the latest single from Indigo being shared today following “Letting Go” and “Partners in Motion.” “‘Shallow Water’ is a song for and about my wife,” says Wild Nothing’s Jack Tatum. “It can be hard to write songs about being in love that don’t come across as trite but it’s equally as hard to care about being trite when you are in love. To put it simply, it’s a song about finally arriving in the place you were meant to.” As both a return to the fresh, transcendent sweep of his debut, 2010’s Gemini, and a culmination of heights reached, paths traveled, and lessons learned while creating the follow-ups, Nocturne and Life of Pause, it’s clear Indigo is at once vintage Wild Nothing and a bold, new leap into a bigger arena.
Stream “Shallow Water” –
https://wildnothing.lnk.to/ShallowWater

Watch “Letting Go” Video – 
https://youtu.be/EuuT7HvrJF0

Stream “Letting Go” – 
https://wildnothing.lnk.to/LettingGo

Stream “Partners In Motion” – 
https://wildnothing.lnk.to/PartnersinMotion

Pre-order Indigo – 
https://wildnothing.lnk.to/Indigo

Wild Nothing Tour Dates:
(all shows with Men I Trust)
Tue. Oct. 16 – Carrboro, NC @ Cat’s Cradle
Wed. Oct. 17 – Atlanta, GA @ Terminal West
Thu. Oct. 18 – Birmingham, AL @ Saturn
Fri. Oct. 19 – New Orleans, LA @ Gasa Gasa
Sat. Oct. 20 – Houston, TX @ White Oak Music Hall
Sun. Oct. 21 – Austin, TX @ Mohawk
Tue. Oct. 23 – Santa Fe, NM @ Meow Wolf
Wed. Oct. 24 – Phoenix, AZ @ Crescent Ballroom
Thu. Oct. 25 – Santa Ana, CA @ Observatory
Fri. Oct. 26 – Los Angeles, CA @ The Regent Theater
Sat. Oct. 27 – San Francisco, CA @ The Independent
Tue. Oct. 30 – Portland, OR @ Revolution Hall
Wed. Oct. 31 – Vancouver, BC @ Imperial Vancouver
Thu. Nov. 1 – Seattle, WA @ Neumos
Fri. Nov. 2 – Boise, ID @ Neurolux
Sat. Nov. 3 – Salt Lake City, UT @ Urban Lounge
Sun. Nov. 4 – Denver, CO @ Bluebird Theater
Tue. Nov. 6 – Omaha, NE @ The Slowdown
Wed. Nov. 7 – Minneapolis, MN @ Cedar Cultural Center
Thu. Nov. 8 – Madison, WI @ Majestic Theatre
Fri. Nov. 9 – Chicago, IL @ Thalia Hall
Sat. Nov. 10 – Detroit, MI @ El Club
Mon. Nov. 12 – Toronto, ON @ Opera House
Tue. Nov. 13 – Montreal, QC @ Corona Theatre
Wed. Nov. 14 – Boston, MA @ Royale Nightclub
Fri. Nov. 16 – Brooklyn, NY @ Brooklyn Steel
Sat. Nov. 17 – Philadelphia, PA @ Underground Arts
Sun. Nov. 18 – Washington, DC @ 9:30 Club

Download hi-res press images and cover art –
www.pitchperfectpr.com/wild-nothing/
Keep your mind open.
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Live: My Bloody Valentine and Martha’s Vineyard Ferries – Riviera Theatre – Chicago, IL – July 28, 2018

The second of two sold-out shows for My Bloody Valentine at Chicago’s Riviera Theatre was added when the first sold out in minutes.  I was surprised the second didn’t sell out as fast, but happy that I got a ticket to what I was sure was going to be a face-melting experience.

Opening up for MBV were Martha’s Vineyard Ferries – a sort of shoegaze / garage punk band with bits of doom flavor sprinkled in now and then.  I expected something a bit more psychedelic with a name like that, but they were “honored” to be opening for My Bloody Valentine and their enthusiasm came through in their set.

Martha’s Vineyard Ferries

The stacks of amplifiers for MBV were tall and numerous.  A woman behind me said her friend had come to the first show and told her, “It was louder than Dinosaur, Jr.”  Her friend was right.  It was louder than them and probably five more bands combined.

My Bloody Valentine

Opening with “I Only Said,” the four of them powered through with walls of distortion and reverb.  Vocals were barely audible at times, and usually incomprehensible.  You don’t go to a MBV show to hear crisp vocals, however, not even on the two new songs they played.  You go to experience the raw energy that comes at you like a pounding surf on a rocky beach.

Of course “Only Shallow” was a big crowd favorite (and as heavy-hitting as you imagine), but “What You Want,” “Nothing Much to See,” and, naturally, “Soon” were big wallops to your chest, too.  A friend of mine held my hands in hers after “Who Sees You,” and we noticed our hands were trembling.  She patted her chest and said, “Wow!  Intense!”

“My ears are hurting!” was the cry of a guy to my left after they finished “Wonder 2.”  I saw a lot of people without earplugs.  I pitied them.  Many of us were in near-meditative states by the time they got to “Feed Me with Your Kiss” and the audio avalanche that closed the show – “You Make Me Realize.”  The bridge in that was a couple minutes of cymbals and guitar noise that almost reached the point of punishment before breaking back into the power chords.  It left us all dumfounded.

As we were walking out, a woman behind me told her boyfriend he should’ve put in his earplugs for the finale.  He said, “I could feel my chest vibrating.  I thought, ‘Am I having a heart attack?  Is this how it ends?'”

“Not a bad way to go,” I said.

“That’s true,” he said.

True, indeed.  A My Bloody Valentine show isn’t for everyone, but it is something everyone should experience.

Keep your mind open.

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Diagonal – Tomorrow

Chicago’s Diagonal have released their newest record, Tomorrow, and it’s such a good shoegaze record that my wife said it might make her like shoegaze music (which she just doesn’t understand).

Starting with “Find the Sun” (and Chris Detlaff‘s wicked beats), the album shimmers right away.  Three different guitarists (Alex Brumley, Dan Jarvis, and Silas Mishler) merge together to form some sort of super-robot, and Dale Price‘s bass chugs along with the precision of a bricklayer.  Andy Ryan‘s vocals on the big, spaced out “Wide Eyed” are appropriately drenched in reverb, and the whole band unloads with walls of sound.  It’s one of my favorite tracks of the year so far.  It’s been in my head for days.

“Control” ups the psychedelic touches but keeps the fuzz.  “Jump Back” reminds me of Julian Cope tunes from the late 1980’s with its groovy bass licks and the crisp, yet distorted guitar riffs.  The guitars on “True” are crispier, but the bass picks up the fuzz.  It sounds like a Cosmonauts track.  “Descend” could be a Black Angels tune, especially with that slight hint of Middle Eastern influences and the subtle reverb on the vocals.

“All We Need” breaks open with shining riffs and more sick beats from Detlaff.  Jarvis add some cool keyboard flourishes that give it a space-rock feel.  Price’s love of the Cure comes through on his bass line for “Shattered Glass,” and I like how Ryan’s vocals on it sound like they’re coming at you from the end of a long hallway.  “Stay Awake” has a fun groove to it with more than a subtle hint of surf rock.  The fuzz on “Feels” hits a bit harder after the mellowness of the previous track.  It’s one of the loudest cuts on the record.  The title track closes the record, and it’s a wild trip into the cosmos with dual vocals from Ryan and Misher that are barely discernible, bass so fuzzy it resembles an angry bumble bee, enough guitar distortion to power an eighteen-wheeler, and drums that go for broke and beyond.

Don’t wait until tomorrow to get Tomorrow.  It’s one of the best shoegaze records I’ve heard in 2018.

Keep your mind open.

[Don’t wait until tomorrow to subscribe either.]

Introducing one of your new favorite artists – Black Belt Eagle Scout

INTRODUCING BLACK BELT EAGLE SCOUT

DEBUT ALBUM, MOTHER OF MY CHILDREN,
OUT SEPTEMBER 14TH ON SADDLE CREEK

LISTEN TO LEAD SINGLE, “SOFT STUD”
https://youtu.be/LXsfiYigeg4

photo credit – Jason Quigley

Having this identity—radical indigenous queer feminist—keeps me going. My music and my identity come from the same foundation of being a Native woman.” Katherine Paul (aka KP) is Black Belt Eagle Scout, and Mother of My Children is her debut album, out September 14th on Saddle Creek. Recorded in the middle of winter near her hometown in Northwest Washington, Paul’s connection to the landscape’s eerie beauty are palpable throughout as the album traces the full spectrum of confronting buried feelings and the loss of what life was supposed to look like. Paul reflects, “I wrote this album in the fall of 2016 after two pretty big losses in my life. My mentor, Geneviève Castrée, had just died from pancreatic cancer and the relationship I had with the first woman I loved had drastically lessened and changed.” Heavy and heartbroken, Paul found respite from the weight of such loss in the creation of these songs that “are about grief and love for people, but also about being a native person in what is the United States today.”

On Mother of My Children, the songs weave together to capture both the enduring and fleeting experiences of loss, frustration, and dreaming. The structures are traditional, but the lyrics don’t adhere to any format other than what feels right in the moment. Mother of My Children begins with lead single  “Soft Stud,” which Paul describes as her “queer anthem.” It’s “about the hardships of queer desire within an open relationship.” “It’s a sprawling six minutes that feels surprisingly compact, tight nerves and circuitous guitars and muddy drums building and breaking” (Stereogum). “Indians Never Die,” a call out to colonizers and those who don’t respect the Earth, follows. As Standing Rock was happening, many people in Paul’s life were coming together to fight for the most basic necessity to sustain human life: water. “Our treaty rights weren’t being honored. Imagine hearing on the news that the government doesn’t support you as a human being and never has. They don’t care about the water, they don’t care about how they are destroying what is around them. Indigenous people are the protectors of this land. Indians never die because this is our land that we will forever protect in the present and the afterlife.”

Paul grew up in a small Indian reservation, the Swinomish Indian Tribal Community, surrounded by family focused on native drumming, singing, and arts. From an early age, Paul was singing and dancing at powwows with one of her strongest memories at her family’s own powwow, called the All My Relations Powwow. Paul reminisces, “When I was younger, my only form of music was through the songs my ancestors taught the generations of my family. Singing in our language is a spiritual process and it carries on through me in how I create music today.” With the support of her family and a handful of bootleg Hole and Nirvana VHS tapes, Paul taught herself how to play guitar and drums as a teenager. In 2007, she moved to Portland, Oregon to attend college and get involved with the Rock’n’Roll Camp for Girls eventually diving deep into the city’s music scene playing guitar and drums in bands while evolving her artistry into what would later become Black Belt Eagle Scout.

Mother of My Children is a life chapter gently preserved. The access listeners have to such vulnerability feels special and generous.

Listen To Black Belt Eagle Scout’s “Soft Stud”
https://youtu.be/LXsfiYigeg4
Mother of My Children Tracklist:
1. Soft Stud
2. Indians Never Die
3. Keyboard
4. Mother of My Children
5. Yard
6. I Don’t Have You In My Life
7. Just Lie Down
8. Sam, A Dream
Pre-order Mother of My Children
Black Belt Eagle Scout Tour Dates:
July 23 – Portland, OR @ Mississippi Studios
July 24 – Seattle, WA @ Barboza

Mother of My Children cover art
Keep your mind open.
[Don’t forget to subscribe before you split.]

Rewind Review: The Duke Spirit – Bruiser (2011)

Full of wonderful fuzz and lovely vocals, the Duke Spirit‘s Bruiser begins with the rock solid “Cherry Tree,” a song about regret following a break-up.  All the guitars on it surge with power as lead singer Liela Moss claims she doesn’t look back on the past with hope, but we all know otherwise.  “Procession” flips the story a bit, with the former subject of Moss’ affections acting like he’s cool with everything, but her knowing that he’s on the verge of cracking at any moment.    “Villain” has lovely piano and vocals by Moss while Oliver Betts puts down beats that are harder than you realize at first.  The song’s about two people who know they’re probably bad for each other, but will most likely hook up regardless of that fact.

In case you haven’t guessed by now, the name of the album hints to the many songs on the record about the dangerous side of love, lust, and attraction.  “Don’t Wait,” about the struggle to let go of someone after they’ve left (“Oh such a heavy love rolls out like a blanket.  Why must it fold up on me?”) has that great mix of rock, shoegaze, and soul that the Duke Spirit do so well.  Marc Sallis struts his bass stuff on “Surrender,” in which Moss sings that she just wants to surrender to a lover.  Moss’ voice is already seductive enough, but it’s borderline devilish when she sings lyrics like “Oh the weather got worse , so you’ll have to stay here.”

“Bodies” has another slick Sallis groove that paves the way for shoegaze riffs from Luke Ford and Toby Butler.  There’s a short piano breakdown in the middle that catches you off-guard before Betts and the rest wallop you upside the head.  “Delux” has organ and glockenspiel that ticks like a music box and warnings from Moss to a lover to keep his eyes and hands on her instead of someone else.

“Sweet Bitter Sweet” seems to be about sex with lyrics like “I’m coming with you, for there’s nobody else,” but you can never be sure with Moss’ writing.  She can be deceptive and her use of metaphor is top-notch.  It’s sexy even if it isn’t about sex.  I’d be a gibbering idiot if she sang this to me in a smoky bar.  Well, I’d be a gibbering idiot if she just walked into a room with me, but that’s beside the point.  In “Running Fire,” Moss tells a lover that he can chase a future he can never fully grasp or he can return to the moment (and her) and be much happier.  Ford and Butler shred on “Everybody’s Under Your Spell” (which has a great burn-out / fade-out at the end.

“Northbound” has some of Betts’ best beats on the record while Moss sings about a bad day becoming a better day as she realizes she’s going to end it by seeing her lover.  “Homecoming” has a similar theme, but Moss can’t help but wonder if her happiness is an illusion.

Love can be bruising, but bruises and scars are sometimes the remains of a hard-fought but worthy battle.  Bruiser and the Duke Spirit show us that love is worth it.  Love is the thing for which we should all fight.  What else is there?

By the way, certain versions of this album have bonus remixes of “Procession” (by Gary Numan, no less), “Cherry Tree” (by SONOIO), “Bodies” (by Black Onassis), and “Don’t Wait” (by Loose Meat).

Keep your mind open.

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A Place to Bury Strangers to release “Re-Pinned” – a remix of their newest record – this October.

A Place To Bury Strangers Announce Remix Album, Re-Pinned,
Out October 5th Via Dead Oceans

Listen To Slowdive’s “Frustrated Operator” Remix
https://youtu.be/vCyRkpLYTVg

Fall North American Tour Dates Added

[Re-Pinned artwork]

A Place To Bury Strangers released their new album, Pinned, earlier this year via Dead Oceans. Today, they announce Re-Pinned, a remix record coming out October 5th via Dead Oceans. Re-Pinned features remixes from Slowdive, Trentemøller, No Age, METZ, Eric Copeland, Roly Porter, Davy Drones, and TBO. “We’re so thrilled to be able to curate this remix record,” explains Oliver Ackermann. “Re-Pinned has such a cool mix of bands we’re friends and fans of and musicians we’ve loved for years. It really helps paint a picture of where Pinned descended from and is a nice combination of our peers and influences.

It is also such a dream come true and an honor to have our label mates Slowdive remix ‘Frustrated Operator,” which is being shared today. “Slowdive was such an influence on A Place To Bury Strangers as there really is no artist that does epic, scary and beautiful soundscapes like them. In fact, this band started when my friends Tim and Dave were asking if I wanted to play drums in a band that sounds like Slowdive. So, there it is set in stone as it has come full circle! I can die now,” continues Ackermann.

The vinyl version of Re-Pinned will be available for purchase at A Place To Bury Strangers’ live dates leading up to its release, including next month’s performance in New York City with Os Mutantes and the subsequent European tour. Upon the release of Re-Pinned, A Place To Bury Strangers will tour North America starting October 6th. A full list of dates is below.

Listen To Slowdive’s “Frustrated Operator” Remix:
https://youtu.be/vCyRkpLYTVg
Re-Pinned Tracklist:
1.  Never Coming Back (Trentemøller Remix)
2.  Frustrated Operator (Slowdive Remix)
3.  Situations Changes (Davy Drones Remix)
4.  I Know I’ve Done Bad Things (No Age Remix)
5.  Never Coming Back (Eric Copeland Remix)
6.  Execution (METZ Remix)
7.  Was It Electric (TBO Remix)
8.  Never Coming Back (Roly Porter Remix)
A Place To Bury Strangers Tour Dates:
Sunday, July 15 – New York, NY @ Le Poisson Rouge (Festival En Orbita w/ Os Mutantes, Martin Rev, Lee Ranaldo & Yonatan Gat)
Saturday, August 18 – Philadelphia, PA @ The Sound Hole
Friday, August 24 – Eindhoven, NE @ Effenaar (Fuzz Club Festival)
Saturday, August 25 – Utrecht, NE @ Ekko
Tuesday, August 28 – Paris, FR @ Le Petit Bain
Wednesday, August 29 – Bordeaux, FR @ Salle Des Fetes Du Grand Parc
Thursday, August 30 – Madrid, ES @ Moby Dick Club
Friday, August 31 – Porto, PT @ Hard Club
Saturday, September 1 – Lisbon, PT @ RCA Club
Sunday, September 2 – Barcelona, ES @ Sala Sidecar
Tuesday, September 4 – Zurich, CH @ Bogen F
Wednesday, September 5 – Acquaviva, IT @ Live Rock Festival
Thursday, September 6 – Milan, IT @ Circolo Magnolia
Friday, September 7 – Bologna, IT @ Freakout Club
Saturday, September 8 – Zagreb, HR @ Culture Factory
Monday, September 10 – Budapest, HU @ Durer Kert
Tuesday, September 11 – Vienna, AT @ Chelsea
Thursday, September 13 – Cologne, DE @ Gebaude 9
Friday, September 14 – Ostend, BE @ Leffingeleuren Festival
Saturday, September 15 – Rouen, FR @ Le 106
Monday, September 17 – London, UK @ Hoxton Square Bar & Kitchen
Saturday, October 6 – Seattle, WA @ Clock-Out Lounge (w/ Kraus)
Sunday, October 7 – Portland, OR @ Holocene (w/ Kraus)
Tuesday, October 9 – Oakland, CA @ Starline Social Club (w/ Kraus)
Friday, October 12 – Moreno Valley, CA @ Desert Daze
Monday, October 15 – Salt Lake City, UT @ Urban Lounge (w/ Kraus)
Tuesday, October 16 – Denver, CO @ Globe Hall (w/ Kraus)
Thursday, October 18 – St. Louis, MO @ Off Broadway (w/ Kraus)
Friday, October 19 – Chicago, IL @ Empty Bottle
Saturday, October 20 – Indianapolis, IN @ HI-FI Indianapolis (w/ Kraus)
Monday, October 22 – Nashville, TN @ The Basement East (w/ Kraus)
Tuesday, October 23 – Louisville, KY @ Zanzabar (w/ Kraus)
Thursday, October 25 – Columbus, OH @ Ace of Cups (w/ Kraus)
Friday, October 26 – Detroit, MI @ El Club
Sunday, October 28 – Toronto, ON @ Horseshoe Tavern
Monday, October 29 – Montreal, QC @ Theatre Fairmount
                                                                                                                        
Pre-order Re-Pinnedhttps://aptbs.ffm.to/re-pinned

A Place To Bury Strangers online:
http://www.aplacetoburystrangers.com/
https://www.facebook.com/aplacetoburystrangers/
https://twitter.com/aptbs
https://aplacetoburystrangers.bandcamp.com/
http://deadoceans.com/artists/aptbs/

Keep your mind open.
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Crystales – self-titled

Los Angeles’ Crystales, named after a glass cathedral in Orange County, California, play a skillful style of shoegaze dream rock on their debut self-titled album.  The tight connections of the band mates (brothers Nick and Billy Gil on guitar and vocals, neighbor Jason Hanakeawe on drums, and cousin Tony Infante on bass) only help amplify their skill set.  It’s always good to hear new, good shoegaze, and Crystales fit the bill.

The album opens with a daring song titled “Boring.”  Trust me, the album isn’t.  The song’s about a boring wanna-be lover and how draining it can be to socialize with someone who can’t take the hint.  The sunny guitars on it seem to give the song’s subject a chance at romance, however.  “Séance” is just as bright, and I love the way the fuzz kicks in during the chorus like an unexpected wave knocking you over on a beach.

I also love that there’s a song called “Kate Blanchett” on this album, and that it’s one of the hardest rockers on the record.  Who doesn’t have a crush on her?  “Lie Awake at Night” takes a stroll into a psychedelic park on a sunny day and is about someone missing their lover.  It’s secretly melancholy, but the wall of dream pop sound hides it well.  Countering its love lyrics is the heavier “Shoggoth,” which refers to a Lovecraftian monster that can drive people mad just by looking at it.  Is it any coincidence that Infante’s bass is prominent throughout the track and thuds like a fearful heartbeat?  “When It’s Over” is brash and bold but it still keeps that shoegaze fuzzy edge that runs throughout the album.

“Ariel” is the sound of southern California road trips with the top down and the front passenger trying to make out with you while you’re driving.  That shimmering sound continues on “Donkey” and “I Don’t Care.”  “I Don’t Care” isn’t as apathetic as its title would have you believe, but it is about cutting ties with a lover who holds you back from your potential.  “Agrias” lures you into a bit of a trance, and the closer, “Honora,” brings back some hard-edged crunch to the guitars to send you off feeling like a bad ass.

This is a solid debut.  I’m loving the resurgence of shoegaze in the last few years, and bands like Crystales are giving us fans of the genre a lot to love.

Keep your mind open.

 

Levitation Austin artist spotlight: No Joy

Canadian shoegazers No Joy will be playing the Empire garage during Levitation Austin (April 28th at 11:10pm).  They have a cool, heavy sound that I love.  Their album Wait to Pleasure was one of my favorites of 2013 and their new collaboration with Sonic Bloom is outstanding.

Keep your mind open.

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Levitation Austin artist spotlight: Slowdive

Shoegaze legends Slowdive return to Levitation Austin this year.  Their live shows have been lauded ever since their reunion, and I missed them when they were at the crazy, cancelled festival in 2016.  Their set will be like traveling back in time, both to the 1990’s and to just two years ago.  They close Stubb’s BBQ on April 28th at 10:10pm.

Keep your mind open.

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