The Damned’s Paul Gray rejoins the band in time to record their new album.

BRITISH PUNK ROYALTY THE DAMNED REVEAL
UPCOMING ALBUM DETAILS AND MORE
TONY VISCONTI SET TO PRODUCE NEW DAMNED ALBUM SET FOR RELEASE 2018 
FORMER BASSIST PAUL GRAY REJOINS BAND 
 
Photos: Dod Morrison
As reported in early spring, legendary punk band The Damned signed a new label deal with Search & Destroy and announced plans for their 11th studio album. Now the band is pleased to announce that preparations are underway.
The band’s raw, primal and macabre energy will see its match in the studio this October in Brooklyn, NY with famed Producer Tony Visconti who for over five decades has produced some of the world’s most influential artists and their greatest albums (David Bowie, T.Rex, Morrisey, U2, The Stranglers, Iggy Pop and Thin Lizzy). On Engineer duties is four time Grammy-winning Producer /Engineer/Mixer Kevin Kline, who has also worked with Bowie and has spent the last several decades compiling an impressive list of credentials featuring premiere pop artists Peter Gabriel, Elvis
Costello, Burt Bacharach, Bryan Ferry and Brandon Flowers.
The New York Observer proclaimed, “The Damned are a band of infinite depth and a wide variety of pleasures… high-quality blurs of melodic punk, Beach Boys-ish flowery psych-pop, chiming, bittersweet post-punk, Moody Blues-ish bombastmopherics, spiraling goth and soaring faux soul, all brilliantly executed…”
It’s rather fitting that the band who in 1976 launched an alchemic, heady new British rock sound collaborates with one of the most important and influential producers in the history of rock.  “We want to do the unexpected,” noting that the new album will offer some of the old and a lot of the new. “We’ve never been predictable and well, neither has Tony. There will be a measure of experimentation and we know he’ll do his best to artistically challenge us. He’s been at the top of our producer list since we first started thinking about recording the album, dream come true he’s on board!” The as-yet-unnamed new album will be their first new album for nearly ten years and is the follow up to, ‘So, Who’s Paranoid?’ which came out in 2008.
This news also comes with a change in The Damned’s line up. The Damned  announce the bitter sweet news of the departure of bassist Stu West. “We had a great time with Stu on this long journey. We have infinite respect for him and are forever grateful for his contributions to The Damned. As a result of this mutual understanding, we respect his decision, support him wholeheartedly and wish him the best of luck and success.”
Furthermore, The Damned reveal that once again they will reunite with their former bass player Paul Gray (Eddie and the Hot Rods/Johnny Thunders (New York Dolls, Rob Tyner (MC5)/UFO), who was an essential part of the Damned during the 80s and who played bass on previous Damned albums “The Black Album” and “Strawberries”. Gray will be joining the Damned in the studio this fall.
A dizzying mix of dedication, creativity and stubborn will continues to fuel Dave Vanian, Captain Sensible, Monty Oxymoron, and Pinch.  While The Damned’s 40 year journey has been challenging, rewarding and shocking at best, they continue to reign as Punk’s original connoisseurs and feel very positive about what lies ahead in the future.  That evidence will be heard on their new album and in venues worldwide as the blitz continues on their Evil Spirits Tour set to rock intimate venues through out the UK this January.
The Damned ‘Evil Spirits’ 2018 UK Tour Dates:
26 January Newcastle O2 Academy
27 January Dundee Caird Hall
28 January Glasgow O2 Academy
30 January Leeds O2 Academy Leeds
31 January Manchester Academy 1
1 February Birmingham O2 Academy
3 February Leicester O2 Academy
4 February Nottingham Rock City
6 February Folkestone Leas Cliff Hall
7 February Southend Cliffs Pavilion
9 February Cardiff Great Hall
10 February Bristol O2 Academy Bristol
11 February Bournemouth O2 Academy
13 February Southampton O2 Guildhall
14 February Bexhill De La Warr Pavilion
17 February London O2 Forum
About The Damned:
Formed in 1976, The Damned really need no introduction…  As well as releasing the first ever British punk single and album, they also broke further new ground as the first UK punk act to tour America. The Damned still receive their dues in the US, where they are often cited as a major influence on many future rock acts, including bastions of the nascent US hardcore scene such as Black Flag and Bad Brains plus heavy metal heavyweights such as Green Day, The Offspring and Guns ’N’ Roses. The band recently celebrated four decades together with a deluxe reissues package and a world tour.
About Search and Destroy:
Raw Power Management oversee a roster of internationally successful acts which include: Bring Me The Horizon, At The Drive In, While She Sleeps, Of Mice and Men, Don Broco, Mallory Knox, and others.  The company’s record label Search and Destroy is home to, among others, Bullet For My Valentine & Atreyu.  Search and Destroy is a joint venture with Spinefarm Records / Universal.
Follow The Damned:

Goodbye Honolulu – No Honey

Toronto garage / psych-rockers Goodbye Honolulu (Max Bornstein – drums, Fox Martindale – guitar and vocals, Jacob Switzer – guitar, bass, and vocals, Emmett Webb – guitar, bass, and vocals) bring infectious energy on their debut EP No Honey.

The EP is five fast tunes starting with the catchy, bass heavy hit “Back to Me” – a clever song about the lead singer realizing everyone he knows hates him.  He’s on a quest for the good ole days when he wasn’t such a hipster elitist, even if that means he’ll just be “drinking beer and smoking lots of weed.”

“Mother to a Brother” hits hard like a long lost Weezer B-side.  The guitars on “Where You Wanna Go” somehow blend garage rock with a bit of reggae chops during the verses.

The title of “Bloody Hands” seems appropriate for how hard the entire band plays on it.  It reminds me of early Wavves tracks with its slight surf-vibe.  “Typical” closes the EP with jangly psychedelia as the singer laments his routine of loser behaviors such as drinking too much and then calling a former lover.

No Honey is too short, but so are all good EPs.  They leave you wanting more.  Say hello to Goodbye Honolulu (Am I the first to make that bad joke?).

Keep your mind open.

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Elephant Stone’s “Remix of Fools” now available for pre-order.

Montreal’s Elephant Stone have a remix album of their Ship of Fools record, entitled Remix of Fools, now available for pre-order.  Two of the tracks are instant downloads once you pre-order the full album.

PRE-ORDER the EP today and get instant downloads of both singles: http://smarturl.it/RemixOfFools

WATCH ‘Love Is Like A Spinning Wheel’ (Xavier Boyer Remix) here: https://youtu.be/teO4UmdGLLQ

WATCH ‘The Devil’s Shelter’ (Young Galaxy Remix) here: https://youtu.be/_cpXRAjRT-U

Don’t forget to catch them on tour across Europe! Paris, Leicester and an Acid House Ragas (check out this live recording) London date just added!

9/16 Angers, FR @ Theatre le Quai TICKETS | FB EVENT (ES + Acid House Ragas classical set)
9/17 Paris, FR @ SuperSonic FREE/GRATUIT FB EVENT
9/18 Le Havre, FR @ McDaid’s Live FB EVENT
9/19 Leiden, NL @ Gebroeders Nobel TICKETS | FB EVENT
9/20 Amsterdam, NL @ Paradiso TICKETS | FB EVENT
9/22 London, UK @ O2 Forum TICKETS | FB EVENT
9/23 Liverpool, UK @ Baltic Triangle TICKETS | FB EVENT (ES + Acid House Ragas)
9/25 Leicester, UK @ The Soundhouse
9/26 London, UK @ The Social FREE | FB EVENT (Acid House Ragas only)
9/27 Theossaliniki, GR @ Rover Bar 
9/28 Arta, GR @ Miles Bar 
9/29 Athens, GR @ Death Disco FB EVENT
12/3 Columbus, OH @ Ace of Cups TICKETS
12/4 Chicago, IL @ Thalia Hall TICKETS
12/5 Minneapolis, MN @ Fine Line TICKETS
12/6 St Louis, MO @ Off Broadway TICKETS
12/7 Nashville, TN @ High Watt TICKETS
12/8 Atlanta, GA @ The Earl TICKETS
12/9 Raleigh, NC @ Stag’s Head Music Hall TICKETS
12/10 Richmond VA @ Capital Ale House TICKETS
Om shanti om,
Rishi

ORB releases new single, “A Man in the Sand,” ahead of upcoming album due October 6th.

ORB

‘A Man In The Sand’ single released today
New album ‘Naturality‘, released October 6th, 2017
Performing intimate shows this week
Announced on national ‘Gizzfest’ tour Nov-Dec 

Photo by Jamie Wdziekonski
Geelong’s finest proto-metal band ORB have released the latest single and video clip from their upcoming record ‘Naturality’ out October 6th, 2017 on Flightless Records.

‘A Man In The Sand’ is accompanied by an absolutely stunning clip created by Alex McLaren and starring ORB lead singer Zak Olsen with various stop-motion paper cut outs. WATCH NOW.

ORB are playing some very special intimate shows over the next few weeks to road test new material before they perform on the national Gizzfest run in November-December.

Old Bar, Melbourne: Saturday September 9th
With School Damage & Living Eyes

Freda’s, Sydney: Wednesday September 13th
With Natalie de Silver

Freda’s, Sydney: Thursday September 14th
With GodK

Bar Open, Melbourne: Friday September 15
With Planet Slayer & Girlatones

All shows are $10 on the door only.

PRESS RELEASE #1
ORB
have respawned from last year’s Birth with a further mutated slab of paranoid heavy metal, Naturality’, out 6 October, 2017 on Flightless Records (AUS) & Castle Face Records (USA). They bring the dread with a kinetic muscularity and a pleasantly evolving synthetic strangeness, as if having eaten the wrong part of the garden, familiar things start to seem less so. The effects of these spores on your modern brain, already clogged with a steady drip of zips and zooms, are freshly heard and confusing. ORB are young and fleet-fingered, and certainly know their way around a riff, but they bring everything into an almost alien clarity both blunted and futuristic. ORB, you see, have ripened quite radically, and Naturality finds them sprouting new appendages and clawing at their enclosures. This is potent stuff, be careful. Listen to the first single, “You Are Right” now. Pre-order Naturality here.

NATURALITY Tracklisting

1. Hazlewart

2. A Man In The Sand

3. You Are Right

4. O.R.B.

5. Immortal Tortoise

6. Mother Brain

7. Flying Sorcerer

8. Rainbow’s End

Rewind Review: The Moonlandingz – Expanded (2015)

The Moonlandingz started as a bit of a joke between Sean Lennon and members of Fat White Family when then created a fictional band. That band got so much hype that art turned into reality and the Moonlandingz released Expanded in 2015.

The EP starts with the instrumental “Exorcise Your Mammary Eyes,” which I think is code for “Stop staring at my tits.” A Sean Lennon “de-mix” of “Sweet Saturn Mine” (one of the Moonlandingz biggest hits so far) is next, and the slowing of what is normally a fast, brash tune only highlights the creepiness of the lyrics (which are mostly about having sex while you’re high). “Lay Yer Head Down on the Road” is almost a carnival midway song about getting high to escape reality, even though such an action might be a bad idea.

“Blow Football with J. Carpenter” sounds like something John Carpenter would brew up on his home synthesizers. It’s creepy and futuristic at the same time. “Psych Ersatz” is equally strange, mixing images of spooky things in the shadows with psychedelic loops, beats, and echoed vocals.

The EP ends with “The Man in the Lyfe Suite – Parts 1, 2, and 3.” It’s a wild trip full of fuzzed out guitars, frantic vocals, and rollercoaster beats and loops.

Expanded was a nice appetizer for their full-length follow-up, Interplanetary Class Classics (one of my favorite albums of 2017 so far). Both are well worth your time.

Keep your mind open.

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Dion Lunadon – self-titled

As the story goes, Dion Lunadon, known to many as the bass player and co-mastermind of A Place to Bury Strangers, was feeling restless during a break in APTBS’ tour schedule. So, he poured that restless energy into his first solo album and gave the world a frantic, wild piece of noise-punk that has some fun surprises in it.

The album’s opener is a raging piece against something we all have to deal with – “Insurance, Rent, and Taxes.” The song flattens you with squelching sound and Robi Gonzalez (who used to play for APTBS). Lundaon sings, “Much too young to get any older.” on the swinging “Reduction Agent.” Lunadon reveals his love of dirty juke joint blues in the track in both the rhythm and lyrics (“I’ve got the mark of death. It won’t leave me alone.”). The organ and bass on “Fire” burns as hot as its namesake, building to a crazy blender-like frenzy. “Com / Broke” is your new favorite song for trying to beat rush hour traffic. Just be careful, as Lunadon’s lyrics do involve car crashes, fires, and self-destruction.

“Hanging By a Thread” is a post-punk (and nearly instrumental) surprise with guitars that sound like industrial saws. The industrial grind continues on “Move,” and Lunadon’s vocals sounds like the Borg has assimilated him. The drums blast the doors off the song around the 1:30 mark and you’re holding on for dear life by that point.

“Eliminator” is fierce noise-punk, and “Howl” is about Lunadon’s joy in expressing himself in the spotlight. It’s like something Lou Reed blasted out of his speakers when getting ideas for Metal Machine Music.

Believe it or not, “Ripper” is a psychobilly cut and Lunadon and crew have a blast on it. I couldn’t help but grin through the whole track. “White Fence,” on the other hand, is more fine post-punk with weirdly angled guitars and desperate vocal stylings. The closer, “No Control,” brings Lunadon’s album back into weird psychedelia before a quick, distorted fade out leaves you gasping for breath.

This debut solo record is quite a statement. It’s powerful, brash, and even fun. More debuts need to be this self-assured.

Keep your mind open.

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Rewind Review: Neko Case – Fox Confessor Brings the Flood (2006)

The second page of liner notes for Neko Case’s brilliant album Fox Confessor Brings the Flood have her name above the words “DANGEROUS TO MAN: WILD ANIMALS – A Definitive Study of Their Reputed Dangers to Man.” Ms. Case’s lyrics are often brutal in their honesty and her voice can both soothe and cut to the bone. She’s like a panther – lounging in the sun one moment, and then tearing out the throat of an antelope the other.

The album begins with “Margaret Vs. Pauline,” a tale of two girls. One, Pauline, has it made. “Everything is easy for Pauline,” Case sings. Margaret, however, has to scrap for all she can. Case has written an anthem for girls everywhere to never forget their strength. “Star Witness,” with its simple yet slick drumbeats by John Convertino, is a stunning display of Case’s vocal prowess.

“Hold On Hold On,” with the Sadies on backing vocals, is another plea from Case to stay strong in tough times, especially in matters of love. “I leave the party at three a.m., alone, thank God,” she sings at one point. It’s a haunting lyric, especially when the echoing song “A Widow’s Toast” follows it. It’s nothing but Case’s vocals and guitar, Paul Rigby’s guitar effects, and reverbed beauty.

The liner note art for “That Teenage Feeling” is a jackknifing semi-trailer with a transmission shaft shattering from the force. That, and the shuffling guitar (by Dexter Romweber, no less) backing Case’s voice, is a perfect expression of teenage emotions. The title track is about the beauty of things all around us that we don’t notice until they are gone. “John Saw That Number” is a great floor stomper spiritual with sizzling guitar by Dallas Good.

“Dirty Knife” is an ode to a murdered man and the type of song that Case does so well – a tale of death, love, violence, and rural landscapes. “Lion’s Jaws” belongs in David Lynch’s next Twin Peaks reboot. Dallas and Travis Good team up for lovely guitar work, and Kelly Hogan is listed as contributing “lovely backing vocal” to the track (which is true). “Maybe Sparrow” is one of Case’s greatest hits, and it’s easy to hear why as her voice peaks multiple times during the second verse. “At Last” is nothing but Case’s voice and three guitars, and “The Needle Has Landed” is beautiful power pop tinged with outlaw country.

Case is dangerous because her vocals and lyrics are like a hardwood staff. You can lean on them to get you through a rough patch or they can hit you in the ribs like a ball bat and bring you to your knees. Fox Confessor Brings the Flood is no exception.

Keep your mind open.

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Melkbelly announces tour dates with the Breeders and Bully.

MELKBELLY ANNOUNCE MORE TOUR DATES, INCLUDING SUPPORT FOR THE BREEDERS & BULLY, IN SUPPORT OF DEBUT ALBUM, NOTHING VALLEY, OUT OCTOBER 13TH ON CARPARK’S WAX NINE

(photo credit – Lenny Gilmore )

Chicago’s Melkbelly are set to release their debut full-length album, Nothing Valley, on Oct. 13th on Carpark Records’ imprint Wax Nine. Next week, the four-piece — Miranda Winters (vocals/guitar), brothers Bart (guitar) and Liam Winters (bass), and James Wetzel (drums) — hit the road for a run of pre-release shows supporting Protomartyr. Today, they are announcing more headline shows, plus support tours with The Breeders and Bully. All dates are below.

Emerging from Chicago’s DIY spaces, Melkbelly recorded Nothing Valley fresh off a west coast tour. The resulting debut album is organized noise and thoughtful freneticism. Throughout, they fuse dreamy vocal lines and cantankerous guitar racket as their songs clang and bang in stripped-down production that highlights the band’s sharp edges. Multi-faceted slabs of sound serve harmonious, immediate songs.

Watch Melkbelly’s “Middle Of” Video –
https://www.youtube.com/watch?v=NdLUXUsBoQY “Kid Kreative” Video – https://www.youtube.com/watch?v=3mJoRmdYTo0Pre-order Nothing Valley:
Via Wax Nine – smarturl.it/nothingvalley_wax9
iTunes – smarturl.it/nothingvalley_itunes
Apple Music – smarturl.it/nothingvalley_appleMelkbelly Tour Dates:
(new shows in bold)
Wed. Sep 6 – Pittsburgh, PA @ Cattivo #
Thu. Sep. 7 – Baltimore, MD @ Metro Gallery #
Fri. Sep 8 – Raleigh, NC @ Hopscotch Festival
Sat. Sep. 9 – Asheville, NC @ Mothlight #
Sun. Sep. 10 – Cincinnati, OH @ Northside Yacht Club #
Fri. Oct. 13 – Chicago, IL @ The Hideout (Record Release Show)
Mon. Oct. 16 – Bloomington, IN @ Bishop Bar +
Tue. Oct. 17 – Columbus, OH @ Double Happiness
Wed. Oct. 18 – Washington DC @ Comet Ping Pong
Fri. Oct. 20 – Brooklyn, NY @ Alphaville
Tue. Oct 24 – Cleveland, OH @ Now That’s Class
Wed. Nov. 08 – Portland, OR @ Wonder Ballroom ^ — SOLD OUT
Thu. Nov. 09 – Seattle, WA @ Showbox ^
Sun. Nov. 12 – San Francisco, CA @ the Independent ^ — SOLD OUT
Mon. Nov. 13 – Los Angeles, CA @ El Rey Theater ^ — SOLD OUT
Tue. Nov. 14 – Phoenix, AZ @ LBX
Thu. Nov. 16 – Denver, CO @ Larimer Lounge
Fri. Feb. 16 – Norman, OK @ Opolis *
Sat. Feb. 17 – Santa Fe, NM @ Meow Wolf *
Sat. Feb. 24 – Eugene, OR @ Hi Fi Music Hall * 
Mon. Feb. 26 – Vancouver, BC @ Biltmore Cabaret *
Thu. March 1 – Spokane, WA @ The Bartlett *
Fri. March 2 – Boise, ID @ Neurolux *
Sat. March 3 – Salt Lake City @ Kilby Court *
Tue. March 6 – Kansas City @ The Record Bar *

# = with Protomartyr
+ = with Snail Mail
^ = with the Breeders
* = with Bully

Live: Depeche Mode and Warpaint – Toronto, ON – September 03, 2017

The calm before the storm at Air Canada Centre in Toronto, Ontario.

Somehow multiple decades have gone by without me catching electro legends Depeche Mode live.  The dates finally worked out, and my wife and I were able to see them and shoegaze / post-punk newcomers Warpaint at Toronto’s Air Canada Centre.

Warpaint impressing a lot of us.

Warpaint played a good set of crisp post-punk with snappy bass lines and even snappier drumming (which would be a theme for the entire night).  I’d heard a lot of good things about them, and they didn’t disappoint.  I need to find more of their material.

Looking down the “Barrel of a Gun” with Depeche Mode.

Out came Depeche Mode to the Beatles’ “Revolution,” a major theme for their new album – Spirit.  They rolled into “Going Backwards,” “So Much Love,” and “Barrel of a Gun” (which included a snippet of Grand Master Flash’s “The Message,” which cracked me up).

“World In My Eyes”

The crowd (which filled the stadium, apart from the unsold / unused seats behind the stage, by the way) jumped to its feet when they broke into “World In My Eyes.”  It was a reminder of not only their electro prowess, but how much influence they’ve had on Trent Reznor.  An acoustic version of “Question of Lust,” sung by Martin Gore, was a crowd favorite, and the follow-up of “Home” was excellent.

Depeche Mode never letting us down.

“Where’s the Revolution?” – the first single off Spirit – was another standout and essentially the band’s rallying cry for fans old and new to stand up against The Man. “Everything Counts” is also staggeringly relevant for these times, even though it’s decades old by now.  It preceded “Stripped,” “Enjoy the Silence” (which  was almost entirely sung by the now-bonkers crowd), and “Never Let Me Down Again” – which was better live than I even hoped it would be (and drummer Christian Eigner was absolutely slaying his kit by this point).

“Somebody”

The encore started with “Somebody,” included a nice cover of David Bowie’s “Heroes,” and finished with big hits “I Feel You” and “Personal Jesus,” which had everyone raising their hands to “reach out and touch faith.”

“Personal Jesus”

It was long overdue, but very welcome.  My wife immediately listened to their new album as soon as we got back from the show.  She woke up the next day with Depeche Mode songs in their head, and I’ve had “Never Let Me Down Again” stuck in my brain for days.

Thanks for the fun, DM and Warpaint.

Keep your mind open.

 

John Dwyer releases 20th album in 20 years with OCS’ “Memories of a Cut Off Head.”

OH SEES’ NEW ALBUM ORC OUT NOW; OH SEES ARE DEAD, LONG LIVE OCS

OCS ANNOUNCES MEMORY OF A CUT OFF HEAD, OUT 11/17 ON CASTLE FACE

LISTEN TO TITLE TRACK OFF 20TH ALBUM IN 20 YEARS

Just as you begin to get comfortable with something, the rug is pulled from under you. Last Friday, John Dwyer and his band Oh Sees released their newest record, the monolithic psych opus Orc. This release represents the 19th album under some amalgam of the name Oh Sees/Thee Oh Sees/The Oh Sees, OCS, etc. Wasting no time, John Dwyer presents the 20th album (in the 20th year of the band’s existence), Memory of a Cut Off Head (out 11/17 on Castle Face), returning to his roots as OCS.

It is easy to forget (especially amidst the ringing of ears and aching of muscles after your typical Oh Sees show) that initially, OCS was a rather hushed affair. After the minimalistic brutality of Coachwhips, OCS was a diametric opposite corner of John’s musical world, quiet to the point of whispered in the wind, buffeted by the airy whirr of singing saw, soft and strange. Those early records especially had a rather contraband hush about them, as if the party has gone on all night and continues into the morning but everyone’s raspy from talking too much and gradually agrees to whisper and pantomime as they watch the sun come up over the hills. Since then of course, things got gradually louder, faster, crazier…the band evolved since then into the Oh Sees everyone knows. For the 20th Oh Sees release, 100th Castle Face title, and 20th year doing it, John re-examines the quieter roots of it all in particularly baroque and homesteadly fashion. Memory of a Cut Off Head was co-written with longtime collaborator and vocal counterpoint Brigid Dawson, recorded in total in John’s own Stu Stu Studio, and it’s lush, sumptuous in texture, but satisfyingly retains the gentle grace of the early stuff. There’s beautifully executed strings throughout, courtesy of Heather Lockie’s fine arrangements, horn arrangements courtesy of Mikal Cronin, and they even brought back the old saw – Patrick Mullins, that is – on saw and electronics. A return and a refinement of old forms, a few solemn meditations on life lived at high velocity, perhaps a respite from it…a softer side of JPD and distinguished company. Listen to the title track below.
LISTEN TO “MEMORY OF A CUT OFF HEAD”
http://bit.ly/2wJQNUt

PRE-ORDER MEMORY OF A CUT OFF HEAD
http://bit.ly/2wiTwSM

MEMORY OF A CUT OFF HEAD TRACKLISTING
1. Memory of a Cut Off Head
2. Cannibal Planet
3. The Baron Sleeps and Dreams
4. The Remote Viewer
5. On & On Corridor
6. Neighbor To None
7. The Fool
8. The Chopping Block
9. Time Tuner
10. Lift A Finger

 

PRAISE FOR ORC

“With their latest full-length, and a minor name change, John Dwyer’s garage-punk band continues to travel further toward rock’s outer limits.” – Pitchfork (7.4/10)

“The record is an absolutely evil stunner from front to back, top to bottom, head to toes and everywhere in between, and whips up the same kind of radiant, strange awe that the band’s overdriven catalog has so generously perpetrated album after wicked album.” – Paste (9.5/1010)

“Many have tried to knock the crown from his head, but essentially most just need to come to the conclusion that they’re not even on the same mountain.” – Raven Sings The Blues

“Whatever their lineup happens to look like, Oh Sees are here to deliver surrealist vignettes of horror and revelation. Dwyer paints sprawling auditory cartoons of aliens, mythical creatures and dominions of the otherworldly here.” – Exclaim! (8/10)

OH SEES/OCS TOUR DATES
Thu. Aug. 31 – Los Angeles, CA @ Teragram Ballroom
Fri. Sept. 1 – Phoenix, AZ @ The Crescent Ballroom
Sat. Sept. 2 – Albuquerque, NM @ Sister Bar
Mon. Sept. 4 – Austin, TX @ Hotel Vegas Outside
Tue. Sept. 5 – New Orleans, LA @ One Eyed Jack’s
Wed. Sept. 6 – Atlanta, GA @ Variety Playhouse
Sept. 7 – Raleigh, NC @ Hopscotch Music Festival
Fri. Sept. 8 – Philadelphia, PA @ Trocadero Theater
Sa. Sept. 9 – Brooklyn, NY @ Warsaw
Sun. Sept. 10 – Brooklyn, NY @ Warsaw
Wed. Sept. 13 – Cambridge, MA @ The Sinclair
Thu. Sept. 14 – Montreal, QC @ La Tulipe I Le National
Fri. Sept. 15 – Toronto, ON @ Danforth Theater
Sat. Sept. 16 – Cleveland, OH @ Beachland Ballroom
Sun. Sept. 17 – Chicago, IL @ Thalia Hall
Tue. Sept. 19 – Milwaukee, WI @ Turner Hall
Fri. Sept. 22 – Missoula, MT @ Monk’s
Sat. Sept. 23 – Seattle, WA @ Neumo’s
Sun. Sept. 24 – Vancouver, BC @ Commodore Ballroom
Mon. Sept. 25 – Portland, OR @ Crystal Ballroom
Wed. Sept. 27 – San Francisco, CA @ Great American Music Hall
Thur. Sept. 28 – San Francisco, CA @ Great American Music Hall

Purchase Orc – https://www.midheaven.com/item/orc-by-oh-sees
Hi-res photos/album art: http://pitchperfectpr.com/thee-oh-sees/

Oh Sees Online:
http://www.theeohsees.com
https://www.castlefacerecords.com
https://www.castlefacerecords.com/collections/thee-oh-sees