News – Page 74 – 7th Level Music

Bremer/McCoy release new single, “Natten,” ahead of full album due this October.

Bremer/McCoy, the duo of pianist Morten McCoy and bassist Jonathan Bremer, announce their new album, Natten, out October 29th on Luaka Bop, and share its lead single, the album’s title track. For Natten, Bremer/McCoy recorded straight to tape so that they had as little time as possible to think about it. They just laid it down. They couldn’t really explain it. “When it works for me,” says pianist MortenMcCoy, “it’s pure meditation, pure prayer. Pure gratitude for simply being, without all kinds of jibber-jabber filling my thoughts.”

McCoy and Bremer started making music together back in 2012 when they were still in school. At 17 years old, Bremer was awarded with the Young Jazz Award from Jazz Denmark and for three years he was a solid part of the acclaimed Niels Lan Doky trio. McCoy started his musical journey by digging deep into the Jamaican music-culture both as a musician, composer, concert-organizer and DJ. Since then, he’s worked as a co-composer on the award-winning soundtrack for the Danish movie Underverden. Upon the duo’s creation, they at first played dub. It’s hard to imagine that that’s how they started when you listen to the ethereal sounds they make now, but the influence becomes clearer when you see them live.

Bremer/McCoy insist on traveling with their own sound system. That might seem like a lot of effort for a quiet Danish duo, but for Bremer/McCoy, making music is all about what happens in the room. That’s why they go through the trouble of carrying their own equipment, and it’s why they record analog. When they write music, they aim for direct transmission—idea straight to composition. Natten is the follow-up to a string of albums – their debut Enhed (2013), Ordet (2015), Forsvinder (2016), and Utopia (2019). “We felt a greater freedom this time around because we now have a much deeper understanding and grounding in what we’re doing,” says Bremer. “This allows us to venture further out than ever before, because we know that things typically fall into place.”

Natten, which means “The Night” in Danish, draws inspiration from the end of day, that regenerative time under the constellations when our lives look different. Listeners might be quick to call it escapist—the music might be a reprieve from our busy lives. And while that’s one way to experience Natten, there’s also another, which has more to do with immersion. It offers us the chance to see what’s around us as beautiful. McCoy wrote the title track, “Natten,” while watching the sun set in Sweden. And although the track doesn’t have lyrics, it carries a message, directly from McCoy to you: You won’t find the meaning of life by chasing answers. You’ll find it by waiting and staying open to the world. That’s the message of the title track, and it might as well be the message of the whole album because that’s clearly the state of mind McCoy and Bremer were in when they were recording: Open.

Listen to “Natten” by Bremer/McCoy

“The well is far from empty,” says Bremer. “Listening to great works is like having a deep conversation with somebody, a type of communication that can evolve and continue opening doors to new perspectives.”There’s a hint in what Bremer says of how he hopes his own listeners will experience his music. As a key to something. A key to life, or possibly a key to appreciating new sounds. This is the feeling Bremer/McCoy’s music transmits that you won’t be able to shake. They’re trying to tell you something; you’ll hear it if you listen.

Luaka Bop was founded by David Byrne in 1989. The label represents artists such as Floating Points and William Onyeabor, and is known for introducing the music of Tim Maia and Shuggie Otis, as well as the spiritual music of Alice Coltrane, to the world at large. Earlier this year, Luaka Bop released Promises by Floating Points, Pharoah Sanders and The London Symphony Orchestra. The album has received worldwide acclaim.

Pre-order Natten

Natten Tracklist:
01. Natten
02. Mit Hjerte
03. Gratitude
04. Hjertebarn
05. Nu Og Altid
06. April
07. Aurora
08. Nova
09. Måneskin
10. Natten (part 2)
11. Lalibela

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[Thanks to Sam at Pitch Perfect PR.]

Ela Minus releases remix of “close” by Buscabulla.

Ela Minus’ debut album acts of rebellion, released last October via Domino, boasts “daring calls to would-be dance floor revelers and rioters alike, in both English and Spanish” (Rolling Stone). Since the album’s release, Ela has been keeping busy – she recently performed at Chanel’s Fall-Winter 2021/2022 Haute Couture show and remixed Little Dragon’s “Hold On”. This fall, Ela will tour the US in support of the album. Ahead of these dates, she today presents a remix of “close” (feat. Helado Negro) by Buscabulla, plus a live performance of the otherworldly Liminal Spaces version of the song.

Ela and Buscabulla have previously worked together, namely on Ela’s remix of their song “Vámono.” The “close” remix features vocal contributions from Buscabulla’s Raquel Berrios and expands the playful original into a murky and dreamy dance track. The “close” (Liminal Spaces Version) live performance was filmed in the Centro Historico district in Mexico City earlier this spring and marks the first time Ela performed the song live.

“‘close’ is different from the rest of the songs on my album in many ways, including that it’s the only one with a collaboration, Helado Negro. My approach to sharing this song has been different; when I imagined how to approach new versions of it, I imagined them very distinctly. I came across the concept of liminal spaces, which inspired the improvisation of this version – in one take. I always imagined hearing Raquel’s vocals on this song, so I asked Buscabulla to rework it.” – Ela Minus

Listen to Ela Minus’ “close” (feat. Helado Negro) (Buscabulla Remix)

Watch Live Performance of “close” (Liminal Spaces Version)

Watch/Listen/Share
Purchase / Stream acts of rebellion
Watch “el cielo no es de nadie” Video
Watch “megapunk” Video
Watch “they told us it was hard, but they were wrong” Video
Stream “dominique”
Listen to “they told us…” Remixes

Ela Minus Tour Dates

Wed. Sept. 15 – Washington, DC @ Flash
Fri. Sept. 17 – Atlanta, GA @ Aisle 5
Wed. Oct. 20 – Brooklyn, NY @ Elsewhere
Fri. Oct. 22 – Sat. Oct. 23 – Miami, FL @ III Points Festival
Sun. Oct. 24 – Los Angeles, CA @ The Roxy Theatre
Thu. Feb. 10, 2022 – Houston, TX @ White Oak Music Hall ^
Fri. Feb. 11, 2022 – Dallas, TX @ Granada Theater ^
Sat. Feb. 12, 2022 – Austin, TX @ Stubb’s BBQ ^
Mon. Feb. 14, 2022 – Phoenix, AZ @ The Van Buren ^
Wed. Feb. 16, 2022 – Oakland, CA @ Fox Theater ^
Fri. Feb. 18, 2022 – Vancouver, BC @ Commodore Ballroom ^
Sat. Feb. 19, 2022 – Vancouver, BC @ Commodore Ballroom ^
Sun. Feb. 20, 2022 – Seattle, WA @ The Showbox ^
Mon. Feb. 21, 2022 – Portland, OR @ Roseland Theater ^
Fri. June 10, 2022 – Barcelona, ES @ Primavera Sound

^ = supporting Caribou

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[Thanks to Ahmad at Pitch Perfect PR.]

Mandy, Indiana release Daniel Avery remix of their single “Alien 3.”

Mandy, Indiana (FKA Gary, Indiana) is a Manchester, UK-based trio who combine elements of post-punk, noise, and electronics, emphasizing raw energy and emotion over meticulous composition to create a singular cathartic experience. Earlier this year, they released “Alien 3” via Fire Talk Records. “It begins with a marching band-style beat that intensifies as it progresses, providing an ominous backdrop for frontperson Valentine Caulfield‘s dissociated vocals. Delivered in her native French, Caulfield adds an extra layer of texture to the band’s gnarly sound” (FADER). Today, they present Daniel Avery’s club-ready “Alien 3” remix. “We were overwhelmed to learn that Daniel was a fan of ‘Alien 3’,” says the band. “His music is so unique and inspiring so to have him reinterpret this track was such a joy!“

“A friend told me I should check out Mandy, Indiana – said they were one of the most exciting new bands around and that they would tick all my boxes. Turns out he was right,” adds Daniel Avery. “The band asked if I wanted to try reworking something for the club and I immediately had a feeling something big would come out of it. Turns out I was right.”

Listen to Mandy, Indiana’s “Alien 3” (Daniel Avery Remix)

Mandy, Indiana’s founding members Scott Fair (guitar / production) and Valentine Caulfield (vocals) met through Manchester’s thriving DIY music scene before recently enlisting drummer and percussionist Liam Stewart (percussion). The band create pop music with brutality anchored by the punk poetry style of Caulfield’s vocal delivery. Their music ranges from the warping techno of “Alien 3” to the industrial noise of “Nike of Samothrace ,” songs disparate in nature, but connected by an explosiveness.

More will follow from Mandy, Indiana later this year and all upcoming tour dates are below.

Mandy, Indiana Tour Dates

Fri. Sept. 24 – Bristol, UK @ Klub Loco
Wed. Oct. 20 – Manchester, UK @ YES Basement
Sat. Nov. 20 – Manchester, UK @ White Hotel
Fri. Dec. 3 – Manchester, UK @ YES

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[Thanks to Ahmad at Pitch Perfect PR.]

Blackwater Holylight’s new album is due October 22nd, but the first single is out now.

Portland, OR band Blackwater Holylight announce their forthcoming third album Silence/Motion on RidingEasy Records today, sharing the lead single “Around You.” Hear & share “Around You” via YouTube, Spotify and Bandcamp.)

The band also announce tour dates with former RidingEasy labelmates Monolord in Europe in November-December, followed by North American shows with All Them Witches. Please see all dates below.

Empty surrounds all of me. It’s a poignant line from the third album by Blackwater Holylight that encapsulates the search for self when suddenly everything has changed. There’s a theme of processing vast personal trauma throughout Silence/Motion that eloquently — both lyrically and musically — and simultaneously embodies the crushing emptiness, sorrow, strength and rebuilding of recovering from personal devastation.

“There was so much grief both in the world and interpersonally during the process of creating Silence/Motion,” says vocalist/bassist Allison “Sunny” Faris. “The four of us gave one another more space to be ourselves, to experiment with each other’s ideas and to be gentle with one another more than we ever have before. So, we knew this tenderness would manifest in extremely honest arrangements, and I think that you can hear that throughout the record.”

Curiously, considering the dark times in which it was created, this is the band’s most melodic and catchy music so far. Blackwater Holylight, as the name suggests, is all about contrasts: It’s a fluid convergence of sound that’s heavy, psychedelic, melodic, terrifying and beautiful all at once. And, Silence/Motion finds the band honing those contrasts, letting ideas and moods fully develop from song to song, rather than filling every song with a full range of their capabilities. It allows the band to go fully prog-rock here, and simply stay hushed and intimate there. There’s a new confidence to the band in how seamlessly they wield their stylistic amalgam.

“Writing this album was extraordinarily difficult emotionally, however it did come to fruition fairly quickly,” Faris says. “In the past, the theme of vulnerability has always been a big player and it definitely showed up full force while writing this album.”
Blackwater Holylight recorded the album as a four piece: Faris on vocals and guitar (on “Silence/Motion”, “MDIII”, “Around You” and “Every Corner”) and bass for the remainder, Sarah McKenna on synths, Mikayla Mayhew on guitar (and bass when Faris plays guitar) and drummer Eliese Dorsay. New second guitarist Erika Osterhout will perform the songs with them live. For Silence/Motion the band chose to work with a producer for the first time, bringing in A.L.N. (of Mizmor, Hell) to produce, along with recording engineer Dylan White — who also helmed their previous album Veils of Winter (2019) — at Odessa Recording Studio in Portland, OR. Guest vocals on album opener “Delusional” are by Bryan Funck (Thou.) Mike Paparo (Inter Arma) and A.LN. (Mizmor, Hell) lend guest vocals to album closer “Every Corner.”

Silence/Motion opens softly with interwoven folky single note guitars over an ominous sounding drone for the first minute, akin to moments from Pink Floyd’s Echoes. Suddenly an irresistibly head-nodding, groovy droptuned riff kicks in with the drums and it’s a full on blackened rocker with soaring synths and Funck’s witchy whispers over the top. “Who The Hell,” the track quoted above, takes proceedings into a Krautrock direction, centered around McKenna’s arpeggiated synth loop and Dorsay’s tom-tom triplets, while 16-note guitar strums add tension as Faris wearily sings, “So tell me who the hell would want to live this way — so afraid/ To feel this void, to dwell in it… I can’t describe this pain I wear/ It suffocates and you left it here.” It’s an incredibly powerful 6 minutes. The title track delivers the 1-2-3 punch of the album’s brilliant opening trilogy. It starts with lightly plucked acoustic guitar, plaintive piano chords and Faris’ voice gliding so softly it sounds more like a Mellotron. The song builds slowly toward crescendo, led by a swinging tom pattern, that abruptly switches back to a heavier version of the opening melody.“Silence/Motion” is about digesting and healing from sexual assault. As Faris explains, “It is an ode to the juxtaposition of feeling paralyzingly blank and and like your entire life is moving through you simultaneously.” Elsewhere, Black Metal guitars collide with dreamlike melodies. “Around You” brandishes a hopeful, hummable synth melody and shimmering shoegaze guitars like throwing down a gauntlet. In the end, it becomes undeniably clear just how completely into their own Blackwater Holylight has come.

“The analogy is that with our first record (Blackwater Holylight, 2018) we were getting into to the car and buckling up,” Faris says. “The second (Veils of Winter, 2019) we were turning the car on, and with this third we have kicked into drive toward our destination. Our destination is a bit mysterious and has the ability to change from day to day, but we’re on our way.”

Silence/Motion will be available on LP, CD and download on October 22nd, 2021 via RidingEasy Records.

BLACKWATER HOLYLIGHT LIVE 2021 – 2022: 11.18 – Oberhausen (DE) – Kulttempel / *11.19 – Utrecht (NL) – DB’s / *11.20 – Nijmegen (NL) – Doornroosje / *11.21 – Antwerp (BE) – Zappa / *11.22 – Bristol (UK) – Exchange / *11.23 – Glasgow (UK) – Stereo / *11.24 – London (UK) – Underworld / *11.25 – Manchester (UK) – The Bread Shed / *11.26 – Dunkerque (FR) – 4 Ecluses / *11.27 – Paris (FR) – Petit Bain / *11.28 – Toulouse (FR) – Rex/ *11.30 – Madrid (SP) – Caracol / *12.01 – Barcelona (SP) – Boveda / *12.02 – Annecy (FR) – Brise Glace / *12.03 – Aarau (CH) – Kiff / *12.04 – Vienna (AT) – Arena / *12.05 – Dresden (DE) – Chemiefabrik / *12.06 – Berlin (DE) – Zukunft am Ostkreuz / *12.07 – Hamburg (DE) – Bahnhof St. Pauli / *12.08 – Copenhagen (DK) – Stengade / *12.09 – Gothenburg (SE) – Pustervik / *12.10 – Stockholm (SE) – Debaser Strand / *12.11 – Malmö (SE) – Babel / *12.12 – Oslo (NO) – Youngs *
* w/ Monolord
01.21 – Dallas, TX – Trees # / 01.22 – Austin, TX – Mohawk # / 01.23 – San Antonio, TX – Paper Tiger # / 01.24 – Phoenix, NV – Crescent Ballroom # / 01.27 – San Diego, CA – Belly Up Tavern # / 01.28 – Los Angeles, CA – The Regent Theater # / 01.29 – San Francisco, CA – The Fillmore # / 01.31 – Portland, OR – Wonder Ballroom # / 02.01 – Vancouver, BC – Commodore Ballroom # / 02.02 – Seattle, WA – The Showbox # / 02.04 – Salt Lake City, UT – Kilby Court / 02.05 – Denver, CO – Gothic Theater # / 02.06 – Fort Collins, CO – Aggie Theater #
# w/ All Them Witches

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[Thanks to Dave at US / THEM Group.]

Weak Signal release “Barely a Trace” ahead of their eagerly anticipated album re-release this October.

In classic punk-fashion, but also in normal-human, I-have-no-idea-what-the-future-holds-because-it’s-a-pandemic fashion, Weak Signal, led by one of New York’s most sought-after guitarists Mike Bones, dropped their new album Bianca on Bandcamp out of nowhere in May of 2020 (it’s since been taken down). Although it was unmastered and flew mostly under the radar, it was reviewed by a few spots, and Iggy Pop graciously featured the track “Drugs In My System” on his BBC radio show.

Now, thanks to Colonel Records, Bianca is seeing a proper digital and vinyl release on October 15th, and the band is celebrating today’s announcement with the single “Barely A Trace,” which comes paired with a new music video directed and edited by the band’s drummer Tran. Additional exciting news includes a release show at Brooklyn venue Union Pool on October 8th, followed by a two-week run opening for beloved psych-rockers Garcia Peoples.

“Barely A Trace is about feeling lingering presences around you, swirling confusion from sudden disappearances, like when you discover someone found your stash spot,” says Mike Bones. “Our drummer Tran made the video during the early days of the COVID lockdown in Vietnam, Spring 2020. The song and video are our attempts to affect an approximation of the perfect loneliness and separation present in the work of writers like Marguerite Duras or David Markson.”

Mike Bones has made deep and deeply loved solo albums as a singer and guitarist, and with ad hoc supergroup Soldiers of Fortune. The versatile instrumentalist has also played on albums by Cass McCombs, Endless Boogie and Run the Jewels. Weak Signal, the band he’s put together with Sasha Vine and Tran, is his hardest and leanest group to date, the quality of the songs and music on this album is matched by the supreme style of the band members.

Weak Signal represent a constant on the NYC underground… the trio’s dark cinematic pop evokes late summer nights, apathy and urgency, buzz guitars over garbage trucks. The range of Mike Bones’ guitar suggests he’s been lured by the sweet tone of Peter Green, as well as the metallic attack of Paul Reynolds. The rhythm section of Sasha and Tran – bass and drums – is the sound of summer thunder.

On their sophomore LP – Bianca – Weak Signal have amplified every aspect of their magnetism. The pop is lusher, the drums more bludgeoning and the guitar tone is nastier than ever. They’ve created a thick sonic morass that’s simultaneously tranquil and exhilarating. Weak Signal have truly found their stride with Bianca, and it’s a full-blown gallop

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[Thanks to Jake at Ramp Global.]

The Bogie Band releases a wild new single – “The Witness.”

The Bogie Band featuring Joe Russo has released a new single, “The Witnesses” (listen/share).

The 10-piece ensemble founded by saxophonist Stuart Bogie and drummer Joe Russo is comprised by musicians who hail from a long list of groups, including Antibalas, The Dap Kings, Red Barat, Arcade Fire, Joe Russo’s Almost Dead, David Byrne’s American Utopia, St. Vincent, The Budos Band and Superhuman Happiness. A collaboration between old friends, Bogie’s horn arrangements meet Russo’s propulsive drumming in an explosive combination of woodwind and brass instruments that reimagine wind music in bold and dynamic new ways.

“‘The Witnesses’ speaks to urgency of the times in a musical language that laid the ground work for the Bogie Band featuring Joe Russo,” says Stuart Bogie. “The brass knocks you right and left, the saxophones scream, and the drums keeping you running for your life.”

The Bogie Band featuring Joe Russo will release their debut album in early 2022 via Royal Potato Family.

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[Thanks to Kevin at Royal Potato Family.]

Hubert Lenoir releases second single from upcoming album.

In June, Hubert Lenoir returned to announce his second album, with a track called “SECRET” that featured drums from Mac DeMarco and contributions from Kirin J Callinan, and arrived alongside a feature on the exciting Quebecois artist in The FADER. Today, Lenoir is sharing a second preview from the album in the form of the single “DIMANCHE SOIR,” which involves Future producer High Klassified, and coincides with the formal announce of the album’s September 15th release date and a new change to its title, which is now PICTURA DE IPSE : Musique directe.

WATCH: the video for Hubert Lenoir’s “DIMANCHE SOIR” video on YouTube

“Coming from a conservative background and going to school in the countryside of Quebec, a lot of my parents’ friends or partners thought I was this weirdo queer artsy no good loser and once I achieved success with my art in the last 2-3 years the whole vibe started to change,” says Lenoir of the track. “I remember being so confused by it. The song talks about social pressure coming from your family circle and materialism. How weirdly your social status and wealth can switch the opinion people have on you.”

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[Thanks to Tom at Hive Mind PR.]

Gustaf throw the “Book” at us with their new single.

Formed in 2018, Brooklyn’s Gustaf have built a kind of buzz that feels like it comes from a different era. The art punk 5 piece rapidly established a reputation as one of New York’s “hardest working…and most reliably fun bands” (BrooklynVegan), and early excitement about their danceable, ESG-inspired post punk expanded outside of their city with remarkable effect despite having released no recorded music and barely having an online presence. As a result of their magnetic live show the band found unlikely early champions, catching the attention of luminaries like Beck – who had the band open for him at a secret loft party he played around the release of his latest album – the New York no wave legend James Chance, and shared stages with buzzing indie acts like Omni, Tropical Fuck Storm, Dehd and Bodega, while word of mouth led to sell out shows when they played their first LA headline dates in late 2019. They finally released recorded music in the form of their debut 7 inch at the end of 2020, which only furthered the growth of their reputation, earning them comparisons to acts like Television, Talking Heads, The B-52s and LCD Soundsystem from NPR (who made them a Slingshot artist for 2021), Paste, DIY, Under The Radar, BrooklynVegan and NME among many others.

Today, the band are announcing their debut LP, the magnificently titled Audio Drag For Ego Slobs, which will be out on October 1st on Toronto’s Royal Mountain Records (Wild Pink, Alvvays, Mac DeMarco), and sharing their new single “Book.”

WATCH: the video for Gustaf’s “Book” on YouTube

“‘Book’ is a song about the fallacy and fight of getting ahead vs being a head. It is seeking validation in the wrong places and from the wrong people,” singer Lydia Gammil explains. “The hook, “I got ahead, I got a head” is a fun little taunt that we find either being thrown in our face or coming out our mouth. Everyone gets their moment up on the pedestal and everyone gets their turn falling off of it. Whether it’s up or down, ‘Book’ is about accepting whatever level you’re on.“

To coincide with the announce Gustaf are announcing an extensive itinerary of touring in the US, UK and Europe that will see them playing with IDLES and Pillow Queens. Full details can be found below.

Gustaf’s Audio Drag for Ego Slobs will be released on October 1st on Royal Mountain Records. It is available for preorder here.

Tour Dates
10/1 – Charlotte, NC – Snug Harbor
10/2 – Knoxville, TN – Mill and Mine
10/3 – Cincinatti, OH – MOTR Pub
10/4 – Cleveland, OH – Beachland Tavern
10/6 – Milwaukee, WI – Cactus Club
10/7 – Saint Paul, MN – Palace Theatre #
10/8 – Chicago, IL – Riviera Theatre #
10/9 – Detroit, MI – Saint Andrew’s Hall #
10/10 – Columbus, OH – Newport Music Hall #
10/12 – Boston, MA – House of Blues #
10/13 – Philadelphia, PA – The Fillmore #
10/15 – New York, NY – Terminal 5 #
10/16 – New York, NY – Terminal 5 #
10/17 – Washington, DC – 9:30 Club #
10/18 – Washington, DC – 9:30 Club #
10/20 – Asheville, NC – The Orange Peel #
10/21 – Nashville, TN – Cannery Ballroom #
10/22 – Atlanta, GA – Masquerade – Heaven Stage #
10/25 – Austin, TX – Stubb’s #
10/26 – Dallas, TX – Granada Theater #
10/27 – San Antonio, TX – Paper Tiger #
11/2 – Birmingham, UK – The Sunflower Lounge $
11/3 – Bristol, UK – Rough Trade Bristol $
11/4 – London, UK – The Dome $
11/6 – Brighton, UK – Mutations Festival @ The Green Door Store
11/8 – Leeds, UK – Hyde Park Book Club $
11/9 – Manchester, UK – YES (Pink Room) $
11/10 – Liverpool, UK – Arts Club Loft $
11/11 – London, UK – The Windmill, Brixton
11/13 – Utrecht, NL – Le Guess Who Festival
11/14 – Kortrijk, BE – Sonic City Festival
11/14 – Brussels, BE – Witloof Bar
11/16 – Berlin, DE – Cassiopeia
11/17 – Haldern, DE – Haldern Pop Bar
11/18 – Paris, FR – Les Femmes S’en Melent @ Petit Bain
11/19 – Lille, FR – The Black Lab
11/20 – Luxembourg City, LU – Rotondes Klub
12/09 – Portland, OR – Bunk Bar (headline)

# – supporting Idles

$ – supporting Pillow Queens

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[Thanks to Tom at Hive Mind PR.]

Dry Cleaning release double A-side single – “Bug Eggs / Tony Speaks!”

Dry Cleaning is “one of the most exciting bands in rock” (Rolling Stone). Earlier this spring, they released their debut album New Long Leg via 4AD, which has already become one of the best records of 2021 thus far. Following praise from The New York Times, Pitchfork, Entertainment Weekly, The FADER, Esquire, and more, and preceding their completely sold out fall US tour, they today present a special one-off double A-side single, “Bug Eggs” b/w “Tony Speaks!” Recorded at Rockfield Studios in July and August 2020 during the same session for New Long Leg, “Bug Eggs” and “Tony Speaks!” were previously only available in an expanded Japanese edition of the album. Explaining the two tracks Florence Shaw says, “’Bug Eggs’ is about the confidence that comes with age, fragility and sexual desire. The lyrics to ‘Tony Speaks!’ were written days after the Conservative party won the December 2019 UK election. I was thinking about climate change, environmental catastrophes and political campaigning.”

Listen to Dry Cleaning’s “Bug Eggs” b/w “Tony Speaks!”

Born from the combined creative talents of Nick Buxton (drums), Tom Dowse (guitar), Lewis Maynard (bass) and Florence Shaw (vocals), Dry Cleaning’s debut album New Long Leg was produced by John Parish at Rockfield Studios and features the singles “Scratchcard Lanyard,” “Strong Feelings” and “Unsmart Lady.” Intertwining Shaw’s spoken vocals tightly with the band’s restless instrumentals they extract the meaning from the most trivial things; little witty asides about supermarkets, cupboards, beauty products and body parts add up to sonic landscapes that teem with the strange magic of ordinary life.

Stream/Purchase New Long Leg

Watch the “Scratchcard Lanyard” Video

Watch the “Strong Feelings” Video

Watch the “Unsmart Lady” Video

Dry Cleaning Tour Dates
Wed. Nov. 10 – Los Angeles, CA @ Teragram – SOLD OUT
Thu. Nov. 11 – San Francisco, CA @ Chapel – SOLD OUT
Sat. Nov. 13 – Portland, OR @ Vitalidad – SOLD OUT
Sun. Nov. 14 – Seattle, WA @ Crocodile – SOLD OUT
Tue. Nov. 16 – Chicago, IL @ Empty Bottle – SOLD OUT
Wed. Nov. 17 – Chicago, IL @ Empty Bottle – SOLD OUT
Fri. Nov. 19 – Brooklyn, NY @ Market Hotel – SOLD OUT
Sat. Nov. 20 – Brooklyn, NY @ Market Hotel – SOLD OUT
Wed. Jan. 19, 2022 – Paris, FR @ La Maroquinerie *
Thu. Jan. 20, 2022 – Lyron, FR @ Le Périscope *
Fri. Jan. 21, 2022 – Milan, IT @ Circolo Magnolia *
Sat. Jan. 22, 2022 – Bologna, IT @ Covo Club *
Mon. Jan. 24, 2022 – Vienna, AT @ Chelsea *
Tue. Jan. 25, 2022 – Prague, CZ @ Futurum *
Wed. Jan. 26, 2022 Berlin, DE @ Zukunft am Ostkreuz *
Fri. Jan. 28, 2022 – Copenhagen, DK @ Loppen *
Sat. Jan. 29, 2022 – Hamburg, DE @ Molotow *
Mon. Jan. 31, 2022 – Nijmegen, NL @ Doornroosje *
Tue. Feb. 1, 2022 – Brussels, BE @ Orangerie, Botanique *
Wed. Feb. 2, 2022 – Amsterdam, NL @ Paradiso Noord *
Fri. Feb. 4, 2022 – Rotterdam, NL @ Rotown *
Sat. Feb. 5, 2022 – Tourcoing (Lille), FR @ Le Grand Mix *
Mon. Feb. 14, 2022 – Liverpool, UK @ Arts Club Theatre %
Tue. Feb. 15, 2022 – Dublin, IE @ The Button Factory – SOLD OUT %
Wed. Feb. 16, 2022 – Belfast, IE @ Empire Music Hall %
Fri. Feb. 18, 2022 – Edinburgh, UK @ Summerhall (Venue upgrade) – SOLD OUT %
Sat. Feb. 19, 2022 – Glasgow, UK @, Queen Margaret Union (Venue upgrade) %
Sub. Feb. 20, 2022 – Leeds, UK @ Brudenell Social Club – SOLD OUT %
Tue. Feb. 22, 2022 – Birmingham, UK @ The Mill %
Wed. Feb. 23, 2022 – Bristol, UK @ SWX %
Fri. Feb. 25, 2022 – Manchester, UK @ Academy 2 %
Sat. Feb. 26, 2022 – Sheffield, UK @ Leadmill %
Sun. Feb. 27, 2022 – Nottingham, UK @ Rescue Rooms %
Tue. March 1, 2022 – Portsmouth, UK @ Wedgewood Rooms %
Wed. March 2, 2022 – Brighton, UK @ Concorde 2 %
Thu. March 3, 2022 – London, UK @ O2 Forum Kentish Town %

* = w/ Maria Somerville
% = w/ PVA

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[Thanks to Jacob at Pitch Perfect PR.]

Levitation France announces full 2021 lineup, and it’s a doozy.

The 2021 Levitation France full lineup has been announced, and it’s a great one.

The show will be at an outdoor venue this year to be a bit safer during the tail end of the pandemic. The Friday night shows include sets by The Limiñanas and Mars Red Sky, while Saturday night has sets by Shame, SLIFT, Zombie Zombie, Anika, and Wild Fox.

I’d be at this festival were it not for a nephew’s wedding that same weekend, but you should go in my stead.

Keep your mind open.

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