Maquina release powerful industrial psych single – “denial.”

Photo by Francisco Cabrita

Lisbon trio MAQUINA. (‘Machine’) are today announcing album ‘PRATA’ (‘Silver’), due out April 5th on Fuzz Club, and sharing the first single denial’. In support of the release, MAQUINA. will head out on a European tour with A Place To Bury Strangers, followed by festival appearances at Primavera PortoSonic Blast and Fuzz Club 2024.

Drawing from minimal krautrock repetition, pounding industrial techno and EBM, MAQUINA. explore the boundaries of these genres with force, carving out an adrenaline-fuelled sound that’s equally suited to dark, sweaty back rooms and the dance floor. On the new single, MAQUINA. write: “denial is about an inner turmoil and restless contemplation. The raw, haunting lyrics explore the struggle to find solace within oneself, amidst a sea of conflicting emotions. The plea to ‘shut me down’ echoes the yearning for respite in the face of overwhelming darkness.”

Listen to single “denial”:https://youtu.be/8QyfC_O3mDc
Pre-order/pre-save album ‘PRATA’:http://maquina.lnk.to/prata

Though their sound might have the club in its sights  – ‘PRATA’ follows their aptly-titled 2023 debut EP ‘DIRTY TRACKS FOR CLUBBING’ – this is an organic dance music that’s equally punk and psychedelic, played by a guitar-drums-bass power trio formation firing on all cylinders, without a synthesiser in sight. Having already amassed a notorious reputation in Portugal for the all-out energy of their live shows (as evidenced in this live video broadcast by Canal180), it’s no mean feat to replicate that in the studio but on ‘PRATA’ they have managed exactly that – owing to a creative approach largely rooted in improvisation, both on stage and in the studio.

Describing ‘PRATA’, recorded and co-produced by Carlos de Jesus (Sunflowers) at Arda Recorders, they write: “This album was composed spontaneously in the studio throughout the year 2023. It’s music of colour, delving into depths and dimensions that resonate with scale and contrast. Pushing sounds together to make noise and pushing noise together to make sounds. Emphasising textures that evoke feelings and soundscapes rather than relying solely on textual narratives. The music breathes life into auditory canvases, painting sonic panoramas pushing into a world of tactile sensation and immersive experiences.”

MAQUINA. tour dates:
06/04 – Köln, DE @ Club Volta*
07/04 – Karlsruhe, DE @ P8*
09/04 – Milan, IT @ Arci Bellezza*
10/04 – Bologna, IT @ Covo Club*
11/04 – Rome, IT @ Monk*
15/04 – Zurich, CH @ Bogen F*
17/04 – Marseille, FR @ La Makeda*
18/04 – Toulouse, FR @ Le Rex*
20/04 – Madrid, ES @ El Sol*
21/04 – San Sebastián, ES @ Dabadaba*
04/05 – Eindhoven, NL @ Fuzz Club 2024
07/06 – Porto, PT @ Primavera Sound
8-10/08 – Âncora, PT @ Sonic Blast 24
* with A Place To Bury Strangers

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[Thanks to Kate at Stereo Sanctity.]

Squid announce new single and North American tour dates.

Photo Credit: Alex Kurunis

Next month, Squid — the British quintet of Louis Borlase, Ollie Judge, Arthur Leadbetter, Laurie Nankivell, and Anton Pearson — will embark on a North American tour in support of last year’s expansive and evocative O Monolith. In anticipation, the band share a new single, “Fugue (Bin Song). A fan favorite and fixture in the band’s live performances over the past several years, the song was recorded during the O Monolith sessions with long-time collaborator Dan Carey at Peter Gabriel’s Real World studio in the spring of 2022 and was initially intended to be included on O Monolith, but didn’t make the final tracklisting. The song was re-mixed and edited by John McEntire (of Tortoise) in the later half of 2023.

Listen to “Fugue (Bin Song)”
 

O Monolith was praised by Consequence as “one of the most impressively creative rock records to grace 2023.” Following the band’s biggest UK and EU shows yet, Squid’s North American tour will see them stopping in AustinPhiladelphiaBrooklynChicagoLos Angeles, and more with Water From Your Eyes supporting all dates.  All concerts are listed below and tickets are available here.

This run will feature exclusive tour merch, including a collaborative tour poster from both bands and a homemade, tour exclusive cassette mixtapes from Squid. “It’s an antidote to the immediateness of music consumption nowadays,” Judge says. “It features music by friends and people I admire, probably best to be played at nighttime whilst sat on your favorite chair.” All copies are hand-stamped by Judge and features a Lino print design by Natalie Whiteland.

 
Purchase O Monolith
Watch Squid’s “The Blades” Video
Watch Squid’s “Undergrowth” Visualizer
Watch Squid’s “Swing (In A Dream)” Video
 
Squid Tour Dates:
Fri. Feb. 2 – Austin, TX @ The Parish *
Sat. Feb. 3 – Dallas, TX @ Dada *
Mon. Feb. 5 – Nashville, TN @ Basement East *
Tue. Feb. 6 – Atlanta, GA @ Terminal West *
Thu. Feb. 8 – Washington, DC @ 9:30 Club *
Fri. Feb. 9 – Philadelphia, PA @ Union Transfer *
Sat. Feb. 10 – Brooklyn, NY @ Brooklyn Steel *
Wed. Feb. 14 – Boston, MA @ Paradise Rock Club*
Thu. Feb. 15 – Montreal, QC @ SAT *
Fri. Feb. 16 – Toronto, ON @ Phoenix Concert Theatre *
Sun. Feb. 18 – Chicago, IL @ Thalia Hall *
Mon. Feb. 19 – Minneapolis, MN @ Fine Line *
Fri. Feb. 23 – Portland, OR @ Revolution Hall *
Sat. Feb. 24 – Vancouver, BC @ Rickshaw Theatre *
Sun. Feb. 25 – Seattle, WA @ The Crocodile *
Tue. Feb. 27 – San Francisco, CA @ Regency Ballroom *
Thu. Feb. 29 – Santa Ana, CA @ The Observatory *
Fri. March 1 – Los Angeles, CA @ The Belasco *
 
* w/ Water From Your Eyes

Keep your mind open.

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[Thanks to Ben at Pitch Perfect PR.]

Robber Robber debuts first single – “Sea or War.”

Photo Credit: Joey Krouse

Today, Burlington-based band Robber Robber — Nina Cates (vocals / rhythm guitar), Zack James (drums),  Will Krulak (lead guitar), and Carney Hemler (bass) — share their new single/video, “Sea or War.” Co-produced by James, Cates, and Benny Yurco (Grace Potter), “Sea or War” speaks to the moments of confusion and reflection that happen as you try to navigate a messy world, represented through relentless percussion contrasted with fluid melodies. Of the track, the band explains: “‘Sea or War’ explores how fine the balance feels between comfort and futility. There are various opposing forces being fused together, which can be felt in the lyrics, musical arrangement, and production.”

 
Watch Robber Robber’s “Sea or War” Video
 

James and Cates have been playing music together since they were kids. Immersing themselves in the eclectic Burlington scene, they began writing songs and formed Robber Robber. The past few years has given the project time to “live and breathe” while the band honed in on their songwriting and captured the tangible group dynamic they’ve cultivated on stage: “With this curiosity-driven approach, we were able to really conceptualize and fine-tune what we wanted Robber Robber to be,” says the band. “This project is very conceptual, and therefore can be difficult to pinpoint, and that’s part of what we find refreshing about it. We feel a lot of freedom in having loose parameters to fit into.”

Next month, Robber Robber will play shows in Burlington, Northampton, and Brooklyn previewing new music to be released later this year.

 
Robber Robber Live Dates
Thu. Feb. 1  – Burlington, VT @ Radio Bean
Fri. Feb. 2 – Northampton, MA @ 90 King St.
Sat. Feb. 3  – Brooklyn, NY @ The Sultan Room
Thu. March 28 – Boston, MA @ O’Briens Pub *
 
* = w/ Thus Love and Native Sun
Keep your mind open.

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[Thanks to Ahmad at Pitch Perfect PR.]

fanclubwallet strive to be a “Band Like That” with their new single.

Photo by Cole Yearwood

fanclubwallet — the project of Canadian singer-songwriter Hannah Judge — announces a new, full band EP, Our Bodies Paint Traffic Lines, out March 29th via Cool Online, and shares lead single “Band Like That.” The 24-year-old, until now proudly DIY in her approach, has enlisted the help of three close friends from the Ottawa scene (who also happen to be her touring band) for her most exciting release yet and “Band Like That” is the first taste of the band’s new direction. “I had spent months studying everyone else’s bands,” says Hannah, acknowledging a love for the likes of Metric, Pinback, Plumtree, and Alex G. “What made them so good? Why couldnt I be like them? And that’s where this new track came from.” In the accompanying video, Hannah’s character obsesses over a local band, eventually kidnapping its members and becoming headline news in a real-life newspaper called Club Chronicles created by Hannah herself and to be distributed around her hometown of Ottawa in the near future.

 
Watch fanclubwallet’s “Band Like That” Video
 

Once upon a time Hannah had been perfectly content sitting at home alone mucking around with cheap keyboards. But as fanclubwallet garnered more and more listeners on streaming services (breakthrough song “Car Crash in G Major” currently sits pretty on 13 million Spotify plays), a nationwide live tour quickly became an inevitability – even if it was something the once “debilitatingly shy” Hannah never expected would happen to her.

Things change when you leave the confines of your bedroom — not least the need to reconceptualize certain songs for a full-band dynamic. Thankfully for Hannah, that transition from DIY singer-songwriter to band leader was free of the usual tensions. In fact, since fanclubwallet had already started touring as a quartet before the new material came along, it could hardly have been simpler.

“I was lucky that when the time came to find a band, I had one standing right in front of me,” she says. Step forward: Nathan Reid (bass), Eric Graham (guitar) and Michael Watson, who not only played drums, but produced and mixed the record. “It’s cool to let your best friends take the lead,” says Hannah, who’s known half the band since way back in third grade, and once upon a time acted as their tour photographer. “They feel like my arms and my legs. Extensions of myself!”

After tracking one demo in a LA Airbnb and another in Alabama when their van broke down while on tour, the four of them de-banked to a cottage in Gatineau, Quebec, before applying the final touches at Port William Sound in Frontenac, Ontario – “an awesome place in the middle of nowhere.” The result is an EP partly conceived on the road which also deals thematically with the trials and tribulations of living and working in music — whether that’s the initial shock of leaving your more normal sedentary existence behind, band envy, stage fright, creepy photographers or simply finding joy in the collective.

Taking inspiration from 90s zine culture and leaning on Hannah’s side hustle as a cartoonist, fanclubwallet will release the EP with an exclusive set of comics, trading cards and chord charts for each song allowing fans to play along.

Keep your mind open.

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[Thanks to Patrick at Pitch Perfect PR.]

Dry Cleaning to reissue their first two EPs on March 08th and play a tour of smaller venues.

Photo Credit: Hanna-Katrina Jedrosz

Dry Cleaning will reissue their first two EPs, Boundary Road Snacks and Drinks / Sweet Princesson March 8th, 2024. Remastered to celebrate the release, Boundary Road Snacks and Drinks and Sweet Princess will be pressed as one single vinyl record. The former will be available on cassette for the first time and include an exclusive bonus single, a demo of New Long Leg single, “Strong Feelings,” recorded during the sessions for Boundary Road Snacks and Drinks. Today, the band has shared a new visualizer for the song “Sit Down Meal,” the first in a series of new visualizers created for all tracks across the EP by original ‘Magic of Meghan’ video collaborator Lucy Vann.

 
Watch the visualizer for “Sit Down Meal”
 

To coincide with the reissues, Dry Cleaning will head back on the road this March and April for headline sets that will lean heavily on songs from Boundary Road Snacks and Drinks and Sweet Princess. The tour will offer fans the chance to see the band play in more intimate venues and honor US shows that were postponed in 2020 (including SXSW). Tickets are on sale. Full tour dates are listed below and for tickets and information, head HERE.
 
The EPs will be reissued on vinyl featuring the original artwork and lyric sheet. Boundary Road Snacks and Drinks / Sweet Princess will be available digitally, on standard black LP, transparent blue LP (indie variant), CD and cassette on March 8th. To pre-order head HERE.
 
After a prolific 18-month period releasing two critically acclaimed John Parish-produced studio albums, New Long Leg (2021) and Stumpwork (2022), as well as last year’s companion release the five-track Swampy EP, South London’s Dry Cleaning are taking a moment to reflect on their journey and pay homage to their roots.
 
Dry Cleaning’s origin story is well known by now. Guitarist Tom Dowse, drummer Nick Buxton, and bassist Lewis Maynard had been friends and musical collaborators for years, and invited mutual friend Florence Shaw – a visual artist, picture researcher and drawing lecturer – to join the band in 2017. With clear musical influences from the Feelies, the Necessaries, the B52s and Pylon, and constrained by the small garage space they rehearsed in, Dry Cleaning were drawn to making simple music; direct and uncomplicated, anything superfluous was left behind.
 
By March 2018 the group had recorded the six-track debut EP Sweet Princess with producer Kristian Craig Robinson at Total Refreshment Centre in a single day. Two months later, in May 2018, the band played their first live show in Dalston at the Shacklewell Arms, and released the EP in August. Sweet Princess was a thrilling debut, its dizzying and restless instrumentals with Shaw’s sardonic vocals delivering a satirical collage of witty observations and social commentary. A further 6 songs in the form of the Boundary Road Snacks and Drinks EP quickly followed two months after. It was named in tribute to the band’s rehearsal space in Maynard’s family’s south London (Sidcup) home, and to his mother Susan whose home-cooked meals sustained the four friends in between sessions. With singles like “Sit Down Meal” and “Viking Hair,” Boundary Road Snacks and Drinks is a powerful companion to Sweet Princess. They share a similar pent-up energy, unsurprising given they came to life in the same environment those EPs were created in, an environment that had a huge influence on the band during those formative years.

 
Boundary Road Snacks and Drinks / Sweet Princess Tracklisting:
Boundary Road Snacks and Drinks:
A1. Dog Proposal
A2. Viking Hair
A3. Spoils
A4. Jam After School
A5. Sit Down Meal
 
Sweet Princess:
B1. Goodnight
B2. New Job
B3. Magic of Meghan
B4. Traditional Fish
B5. Phone Scam
B6. Conversation
 
Dry Cleaning 2024 Tour Dates:
Sun. Mar. 10 – Chicago, IL @ Empty Bottle
Mon. Mar. 11 – Chicago, IL @ Empty Bottle
Wed. Mar. 13 – Sat. Mar. 16 – Austin, TX @ SXSW
Mon. Mar. 18 – Los Angeles, CA @ Roxy
Tue. Mar. 19 – Los Angeles, CA @ Roxy
Thu. Mar. 21 – San Francisco, CA @ The Independent
Fri. Mar. 22 – San Francisco, CA @ The Independent
Sat. Mar. 23 – Boise, ID @ Treefort Festival
Mon. Mar. 25 – New York, NY @ Bowery Ballroom
Tue. Mar. 26 – New York, NY @ Bowery Ballroom
Fri. Apr. 5 – Glasgow, UK @ Saint Luke’s
Sat. Apr. 6 – Newcastle, UK @ The Grove
Sun. Apr. 7 – Birkenhead, UK @ Future Yard
Tue. Apr. 9 – Dublin, IE @ Whelan’s
Wed. Apr. 10 – Dublin, IE @ Whelan’s
Fri. Apr. 12 – Leeds, UK @ Brudenell Social Club
Sat. Apr. 13 – Leeds, UK @ Brudenell Social Club
Mon. Apr. 15 – Birmingham, UK @ Hare and Hounds
Tue. Apr. 16 – Birmingham, UK @ Hare and Hounds
Thu. Apr. 18 – London, UK @ EartH Theatre
Sat. Apr. 20 – Rotterdam, NL @ Motel Mozaique
Sun. Apr. 21 – Antwerp, BE @ Trix Hall
Tue. Apr. 23 – Munster, DE @ Gleis 22
Wed. Apr. 24 – Berlin, DE @ Halle am Berghain
Fri. Apr. 26 – Paris, FR @ La Gaite Lyrique
Fri. May 24 – Madrid, ES @ Tomavistas Festival
Sat. Jun. 29 – North Adams, MA @ Solid Sound Festival

Keep your mind open.

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[Thanks to Jacob at Pitch Perfect PR.]

Mr. Bungle announces 2024 U.S. tour dates.

Mr. Bungle continue to extend their 2024 world tour, adding headlining dates to cities the band has not visited since the turn of the millennium, with newly announced performances now also slated for the Southeastern and Midwestern U.S.:

May 6 Dallas, TX House of Blues

May 7 Austin, TX Emo’s

May 8 Houston, TX House of Blues

May 11 Atlanta, GA Tabernacle

May 12 Raleigh, NC The Ritz

May 14 Nashville, TN Brooklyn Bowl

May 15 Indianapolis, IN Egyptian Room

May 19 Minneapolis, MN First Avenue

Tickets are on-sale this Friday, Jan. 26 at 10 am local time. Ipecac alum, Otto Von Schirach opens on all headlining dates. Ticketing links are available at Ipecac.com/tours.

Full list of Mr. Bungle tour dates:

February 28 Tokyo, JP Toyosu Pit

February 29 Osaka, JP Namba Hatch

March 3 Auckland, NZ Auckland Town Hall +

March 6 Melbourne, AUS Festival Hall +

March 7 Adelaide, AUS Hindley Street Music Hall +

March 9 Sydney, AUS Hordern Pavilion +

March 10 Brisbane, AUS Fortitude Music Hall +

March 12 Perth, AUS Metro City +

May 6 Dallas, TX House of Blues #

May 7 Austin, TX Emo’s #

May 8 Houston, TX House of Blues #

May 10 Daytona Beach, FL Welcome to Rockville

May 11 Atlanta, GA Tabernacle #

May 12 Raleigh, NC The Ritz #

May 14 Nashville, TN Brooklyn Bowl #

May 15 Indianapolis, IN Egyptian Room #

May 17 Columbus, OH Sonic Temple

May 18 Milwaukee, WI Milwaukee Metal Fest

May 19 Minneapolis, MN First Avenue #

June 16 Zurich, CH X-Tra %

June 17 Milan, IT Magnolia %

June 19 Berlin, DE Huxley’s %

June 20 Copenhagen, DK Copenhell

June 23 Luxembourg Atelier %

June 24 Tilburg, NL 013 Poppodium %

June 27 Oslo, NO Tons of Rock

June 29 Clisson, FR Hellfest

+ with Melvins

% with Oxbow & Spotlights

# with Otto Von Schirach

Keep your mind open.

[Don’t forget to subscribe before you go.]

[Thanks to Monica at Speakeasy PR.]

VR SEX’s new single, “Real Doll Time,” is now here for your real enjoyment.

Photo by: Anders Larsson

Following 2022’s Rough Dimension LP, Noel Skum– aka Andrew Clinco of Drab Majesty– made the radical leap of expanding his psychedelic post-punk vehicle VR SEX into a fully collaborative five-piece band. Hard Copy is the result– 10 tracks of sneering psychedelic punk streaked with Chrome-damaged freak-outs and snotty power pop harmonies chronicling sex doll love affairs and glue-sniffing fatales and is due out March 22nd via Dais Records. To mark the announcement, the band are sharing the first single from the record “Real Doll Time“.

Listen / share “Real Doll Time” on YouTube.

To christen the new group’s camaraderie of becoming a five-piece band, VR SEX booked a block of studio time in Glassell Park, swapped skeletal iPhone demos, and “did that classic thing of a band making the exact record they want without any interference.” Working 12-hour days, they banged out the basics in a week, then tracked the rest over a month, fine-tuning it with flourishes, FX, and amplifier experiments.

Mixed by guitarist Mike Kriebel– an accomplished engineer with dozens of credits across the punk, goth, and garage underground– the album is dense, rich, and spatial, spurred by Clinco’s muse of “reckless abandon.” Shadows of Chrome, Stickmen With Rayguns, Japanese psych, and loud-quiet-loud grunge anthems flicker here and there, but ultimately VR SEX’s mode is more sardonic and saturated, oscillating between ripped leather riffing and space echo meltdowns. Banning plug-ins was a mission statement, with most instruments tracked direct into the board, then guitars added via a daisy chain of amplifiers, panned and mixed and matched for maximum intoxication: “My goal is always to load up every take with as much sound as possible in one pass.”
 
Lyrically, the record revisits the project’s perennial fascinations: twisted lust, cheap thrills, dirty money, doomed delinquents, and ruined romance amid the creeps and cracked dreamers of gritty city voids. The title refers to the uncanny valley between “facsimile and the real thing, and the illusion that one is better than the other – when both come with their own menu of delights and demonic pleasures.” Hard Copy embraces extremes and outliers, delusion and perversion, the conflicted dimensional depths lurking in every exploded heart: “I can be ugly / I can be strong / I can be proper / I can be wrong / I can be lovely / or I can be gone / the thing that will haunt you is still hanging on.”

Pre-order Hard Copy here and look for more news + music from VR SEX soon.

Keep your mind open.

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[Thanks to Stephanie at Another / Side.]

Review: Melody Fields – 1991

I’m not sure if calling Melody Fields1991 album a “companion piece” to their 1901 album is correct. It feels more link a continuation of 1901, or perhaps a better world is a transformation of it, not unlike the flower on 1991‘s cover opening to reveal things previously hidden.

1991 also has plenty of guest collaborators, whereas 1901 was all Melody Fields all of the time. The opening track, “Hallelujah,” (a remix / re-edit / re-imagining of “Jesus” from 1901) is a spaced out team-up with Snake Bunker. “Blasphemy” is a wall of My Bloody Valentine-inspired sound – beautiful, loud, and somewhat intimidating. Psych-DJ Al Lover teams up with Melody Fields on “Jesus Lover,” bringing up the drum beats and bass to turn “Jesus” into a dance track.

“Dandelion” rolls along like a cool van painted with some kind of wild ancient warrior artwork on the side. You can envision warm wind whipping through your hair, perhaps with a dandelion tucked behind one ear, as you drive out to a coastal music festival. Human Language joins Melody Fields, appropriately on “Talking with Jesus.” They slow down “Jesus” almost to a crawl, turning it into a dark wave track that beckons you from behind a curtain at the back of a weird store is some forgotten rust belt town.

The bold guitars on “Diary of a Young Man” bring images of dusty ghost towns to mind…and then it suddenly hits you with vocals that could be from an actual ghost for all I know. Get your incense ready for “Bhagavana Najika Cha,” because it might lift you off the ground, and the closer, “Son of Man” (guest-starring fellow Swedish psych-giants GOAT), keeps you afloat until after the album is done.

It’s a neat record that shows off Melody Fields’ different music influences, loves, and talents. Where else are you going to hear a record that blends psychedelia, dark wave, and dance grooves?

Keep your mind open.

[I’ll sing your praises if you subscribe.]

[Thanks to Melody Fields!]

Yard Act release new single, “Petroleum,” from upcoming “Where’s My Utopia?” album.

Photo Credit: Phoebe Fox

Today, Yard Act present their new single, “Petroleum,” another taste of their forthcoming second album, Where’s My Utopia?, out March 1st on Republic. The accompanying “Petroleum” video is a continuation of the prior James Slater-directed videos for “Dream Job” and “The Trench Coat Museum,” and stars friend of the band, comedian and creator of StarstruckRose Matafeo.
 
“Petroleum” lives on the second half of Where’s My Utopia?, which simultaneously contains some of Yard Act’s most grimly real and fantastically optimistic narratives yet. It was written after a touring nadir. “I lost it with the crowd in Bognor Regis and told them I was bored and I didn’t want to be there,” Yard Act’s frontman James Smith recalls. “Me and Ryan [Needham] had a row after, and Ryan rightly dressed me down for the way I acted. It got me pondering the idea that, now this is a job, what are the requirements of it? People think they want honesty but they don’t, they want me to portray the version of honesty that they’ve paid to see and that’s part of the illusion.”
 
Speaking about the ‘Petroleum’ video, Smith says: “‘Petroleum’ finds The Visitor as she stumbles into the hideout of a fearsome Biker gang called The Utopians. She’s still on the run from the H.G.E agents. It was a lot of fun shooting this video, and a joy to watch our friend Rose Matafeo bring the leader of The Utopians to life. Though the story isn’t being told in a linear format, I hope that the journey of The Visitor through the last three videos is starting to come together and reveal that we’re working on something bigger here. More to come!”
 
Rose Matafeo added: “I screen most of my phone calls, but when the phone flashes up ‘JAMES YARD ACT’ you’re gonna pick that up straight away. To feature in a Yard Act video has been on my bucket list ever since I added it to my bucket list after they asked me so I could have the satisfaction of crossing it off my bucket list. The overall vision for this album is so creatively ambitious and fun and cool and I’m so stoked to even be a little part of it. Sorry for my bad accent. Not sorry for the line dancing.”

 
Watch Yard Act’s “Petroleum” Video
 

Where’s My Utopia? follows Yard Act’s Mercury Prize shortlisted debut The Overload “a debut album bursting with character” (Uncut), and was co-produced by Yard Act and Gorillaz member Remi Kabaka Jr. Written in snapshots of time in the midst of touring, the album is a giant leap forward into broad and playful new sonic waters, sprinkled with strings, choirs, and voice-acting clips courtesy of comedian pals Nish Kumar, Rose Matafeo, and more. Where’s My Utopia? is a communal four-way effort built on chemistry, familiarity and the trust to challenge and push each other creatively. “The main reason that ‘post-punk’ was the vehicle for Album One was because it was really affordable to do, but we always liked so much other music and this time we’ve had the confidence to embrace it,” James explains.
 
It’s a celebratory palette upon which Smith allowed himself to reach lyrically deeper into himself than ever. Gone, largely, are the outward-facing character studies of yore, replaced with a set of songs that stare fully into the headlights of life, wrangling with the frontman’s own fears and foibles to create a sort of Promethean narrative – but with jokes. This dueling sense of responsibility and ambition, guilt, love, drive and everything in between forms the narrative backbone of Where’s My Utopia?, Yard Act’s brilliantly exploratory second album. “You can commit to the idea that we’re just animals who eat and fuck and then we die, and that’s fine,” Smith suggests. “But for me, creativity always seems to be the best way of articulating the absolute minefield of what human existence is.”
 
Next year, Yard Act will embark on a tour of North America, Europe and the UK, including a hometown headline show at the 5,750 capacity Millennium Square Leeds. A full list of tour dates is below, and tickets are on sale now.

 
Pre-order Where’s My Utopia?
 
Watch “Dream Job” Video
 
Watch “The Trench Coat Museum” Video
 
Yard Act Tour Dates

Wed. Mar. 13 – Norwich, UK @ The Nick Rayns LCR (UEA)
Thu. Mar. 14 – Nottingham, UK @ Rock City
Fri. Mar. 15 – Glasgow, UK @ O2 Academy
Sat. Mar. 16 – Manchester, UK @ O2 Apollo
Sun. Mar. 17 – Newcastle, UK @ Northumbria University
Tue. Mar. 19 – Belfast, UK @ Mandela Hall
Wed. Mar. 20 – Dublin, IE @ Vicar Street
Fri. Mar. 22 – Liverpool, UK @  Invisible Wind Factory
Sat. Mar. 23 – Bristol, UK @ O2 Academy
Mon. Mar. 25 – Brighton, UK @ The Dome
Wed. Mar. 27 – London, UK @ Eventim Apollo
Thu. Apr. 4 – Nantes, FR @ Stereolux
Fri. Apr. 5 – Paris, FR @ Cabaret Sauvage
Sat. Apr. 6 – Bordeaux, FR @ Rock School Barbey
Mon. Apr. 8 – Lisbon, PT @ LAV
Tue. Apr. 9 – Madrid, ES @ Mon
Thu. Apr. 11 – Barcelona, ES @ La 2
Fri. Apr. 12 – Lyon, FR @ Le Transbordeur
Sat. Apr. 13 – Bologna, IT @ Locomotiv Club
Sun. Apr. 14 – Milan, IT @ Santeria Toscana 31
Tue. Apr. 16 – Zurich, CH @ Mascotte
Wed. Apr. 17 – Munich, DE @ Muffathalle
Thu. Apr. 18 – Berlin, DE @ Festsaal Kreuzberg
Sat. Apr. 20 – Stockholm, SE @ Slaktkyrkan
Wed. Apr. 24 – Hamburg, DE @ Uebel & Gefährlich
Thu. Apr. 25 – Amsterdam, NL @ Paradiso Main Hall
Fri. Apr. 26 – Nijmegen, NL @ Doornroosje
Sat. Apr. 27 – Cologne, DE @ Kantine
Sun. Apr. 28 – Brussels, BE @ Les Nuits Botanique
Thu. May 30 – Solana Beach, CA @ Belly Up Tavern
Fri. May 31 – Los Angeles, CA @ The Regent Theater
Sat. Jun. 1 – Pioneertown, CA @ Pappy and Harriet’s
Mon. Jun. 3 – Santa Cruz, CA @ The Catalyst Atrium
Tue. Jun. 4 – San Francisco, CA @ The Independent
Thu. Jun. 6 – Portland, OR @ Mississippi Studios
Fri. Jun. 7 – Vancouver, BC @ Rickshaw Theatre
Sat. Jun. 8 – Seattle, WA @  The Crocodile
Sat. Aug. 3 – Leeds, UK @ Millenium Square

Keep your mind open.

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[Thanks to Jacob at Pitch Perfect PR.]

Meatbodies announce new, almost lost album and a new single – “Hole.”

Press Photo By Amanda Adam

Meatbodies’ latest undertaking and borderline lost album, Flora Ocean Tiger Bloom is their most varied and realized work to date. It’s a melodic, hook filled rock epic in which frontman and lead guitarist Chad Ubovich faces the trials of sobriety, redemption, reinvention while literally, learning to walk and play again. 

Resurrection not only accompanies the record, but its production as well, Flora Ocean Tiger Bloom examines themes surrounding love and loss, escapism, defeatism, hedonism, psychedelics and much more. “The last record was more of a cartoon version of who we were– simple and fun without delving into heavy concepts,” recalls Ubovich. “The whole thing before with Meatbodies was never sit down, next part, next part, but I wanted to make something with more depth. After everything that had happened, and my personal life, I was left with this feeling of emptiness and loss. So I wanted to make music that was absent from things– songs that were more about conveying feeling.”

March 8th of next year, Flora Ocean Tiger Bloom finally sees its release via In The Red. Its lead single and video “Hole,” released today, is pure alternative rock sweetness and clearly a nod to an amalgamation of shoegaze juggernauts from yesteryear. Backed by a brand-new video by Matt Yoka, “Hole” is immediate, dosed with enough pop and psilocybin to appease fans of both heavy rock and a quality melody. “That was one of the first songs I wrote, and I think it’s really indicative of that time,” says Ubovich. “How I was thinking and feeling and what I wanted to accomplish with this LP before I even knew it.”

Watch / Share “Hole” (Official Music Video) 

By 2017, Meatbodies’ Ubovich had reached a crossroads. After years of increasingly insane shows playing to heaving crowds with an ever-evolving and rotating door of personnel, fatigue had taken its toll and he realized another change was on the horizon. “It was like the car had run out of gas in the middle of the road, and I knew I had a long walk ahead of me.” Retreating to the seedy Los Angeles underbelly– in search of meaning and a reset. Ubovich escaped into that world, ignoring his own well being, trying to forget his successes. “I was living like a 90’s vampire out of a comic book. Stumbling around LA with the socialites, partying away my sorrows, trying to forget.”

It was at this point that Flora Ocean Tiger Bloom began to take shape—a project built by a man searching for new beginnings and his own sense of self. After sobering up, writing sessions began at Ubovich’s home and various studios with longtime collaborator Dylan Fujioka. Eventually, the official production for Flora began in 2019, but it was a story left on the editing table. Due to discrepancies with the studio, tensions were high and the plug was pulled. Left with an album only half baked, it seemed like Flora had been put to rest. After the fires cooled and many discussions about the future of the album. Ubovich finally got the green light to finish production for Flora in 2020 when he hit another snag– the pandemic. And as the world took a back seat, so did the idea of Flora Ocean Tiger Bloom.

Not wanting to sit still at home, Ubovich began to comb through his previous demos with Fujioka while writing for Flora. And with that, 333 was born, the now de facto third Meatbodies LP. Yet Flora was never far from Ubovich’s mind and once again he revisited the idea of completing the now fabled album. As restrictions started to lift, Ubovich headed to Gold Diggers Sound in Los Angeles, backed by engineer Ed McEntee and a team of colleagues and friends, Ubovich completed the final act to the album, but he still wasn’t quite out of the woods just yet. He now faced a new crisis, one that proved to be more terrifying than any before: his home that he had spent the last 8 years in had been deemed uninhabitable and he wound up in a hospital bed where he spent the next month of his life.

Having to not only learn to walk again but also learn to play again, Ubovich used an upcoming tour with his band FUZZ as a motivating factor and hit the road for a year trying to regain a sense of normalcy. By the time Ubovich returned from tour he was centered and energized, ready to conquer his white whale – Flora Ocean Tiger Bloom. The mission was finally a success. Armed with a new home and a new studio – The Secret Garden, Ubovich mixed the album himself, looped in Brian Lucey at Magic Garden to handle mastering, and Flora was completed, five years after those fateful demos with Fujioka. “A lot happened with this record – it took me five years, I was out of a band, I had a drug problem, the album almost didn’t happen, the pandemic made it almost not happen again, and then in the end I almost died in the hospital, lost my house, and had to learn to walk again. It’s been quite a road, but I could not be more thrilled with the final output. I guess the juice was worth the squeeze?” laughs the Meatbodies frontman.

And so here we are, with Flora Ocean Tiger Bloom, an album completed by an ironclad will and steely determination. A massive step forward, both by conventional standards and considering its tumultuous path toward completion, the album is set for release. The LP recalls the searing Blue Cheer-meets-Iggy Pop-with-psychedelia that permeated previous releases, but adds new elements of shoegaze, classic alternative, Britpop, drone, and hints of country—blazing trails without ever sounding forced or alien. Simultaneously an ode to ’80s LA punk and the rise of indie/alternative music in the U.K., Flora Ocean Tiger Bloom plays like a radio station broadcasting from the void, with a cosmic playlist of early Pink Floyd, Ramones, Roky Erickson, Kinks, and Spacemen 3. And while those names may seem outwardly disparate, Ubovich crafts a distinctively Meatbodies arc among the songs, creating an eclectic and unmistakably cohesive piece of work in total. It all adds up to an effort that shows strength in its diversity, which is only secondary to its impeccable songwriting. 

Pre-order / Pre-save Flora Ocean Tiger Bloom Here

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[Thanks to Bailey at Another Side.]